{"title":"Thriller","description":"","products":[{"product_id":"forgotten-gialli-volume-two","title":"Forgotten Gialli: Volume Two","description":"\u003cp\u003e\u003cem\u003eWith the giallo at its peak in the early 70s, it seemed that every filmmaker working in Italy was vying to make one and put their unique creative stamp on this highly popular genre. Presented here are a trio of early 70s gialli, all directed by filmmakers who had never made one before - or after - and all presenting wildly different approaches to the genre’s most prevalent trappings, ranging from deliriously sleazy, to high camp, to unwaveringly grim and sombre. All three films are presented in brand new and exclusive restorations of their original, uncensored, 35mm camera negatives. Vinegar Syndrome is proud to present the second entry in their 'Forgotten Gialli' series.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE GIRL IN ROOM 2A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter being released from prison, a young woman named Margaret goes to stay at a halfway house for female ex-cons, run by the kindly Mrs. Grant. It’s not long before Margaret begins experiencing strange happenings in the old house, such as a recurring red stain on the floor. And worse, she begins to be plagued by visions of young women being tortured and murdered by a mysterious figure in a red hood. But things take an even more unsettling turn when she befriends Charlie, who is searching for his sister, who has disappeared after staying in Mrs. Grant’s house...\u003c\/p\u003e\n\u003cp\u003eA bizarre giallo directed by American exploitation filmmaker, William L. Rose (Rent-A-Girl) and produced by globe trotting sleaze impresario, Dick Randall (For Y’ur Height Only). THE GIRL IN ROOM 2A (or ‘House of Fear’ in Italian) plays like an American roughie that’s been dressed as a murder mystery. Chock full of surprisingly brutal torture sequences, which are juxtaposed with classic spook show horror antics, the film stars some of Italy’s cult movie stalwarts, headlined by Daniela Giordano (Bloody Friday), Rosalba Neri (Lady Frankenstein), Raf Vallone (The Godfather III), and Karin Schubert (Christina). Vinegar Syndrome is pleased to present THE GIRL IN ROOM 2A in a brand new 2K restoration of its original 35mm camera negative and in its longest and most complete version ever presented on disc!\u003c\/p\u003e\n\u003cp\u003edirected by: William L. Rose\u003cbr\u003estarring: Daniela Giordano, Rosalba Neri, Raf Vallone, Karin Schubert\u003cbr\u003e1974 \/ 86 min \/ 1.66:1 \/ English and Italian Sound\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2k from its 35mm original negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIncludes both the English and Italian language dubbed soundtracks\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival interview with actress Daniela Giordano\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio essay by film historian and critic Rachael Nisbet\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal trailer (sourced from tape)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePromotional still gallery\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE FRENCH SEX MURDERS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing the brutal death of a prostitute at an exclusive Parisian brothel, grizzled Inspector Fontaine is brought in to investigate. After implicating Antoine, a petty thief and regular client of the murdered woman, Fontaine believes the case to be closed. However, Antoine makes a daring attempt to escape custody, only to get decapitated in the process, after which his eyes are given over to strange Professor Waldemar for study. But soon enough those affiliated with implicating him begin to meet their own violent ends. Has Antoine's vengeful spirit returned to kill those he believes responsible for his own gruesome fate? Or has another, more sinister character been behind these diabolical murders from the very beginning?\u003c\/p\u003e\n\u003cp\u003eA sublimely trashy giallo produced by Dick Randall (Don't Open Till Christmas) and helmed by career assistant director, Ferdinando Merighi (as F.L. Morris), THE FRENCH SEX MURDERS constantly straddles the line between a clever murder mystery and a distinctly 70s sleaze-fest, chock full of gore and nudity. Starring Humphrey Bogart lookalike Robert Sacchi (the film was briefly retitled Call Girls For Inspector Bogart!), alongside Euro-sleaze favorites Howard Vernon (Awful Dr. Orlof), Rosalba Neri (Devil's Wedding Night), Barbara Bouchet (Don't Torture a Duckling), and Anita Ekberg (Killer Nun), Vinegar Syndrome is proud to present the world Blu-ray debut of this cult favorite, newly restored from its original 35mm camera negative!\u003c\/p\u003e\n\u003cp\u003edirected by: Ferdinando Merighi\u003cbr\u003estarring: Robert Sacchi, Howard Vernon, Rosalba Neri, Barbara Bouchet, Anita Ekberg\u003cbr\u003e1972 \/ 91 min \/ 1.85:1 \/ English and Italian Sound\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2k from its 35mm original negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIncludes both the English and Italian language dubbed soundtracks\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHistorical commentary track with authors and film historians Kat Ellinger and Samm Deighan\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“The Wild, Wild World of Dick Randall” - a featurette on the career of producer Dick Randall\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePromotional still gallery\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMY DEAR KILLER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter a man is decapitated by an excavator at a rural construction site, Inspector Luca Peretti is assigned to the case. But what initially seems to be an isolated killing soon paves the way for an ever growing number of vicious murders. As Peretti tries desperately to unmask the killer, he discovers that all of the victims were, in some way, connected to another shocking crime, the horrific murder of a young girl, which has remained unsolved for several years...\u003c\/p\u003e\n\u003cp\u003eDirected by Tonino Valerii (Day of Anger), who is best known for making spaghetti westerns, MY DEAR KILLER was his sole foray into the giallo genre. The result is a handsomely produced and unrelenting mystery-thriller that revels in clever twists and brutally depicted murders. Starring favorite giallo leading man, George Hilton (The Strange Vice of Mrs. Wardh) along side William Berger (Keoma), Patty Shepard (Slugs) and Helga Line (Horror Express), Valerii crafts a tight and suspenseful film which is further anchored by Manuel Rojas’ (Bell From Hell) long-take heavy cinematography and Ennio Morricone's (The Good, the Bad, and the Ugly) unnerving jazz and percussion based soundtrack. Vinegar Syndrome is proud to present this sleeper masterpiece of prime era giallo cinema on Blu-ray, from a stunning new 4K restoration of its 35mm original negative.\u003c\/p\u003e\n\u003cp\u003edirected by: Tonino Valerii\u003cbr\u003estarring: George Hilton, William Berger, Patty Shepard, Helga Line\u003cbr\u003e1972 \/ 100 min \/ 2.35:1 \/ English and Italian Sound\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIncludes both the original Italian language and the English dubbed version, with the English version being sourced from tape\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Innocence Lost” a brand new video interview with writer Roberto Leoni (40 min)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival interview with actor George Hilton and director Tonino Valerii\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41079180918967,"sku":"VS-339ABC","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/forgottengialli2stdfront.jpg?v=1649171222"},{"product_id":"star-time","title":"Star Time","description":"\u003cp\u003eHenry Pinkle (Michael St. Gerard) lives for television. This world of make-believe consumes his every waking moment. But when his favorite show is canceled, Henry is driven over the edge and decides to commit suicide. Then he meets Sam Bones, a mysterious agent who promises Henry happiness and stardom - if he follows his instructions, engulfing Henry in an increasingly downward spiral of brutality and murder...\u003c\/p\u003e\n\u003cp\u003eHailed by The LA Times as \"an impressively ambitious and potent first feature,\" Alexander Cassini's STAR TIME is an angst-ridden study of violent psychosis and media obsession, pronounced by surrealist visuals and gory violence. Co-starring John P. Ryan (IT'S ALIVE) and Maureen Teefy (FAME), Vinegar Syndrome presents this unique art-house horror film on Blu-ray, newly restored from its original 35mm camera negative and presented in its never-before-on-home-video original director's cut.\u003c\/p\u003e\n\u003cp\u003edirected by: Alexander Cassini\u003cbr\u003estarring: Michael St. Gerard, John P. Ryan, Maureen Teefy\u003cbr\u003e1991 \/ 84 minutes \/ Color \/ 1.85:1 OAR\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\/DVD combo pack\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 2k from 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eCommentary track with director Alexander Cassini\u003c\/li\u003e\n\u003cli\u003e\"Shooting Star Time\" - interview with Cinematographer Fernando Arguelles\u003c\/li\u003e\n\u003cli\u003e\"The Great Performance\" - a short film by Alexander Cassini\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":37861959467191,"sku":"VS-214","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/startimefront.jpg?v=1648590436"},{"product_id":"sugar-cookies","title":"Sugar Cookies","description":"\u003cp\u003eLynn Lowry (Shivers, The Crazies, Score) and Mary Woronov (Death Race 2000, Eating Raoul) star in one of the most unique psychological thrillers of the 70s, Theodore Gershuny's SUGAR COOKIES.\u003c\/p\u003e\n\u003cp\u003eAfter the mysterious death of erotic film actress Alta (Lynn Lowry) while in the company of sleazy sex-film producer Max (George Shannon), her manipulative agent Camilla (Mary Woronov) begins searching for a 'perfect replacement'. After discovering a young, aspiring actress, Julie (also Lynn Lowry), Camilla and Max slowly groom her into a mirror image of Alta, but as Julie begins to become more aware of the sinister motives of her new caretakers, she also starts fearing for her own life.\u003c\/p\u003e\n\u003cp\u003eWritten and produced by Lloyd Kaufman (The Toxic Avenger), SUGAR COOKIES is a blisteringly erotic Hitchcockian thriller from New York's outrageous underground film scene. Featuring Andy Warhol regular Ondine and Monique Van Vooren (Flesh For Frankenstein), as well as an early appearance from sexploitation superstar Jennifer Welles, Vinegar Syndrome is proud to present this forgotten gem of early 70's exploitation cinema newly restored in 4K from its original camera negative and on blu-ray for the very first time.\u003c\/p\u003e\n\u003cp\u003edirected by: Theodore Gershuny\u003cbr\u003estarring: George Shannon, Ondine, Jennifer Welles, Lynn Lowry, Mary Woronov, Monique Van Vooren\u003cbr\u003e91 minutes \/ 1971 \/ Color \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K Restoration from the 35mm Camera Negative + New video interview with Writer \u0026amp; Producer, Lloyd Kaufman\u003c\/li\u003e\n\u003cli\u003eNew video interview with Star Lynn Lowry\u003c\/li\u003e\n\u003cli\u003eInterview with Star Mary Woronov + Original Theatrical Trailers\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41079220338871,"sku":"VS-043BD","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/sugarcookiesfront.jpg?v=1749063139"},{"product_id":"olivia","title":"Olivia","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eWhen she was a child, Olivia (Suzanna Love) witnessed the horrifying and violent murder of her prostitute mother at the hands of an angry John. Now an adult, she's married to an abusive and controlling factory worker, that is, until her mother appears to her and demands that Olivia avenge her death by seducing and then slaying men. While disposing of a body near the London Bridge, Olivia has a chance meeting with a friendly American named Mike (Robert Walker Jr) who reveals that he’s visiting England in order to dismantle and move the bridge to Arizona, setting off a series of increasingly strange events, and a lot more bloodshed…\u003cbr\u003e\u003cbr\u003ePerhaps the most offbeat film in the fascinating career of German actor turned exploitation auteur, Ulli Lommel (Tenderness of the Wolves, The Boogeyman) OLIVIA (also known as Prozzie and Double Jeopardy) finds a distinctive blend of slasher, erotic thriller, and straight forward sleaze, seasoned with touches of semi-surrealism. Atmospherically photographed and featuring a moody score by Joel Goldsmith (Man’s Best Friend), Vinegar Syndrome brings this nearly unclassifiable piece of early 80s genre weirdness to Blu-ray, newly restored in 4K from its original 35mm camera negative and presented in its completely uncensored version for the first time on disc.\u003c\/p\u003e\n\u003cp\u003edirected by: Ulli Lommel\u003cbr\u003estarring: Suzanna Love, Robert Walker Jr., Jeff Winchester, Ulli Lommel\u003cbr\u003e1981 \/ 85 min \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\/DVD combo\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003e“Becoming Olivia” - an interview with actress Suzanna Love\u003c\/li\u003e\n\u003cli\u003e“Taking on Many Roles” - an interview with writer\/asst. director John P. 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But unknown to the happy couple, a member of a Satanic sect decides that Helen will be the perfect mother for the Antichrist and intervenes!\u003c\/p\u003e\n\u003cp\u003eA diamond in the rough of early 80s Euro-horror, then 72 year old filmmaker Ignacio F. Iquino's (directing as Steve McCoy) SECTA SINIESTRA, or, Bloody Sect, barely saw any kind of release outside of its native Spain, despite liberally 'borrowing' plot elements from Rosemary's Baby, with touches of The Exorcist. Brimming over with every key element of Eurosleaze, including surprisingly mean spirited and brutal killings, Satanic possession, loads of nudity, zoom-happy cinematography, absurd plot twists and a pounding score, SECTA SINIESTRA is long overdue to join the ranks of the craziest offerings from Bruno Mattei or Joe D'Amato. Vinegar Syndrome is thrilled to resurrect this forgotten gem from Spain's sleaziest and most entertaining era in film production and presents the impossible to see SECTA SINIESTRA on Blu-ray for the first time, newly restored in 2k from its original 35mm camera negative.\u003c\/p\u003e\n\u003cp\u003edirected by: Ignacio F. Iquino\u003cbr\u003estarring: Emma Quer, Carlos Martos, Diana Conca, Concha Valero\u003cbr\u003e1982 \/ 86 min \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\/DVD combo\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2k from its 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eAudio commentary with film historian and author Kat Ellinger\u003c\/li\u003e\n\u003cli\u003ePromotional stills gallery\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eOriginal Spanish language soundtrack\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/1B0u0dT2HZc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":37861980438711,"sku":"VS-294","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/sectasiniestrafront.jpg?v=1648589846"},{"product_id":"blue-vengeance","title":"Blue Vengeance","description":"\u003cp\u003eConvicted murderer Mark Trex has just escaped from an asylum and is headed for New York City to track down the members of his favorite childhood band, Warriors of the Inferno. Believing that their occult hit song, which told of Satan and death, is true, Trex is determined to see if the band members have held up their part of their pact with evil. However, cop-on-the-edge Mickey McCardle is hot on his trail and determined to end this serial killer's spree.\u003c\/p\u003e\n\u003cp\u003eA strange mash-up of horror and action film, J. Christian Ingvordsen's BLUE VENGEANCE combines gory killings with drug addled underground rock club scenes and corrupt police procedure that's set in the gritty world of late 80s New York, and comes complete with visits to Times Square and the infamous music club, CBGBs. Vinegar Syndrome presents the Blu-ray debut of this direct-to-video rarity, newly restored from its camera negative.\u003c\/p\u003e\n\u003cp\u003edirected by: J. Christian Ingvordsen\u003cbr\u003estarring: J. Christian Ingvordsen, John Weiner, Garland Hunter, Tony Kruk\u003cbr\u003e1989 \/ 103 minutes \/ Color \/ 1.85:1 OAR\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\/DVD combo pack\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 2k from the 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eCommentary track with director\/actor J. Christian Ingvordsen, moderated by Michael Gingold\u003c\/li\u003e\n\u003cli\u003eCommentary track with actor John Weiner\u003c\/li\u003e\n\u003cli\u003e\"Making Blue Vengeance\" - making-of documentary created by J. Christian Ingvordsen\u003c\/li\u003e\n\u003cli\u003e\"On Blue Vengeance\" - a conversation with J. Christian Ingvordsen \u0026amp; Michael Gingold\u003c\/li\u003e\n\u003cli\u003e\"The First Man\" (1996) - an unreleased surreal science fiction drama from Blue Vengeance co-writer Danny Kuchuck\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":37861984633015,"sku":"VS-218","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/bluevengeancefront.jpg?v=1647894928"},{"product_id":"murder-weapon-deadly-embrace","title":"Murder Weapon \/ Deadly Embrace","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eThe beautiful \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Linnea+Quigley'\u0026amp;type=product\"\u003eLinnea Quigley\u003c\/a\u003e stars in two erotic thrillers from filmmaker \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='David+DeCoteau'\u0026amp;type=product\"\u003eDavid DeCoteau\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eFirst, in \u003cstrong\u003eMURDER WEAPON\u003c\/strong\u003e, two women, who have just been released from an asylum hold a party to reunite with their old boyfriends. Soon though a mysterious black clad killer begins murdering the boys in increasingly gruesome ways. Can the murderer be unmasked before it's too late?\u003c\/p\u003e\n\u003cp\u003eThen, in \u003cstrong\u003eDEADLY EMBRACE\u003c\/strong\u003e, a lonely and under-sexed housewife hires a studly houseman, only to begin an affair with him. But when his actress girlfriend (\u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Linnea+Quigley'\u0026amp;type=product\"\u003eLinnea Quigley\u003c\/a\u003e) comes to visit, as well as her wealthy husband (\u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Jan-Michael+Vincent'\u0026amp;type=product\"\u003eJan-Michael Vincent\u003c\/a\u003e), things start happening that no one would have expected...\u003c\/p\u003e\n\u003cp\u003eNever released theatrically, Vinegar Syndrome is proud to have restored these nudity and blood filled direct to video classics from their long lost 16mm camera negatives and bring them to Blu-ray for the first time.\u003c\/p\u003e\n\u003cp\u003edirected by: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='David+DeCoteau'\u0026amp;type=product\"\u003eDavid DeCoteau\u003c\/a\u003e\u003cbr\u003estarring: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Linnea+Quigley'\u0026amp;type=product\"\u003eLinnea Quigley\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Jan-Michael+Vincent'\u0026amp;type=product\"\u003eJan-Michael Vincent\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Michelle+Bauer'\u0026amp;type=product\"\u003eMichelle Bauer\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Lyle+Waggoner'\u0026amp;type=product\"\u003eLyle Waggoner\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Karen+Russell'\u0026amp;type=product\"\u003eKaren Russell\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Mindi+Miller'\u0026amp;type=product\"\u003eMindi Miller\u003c\/a\u003e\u003cbr\u003e1989 \/ 165 minutes \/ Color \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll extras on both disc formats\u003c\/li\u003e\n\u003cli\u003eRegion free Blu-ray and DVD combo pack\u003c\/li\u003e\n\u003cli\u003eScanned, restored \u0026amp; preserved in 2k from 16mm original camera negatives\u003c\/li\u003e\n\u003cli\u003eCommentary track with director \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='David+DeCoteau'\u0026amp;type=product\"\u003eDavid DeCoteau\u003c\/a\u003e \u0026amp; actress \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Linnea+Quigley'\u0026amp;type=product\"\u003eLinnea Quigley\u003c\/a\u003e on both films\u003c\/li\u003e\n\u003cli\u003eDirector introduction for both films\u003c\/li\u003e\n\u003cli\u003eVideo trailer for MURDER WEAPON\u003c\/li\u003e\n\u003cli\u003eOuttakes for DEADLY EMBRACE\u003c\/li\u003e\n\u003cli\u003eReverse cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH Subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41079214178487,"sku":"VS-138","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/murderweaponfront.jpg?v=1648502855"},{"product_id":"forgotten-gialli-volume-one","title":"Forgotten Gialli: Volume One","description":"\u003cp\u003e\u003cem\u003eThe giallo remains one of the most popular sub-genres in Italian and Spanish film history. But for all of the well-known and classic films the genre has spawned, so many others have been nearly impossible to enjoy since their theatrical debuts. This first entry in our 'Forgotten Gialli' series presents three rarities, two from Spain and one from Italy, none of which have ever been legally available in the English speaking world.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRAUMA\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDaniel, a writer seeking seclusion to work on his new book, finds himself stranded at a rural bed and breakfast run by a strange and prudish young woman and her ailing, wheelchair-bound husband who remains shut in his room all day. However, as night falls, a psychotic, razor-wielding killer begins stalking the bed and breakfast, brutally slashing the throats of its most sex-crazed guests, whose bodies and luggage then mysteriously disappear the following morning...\u003c\/p\u003e\n\u003cp\u003eA satisfyingly trashy low-budget Spanish giallo which inadvertently also ranks as one of the country's earliest proto-slashers, León Klimovsky's (The Vampire's Night Orgy) TRAUMA aka Violación Fatal is filled with gratuitous sex and nudity, along with bloody killings. Barely released outside of Spain, Vinegar Syndrome presents TRAUMA on Blu-ray, in a brand new 2K restoration of its camera negative and in its longest version ever presented on home video.\u003c\/p\u003e\n\u003cp\u003edirected by: León Klimovsky\u003cbr\u003estarring: Ágata Lys, Heinrich Starhemberg, Ricardo Merino, Isabel Pisano\u003cbr\u003e1978 \/ 87 min \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2k from its 35mm original negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal Spanish language sound with newly translated English subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHistorical commentary track with European cult cinema author Troy Howarth\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePromotional image gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKILLER IS ONE OF 13\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA recent widow has invited a group of family friends to her large and secluded country home. However, what the guests don't know, is that the reason they've been assembled is because their host suspects one of them might be her husband's killer and she's intent on uncovering the identity of his murderer. As the guests begin to suspect each other, revealing long kept and sinister secrets in the process, an unknown, black-gloved killer begins bumping them off in a variety of nasty ways.\u003c\/p\u003e\n\u003cp\u003eA unique Spanish take on Agatha Christie's oft-adapted novel, and giallo source material favorite, And Then There Were None, exploitation auteur Javier Aguirre's (Count Dracula's Great Love) THE KILLER IS ONE OF 13 is uncharacteristically literary-in-structure, but never skimps on its requisite bloodshed. Featuring some of Spain's top genre film stars including Patty Shepard (Rest in Pieces), Jack Taylor (Female Vampire), and Paul Naschy in a supporting role, Vinegar Syndrome brings THE KILLER IS ONE OF 13 to Blu-ray, newly restored in 2K from its original negative and available in North America for the first time in any format.\u003c\/p\u003e\n\u003cp\u003edirected by: Javier Aguirre\u003cbr\u003estarring: Patty Shepard, Simón Andreu, José María Prada, Jack Taylor, Paul Naschy\u003cbr\u003e1973 \/ 95 min \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2k from its 35mm original negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal Spanish language sound with newly translated English subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHistorical commentary with author and Editor-In-Chief of Diabolique Magazine Kat Ellinger\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePromotional image gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE POLICE ARE BLUNDERING IN THE DARK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA young nude-model is violently stabbed to death with a pair of scissors. It soon emerges that three other women have already fallen prey to this unknown maniac, and that all three victims have a single and unique connection: they all served as models for an eccentric photographer named Parisi. When another young woman with a date to be photographed is murdered, her journalist boyfriend decides to investigate the crimes and quickly finds himself mixed up with Parisi, who reveals that he's working on a camera capable of photographing people's thoughts!\u003c\/p\u003e\n\u003cp\u003eThe only film credit from 'one-and-done' director, Helia Colombo, THE POLICE ARE BLUNDERING IN THE DARK is a satisfyingly sleazy and decidedly oddball giallo rarity, filled with bloody killings, plentiful nudity, wild plot twists, and plenty of general weirdness. Unseen outside of its native Italy, Vinegar Syndrome presents THE POLICE ARE BLUNDERING IN THE DARK in a fresh, 2K restoration of its original negative and in its first official home video release anywhere in the world.\u003c\/p\u003e\n\u003cp\u003edirected by: Helia Colombo\u003cbr\u003estarring: Joseph Arkim, Francisco Cortéz, Gabriella Giorgelli, Elena Veronese\u003cbr\u003e1978 \/ 87 min \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2k from its 35mm original negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal Italian language sound with newly translated English subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHistorical audio essay with film historian and critic Rachael Nisbet\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePromotional image gallery\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":40556546064567,"sku":"VS-314ABC","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/forgottengialli3stdfront.jpg?v=1649171462"},{"product_id":"killers-delight","title":"Killer's Delight","description":"\u003cp\u003e\u003cspan\u003eThis special limited edition embossed slipcover (designed by Earl Kess) is limited to \u003cstrong\u003e5,000\u003c\/strong\u003e \u003cstrong\u003eunits\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn unknown killer has been stalking Northern California, picking up innocent young women in his van and then brutally torturing and murdering them, leaving their mutilated bodies in nearby woods. Sgt. Vince De Carlo has been assigned to the case but finds himself with almost nothing to go on, that is, until the murderer begins picking off teenage girls who frequent a local public pool. With the aid of psychologist Carol Thompson, De Carlo begins to devise a plan to lure the killer into the open...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMore than slightly inspired by the then hot case of notorious serial killer, Ted Bundy, Jeremy Hoenack's KILLER'S DELIGHT (originally shot as THE SPORT KILLER and later re-released as THE DARK RIDE) is an intriguing mix of proto-slasher and detective drama which stars prolific TV actor James Luisi (The Rockford Files) alongside Golden Globe nominee Susan Sullivan (Falcon Crest),  John Karlen (Dark Shadows), and genre film character actor, George 'Buck' Flower (Berserker). Vinegar Syndrome is proud to present this gritty true crime thriller on Blu-ray for the first time, newly restored in 4K from its original 35mm camera negative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Jeremy Hoenack\u003cbr\u003estarring: James Luisi, Susan Sullivan, John Karlen, Martin Speer, Hilarie Thompson, Anne-Marie Martin, George 'Buck' Flower\u003cbr\u003e1978 \/ 86 min \/ 1.85:1 \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original camera negative\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with director Jeremy Hoenack\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew interview with director Jeremy Hoenack\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew interview with writer Maralyn Thoma\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNew interview with cinematographer Arthur R. 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All three films are presented in brand new and exclusive restorations of their original, uncensored, 35mm camera negatives. Vinegar Syndrome is proud to present the third entry in their 'Forgotten Gialli' series.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTOPSY\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA wave of sudden, violent suicides have gripped Rome and are being blamed on sun spots. Simona, a young pathologist with an unhealthy obsession with death, has become increasingly interested in this strange phenomenon. But with the discovery of the body of a young woman, an apparent victim of a self inflicted gunshot, Simona finds herself thrust into a terrifying mystery and conspiracy to cloak actual murders as suicides. And the nearer she comes to unraveling the truth, the more in danger she is to entering the sights of a deranged killer, who might be a lot closer to home than she realizes.\u003c\/p\u003e\n\u003cp\u003eAn expertly directed and at times staggeringly brutal thriller from Armando Crispino (The Dead Are Alive), AUTOPSY (which was made under the title 'Sun Spots' and released internationally as 'The Victim') stars Mimsy Farmer (Four Flies on Grey Velvet), Barry Primus (New York, New York), and Ray Lovelock (Let Sleeping Corpses Lie). Featuring stunning photography from veteran Italian DP Carlo Carlini (The Bloodstained Butterfly) and an acclaimed score from Ennio Morricone (A Lizard in a Woman's Skin), Vinegar Syndrome is proud to bring AUTOPSY to Blu-ray, fully uncensored and featuring its complete English and Italian language audio tracks fully intact.\u003c\/p\u003e\n\u003cp\u003edirected by: Armando Crispino\u003cbr\u003estarring: Mimsy Farmer, Barry Primus, Ray Lovelock, Carlo Cataneo\u003cbr\u003e1975 \/ 100 min \/ 1.85:1 \/ English \u0026amp; Italian Mono\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2k from its 35mm original camera negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIncludes both the English and Italian language soundtracks\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival theatrical introduction with director Armando Crispino\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Editing \u0026amp; Rhythm” - an interview with editor Daniele Alabiso\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“The Autopsy Papers” - an interview with Francesco Crispino, film historian \u0026amp; son of director Armando Crispino\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Black Hole Sun” - a featurette on the career of director Armando Crispino\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAlternate Italian titles \u0026amp; credits\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly translated English SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMURDER MANSION\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eOn a dark and foggy night in the countryside, a group of apparent strangers all find themselves stranded at an old gothic mansion. Deciding to spend the night and look for help the following morning, the group pair off for bed. As the night wares on, increasingly strange events begin to occur, culminating in a murder. Tensions and suspicions rise, and fear mounts that the ghosts of the mansion have risen from the grave, especially when more bodies turn up...but is the explanation behind these ghastly events truly supernatural?\u003c\/p\u003e\n\u003cp\u003eOne of the best and most effective combinations of mid 60s style gothic Euro horror and early 70s flavored giallo intrigue, Francisco Lara Polop's Spanish-Italian co-production, MURDER MANSION (originally titled 'The Mansion in the Fog') became a drive-in and late-nite TV hit in the US, during the mid 1970s. Never legally released in the United States on disc, Vinegar Syndrome proudly presents the Blu-ray premier of MURDER MANSION, newly restored in 4K from its original negative and includes its original Spanish soundtrack along with its English and nearly impossible to find Italian dubs.\u003c\/p\u003e\n\u003cp\u003edirected by: Francisco Lara Polop\u003cbr\u003estarring: Evelyn Stewart, Analía Gadé, Lisa Leonardi, Andrés Resino, Yelena Samarina\u003cbr\u003e1972 \/ 86 min \/ 1.85:1 \/ Spanish, English \u0026amp; Italian Mono\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original camera negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eIncludes the original Spanish language soundtrack with new English translations, as well as the English and Italian language dubs (Italian dub is not translated)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Lady of the Mansion” - an interview with actress Ida Galli aka Evelyn Stewart\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly translated English SDH subtitles for the original Spanish soundtrack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCRAZY DESIRES OF A MURDERER\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eThe Countess Ileana has just returned to her family's grand old castle, where her paralyzed father, an apparent clairvoyant, and strange younger brother, with an unhealthy interest in taxidermy, reside. Almost immediately after arriving, one of Ileana's friends, who's visiting the castle, is shockingly murdered and has her eyes plucked out of their sockets. While suspicion falls on Ileana's brother, a curious police inspector (Sicilian character actor Corrado Gaipa of THE GODFATHER and MY DEAR KILLER) begins to investigate, believing there to be more to the killing than meets the eye. However, his sleuthing proves no match for this maniac, as the body count steadily rises...\u003c\/p\u003e\n\u003cp\u003eA delirious mix of gothic horror, sex drama, murder mystery, plus a whole lot of extracted eyeballs, Filippo Walter Ratti's CRAZY DESIRES OF A MURDERER (though known in Italy as the much more lurid 'The Morbid Vices of a Housekeeper') remains one of the forgotten treats of late 70s giallo cinema. Never released theatrically in the English speaking world and virtually unavailable on home video, Vinegar Syndrome is delighted to bring this trashy rarity to Blu-ray, newly restored in 4K from its 35mm original negative!\u003c\/p\u003e\n\u003cp\u003edirected by: Filippo Walter Ratti\u003cbr\u003estarring: Corrado Gaipa, Roberto Zattini, Isabelle Marchall, Annie Carol Edel\u003cbr\u003e1977 \/ 89 min \/ 1.85:1 \/ Italian Mono\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original camera negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Crazy Memories of an Actor” - an interview with actor Giuseppe Colombo\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly translated English SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41081681871031,"sku":"VS-349ABC","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/forgotteng3stdfront.jpg?v=1716911758"},{"product_id":"hitcher-in-the-dark","title":"Hitcher in the Dark","description":"\u003cp\u003e\u003cspan\u003eYoung and handsome Mark Glazer roams around the southeastern United States in his decked out camper, picking up single female hitchhikers. Once he has the unsuspecting travelers trapped inside his RV, Mark savagely assaults and then murders them by slashing their throats, taking photos of the grisly aftermath to add into his macabre collection. But everything changes when he happens to meet Daniela, a spitting image for his deceased mother, who soon becomes the victim of his most savage torments...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDirected by one of the true godfathers of Italian horror and exploitation cinema, Umberto Lenzi (Cannibal Ferox), HITCHER IN THE DARK is an ultra violent mix of suspense thriller and action which stars Josie Bissett (Melrose Place), Jason Saucier (Sister Sister), and Joe Balogh (Moonstalker) as Mark. One of several films produced in the United States by Joe D'Amato (Emanuelle in America) that attempted to tie itself in with a popular American film, this was marketed in Italy as 'Hitcher 2,' and makes its worldwide Blu-ray debut from Vinegar Syndrome in a brand new 4K restoration of its original 35mm negative!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Umberto Lenzi\u003cbr\u003estarring: Joe Balogh, Josie Bissett, Jason Saucier\u003cbr\u003e1989 \/ 95 min \/ 1.85:1 \/ English\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original camera negative\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film historians and authors Samm Deighan and Kat Ellinger\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival video interview with writer\/director Umberto Lenzi\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal theatrical trailer\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible cover artwork\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":40556588597431,"sku":"VS-347","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/hitcherinthedarkfront.jpg?v=1736374841"},{"product_id":"last-gasp","title":"Last Gasp","description":"\u003cp\u003e\u003cspan\u003eLeslie Chase will do anything it takes to push through his mega real estate development, even if it includes arranging the massacre of a Mexican native tribe to clear a patch of land. But no bad deed goes unpunished as, after murdering the tribe's chief in cold blood, Leslie's body and mind are taken over by the chief's vengeful spirit. Forced into committing a series of heinous murders Leslie's life is thrown into greater peril when a private detective, who has been hired to investigate the disappearance of one of his victims, begins to suspect that the elusive real estate tycoon is harboring a deadly secret...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn intriguing mix of supernatural possession horror and straightforward slasher, complemented by several bloody set-pieces, character actor Scott McGinnis' (Making the Grade) second feature film, LAST GASP, stars Robert Patrick (Terminator 2: Judgement Day), Golden Globe nominee Joanna Pacula, Nan Martin (Cast Away, A Nightmare on Elm Street 3: Dream Warriors), and cult filmmaker Don Edmonds (Ilsa: She Wolf of the SS). Vinegar Syndrome presents this under-seen piece of direct-to-video horror on Blu-ray for the first time, newly restored in 4K.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Scott McGinnis\u003cbr\u003estarring: Robert Patrick, Joanna Pacula, Nan Martin, Don Edmonds, Mimi Craven\u003cbr\u003e1995 \/ 92 min \/ 1.85:1 \/ English Stereo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion A Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original camera negative\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eExtensive outtakes\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal theatrical trailer\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible cover artwork\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/t5__x7NrOxc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":40556590727351,"sku":"VS-351","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/lastgaspfront.jpg?v=1649172784"},{"product_id":"all-american-murder","title":"All-American Murder","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eArtie Logan has a history of getting himself in trouble. He's been kicked out of every school he's attended and is no friend to the law, which makes matters extra complicated for his wealthy father, who happens to be a judge. Given one last chance, Artie is shipped off to Fairfield College. But when his new fling, and senator's daughter, Tally, is burned to death by an unknown assailant, suspicion immediately falls on Artie. Adamant of his innocence, he's granted a 24 hour period in which to unmask the actual culprit. As his hours of freedom dwindle, the killer strikes again and again...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA twisted hybrid of slasher and giallo, ALL-AMERICAN MURDER is the sole theatrical feature by acclaimed actor and TV director, Anson Williams (Happy Days) and co-stars Academy Award winner Christopher Walken (The Deer Hunter), Charlie Schlatter (18 Again), and Josie Bissett (TV's Melrose Place). Tightly paced, suspenseful, and featuring an array of unexpectedly grisly murders, Vinegar Syndrome is proud to bring this under-seen piece of early 90s horror to Blu-ray, newly restored in 2K from its 35mm interpositive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Anson Williams\u003cbr\u003estarring: Christopher Walken, Charlie Schlatter, Josie Bissett, Richard Kind, Joanna Cassidy\u003cbr\u003e1991 \/ 93 min \/ 1.85:1 \/ English Stereo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 2k from its 35mm interpositive\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with The Hysteria Continues!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e“Being on a Team”- an interview with actor Charlie Schlatter\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e“A Valuable Experience” - an interview with cinematographer Geoffrey Schaaf\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible cover artwork\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XqaaCixULwg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":40556592234679,"sku":"VS-353","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/allamericanmurderfront.jpg?v=1666814038"},{"product_id":"the-cardona-collection-volume-one","title":"The Cardona Collection: Volume One","description":"\u003cp data-mce-fragment=\"1\"\u003eThis limited edition 3-disc set (designed by Earl Kess) is limited to \u003cstrong\u003e6,000 \u003c\/strong\u003eunits\u003cstrong\u003e.\u003c\/strong\u003e \u003cstrong\u003eSpecial note:\u003c\/strong\u003e this is Volume #1 of a three part (and world first) expanding box set featuring the films of \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e Cardona Jr.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e Cardona Jr. was the king of Mexican exploitation cinema throughout the 70s and 80s, directing dozens of films in a variety of genres and taking creative inspiration from the most popular trends in American and Italian genre cinema. Vinegar Syndrome presents The Cardona Collection: Volume 1, containing three of his violent, horror tinged adventure and disaster movies, all newly restored from their original negatives.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTREASURE OF THE AMAZON\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGringo, an American ex-pat driven mad by a failed (and deadly) treasure hunt in the Amazonian rainforest, is encouraged by two novice adventurers to help them recover Gringo’s mythic loot. Setting out on their journey, they cross paths with Klaus von Blantz, a deranged and greedy ex-Nazi, who has launched his own fortune seeking expedition and Clark, another American hunting for oil. As greed and jealousy grows between the competing posses, they discover that their biggest threat isn’t each other, but the ravenous native beasts around them…and some very hungry local tribesmen…\u003c\/p\u003e\n\u003cp\u003eA terrifically entertaining and twisted Mexican take on Italian style cannibal and jungle films, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e Cardona Jr.’s TREASURE OF THE AMAZON is chock full of all the right ingredients: gratuitous gore (and some imaginatively nasty death scenes), cannibal natives, animal attacks, and a surprise A-list cast featuring Oscar Nominee Stuart Whitman (Night of the Lepus), Donald Pleasance (Halloween), and Golden Globe winner, Bradford Dillman (Piranha) playing along side Eurosleaze film favorites such as Hugo Stiglitz (Nightmare City) and John Ireland (One on Top of the Other). Vinegar Syndrome is delighted to present this overlooked piece of Amazonian set splatter to Blu-ray, newly restored in 4K from its original negative!\u003c\/p\u003e\n\u003cp\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e Cardona Jr.\u003cbr\u003e1984 \/ 105 min \/ 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStill gallery\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE BERMUDA TRIANGLE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEdward, a wealthy old man, has commissioned a yacht to take his family on an expedition to investigate underwater ruins in the Bermuda Triangle. While at sea, his daughter discovers a strange looking doll floating in the water, to which she takes an immediate liking. No sooner than entering the Bermuda Triangle, increasingly mysterious events start to befall the travelers, as the group begins loosing all sense of time. And it’s not long before various members of the party turn up dead, while the strange doll develops an appetite for fresh flesh…\u003c\/p\u003e\n\u003cp\u003eA strange Mexican-Italian co-production that balances adventure and survival film tropes along with touches of supernatural horror and mystery, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e Cardona Jr.’s THE BERMUDA TRIANGLE stars two-time Oscar winner, John Huston (Chinatown, Prizzi’s Honor), Italian sex symbol Gloria Guida (To Be Twenty), Euro starlet Claudine Auger (Thunderball), and Mexican exploitation stalwart, Hugo Stiglitz (Survive!). Imaginatively weird and frequently jaw dropping, Vinegar Syndrome brings THE BERMUDA TRIANGLE to Blu-ray for the first time, newly restored from its original 35mm negative.\u003c\/p\u003e\n\u003cp\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e Cardona Jr.\u003cbr\u003e1978 \/ 112 min \/ 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Escaping the Triangle” - an Interview with René Cardona III\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Triangle of Fear” - an interview with producer Angelo Iacono\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eCollection of foreign titles and credits\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eStill gallery\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCYCLONE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen a powerful cyclone sweeps through the Caribbean, downing a small plane, sinking a fishing boat, and sweeping people off of the nearby islands, a group of sea bound survivors take refuge on a damaged boat. Stranded and with no way to communicate with land, the days drag on and hunger and hopelessness overtake the group. However, their horror is only beginning as food supplies start to dwindle and the survivors are forced to take unspeakable measures to stay alive, all as carnivorous sea life circles in, seeking fresh blood…\u003c\/p\u003e\n\u003cp\u003eAn epic disaster thriller made on a shoe-string that slowly morphs into an unsettling tale of survival and desperation, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e Cardona Jr.’s cult classic, CYCLONE brings together a remarkable cast, headlined by five time Oscar nominee, Arthur Kennedy (Let Sleeping Corpses Lie), exploitation queen Carroll Baker (Orgasmo, Baby Doll), Spaghetti crime favorite, Lionel Stander (Milan: Caliber 9), and Italian character actress, Olga Karlotos (Fulci’s Zombie). Elevated by a lush score from two time Oscar nominee, Riz Ortolani (Goodby Uncle Tom, Don’t Torture a Duckling), Vinegar Syndrome presents this star-studded thrill ride on Blu-ray for the very first time, presented in both its commonly seen English export version as well as it’s rare, alternate Mexican theatrical cut, both of which feature extensive alternate footage!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e Cardona Jr.\u003cbr data-mce-fragment=\"1\"\u003e1978 \/ 119 min \/ 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original negative\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIncludes both the English \u0026amp; Spanish language versions\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e“Surviving the Cyclone” - an Interview with René Cardona III\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e“The Eye of the Cyclone” - an interview with producer Angelo Iacono\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e“Beware of Sharks” - an interview with actress Carroll Baker\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eStill gallery\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/f5oeEq_eSSY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcase","offer_id":41094220939447,"sku":"VS-357A","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/cardonacollectionboxfront.jpg?v=1649794015"},{"product_id":"knocking-yellow-veil","title":"Knocking","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAfter suffering a traumatic incident, Molly (Cecilia Milocco) moves into a new apartment to begin her path to recovery, but it’s not long after her arrival that a series of persistent knocks and screams begin to wake her up at night. 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Vinegar Syndrome is proud to present the North American Blu-ray debut of this notorious fan favorite from a new 4K restoration.\u003c\/p\u003e\n\u003cp\u003edirected by: Enzo Milioni\u003cbr\u003estarring: Stefania D'Amario, Barbara Magnolfi, Marc Porel, Vanni Materassi, Anna Zinnemann\u003cbr\u003e1978 \/ 95 min \/ 1.85:1 \/ Italian Mono with English Subtitles\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary track with author \u0026amp; critic Alexandra Heller-Nicholas \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Father of Ursula” - an archival interview with writer\/director Enzo Milioni \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInside sleeve artwork\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Box Set","offer_id":41094215663799,"sku":"VS-383 BOX","price":89.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/forgottengiallivol.4boxfront.jpg?v=1648155019"},{"product_id":"trauma","title":"Trauma","description":"\u003cp\u003eAura is a young Romanian who, while on the run from her parents, is rescued by journalist and recovering drug addict, David Parsons. After being returned to her home, Aura’s parents are murdered by a vicious serial killer known as The Headhunter, sending Aura back on the run, to David. With no one to turn to for help, the unlikely pair launch their own investigation into the killings, discovering shocking and long hidden revelations that connect the continuing murders ever closer to Aura and a terrifying secret from her past...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first US lensed film from the master of Italian horror, Dario Argento (Suspiria, Opera), TRAUMA was his return to classical form giallo filmmaking, offering a twist filled, labyrinthine plot, brutal and creative murders, stunning scope cinematography, and a haunting score by Pino Donaggio (Piranha). 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Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eAi (a superbly laconic Tomona Hirota) haunts the streets of Osaka dressed as a mascot. After going home with a stranger, she wakes up to find footage of their intimate encounter uploaded to a porn site. As all systems of recourse and remedy fail her, her sense of dislocation and alienation intensifies and Ai resorts to a strange solution.\u003c\/p\u003e\n\u003cp\u003eFollowing the rap-inflected drama YAMATO (CALIFORNIA) and the globe-trotting TOURISM, Daisuke Miyazaki unveils another potent subversion of the so-called monolith of Japanese culture. VIDEPHOBIA unfolds as paranoid techno-thriller about identity, set on the backstreets of an industrial and multicultural Osaka captured here in beautiful, stark black-and-white. 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Vinegar Syndrome’s sister company, OCN Distribution, will exclusively handle U.S. distribution, on select releases, for Subkultur, bringing their unique taste for genre curation and penchant for quality restoration work to American audiences. \u003cmeta charset=\"utf-8\"\u003e \u003ci data-mce-fragment=\"1\"\u003eWe are thrilled to be representing Subkultur's line of US home video releases!\u003c\/i\u003e\u003c\/em\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOn a Friday evening, four people board the elevator in an office building. After it gets stuck, they soon realize that their cries for help go unheeded. Desperate, they decide to free themselves on their own and climb out through a hatch. When their lives are in great danger, a fight breaks out and the situation escalates completely. With every additional minute in this claustrophobic narrowness, the veil of superficiality lifts and reveals a glimpse into the human abyss that is much deeper than the elevator shaft beneath their feet.\u003c\/p\u003e\n\u003cp\u003edirected by: Carl Schenkel\u003cbr\u003estarring: Götz George, Wolfgang Kieling, Renée Soutendijk\u003cbr\u003e1984 \/ 90 min \/ 1.66:1 \/ German DTS HD-MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- Interview with actor Hannes Jaenicke (approx 28 Min.)\\n- Interview DP Jacques Steyn (approx 19 Min.)\\n- Alternate version (with SD Inserts)\\n- Isolated music track (DTS-HD Master Audio)\\n- English opening \u0026amp; end credits (silent)\\n- Opening \u0026amp; end credits textless (silent)\\n- German theatrical trailer\\n- Gallery\"}'\u003eRegion Free 4k UHD\/Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- Interview with actor Hannes Jaenicke (approx 28 Min.)\\n- Interview DP Jacques Steyn (approx 19 Min.)\\n- Alternate version (with SD Inserts)\\n- Isolated music track (DTS-HD Master Audio)\\n- English opening \u0026amp; end credits (silent)\\n- Opening \u0026amp; end credits textless (silent)\\n- German theatrical trailer\\n- Gallery\"}'\u003eInterview with actor Hannes Jaenicke (approx 28 Min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- Interview with actor Hannes Jaenicke (approx 28 Min.)\\n- Interview DP Jacques Steyn (approx 19 Min.)\\n- Alternate version (with SD Inserts)\\n- Isolated music track (DTS-HD Master Audio)\\n- English opening \u0026amp; end credits (silent)\\n- Opening \u0026amp; end credits textless (silent)\\n- German theatrical trailer\\n- Gallery\"}'\u003eInterview DP Jacques Steyn (approx 19 Min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"- Interview with actor Hannes Jaenicke (approx 28 Min.)\\n- Interview DP Jacques Steyn (approx 19 Min.)\\n- Alternate version (with SD Inserts)\\n- Isolated music track (DTS-HD Master Audio)\\n- English opening \u0026amp; 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Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Alone in her attic bedroom, teenager Casey becomes immersed in an online role-playing horror game, wherein she begins to document the changes that may or may not be happening to her.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAlone in her attic bedroom, teenager Casey becomes immersed in an online role-playing horror game, wherein she begins to document the changes that may or may not be happening to her.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Alone in her attic bedroom, teenager Casey becomes immersed in an online role-playing horror game, wherein she begins to document the changes that may or may not be happening to her.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eJane Schoenbrun\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Alone in her attic bedroom, teenager Casey becomes immersed in an online role-playing horror game, wherein she begins to document the changes that may or may not be happening to her.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eAnna Cobb, Holly Anne Frink, Michael J Rogers\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Alone in her attic bedroom, teenager Casey becomes immersed in an online role-playing horror game, wherein she begins to document the changes that may or may not be happening to her.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2021 \/ 86 min \/ 1.78:1 \/ English \u003c\/span\u003e5.1 DTS-HD MA\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio Commentary with Director Jane Schoenbrun and Star Anna Cobb\\n- Jane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\\n- Fantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\\n- Casey Walking Tour\\n- Casey Coming Home\\n- Extended Ending Sequence\\n- Booklet with Interview from Juan Barquin and Jane Schoenbrun\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio Commentary with Director Jane Schoenbrun and Star Anna Cobb\\n- Jane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\\n- Fantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\\n- Casey Walking Tour\\n- Casey Coming Home\\n- Extended Ending Sequence\\n- Booklet with Interview from Juan Barquin and Jane Schoenbrun\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOfficial Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio Commentary with Director Jane Schoenbrun and Star Anna Cobb\\n- Jane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\\n- Fantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\\n- Casey Walking Tour\\n- Casey Coming Home\\n- Extended Ending Sequence\\n- Booklet with Interview from Juan Barquin and Jane Schoenbrun\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAudio Commentary with Director Jane Schoenbrun and Star Anna Cobb\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio Commentary with Director Jane Schoenbrun and Star Anna Cobb\\n- Jane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\\n- Fantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\\n- Casey Walking Tour\\n- Casey Coming Home\\n- Extended Ending Sequence\\n- Booklet with Interview from Juan Barquin and Jane Schoenbrun\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eJane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio Commentary with Director Jane Schoenbrun and Star Anna Cobb\\n- Jane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\\n- Fantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\\n- Casey Walking Tour\\n- Casey Coming Home\\n- Extended Ending Sequence\\n- Booklet with Interview from Juan Barquin and Jane Schoenbrun\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eFantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio Commentary with Director Jane Schoenbrun and Star Anna Cobb\\n- Jane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\\n- Fantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\\n- Casey Walking Tour\\n- Casey Coming Home\\n- Extended Ending Sequence\\n- Booklet with Interview from Juan Barquin and Jane Schoenbrun\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eCasey Walking Tour\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio Commentary with Director Jane Schoenbrun and Star Anna Cobb\\n- Jane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\\n- Fantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\\n- Casey Walking Tour\\n- Casey Coming Home\\n- Extended Ending Sequence\\n- Booklet with Interview from Juan Barquin and Jane Schoenbrun\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eCasey Coming Home\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio Commentary with Director Jane Schoenbrun and Star Anna Cobb\\n- Jane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\\n- Fantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\\n- Casey Walking Tour\\n- Casey Coming Home\\n- Extended Ending Sequence\\n- Booklet with Interview from Juan Barquin and Jane Schoenbrun\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eExtended Ending Sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio Commentary with Director Jane Schoenbrun and Star Anna Cobb\\n- Jane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\\n- Fantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\\n- Casey Walking Tour\\n- Casey Coming Home\\n- Extended Ending Sequence\\n- Booklet with Interview from Juan Barquin and Jane Schoenbrun\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBooklet with Interview from Juan Barquin and Jane Schoenbrun\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio Commentary with Director Jane Schoenbrun and Star Anna Cobb\\n- Jane Schoenbrun in Conversation with Dr. Eliza Steinbock moderated by and Chloé Galibert-Laîné\\n- Fantasia Fest Q\u0026amp;A with Jane Schoenbrun moderated by Ariel Esteben Cayer\\n- Casey Walking Tour\\n- Casey Coming Home\\n- Extended Ending Sequence\\n- Booklet with Interview from Juan Barquin and Jane Schoenbrun\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Official Trailer\\n- Audio 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height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Utopia","offers":[{"title":"Default Title","offer_id":41263100264631,"sku":"UTO-012","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/wereallgoingtotheworldsfairfront.jpg?v=1670605920"},{"product_id":"faults-yellow-veil","title":"Faults","description":"\u003cp\u003e\u003ca href=\"https:\/\/ocn-distribution.filemail.com\/t\/O3aGv3Wl\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth to kidnap and deprogram her. However, once the process is underway, Ansel realizes he may not be the one in control.\u0026quot;}\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eClaire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth to kidnap and deprogram her. However, once the process is underway, Ansel realizes he may not be the one in control.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth to kidnap and deprogram her. However, once the process is underway, Ansel realizes he may not be the one in control.\u0026quot;}\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eRiley Stearns\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth to kidnap and deprogram her. However, once the process is underway, Ansel realizes he may not be the one in control.\u0026quot;}\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eLeland Orser, Mary Elizabeth Winstead, Chris Ellis, Beth Grant\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth to kidnap and deprogram her. However, once the process is underway, Ansel realizes he may not be the one in control.\u0026quot;}\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2014 \/ 90 min \/ 2.35:1 \/ English \u003c\/span\u003eDolby Digital 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eIntroduction from director Riley Stearns\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eReprogramming Faults: Interview with director Riley Stearns\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred filmmaker, and director Riley Stearns\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRiley Stearns Sundance selected Short Film: The Cub (2013; 5min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBehind-the-Scenes photo Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOriginal trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\nIntroduction from director Riley Stearns\\nOriginal Cast commentary (2015) with Leland Orser, Mary Elisabeth Winstead and director Riley Stearns.\\nNew Crew Commentary (2022) with Director of Photography Michael Ragen, Editor Sarah Beth Shapiro and director Riley Stearns.\\nReprogramming Faults: Interview with director Riley Stearns. \\nDeprogramming Faults: Discussion on cult deprograming between Lola Blanc, cult survivor tunred  filmmaker, and director Riley Stearns.\\nRiley Stearns Sundance selected Short Film: The Cub (2013; 5min).\\nBehind-the-Scenes photo Gallery.\\nOriginal trailer.\\nTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an  illustrated 12 pages booklet.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTranscribed discussion between director Alex Ross Perry (Her Smell; 2018) and director Riley Stearns in an illustrated 12 pages booklet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/118781612?h=46e323fc46\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/118781612\"\u003eFAULTS \/\/ trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/rileystearns\"\u003eRiley Stearns\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Yellow Veil Pictures","offers":[{"title":"Default Title","offer_id":41301674983607,"sku":"YVP-007","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/faultsstdfront.jpg?v=1660663873"},{"product_id":"forgotten-gialli-volume-five","title":"Forgotten Gialli: Volume Five","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis limited edition and painstakingly crafted box set (designed by Earl Kessler Jr.) is limited to \u003cstrong\u003e6,000 units.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Golden Age of the Giallo saw filmmakers who had not previously worked in the horror or thriller genres taking interest in trying their hands at murder mysteries, often with highly unusual outcomes which feel tonally and structurally distinct from the works of trendsetters like Bava and Argento. Presented here are a trio of one-and-done-gialli by filmmakers who had never previously, nor would subsequently, produce a film in the genre.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eA WHITE DRESS FOR MARIALÉ\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eWhen Marialé was a little girl, she witnessed her father murder her mother, along with an adulterous lover, before killing himself. Years later, Marialé has invited a group of friends over for a party at an isolated villa. As the festivities progress, an increased sense of debauchery and hedonism befalls the group, only for their perverse fun and games to be disrupted by the arrival of a mysterious killer, who begins dispatching the revelers in nasty fashion, all to cover up a secret buried deep in the past…\u003c\/p\u003e\n\u003cp\u003eFrom the depraved mind of Romano Scavolini (Nightmares in a Damaged Brain) comes A WHITE DRESS FOR MARIALÉ, starring Euro-horror icons Evelyn Stewart (Murder Mansion), Luigi Pistilli (A Bay of Blood), and Ivan Rassimov (Jungle Holocaust). Made during the height of early 70s giallo fever, and taking cues from the psychedelic craze of the late 60s (complete with colorful scope photography by Scavolini himself) along with Italy’s burgeoning sexploitation market, Vinegar Syndrome is pleased to present A WHITE DRESS FOR MARIALÉ on Blu-ray, newly restored in 4K from its original Techniscope camera negative, and featuring an assortment of new and archival interviews with its cast and crew!\u003c\/p\u003e\n\u003cp\u003edirected by: Romano Scavolini\u003cbr\u003estarring: Evelyn Stewart, Luigi Pistilli, Ivan Rassimov, Pilar Velázquez\u003cbr\u003e1972 \/ 90 min \/ 2.35:1 \/ Italian Mono with English subtitles\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003e“Forget This Movie” (20 min) - an interview with director Romano Scavolini\u003c\/li\u003e\n\u003cli\u003e“A White Dress For Evelyn” (55 min) - an interview with actress Ida Galli\u003c\/li\u003e\n\u003cli\u003eAudio essay by film historian and critic Rachael Nisbet (17 min)\u003c\/li\u003e\n\u003cli\u003eDeleted scenes\u003c\/li\u003e\n\u003cli\u003eItalian language original theatrical trailer\u003c\/li\u003e\n\u003cli\u003eFrench language original theatrical trailer\u003c\/li\u003e\n\u003cli\u003eInside cover artwork\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eTROPIC OF CANCER\u003c\/span\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFred and Grace Wright are vacationing in Haiti in the hope of repairing their failing marriage when they run into an old friend, Dr Williams. Excited to share the news of his latest work, Williams explains that he has developed a powerful aphrodisiac which doubles as a hallucinogen. Intrigued by their friend's discovery, the couple quickly find themselves embroiled in a high stakes plot to steal the drug, all the while a mysterious killer (or killers) begins viciously doing away with anyone who gets too close to uncovering the truth about the formula.\u003c\/p\u003e\n\u003cp\u003eOne of the strangest gialli, both in terms of setting and storyline, to emerge from the genre’s golden age, co-directors Edoardo Mulargia (Escape From Hell) and Giampaolo Lomi’s (The Barons) TROPIC OF CANCER takes an unconventional approach to the black-gloved-killer structure, adding in elements of high concept crime film and Fellini-esque surrealism. Gorgeously photographed in Techniscope by Marcello Masciocchi (The Murder Clinic), lushly scored by Piero Umiliani (Five Dolls For An August Moon), and starring Euro-sleaze stalwarts Anthony Steffen (The Night Evelyn Came out of the Grave), Anita Strindberg (Who Saw Her Die), and Gabriele Tinti (Endgame), Vinegar Syndrome is delighted to bring TROPIC OF CANCER to Blu-ray, featuring a fresh 4K restoration of its Techniscope camera negative!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Giampaolo Lomi, Edoardo Mulargia\u003cbr\u003estarring: Anthony Steffen, Anita Strindberg, Gabriele Tinti, Umberto Raho\u003cbr\u003e1972 \/ 95 min \/ 2.35:1 \/ Italian and English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eFeatures both its original Italian language soundtrack and optional English dub\u003c\/li\u003e\n\u003cli\u003e“Sex, Voodoo and Dictatorship” (33 min) - an interview with writer\/director Giampaolo Lomi\u003c\/li\u003e\n\u003cli\u003eAudio essay by film historian and critic Rachael Nisbet (18 min)\u003c\/li\u003e\n\u003cli\u003eOuttakes\u003c\/li\u003e\n\u003cli\u003eAlternate English title sequences\u003c\/li\u003e\n\u003cli\u003eItalian language original theatrical trailer\u003c\/li\u003e\n\u003cli\u003eEnglish language original theatrical trailer\u003c\/li\u003e\n\u003cli\u003eInside cover artwork\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eNINE GUESTS FOR A CRIME\u003c\/span\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNine members of an extremely rich and hateful family have decided to have a month-long reunion on a remote island in the Mediterranean. No sooner than their arrival, old grudges, resentments, and feuds make themselves known, along with allusions to some more macabre events in their past. But when their boats are torched, thus stranding them without any connection to the mainland, it becomes clear that someone is not willing to let old wounds heal, a fact made all the more clear as bodies start to pile up…\u003c\/p\u003e\n\u003cp\u003eOne of the many gialli which loosely adapted Agatha Christie’s landmark novel, Ten Little Indians, prolific spaghetti western director Ferdinando Baldi’s (Texas, Adios) sole foray into the genre, NINE GUESTS FOR A CRIME, sets the action in a picturesque villa in Sardinia, while loading on sinister twists and nasty deaths. Starring John Richardson (Black Sunday), five time Oscar nominee Arthur Kennedy (Lawrence of Arabia), and Italian character actor Massimo Foschi (Jungle Holocaust), and featuring a score by Carlo Savina (The House of Exorcism), Vinegar Syndrome is excited to bring this suspense filled sleeper to Blu-ray, sporting a new 4K restoration of its original 35mm camera negative along with a fresh interview with one of the film’s few surviving participants.\u003c\/p\u003e\n\u003cp\u003edirected by: Ferdinando Baldi\u003cbr\u003estarring: John Richardson, Arthur Kennedy, Massimo Foschi, Caroline Laurence\u003cbr\u003e1977 \/ 91 min \/ 1.85:1 \/ Italian and English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eFeatures both its original Italian language soundtrack and optional English dub\u003c\/li\u003e\n\u003cli\u003e“Giallo in Sardinia” (27 min) - an interview with actor Massimo Foschi\u003c\/li\u003e\n\u003cli\u003eAudio essay by film historian and critic Rachael Nisbet (15 min)\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003cli\u003eInside cover artwork\u003c\/li\u003e\n\u003cli\u003eNewly translated English subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Box Set","offer_id":41302019047607,"sku":"VS-404 BOX","price":89.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/forgottengiallivol.5back.jpg?v=1670870678"},{"product_id":"fair-game-dark-star","title":"Fair Game","description":"\u003cp\u003e\u003ca href=\"https:\/\/ocn-distribution.filemail.com\/t\/KtX2imVM\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDark Star Pictures is a new-age North American distribution company, focused on bringing unique and targeted content to audiences across the country and is committed to releasing auteur-driven, original cinema in the theatrical, digital and home video space. In partnership with OCN Distribution, new Dark Star titles - along with celebrated features in their back catalog - will receive features packed blu-ray editions that will maintain the OCN standard of quality and Dark Star's deft curation.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill the animals in the sanctuary, and when they see how attractive the owner is, they decide to have a little \\\"fun\\\" with her, too. Turns out that they may get a bit more \\\"fun\\\" than they bargained for.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eA young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill the animals in the sanctuary, and when they see how attractive the owner is, they decide to have a little \"fun\" with her, too. Turns out that they may get a bit more \"fun\" than they bargained for.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill the animals in the sanctuary, and when they see how attractive the owner is, they decide to have a little \\\"fun\\\" with her, too. Turns out that they may get a bit more \\\"fun\\\" than they bargained for.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eMario Andreacchio\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill the animals in the sanctuary, and when they see how attractive the owner is, they decide to have a little \\\"fun\\\" with her, too. Turns out that they may get a bit more \\\"fun\\\" than they bargained for.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: \u003c\/span\u003eCassandra Delaney, Peter Ford, David Sanford, Garry Who, Don Barker\u003cbr\u003e1986 \/ 86 min \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eAudio Commentary with Director Mario Andreacchio and Writer Rob George\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eExtended Interview with Actress Cassandra Delaney\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBehind the Scenes Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eStoryboard Image Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBehind the Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eClassic Advertisement and Theatrical Program Image Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eShort Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, 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data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" 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encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Dark Star","offers":[{"title":"Default Title","offer_id":41379315646647,"sku":"DS-006","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/fairgamefront.jpg?v=1699306788"},{"product_id":"mindfield","title":"Mindfield","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eThe war is on for brain control.\u003c\/p\u003e\n\u003cp\u003eIn the long shadow of an experimental CIA mind control program, Sergeant Kellen O'Reilly (Total Recall’s Michael Ironside) begins experiencing violent flashbacks of his “treatments” at the hands of the sinister Dr. Satorius (The Silent Partner’s Christopher Plummer). When the body count on his latest case inexplicably begins pointing toward his own fragmented past, a romance with Satorius’ criminal prosecutor (Class of 1984’s Lisa Langlois) raises the stakes. O'Reilly must forge a path forward through a hall-of-mirrors conspiracy stretching from the Mafia to the highest levels of the CIA, culminating in a shocking, stadium-sized confrontation.\u003c\/p\u003e\n\u003cp\u003eMade by a supergroup of Canadian genre filmmakers, including George Mihalka (My Bloody Valentine) and Tom Berry (The Amityville Curse) – who joined forces to develop the script with novelist William Deverell – Mindfield was eventually brought to the screen by Canuxploitation master Jean-Claude Lord (The Vindicator). The result is a uniquely ambitious experiment in genre filmmaking that’s part explosive action movie, part MK-ULTRA-inspired conspiracy thriller, and part sleazy underworld crime saga. Reuniting Lord with his Visiting Hours leading man, Mindfield emerges as one of Michael Ironside’s standout star vehicles.\u003c\/p\u003e\n\u003cp\u003edirected by: Jean-Claude Lord \u003cbr\u003estarring: Michael Ironside, Lisa Langlois, Christopher Plummer, Harvey Atkin, Eugene Clark, Howard Jerome, Robert Morelli, Jacob Tierney, Stefan Wodoslawsky \u003cbr\u003e1989 \/ 91 min \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Mind Meld (2022, 12 min.) - An interview with original director George Mihalka  \\n• Open Mind (2022, 12 min.) - An interview with producer Tom Berry  \\n• Mind Games (2022, 10 min.) - An interview with actress Lisa Langlois  \\n• Lisa’s Directors (2022, 18 min.) - Langlois reflects on 12 memorable collaborations  \\n• Theatrical trailer  \\n• Booklet featuring a tribute to Jean-Claude Lord by Fantasia programmer Marc Lamothe  \\n• Reversible cover artwork  \\n• Alternate French language audio track\\n• English SDH subtitles  \"}' 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data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Mind Meld (2022, 12 min.) - An interview with original director George Mihalka  \\n• Open Mind (2022, 12 min.) - An interview with producer Tom Berry  \\n• Mind Games (2022, 10 min.) - An interview with actress Lisa Langlois  \\n• Lisa’s Directors (2022, 18 min.) - Langlois reflects on 12 memorable collaborations  \\n• Theatrical trailer  \\n• Booklet featuring a tribute to Jean-Claude Lord by Fantasia programmer Marc Lamothe  \\n• Reversible cover artwork  \\n• Alternate French language audio track\\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eMind Meld (2022, 12 min.) - An interview with original director George Mihalka \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Mind Meld (2022, 12 min.) - An interview with original director George Mihalka  \\n• Open Mind (2022, 12 min.) - An interview with producer Tom Berry  \\n• Mind Games (2022, 10 min.) - An interview with actress Lisa Langlois  \\n• Lisa’s Directors (2022, 18 min.) - Langlois reflects on 12 memorable collaborations  \\n• Theatrical trailer  \\n• Booklet featuring a tribute to Jean-Claude Lord by Fantasia programmer Marc Lamothe  \\n• Reversible cover artwork  \\n• Alternate French language audio track\\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eOpen Mind (2022, 12 min.) - An interview with producer Tom Berry \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Mind Meld (2022, 12 min.) - An interview with original director George Mihalka  \\n• Open Mind (2022, 12 min.) - An interview with producer Tom Berry  \\n• Mind Games (2022, 10 min.) - An interview with actress Lisa Langlois  \\n• Lisa’s Directors (2022, 18 min.) - Langlois reflects on 12 memorable collaborations  \\n• Theatrical trailer  \\n• Booklet featuring a tribute to Jean-Claude Lord by Fantasia programmer Marc Lamothe  \\n• Reversible cover artwork  \\n• Alternate French language audio track\\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eMind Games (2022, 10 min.) - An interview with actress Lisa Langlois \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Mind Meld (2022, 12 min.) - An interview with original director George Mihalka  \\n• Open Mind (2022, 12 min.) - An interview with producer Tom Berry  \\n• Mind Games (2022, 10 min.) - An interview with actress Lisa Langlois  \\n• Lisa’s Directors (2022, 18 min.) - Langlois reflects on 12 memorable collaborations  \\n• Theatrical trailer  \\n• Booklet featuring a tribute to Jean-Claude Lord by Fantasia programmer Marc Lamothe  \\n• Reversible cover artwork  \\n• Alternate French language audio track\\n• English SDH subtitles  \"}' 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Canuxploitation.com and film historian Jason Pichonsky  \\n• Mind Meld (2022, 12 min.) - An interview with original director George Mihalka  \\n• Open Mind (2022, 12 min.) - An interview with producer Tom Berry  \\n• Mind Games (2022, 10 min.) - An interview with actress Lisa Langlois  \\n• Lisa’s Directors (2022, 18 min.) - Langlois reflects on 12 memorable collaborations  \\n• Theatrical trailer  \\n• Booklet featuring a tribute to Jean-Claude Lord by Fantasia programmer Marc Lamothe  \\n• Reversible cover artwork  \\n• Alternate French language audio track\\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eTheatrical trailer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix   \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky  \\n• Mind Meld (2022, 12 min.) - An interview with original director George Mihalka  \\n• Open Mind (2022, 12 min.) - An interview with producer Tom Berry  \\n• Mind Games (2022, 10 min.) - An interview with actress Lisa Langlois  \\n• Lisa’s Directors (2022, 18 min.) - Langlois reflects on 12 memorable collaborations  \\n• Theatrical trailer  \\n• Booklet featuring a tribute to Jean-Claude Lord by Fantasia programmer Marc Lamothe  \\n• Reversible cover artwork  \\n• Alternate French language audio track\\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring a tribute to Jean-Claude Lord by Fantasia programmer Marc Lamothe \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix   \\n• Audio commentary featuring Paul Corupe of 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Mind Meld (2022, 12 min.) - An interview with original director George Mihalka  \\n• Open Mind (2022, 12 min.) - An interview with producer Tom Berry  \\n• Mind Games (2022, 10 min.) - An interview with actress Lisa Langlois  \\n• Lisa’s Directors (2022, 18 min.) - Langlois reflects on 12 memorable collaborations  \\n• Theatrical trailer  \\n• Booklet featuring a tribute to Jean-Claude Lord by Fantasia programmer Marc Lamothe  \\n• Reversible cover artwork  \\n• Alternate French language audio track\\n• English SDH subtitles  \"}' 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Her mother, a prostitute, and father, an abusive drunk, have been hauled off to jail. With nowhere to live, Vanessa has no choice but to move in with her grandmother. Hitting the road to granny's house, she quickly encounters the silver-tongued Bob Wolverton, who offers to give her a lift. However, what Vanessa doesn't realize is that Bob is the notorious I-5 Killer; a vicious murderer who preys on young, female hitchhikers, and soon finds herself face-to-face with a real \"Big Bad Wolf.\" Using all her wits, she sets in motion a cunning trap which all comes to a grisly head in this modern take on Little Red Riding Hood...\u003c\/p\u003e\n\u003cp\u003eAmong the most notorious and jaw dropping \"mainstream\" movies of the 90s, Matthew Bright's (Ted Bundy) FREEWAY has earned a reputation as a neo-exploitation classic and critically acclaimed indie thriller thanks to its unhinged violence, sharply written dialogue, and general non-stop barrage on good taste, all wrapped up as one truly twisted fairytale. Starring Oscar winner Reese Witherspoon (Legally Blonde, Wild) alongside film and TV superstar Kiefer Sutherland (The Lost Boys), and co-starring Emmy nominee Bokeem Woodbine (Dead Presidents), along with acclaimed character actors Wolfgang Bodison (A Few Good Men), and Dan Hedaya (The Usual Suspects), plus a special appearance from Brooke Shields (Pretty Baby), Vinegar Syndrome is thrilled to present the worldwide UHD and BD debut of FREEWAY, newly restored in 4K from its long lost 35mm original camera negative and presented fully uncut with two minutes of additional violence and dialogue deemed too extreme for its original run!\u003c\/p\u003e\n\u003cp\u003edirected by: Matthew Bright\u003cbr\u003estarring: Reese Witherspoon, Kiefer Sutherland, Bokeem Woodbine, Brooke Shields, Guillermo Diaz, Wolfgang Bodison, Dan Hedaya, Brittany Murphy, Alanna Ubach, Amanda Plummer\u003cbr\u003e1996 \/ 105 min \/ 1.85:1 \/ English Stereo\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free 4K Ultra HD \/ Region A Blu-ray Set\u003c\/li\u003e\n\u003cli\u003e4K UHD presented in High-Dynamic-Range\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eBrand new commentary track with writer\/director Matthew Bright\u003c\/li\u003e\n\u003cli\u003eArchival commentary track with writer\/director Matthew Bright\u003c\/li\u003e\n\u003cli\u003e\"Vulgarity is Timeless\" (31 min) - a brand new interview with writer\/director Matthew Bright\u003c\/li\u003e\n\u003cli\u003e\"Producing Freeway\" (18 min) - a brand new interview with producer Brad Wyman\u003c\/li\u003e\n\u003cli\u003e\"Changing Lanes\" (17 min) - a brand new interview with editor Maysie Hoy\u003c\/li\u003e\n\u003cli\u003e\"To Catch a Predator\" - a brand new interview with actor Wolfgang Bodison\u003c\/li\u003e\n\u003cli\u003e\"You're Under Arrest\" (12 min) - a brand new interview with actor Robert Peters\u003c\/li\u003e\n\u003cli\u003e\"Murder Twins\" (24 min) - a brand new interview with actresses Leanna Creel and Monica Lacy\u003c\/li\u003e\n\u003cli\u003eArchival interview with director Matthew Bright (15 min)\u003c\/li\u003e\n\u003cli\u003eArchival interview with actress Amanda Plummer (3 min)\u003c\/li\u003e\n\u003cli\u003eArchival interview with composer Danny Elfman (5 min)\u003c\/li\u003e\n\u003cli\u003eArchival interview with executive producer Oliver Stone (8 min)\u003c\/li\u003e\n\u003cli\u003eArchival interview with co-producer Samuel Hadida (8 min)\u003c\/li\u003e\n\u003cli\u003eRaw behind-the-scenes footage (6 min)\u003c\/li\u003e\n\u003cli\u003eOriginal Electronic Press Kit featurette (6 min)\u003c\/li\u003e\n\u003cli\u003eOn-set 'soundbite' interviews\u003c\/li\u003e\n\u003cli\u003eOriginal video trailer\u003c\/li\u003e\n\u003cli\u003eAlternate scenes from the R-Rated cut\u003c\/li\u003e\n\u003cli\u003eReversible sleeve artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gkLVpFZPwNc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41598020911287,"sku":"VS-417","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/freewaystd4kfront.jpg?v=1701208698"},{"product_id":"amigo","title":"Amigo","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition slipcover (designed by \u003cspan data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16773836},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Alannah Astorquiza\"}'\u003eAlannah Astorquiza\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis limited to\u003cstrong\u003e 1,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDekanalog is a film and soundtrack distribution company dedicated to the release of the most unique filmmaking voices and musical scores from around the world. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Winner of 25 genre festival awards worldwide, Amigo is a darkly comic psychological thriller depicting a bitter power struggle between two best friends. Following a car accident that kills his wife and leaves his best friend David (David Pareja) with nothing but a scratch, Javi (Javier Botet, REC, Crimson Peak) is left bedridden. His body bears deep gashes, his lungs are filled with fluid that make talking painful and near impossible, his legs are inoperable. From scene one, we see the dynamic at play between the two survivors. David carries Javi into the house. They are fresh from the hospital, and David assures Javi that he will be there to care for him. But... something is not right. Javi does not want David’s help. David starts noticing things out of place. He starts suspecting Javi of gaslighting him, despite the fact that Javi can barely move of his own volition. In a series of torturous scenes, the power dynamic settles into a disquieting groove. Reaching an aching fever pitch... Transfixing and deliberately paced Amigo leaves one with an exquisite sense of dread.\"}'\u003eWinner of 25 genre festival awards worldwide, Amigo is a darkly comic psychological thriller depicting a bitter power struggle between two best friends. Following a car accident that kills his wife and leaves his best friend David (David Pareja) with nothing but a scratch, Javi (Javier Botet, REC, Crimson Peak) is left bedridden. His body bears deep gashes, his lungs are filled with fluid that make talking painful and near impossible, his legs are inoperable. From scene one, we see the dynamic at play between the two survivors. David carries Javi into the house. They are fresh from the hospital, and David assures Javi that he will be there to care for him. But... something is not right. Javi does not want David’s help. David starts noticing things out of place. He starts suspecting Javi of gaslighting him, despite the fact that Javi can barely move of his own volition. In a series of torturous scenes, the power dynamic settles into a disquieting groove. Reaching an aching fever pitch... Transfixing and deliberately paced Amigo leaves one with an exquisite sense of dread.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Winner of 25 genre festival awards worldwide, Amigo is a darkly comic psychological thriller depicting a bitter power struggle between two best friends. Following a car accident that kills his wife and leaves his best friend David (David Pareja) with nothing but a scratch, Javi (Javier Botet, REC, Crimson Peak) is left bedridden. His body bears deep gashes, his lungs are filled with fluid that make talking painful and near impossible, his legs are inoperable. From scene one, we see the dynamic at play between the two survivors. David carries Javi into the house. They are fresh from the hospital, and David assures Javi that he will be there to care for him. But... something is not right. Javi does not want David’s help. David starts noticing things out of place. He starts suspecting Javi of gaslighting him, despite the fact that Javi can barely move of his own volition. In a series of torturous scenes, the power dynamic settles into a disquieting groove. Reaching an aching fever pitch... Transfixing and deliberately paced Amigo leaves one with an exquisite sense of dread.\"}'\u003edirected by: \u003c\/span\u003eÓscar Martín\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Winner of 25 genre festival awards worldwide, Amigo is a darkly comic psychological thriller depicting a bitter power struggle between two best friends. Following a car accident that kills his wife and leaves his best friend David (David Pareja) with nothing but a scratch, Javi (Javier Botet, REC, Crimson Peak) is left bedridden. His body bears deep gashes, his lungs are filled with fluid that make talking painful and near impossible, his legs are inoperable. From scene one, we see the dynamic at play between the two survivors. David carries Javi into the house. They are fresh from the hospital, and David assures Javi that he will be there to care for him. But... something is not right. Javi does not want David’s help. David starts noticing things out of place. He starts suspecting Javi of gaslighting him, despite the fact that Javi can barely move of his own volition. In a series of torturous scenes, the power dynamic settles into a disquieting groove. Reaching an aching fever pitch... Transfixing and deliberately paced Amigo leaves one with an exquisite sense of dread.\"}'\u003estarring: \u003c\/span\u003eJavier Botet, David Pareja\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Winner of 25 genre festival awards worldwide, Amigo is a darkly comic psychological thriller depicting a bitter power struggle between two best friends. Following a car accident that kills his wife and leaves his best friend David (David Pareja) with nothing but a scratch, Javi (Javier Botet, REC, Crimson Peak) is left bedridden. His body bears deep gashes, his lungs are filled with fluid that make talking painful and near impossible, his legs are inoperable. From scene one, we see the dynamic at play between the two survivors. David carries Javi into the house. They are fresh from the hospital, and David assures Javi that he will be there to care for him. But... something is not right. Javi does not want David’s help. David starts noticing things out of place. He starts suspecting Javi of gaslighting him, despite the fact that Javi can barely move of his own volition. In a series of torturous scenes, the power dynamic settles into a disquieting groove. Reaching an aching fever pitch... Transfixing and deliberately paced Amigo leaves one with an exquisite sense of dread.\"}'\u003e2019 \/ 83 min \/ 2.39:1 \/ Spanish \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eMaking of (23 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eDeleted Scenes (23 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eTrailer (2 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eInterview with Javier Botet (15 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eInterview with David Pareja (9 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eInterview with Javier Botet and David Pareja (5 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eInterview with Óscar Martín at Molins Horror Film Festival (4 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003ePresenting Amigo at Sitges 2019 (30 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eExtended interview with David Pareja (40 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eInterview with Elena Muñoz (10 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eInterview with Óscar Martín (10 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eBooklet essay by Michael Gingold\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Making of (23 min), Deleted Scenes (23 min), Trailer (2 min), Interview with Javier Botet (15 min), Interview with David Pareja (9 min), Interview with Javier Botet and David Pareja (5 min) Interview with Óscar Martín at Molins Horror Film Festival (4 min), Presenting Amigo at Sitges 2019 (30 min), Extended interview with David Pareja (40 min), Interview with Elena Muñoz (10 min), Interview with Óscar Martín (10 min). Booklet essay by Michael Gingold.\"}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Dekanalog","offers":[{"title":"Limited Edition Slipcover","offer_id":41667192684727,"sku":"DKA008 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41667192717495,"sku":"DKA008","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/amigoslipfront.jpg?v=1675284447"},{"product_id":"gina","title":"Gina","description":"\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e: this is a brand new limited edition catalog slipcover of a Blu-ray originally released in 2023.\u003c\/p\u003e\n\u003cp\u003eThis special limited edition variant slipcover (designed by Tony Stella) is limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. The original limited edition slipcover (designed by Sean Phillips) was limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA film both human and brutal\u003c\/p\u003e\n\u003cp\u003eAfter being sent to rural Quebec to perform at a seedy motel, exotic dancer Gina (The Silent Partner’s Céline Lomez) establishes a friendship with a group of visiting documentary filmmakers and becomes aware of a lecherous Ski-Doo gang hiding out on an abandoned ship. Keenly aware of one another’s presence, Gina and the gang develop an antagonistic relationship that eventually leads to a horrific assault. But what these ski-masked snow deviants don’t realize is that Gina works for some of Montreal’s most dangerous criminals, and they’re on their way to enact an ugly revenge.\u003c\/p\u003e\n\u003cp\u003eThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Improbably fusing labor politics with an explosive exploitation narrative, Gina has a conviction and assurance that resists easy categorization. Part frigid hangout movie, part vicious revenge saga, this is a one-of-a-kind powerhouse that builds to a gruesome climax and the greatest snowmobile chase in movie history.\u003c\/p\u003e\n\u003cp\u003edirected by: Denys Arcand\u003cbr\u003estarring: Céline Lomez, Gabriel Arcand, Paule Baillargeon, Dorothée Berryman, Jocelyn Bérubé, Claude Blanchard, Frédérique Collin, Louise Cuerrier, Donald Lautrec, Roger Lebel, Jean-Pierre Saulnier, Serge Thériault\u003cbr\u003e1975 \/ 95 min \/ 1.85:1 \/ French DTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eScanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eThe Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eDirecting Gina (2022, 21 min.) – New interview with director Denys Arcand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eNew audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eTrailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eAlternate English language audio track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 2K from a 35mm print by Éléphant - mémoire du cinéma québécois\\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film programmer Justine Smith \\n• The Exploitation of Gina (2022, 11 min.) – Video essay by Alexandra Heller-Nicholas\\n• Directing Gina (2022, 21 min.) – New interview with director Denys Arcand\\n• New audio interviews with cast members Gabriel Arcand (13 min.), Paule Baillargeon (8 min.), Dorothée Berryman (15 min.), and Marcel Sabourin (13 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Booklet featuring a new essay by professor\/author Jim Leach (The Films of Denys Arcand)\\n• Reversible cover artwork\\n• Alternate English language audio track\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IV4LtU0LFWk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Canadian International Pictures","offers":[{"title":"Limited Edition Variant Slipcover","offer_id":44971746984119,"sku":"CIP-014 VARIANT-SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":44971747016887,"sku":"CIP-014","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/Gina_LTD_Front.jpg?v=1748799249"},{"product_id":"freeway-ii-confessions-of-a-trickbaby","title":"Freeway II: Confessions of a Trickbaby","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhite Girl is a twisted teenage prostitute with a bad attitude and a nasty eating disorder, who's been sent to the slammer for 25 years. Her cellmate, Cyclona, is equally deranged, being a vicious killer. And, as like minds attract, the two are quick to form a truly twisted alliance. When the opportunity arises, White Girl and Cyclona manage to escape from the pen and embark on a non-stop orgy of violence and debauchery, all while hoping to make it across the border into Mexico in order to seek refuge with Cyclona's proxy caretaker, Sister Gomez. However, there's a big hitch in their plans as the good Sister isn't as \"she\" seems...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSomehow weirder, sleazier, and even more jaw dropping than its predecessor, director Matthew Bright's in-name-only sequel, FREEWAY II: CONFESSIONS OF A TRICKBABY regurgitates onto the screen with an unflinching barrage of gross-out-gags and adept social satire. Starring Natasha Lyonne (But I'm A Cheerleader, TV's Poker Face and Russian Doll) in one of her first, and most controversial, starring roles alongside Vincent Gallo (Buffalo '66), María Celedonio (Dragstrip Girl), and a rare on-screen appearance from filmmaker John Landis (An American Werewolf in London), Vinegar Syndrome is delighted to present the UHD debut of this demented reimagining of Hansel \u0026amp; Gretel, newly restored in 4K from its 35mm original camera negative, jam packed with extras, and looking so perversely crystal clear you can almost taste the perversion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Matthew Bright\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Natasha Lyonne, María Celedonio, Vincent Gallo, David Alan Grier, John Landis\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1999 \/ 98 min \/ 1.85:1 \/ English 2.0 Stereo\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e4K Ultra HD \/ Region Free Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Once Upon a White Girl: Remembering Confessions of a Trickbaby\" (98 min) - a brand new making-of documentary with the cast and crew\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Bright on Dark\" (23 min) - an interview with writer\/director Matthew Bright from 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Disrupt and Revolt\" (29 min) - an interview with producer Chris Hanley from 2018\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchival interview with Matthew Bright (4 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchival interview with executive producer Samuel Hadida (5 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBTS Footage (28 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eStill Gallery (7 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41704642740407,"sku":"VS-426","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/freeway2front.jpg?v=1708548063"},{"product_id":"five-women-for-the-killer","title":"Five Women for the Killer","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGiorgio Pisani, a journalist, has just returned from an international assignment only to discover that, in his absence, his wife has died during childbirth. However, a seemingly unavoidable tragedy takes an unexpectedly sinister turn when Lydia Franzi, his wife's doctor, reveals that Giorgio is sterile and therefore couldn't have fathered his wife's child. Soon after learning this terrible news, a mysterious, black-clad killer begins stalking the city, viciously murdering pregnant women who were in the same maternity clinic as Giorgio's deceased wife. Could Giorgio, in a fit of guilt-ridden madness, be responsible for these horrendous crimes, or is he an unwitting participant in the sinister plan of an even more wicked culprit?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn exceptionally mean-spirited giallo made at the height of the genre’s golden age, Stelvio Massi’s (Arabella Black Angel) FIVE WOMEN FOR THE KILLER stars British character actor Francis Matthews (The Revenge of Frankenstein) alongside Pascale Rivault (The Beast) and Eurosleaze stalwart, Howard Ross (The New York Ripper). Barely seen outside of its native Italy, Vinegar Syndrome proudly presents the world Blu-ray debut of this equally nasty, shocking, and highly stylized whodunit, newly restored in 4K from rare archival film elements of the never-on-video original theatrical cut, and featuring a host of new and exclusive interviews.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Stelvio Massi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Francis Matthews, Pascale Rivault, Howard Ross, Giorgio Albertazzi, Katia Christine, Catherine Diamant, Gabriella Lepori, Maria Cumani Quasimodo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1974 \/ 100 min \/ 1.85:1 \/ Italian Mono with English subtitles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBrand new commentary track with film historians Eugenio Ercolani and Troy Howarth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"My Name is Howard\" - An interview with actor Renato Rossini (20 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"The Massi Touch\" - An interview with filmmaker Danilo Massi, son and frequent collaborator of director Stelvio Massi (25 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Working with Stelvio\" - A portrait piece on Stelvio Massi with actor Luc Merenda (13 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Five Women for a Giallo\" - Director and film historian Luigi Cozzi on Five Women for the Killer and the evolution of the Giallo film (22 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Cinematographers in Arms\" - A portrait piece on Stelvio Massi with friend and fellow director\/cinematographer Roberto Girometti (13 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGore inserts from the re-edited version of FIVE WOMEN FOR THE KILLER\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41739065589943,"sku":"VS-430","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/5womenforthekillerfront.jpg?v=1765230672"},{"product_id":"the-cat-creeps","title":"The Cat Creeps","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eWelcome \u003cstrong\u003eVinegar Syndrome Labs (VSL)\u003c\/strong\u003e to the VS Sub-Label family! As with each of our sub-labels we are hoping to expand and defy expectations with the diversity of films we restore and release. As the name implies, VSL will serve as a kind of testing area for releasing genres and eras of film that one might not immediately expect to come from VS. The ultimate objective of VSL will be to see if these types of films will find an audience, and if so, pursue and release more of them…and even if not, still serve as a means of restoring more of the weird, rare, and unusual movies you might not expect from Vinegar Syndrome.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen a wealthy widow sends a one thousand dollar bill to the local newspaper claiming murder, blackmail, a corrupt politician and $200,000 fortune to be had, it's up to reporter Terry Nichols and photographer Pidge 'Flash' Laurie to figure out the nefarious plot and clear the politician's (who's Terry's soon-to-be father-in-law) name. But they won't be alone. Among the colorful cast of characters are Terry's beautiful fiancee, a lawyer with his feline phobic secretary, a very deceiving private detective, and finally a mysterious woman and her even stranger black cat, which maybe involved with the murders itself!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom director Erle C. Kenton – whose classic shockers include HOUSE OF DRACULA, THE GHOST OF FRANKENSTEIN and ISLAND OF LOST SOULS, comes the 1946 melodrama that marked the end of the Universal Pictures ‘Golden Age of Horror’: THE CAT CREEPS. 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Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;This is the only horror movie in history that was made explicitly to catch a serial killer. Directed by Tom Hanson, who had previously owned a chain of Pizza Man restaurants, THE ZODIAC KILLER reimagines the crimes of the then-active Zodiac Killer in hopes of luring the madman out of hiding. That plan didn’t work. Instead, we got the most outrageous and compelling \\\u0026quot;tabloid horror\\\u0026quot; vortex on the planet. And beyond. During theatrical screenings, Hanson constructed in-theater traps to catch the killer. These included the use of an ice cream freezer filled with rent-a-cops and a raffle with a motorcycle as a prize. You won’t get insight like this by watching David Fincher's ZODIAC. But you will get it while watching THE ZODIAC KILLER.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eThis is the only horror movie in history that was made explicitly to catch a serial killer. Directed by Tom Hanson, who had previously owned a chain of Pizza Man restaurants, THE ZODIAC KILLER reimagines the crimes of the then-active Zodiac Killer in hopes of luring the madman out of hiding. That plan didn’t work. Instead, we got the most outrageous and compelling \"tabloid horror\" vortex on the planet. And beyond. During theatrical screenings, Hanson constructed in-theater traps to catch the killer. These included the use of an ice cream freezer filled with rent-a-cops and a raffle with a motorcycle as a prize. You won’t get insight like this by watching David Fincher's ZODIAC. But you will get it while watching THE ZODIAC KILLER.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;This is the only horror movie in history that was made explicitly to catch a serial killer. Directed by Tom Hanson, who had previously owned a chain of Pizza Man restaurants, THE ZODIAC KILLER reimagines the crimes of the then-active Zodiac Killer in hopes of luring the madman out of hiding. That plan didn’t work. Instead, we got the most outrageous and compelling \\\u0026quot;tabloid horror\\\u0026quot; vortex on the planet. And beyond. During theatrical screenings, Hanson constructed in-theater traps to catch the killer. These included the use of an ice cream freezer filled with rent-a-cops and a raffle with a motorcycle as a prize. You won’t get insight like this by watching David Fincher's ZODIAC. But you will get it while watching THE ZODIAC KILLER.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: Unknown\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;This is the only horror movie in history that was made explicitly to catch a serial killer. Directed by Tom Hanson, who had previously owned a chain of Pizza Man restaurants, THE ZODIAC KILLER reimagines the crimes of the then-active Zodiac Killer in hopes of luring the madman out of hiding. That plan didn’t work. Instead, we got the most outrageous and compelling \\\u0026quot;tabloid horror\\\u0026quot; vortex on the planet. And beyond. During theatrical screenings, Hanson constructed in-theater traps to catch the killer. These included the use of an ice cream freezer filled with rent-a-cops and a raffle with a motorcycle as a prize. You won’t get insight like this by watching David Fincher's ZODIAC. But you will get it while watching THE ZODIAC KILLER.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;This is the only horror movie in history that was made explicitly to catch a serial killer. Directed by Tom Hanson, who had previously owned a chain of Pizza Man restaurants, THE ZODIAC KILLER reimagines the crimes of the then-active Zodiac Killer in hopes of luring the madman out of hiding. That plan didn’t work. Instead, we got the most outrageous and compelling \\\u0026quot;tabloid horror\\\u0026quot; vortex on the planet. And beyond. During theatrical screenings, Hanson constructed in-theater traps to catch the killer. These included the use of an ice cream freezer filled with rent-a-cops and a raffle with a motorcycle as a prize. You won’t get insight like this by watching David Fincher's ZODIAC. But you will get it while watching THE ZODIAC KILLER.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e1971 \/ 86 min \/ 1.33:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from one of the only known 35mm prints in existence\\n• Interview with director Tom Hanson and actor Manny Nedwick\\n• Commentary with Tom Hanson, Manny Nedwick, and the AGFA team\\n• Booklet with writing by Chris Poggiali of TEMPLE OF SCHLOCK\\n• Tabloid-horror trailers from the AGFA archive\\n• Bonus movie: ANOTHER SON OF SAM (1977, 72 mins), preserved from a 35mm print   \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from one of the only known 35mm prints in existence\\n• Interview with director Tom Hanson and actor Manny Nedwick\\n• Commentary with Tom Hanson, Manny Nedwick, and the AGFA team\\n• Booklet with writing by Chris Poggiali of TEMPLE OF SCHLOCK\\n• Tabloid-horror trailers from the AGFA archive\\n• Bonus movie: ANOTHER SON OF SAM (1977, 72 mins), preserved from a 35mm print   \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003ePreserved from one of the only known 35mm prints in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from one of the only known 35mm prints in existence\\n• Interview with director Tom Hanson and actor Manny Nedwick\\n• Commentary with Tom Hanson, Manny Nedwick, and the AGFA team\\n• Booklet with writing by Chris Poggiali of TEMPLE OF SCHLOCK\\n• Tabloid-horror trailers from the AGFA archive\\n• Bonus movie: ANOTHER SON OF SAM (1977, 72 mins), preserved from a 35mm print   \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eInterview with director Tom Hanson and actor Manny Nedwick\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from one of the only known 35mm prints in existence\\n• Interview with director Tom Hanson and actor Manny Nedwick\\n• Commentary with Tom Hanson, Manny Nedwick, and the AGFA team\\n• Booklet with writing by Chris Poggiali of TEMPLE OF SCHLOCK\\n• Tabloid-horror trailers from the AGFA archive\\n• Bonus movie: ANOTHER SON OF SAM (1977, 72 mins), preserved from a 35mm print   \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eCommentary with Tom Hanson, Manny Nedwick, and the AGFA team\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from one of the only known 35mm prints in existence\\n• Interview with director Tom Hanson and actor Manny Nedwick\\n• Commentary with Tom Hanson, Manny Nedwick, and the AGFA team\\n• Booklet with writing by Chris Poggiali of TEMPLE OF SCHLOCK\\n• Tabloid-horror trailers from the AGFA archive\\n• Bonus movie: ANOTHER SON OF SAM (1977, 72 mins), preserved from a 35mm print   \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with writing by Chris Poggiali of TEMPLE OF SCHLOCK\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from one of the only known 35mm prints in existence\\n• Interview with director Tom Hanson and actor Manny Nedwick\\n• Commentary with Tom Hanson, Manny Nedwick, and the AGFA team\\n• Booklet with writing by Chris Poggiali of TEMPLE OF SCHLOCK\\n• Tabloid-horror trailers from the AGFA archive\\n• Bonus movie: ANOTHER SON OF SAM (1977, 72 mins), preserved from a 35mm print   \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eTabloid-horror trailers from the AGFA archive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from one of the only known 35mm prints in existence\\n• Interview with director Tom Hanson and actor Manny Nedwick\\n• Commentary with Tom Hanson, Manny Nedwick, and the AGFA team\\n• Booklet with writing by Chris Poggiali of TEMPLE OF SCHLOCK\\n• Tabloid-horror trailers from the AGFA archive\\n• Bonus movie: ANOTHER SON OF SAM (1977, 72 mins), preserved from a 35mm print   \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBonus movie: ANOTHER SON OF SAM (1977, 72 mins), preserved from a 35mm print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Preserved from one of the only known 35mm prints in existence\\n• Interview with director Tom Hanson and actor Manny Nedwick\\n• Commentary with Tom Hanson, Manny Nedwick, and the AGFA team\\n• Booklet with writing by Chris Poggiali of TEMPLE OF SCHLOCK\\n• Tabloid-horror trailers from the AGFA archive\\n• Bonus movie: ANOTHER SON OF SAM (1977, 72 mins), preserved from a 35mm print   \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd 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In partnership with OCN Distribution, new Dark Star titles - along with celebrated features in their back catalog - will receive features packed blu-ray editions that will maintain the OCN standard of quality and Dark Star's deft curation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.\"}' data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003eOn her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge 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data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003estarring: \u003c\/span\u003eRosemary Hochschild, Michael Parks, Roger Guenveur Smith, Jon Lindstrom\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.\"}' 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style=\"font-weight: 400;\"\u003e\u003cem\u003eUmbrella Entertainment has been a 100% Australian-owned and operated distributor for over 20 years. Their vast home entertainment catalogue features an extensive range of Australian classic, cult and exploitation films restored under the eyes of the original filmmakers. All sourced from national archives, underground collectors and local basements.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A stranger, Asta Cadell (Deborra-Lee Furness, Jindabyne) limps into an outback town on a crippled motorcycle. Trapped while she waits for repairs, Asta stays at the garage of Tim Curtis (Tony Barry, Australia).The outsider soon discovers that Tim's young daughter Lizzie (Simone Buchanan, My Brilliant Career) is the latest victim of the local sport: gang rape. Some women are intimidated, others make excuses and the law looks the other way – but nothing ever changes.Attacked herself, Asta is drawn in to the struggle of the town's women for safety and dignity. Emboldened by her, Lizzie lays charges and all hell breaks loose.The women rise up, but resistance is never that easy or that simple...\u0026quot;}\" data-sheets-userformat='{\"2\":4739,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003eA stranger, Asta Cadell (Deborra-Lee Furness, Jindabyne) limps into an outback town on a crippled motorcycle. Trapped while she waits for repairs, Asta stays at the garage of Tim Curtis (Tony Barry, Australia).The outsider soon discovers that Tim's young daughter Lizzie (Simone Buchanan, My Brilliant Career) is the latest victim of the local sport: gang rape. Some women are intimidated, others make excuses and the law looks the other way – but nothing ever changes.Attacked herself, Asta is drawn in to the struggle of the town's women for safety and dignity. Emboldened by her, Lizzie lays charges and all hell breaks loose.The women rise up, but resistance is never that easy or that simple...\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A stranger, Asta Cadell (Deborra-Lee Furness, Jindabyne) limps into an outback town on a crippled motorcycle. Trapped while she waits for repairs, Asta stays at the garage of Tim Curtis (Tony Barry, Australia).The outsider soon discovers that Tim's young daughter Lizzie (Simone Buchanan, My Brilliant Career) is the latest victim of the local sport: gang rape. Some women are intimidated, others make excuses and the law looks the other way – but nothing ever changes.Attacked herself, Asta is drawn in to the struggle of the town's women for safety and dignity. Emboldened by her, Lizzie lays charges and all hell breaks loose.The women rise up, but resistance is never that easy or that simple...\u0026quot;}\" data-sheets-userformat='{\"2\":4739,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eSteve Jodrell\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A stranger, Asta Cadell (Deborra-Lee Furness, Jindabyne) limps into an outback town on a crippled motorcycle. Trapped while she waits for repairs, Asta stays at the garage of Tim Curtis (Tony Barry, Australia).The outsider soon discovers that Tim's young daughter Lizzie (Simone Buchanan, My Brilliant Career) is the latest victim of the local sport: gang rape. Some women are intimidated, others make excuses and the law looks the other way – but nothing ever changes.Attacked herself, Asta is drawn in to the struggle of the town's women for safety and dignity. Emboldened by her, Lizzie lays charges and all hell breaks loose.The women rise up, but resistance is never that easy or that simple...\u0026quot;}\" data-sheets-userformat='{\"2\":4739,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003estarring: \u003c\/span\u003eDeborra-Lee Furness; Simone Buchanan; Tony Barry\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A stranger, Asta Cadell (Deborra-Lee Furness, Jindabyne) limps into an outback town on a crippled motorcycle. Trapped while she waits for repairs, Asta stays at the garage of Tim Curtis (Tony Barry, Australia).The outsider soon discovers that Tim's young daughter Lizzie (Simone Buchanan, My Brilliant Career) is the latest victim of the local sport: gang rape. Some women are intimidated, others make excuses and the law looks the other way – but nothing ever changes.Attacked herself, Asta is drawn in to the struggle of the town's women for safety and dignity. Emboldened by her, Lizzie lays charges and all hell breaks loose.The women rise up, but resistance is never that easy or that simple...\u0026quot;}\" data-sheets-userformat='{\"2\":4739,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e1988 \/ 94 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"ALL NEW INTERVIEW WITH STEVE JODRELL (DIRECTOR), MICHAEL BRINDLEY (CO-WRITER), BEVERLEY BLANKENSHIP (CO-WRITER), SIMONE BUCHANAN (LIZZIE), \u0026amp; PAUL BARRON (PRODUCER)\\n- AUDIO COMMENTARY with Steve Jodrell (Director), Simone Buchanan (Lizzie) \u0026amp; Michael Brindley (Co-writer).\\n- EXCERPT OF ORAL HISTORY WITH FILM BUFF PAUL HARRIS AND STEVE JODRELL\\n- ORIGINAL FOOTAGE FROM THE PREMIERE FOR ‘SHAME’\\n- ABC TV – ARTSPACE Interview with Deborra-Lee Furness – 25 min\\n- Original archival theatrical trailer \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"ALL NEW INTERVIEW WITH STEVE JODRELL (DIRECTOR), MICHAEL BRINDLEY (CO-WRITER), BEVERLEY BLANKENSHIP (CO-WRITER), SIMONE BUCHANAN (LIZZIE), \u0026amp; 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PAUL BARRON (PRODUCER)\\n- AUDIO COMMENTARY with Steve Jodrell (Director), Simone Buchanan (Lizzie) \u0026amp; Michael Brindley (Co-writer).\\n- EXCERPT OF ORAL HISTORY WITH FILM BUFF PAUL HARRIS AND STEVE JODRELL\\n- ORIGINAL FOOTAGE FROM THE PREMIERE FOR ‘SHAME’\\n- ABC TV – ARTSPACE Interview with Deborra-Lee Furness – 25 min\\n- Original archival theatrical trailer \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eABC TV – ARTSPACE Interview with Deborra-Lee Furness – 25 min\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"ALL NEW INTERVIEW WITH STEVE JODRELL (DIRECTOR), MICHAEL BRINDLEY (CO-WRITER), BEVERLEY BLANKENSHIP (CO-WRITER), SIMONE BUCHANAN (LIZZIE), \u0026amp; PAUL BARRON (PRODUCER)\\n- AUDIO COMMENTARY with Steve Jodrell (Director), Simone Buchanan (Lizzie) \u0026amp; Michael Brindley (Co-writer).\\n- EXCERPT OF ORAL HISTORY WITH FILM BUFF PAUL HARRIS AND STEVE JODRELL\\n- ORIGINAL FOOTAGE FROM THE PREMIERE FOR ‘SHAME’\\n- ABC TV – ARTSPACE Interview with Deborra-Lee Furness – 25 min\\n- Original archival theatrical trailer \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOriginal archival theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"ALL NEW INTERVIEW WITH STEVE JODRELL (DIRECTOR), MICHAEL BRINDLEY (CO-WRITER), BEVERLEY BLANKENSHIP (CO-WRITER), SIMONE BUCHANAN (LIZZIE), \u0026amp; PAUL BARRON (PRODUCER)\\n- AUDIO COMMENTARY with Steve Jodrell (Director), Simone Buchanan (Lizzie) \u0026amp; Michael Brindley (Co-writer).\\n- EXCERPT OF ORAL HISTORY WITH FILM BUFF PAUL HARRIS AND STEVE JODRELL\\n- ORIGINAL FOOTAGE FROM THE PREMIERE FOR ‘SHAME’\\n- ABC TV – ARTSPACE Interview with Deborra-Lee Furness – 25 min\\n- Original archival theatrical trailer \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Umbrella Entertainment","offers":[{"title":"Default Title","offer_id":41834168254647,"sku":"UMB-004","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/shamefront.jpg?v=1767980457"},{"product_id":"how-to-be-loved","title":"How To Be Loved","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition spot gloss slipcover (designed by \u003cspan data-sheets-value='{\"1\":2,\"2\":\"Aleksander Walijewski\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAleksander Walijewski\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Midnight Marauder\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e)\u003c\/span\u003e is limited to\u003cspan\u003e \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"During a trip from Warsaw to Paris an actress reflects on the last few years of her life during the German occupation while hiding a fellow actor wanted for murder. Based on a novel by Kazimierz Brandys and told in a series of vignettes, Wojciech Has’s psychological tragedy marks the end of the Polish Film School and an important transition in the Polish director’s career.\"}' data-sheets-userformat='{\"2\":14591,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eDuring a trip from Warsaw to Paris an actress reflects on the last few years of her life during the German occupation while hiding a fellow actor wanted for murder. Based on a novel by Kazimierz Brandys and told in a series of vignettes, Wojciech Has’s psychological tragedy marks the end of the Polish Film School and an important transition in the Polish director’s career.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"During a trip from Warsaw to Paris an actress reflects on the last few years of her life during the German occupation while hiding a fellow actor wanted for murder. Based on a novel by Kazimierz Brandys and told in a series of vignettes, Wojciech Has’s psychological tragedy marks the end of the Polish Film School and an important transition in the Polish director’s career.\"}' data-sheets-userformat='{\"2\":14591,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003edirected by: \u003c\/span\u003eWojciech Has\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"During a trip from Warsaw to Paris an actress reflects on the last few years of her life during the German occupation while hiding a fellow actor wanted for murder. Based on a novel by Kazimierz Brandys and told in a series of vignettes, Wojciech Has’s psychological tragedy marks the end of the Polish Film School and an important transition in the Polish director’s career.\"}' data-sheets-userformat='{\"2\":14591,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003estarring: \u003c\/span\u003eBarbara Krafftówna; Zbigniew Cybulski; Artur Mlodnicki, Wienczyslaw Glinski\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"During a trip from Warsaw to Paris an actress reflects on the last few years of her life during the German occupation while hiding a fellow actor wanted for murder. Based on a novel by Kazimierz Brandys and told in a series of vignettes, Wojciech Has’s psychological tragedy marks the end of the Polish Film School and an important transition in the Polish director’s career.\"}' data-sheets-userformat='{\"2\":14591,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003e1963 \/ 98 min \/ 1.37:1 \/ Polish \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eIntroduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \"Intimations: The Cinema of Wojciech Has\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003ePost Screening Notes on How to be Loved by Annette Insdorf.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDiscussion on How to be Loved with Sebastian Smoliński, Film Critic\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eWritten Essay by Michael Brooke, writer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eWritten Essay by Annette Insdorf\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew slip cover by Aleksander Walijewski\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction Notes on How to be Loved by Annette Insdorf, Film Professor at Columbia University, and author of books including \\\"\\\"Intimations: The Cinema of Wojciech Has.\\\"\\\"\\n- Post Screening Notes on How to be Loved by Annette Insdorf.\\n- Discussion on How to be Loved with Sebastian Smoliński, Film Critic.\\n- Written Essay by Michael Brooke, writer.\\n- Written Essay by Annette Insdorf.\\n- New slip cover by Aleksander Walijewski.\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Yellow Veil Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":41834168844471,"sku":"YVP-013 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition (Blu-ray)","offer_id":41834168877239,"sku":"YVP-013","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/howtobelovedslipfront.jpg?v=1685561282"},{"product_id":"undefeatable","title":"Undefeatable","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKristi Jones (Cynthia Rothrock) is a street tough member of a martial arts gang known as the Red Dragons. In an attempt to go straight and leave the gang life behind, Kristi participates in mafia run back alley street fights in an attempt to win enough money to put her sister through college. Meanwhile, a sadistic fighter known as Stingray becomes increasingly violent while taking part in unsanctioned fights to the death. When Stingray's wife leaves him due to his increasingly aggressive behavior, Stingray loses his grip on reality and begins raping, murdering, and removing the eyes of any woman that resembles his wife. When Stingray turns his murderous rage on Kristi's sister, Kristi has no choice but to reluctantly team up with Nick, a martial arts trained detective, in an attempt to stop Stingray's rampage before more women turn up dead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDirected by notorious Hong Kong filmmaker, Godfrey Ho (under one of his many pseudonyms), UNDEFEATABLE has obtained true cult status thanks in large part to its now infamous final fight. Starring the always bad-ass Cynthia Rothrock (Righting Wrongs, Martial Law) in one of her most memorable roles, as well as an impressive martial arts performance by John Miller (Honor and Glory), and featuring an eye-popping performance by Don Niam in one of his few acting roles. Vinegar Syndrome is proud to present one of our most requested titles, UNDEFEATABLE, for the first time on Blu-ray and 4K UHD, restored from the original camera negative. Also, included in this set is the rarely seen alternate Hong Kong cut released under the title BLOODY MARY KILLER. In true Godfrey Ho fashion, the film was re-edited into an almost new movie, featuring more fight scenes, an entirely new subplot involving Triad gangsters, as well as additional characters, including known martial arts actor Robin Shou (Mortal Kombat).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Godfrey Ho\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Cynthia Rothrock, Don Niam, John Miller, Donna Jason\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1993 \/ 95 min \/ 1.85:1 \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e3-disc Region Free Set: 4K Ultra HD \/ Blu-ray x2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresented in both its English language UNDEFEATABLE version and its wildly different BLOODY MARY KILLER version in both Cantonese and Mandarin with newly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrand new commentary track with actress Cynthia Rothrock (UNDEFEATABLE)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrand new commentary track with filmmaker \u0026amp; film historian Brandon Bentley (BLOODY MARY KILLER)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Godfrey Ho Discusses Undefeatable\" (15 min) - a brand new interview with producer \/ director Godfrey Ho\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"It’s a Cartoon with People\" (18 min) - a brand new interview with cinematographer Phil Cook\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Street Fighter\" (12 min) - a brand new interview with actress Cynthia Rothrock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"They Call Him Stingray\" (25 min) - a brand new interview with actor Don Niam\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"A Mind for Action\" (16 min) - a brand new interview with actress \/ assistant director Donna Jason\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Cynthia Rothrock: A Legendary Life\" (14 min) - a video essay by film historians Samm Deighan \u0026amp; Charles Perks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Undefeatable vs. Bloody Mary Killer” (8 min) - a video essay comparing the two versions by filmmaker Chris O’Neill\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal trailers for both UNDEFEATABLE and BLOODY MARY KILLER\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e12-page booklet with an essay by writer and film historian Danielle Burgos\u003c\/li\u003e\n\u003cli\u003eReversible sleeve artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/n5VlksZ6-DI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41834198433975,"sku":"VS-436","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/undefeatable4kfront.jpg?v=1694180119"},{"product_id":"dirty-money","title":"Dirty Money","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition spot gloss slipcover (designed by \u003cspan data-sheets-value='{\"1\":2,\"2\":\"Jaxon Northon\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eJaxon Northon\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Igor Ruz\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eis limited to\u003cspan\u003e \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003e50th anniversary special edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"50th anniversary special edition\\n\\nAfter a raucous visit from the wealthy Uncle Arthur (The Death of a Lumberjack’s J. Léo Gagnon), working class Montreal couple Roland (O.K. ... Laliberté’s René Caron) and Berthe (Mustang’s Luce Guilbeault) are left feeling slighted by his meager gift of $500. Hungry for more, Berthe hatches a plan to descend on Uncle Arthur’s remote country house and steal his small fortune with the help of her delinquent brother and cousin. When the robbery spirals out of control, allegiances shift, blood is spilled, and Roland’s dimwitted lodger Ernest (J.A. Martin Photographer’s Marcel Sabourin) takes center stage in a harrowing battle for Arthur’s stolen cash. \\n\\nThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\"}' data-sheets-userformat='{\"2\":4271,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}'\u003eThree decades before winning the Best Foreign Language Film Oscar for The Barbarian Invasions, Denys Arcand started his fiction filmmaking career with an informal trilogy (Dirty Money, Réjeanne Padovani, and Gina) that remains the high-water mark for Canadian crime cinema. Loosely inspired by the B-movies of the ’40s, while anticipating Blood Simple and other neo-noirs of the ’80s, Dirty Money is an unforgettable blend of pastiche and provocation. Shot through with pitch black humor and grounded by a cavalcade of memorable performances, Arcand’s fiction debut announced the arrival of a major Canadian filmmaking talent.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Denys Arcand\u003cbr\u003estarring: Marcel Sabourin, Luce Guilbeault, René Caron, Gabriel Arcand, J. Léo Gagnon, Maurice Gauvin, Andree Lalonde, Jean-Pierre Saulnier\u003cbr\u003e1972 \/ 100 min \/ 2.35:1 \/ French DTS-HD MA 5.1, 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNewly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}'\u003eMaking Money (2023, 20 min.) – New interview with director Denys Arcand\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBuilding an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTrailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRestoration trailer for Dirty Money\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-userformat='{\"2\":12461,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring a new interview with screenwriter Jacques Benoit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the 35mm original camera negative by Éléphant - mémoire du cinéma québécois with sound transferred and restored from the original 35mm magnetic final mix \\n• Audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Making Money (2023, 20 min.) – New interview with director Denys Arcand\\n• Building an Industry (2023, 23 min.) – New interview with Cinémathèque québécoise director Robert Daudelin\\n• New audio interviews with cast members Gabriel Arcand (19 min.) and Marcel Sabourin (17 min.)\\n• Trailers for Arcand’s Dirty Money (1972), Réjeanne Padovani (1973), and Gina (1975)\\n• Restoration trailer for Dirty Money\\n• Booklet featuring a new interview with screenwriter Jacques Benoit\\n• Reversible cover artwork\\n• English SDH subtitles\"}' 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eMusic Box Selects is a brand new home video library from the revered independent film distribution company Music Box Films which is dedicated to curating a diverse repertoire of films and television from around the world. The Music Box Selects line will consist of blu-ray debuts of catalog titles and home video premieres, all of which will adhere to the quality and diversity that fans have come to expect from the Music Box name. 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Without the train, Julie struggles to make it in time to her job at a five-star hotel, to the interview for a better job she’s tied her hopes to, or back home to pick up her kids from childcare. Before long, Julie is at her breaking point and as her responsibilities pile up, she finds herself bending the rules to stay afloat in a cutthroat society. Anchored by Calamy’s dynamic performance, Full Time is a race against the clock and a kinetic real world thriller about the obstacles working parents face every day.\u0026quot;}\" data-sheets-userformat='{\"2\":4779,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003eJulie (Laure Calamy, Call My Agent!) is a single mother who can't catch a break. 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Anchored by Calamy’s dynamic performance, Full Time is a race against the clock and a kinetic real world thriller about the obstacles working parents face every day.\u0026quot;}\" data-sheets-userformat='{\"2\":4779,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e2022 \/ 88 min \/ 2.35:1 \/ French \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• New Feature Audio Commentary by critic Samm Deighan\\n• Interview with director Éric Gravel\\n• Filmmaker Q\u0026amp;A from 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Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cem\u003eUmbrella Entertainment has been a 100% Australian-owned and operated distributor for over 20 years. Their vast home entertainment catalogue features an extensive range of Australian classic, cult and exploitation films restored under the eyes of the original filmmakers. 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Edition","offer_id":41883697021111,"sku":"UMB-006","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/deathinbrunswickslipfront.jpg?v=1690832059"},{"product_id":"tower-a-bright-day-monument","title":"Tower. A Bright Day \u0026 Monument","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eThis special limited edition slipcover (designed by \u003cspan data-sheets-value='{\"1\":2,\"2\":\"Midnight Marauder\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16773836},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eMidnight Marauder)\u003c\/span\u003e is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Mula lives with her family in the country. Just before her daughter’s First Holy Communion, Mula’s sister – Kaja – pays them a visit. Kaja is the biological mother of the girl, but she suddenly left without a trace 6 years before. The family believes in reconciliation, but Mula believes that Kaja has come to take the child away. Meanwhile, a series of peculiar metaphysical events take place and Kaja’s presence triggers changes in people. Mula’s fear grows and she wants to get rid of her sister. Yet Kaja has come for a reason.\\nA group of hotel interns wake up in an ice-cold van. They don’t know each other yet, and have just arrived to do their internships. The strict manager of the hotel numbers the students: real names are not relevant, there is no place for individuality here. As they work through green-lit corridors and empty rooms, things become increasingly eerie. What exactly is going on here?\\t\"}'\u003eMula lives with her family in the country. 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Meanwhile, a series of peculiar metaphysical events take place and Kaja’s presence triggers changes in people. Mula’s fear grows and she wants to get rid of her sister. Yet Kaja has come for a reason.\\nA group of hotel interns wake up in an ice-cold van. They don’t know each other yet, and have just arrived to do their internships. The strict manager of the hotel numbers the students: real names are not relevant, there is no place for individuality here. As they work through green-lit corridors and empty rooms, things become increasingly eerie. What exactly is going on here?\\t\"}'\u003eA group of hotel interns wake up in an ice-cold van. They don’t know each other yet, and have just arrived to do their internships. The strict manager of the hotel numbers the students: real names are not relevant, there is no place for individuality here. As they work through green-lit corridors and empty rooms, things become increasingly eerie. What exactly is going on here? \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Jagoda Szelc\u003cbr\u003estarring: Anna Krotoska, Małgorzata Szczerbowska, Zuzanna Lit, Anna Biernacik\u003cbr\u003e2017-2018 \/ 214 min (combined) \/ 2.35:1 \/ Polish DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cli\u003e2-Disc Region A Blu-ray\u003c\/li\u003e\n\u003cli\u003eEssay by Alexandra Heller Nicholas\u003c\/li\u003e\n\u003cli\u003eNew Art by Midnight Marauder\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBluRay 1: Tower: Introduction from Director Jagoda Szelc\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBehind the Scenes Slideshow\u003c\/li\u003e\n\u003cli\u003eBehind the Scenes Rehearsal\u003c\/li\u003e\n\u003cli\u003eAnimatic to scene: Opening Scene\u003c\/li\u003e\n\u003cli\u003e3 short Films: 1- Aposiopesis\u003c\/li\u003e\n\u003cli\u003e2- Punkt Wyjscia Nowa Arvi 3- Such a Landscape\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"BluRay 1: Tower:        Introduction from Director Jagoda Szelc \\n                        Behind the Scenes Slideshow\\n                        Behind the Scenes Rehearsal\\n                        Animatic to scene: Opening Scene\\n                        3 short Films: 1- Aposiopesis \\n                                         2- Punkt Wyjscia Nowa Arvi                                                                                                                                                                              3- Such a Landscape\\n        \\nBluRay 2: Monument:        Introduction from Director Jagoda Szelc \\n                                      Interview with Director Jagoda Szelc         \\n                                      Behind the Scenes Slideshow\\n                                     Moodboard Slideshow\\n                                      3 Story Board to scenes\\n\\n        - Essay by Alexandra Heller Nicholas\\n        - New Art by Midnight Marauder\"}'\u003e\u003cem\u003eBluRay 2: Monument: Introduction from Director Jagoda Szelc\u003c\/em\u003e \u003cbr\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan 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(Blu-ray)","offer_id":41883697119415,"sku":"YVP-015","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/monumentslipfront.jpg?v=1690834521"},{"product_id":"the-cardona-collection-volume-two","title":"The Cardona Collection: Volume Two","description":"\u003cp data-mce-fragment=\"1\"\u003eThis limited edition 3-disc set (designed by Alessa Kreger) is limited to \u003cstrong\u003e8,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. \u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSpecial note:\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e this is Volume #2 of a three part (and world first) expanding box set featuring the films of \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRené\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e Cardona Jr.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRené\u003c\/span\u003e Cardona Jr. was the king of Mexican exploitation cinema throughout the 70s and 80s, directing dozens of films in a variety of genres and taking creative inspiration from the most popular trends in American and Italian genre cinema. Vinegar Syndrome presents The Cardona Collection: Volume 1, containing three of his violent, horror tinged adventure and disaster movies, all newly restored from their original negatives.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eBeaks: The Movie (1987 \/ 100 min \/ 1.85:1 \/ English Stereo)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen TV reporter Vanessa is given an assignment to cover some local bird attacks, she sees it as a lowly assignment from her sleazy producer. But as the number of deadly incidents grow and Vanessa's investigation deepens, she discovers something much more sinister waiting in the wings. Soon humanity is under violent siege from all forms of avian predator and nowhere is safe to hide from these fearsome fowl, who hope to pec and gouge their way to world domination!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA globe-trotting and action packed classic from the animal attack genre, Rene Cardona Jr’s BEAKS (aka Birds of Prey) pays playful homage to Hitchcock while infusing this story with way non stop carnage and death defying stunts as only he can. Starring Michelle Johnson (Tales From the Crypt), Christopher Atkins (The Blue Lagoon) and Sofia Infante (Los placeres ocultos), Vinegar Syndrome is proud to present the world Blu-ray debut of BEAKS, presented in its uncut international version and newly restored in 2K!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnder Siege (1980 \/ 94 min \/ 1.85:1 \/ Spanish Mono)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen an organized crime group pulls the heist of their criminal careers things quickly spiral out of control into a nightmare of violence. After robbing several casinos in a synchronized attack, the group splinters in order to escape, only to be dogged by police task forces and relentless detectives at every turn. When one faction ultimately takes refuge in the home of an upscale family, it's up to the father to save his family as the criminals fall, one by one, and desperation sinks in.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA stellar example of Cardona Jr.'s prowess as a director, this film grabs you from its opening moments and the tension never lets up. Pulling from an all-star ensemble featuring Stuart Whitman (The Longest Day), Francisco Rabal (Tie Me Up! Tie Me Down!), Hugo Stiglitz (Nightmare City), Antonella Interlenghi (City of the Living Dead) and Marisa Mell (Danger: Diabolik) Under Siege (aka Hostages), is a non-stop thrill ride, newly restored from the 35mm camera negative of its original Spanish language version.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLa casa que arde de noche (1986 \/ 103 min \/ 1.85:1 \/ Spanish Mono)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEleazar is a smooth talking strong man who works at a notoriously sleazy brothel. His charming ways have put him in the good graces of the house's madame. That is until Lalasana, a seductive new prostitute, enters the brothel and does everything in her power to get to the top. While Eleazar and Lalasana vie for the favor of the house madame they will do anything to stop the other, but when their feud turns into a sexual fire, the intensity and heat threaten to turn all they've worked for into a pile of ash.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA mid-80s entry into the psycho-sexual thriller genre, this film is a twisting and turning tale with all the sex and sleaze you can handle. Starring frequent Cardona collaborators Sofia Infante (Treasure of the Amazon) and Salvador Pineda (Beaks: The Movie), La casa que arde de noche (aka The House That Burns at Night) is a welcome addition to U.S. home video, restored from its 35mm original camera negative.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS.O.S. Conspiración Bikini (1967 \/ 89 min \/ 1.85:1 \/ Spanish Mono)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlex Dinamo is the top agent at The International Service and is always busy either taking down criminals or making ladies swoon. But now, the criminal enterprise, Secret Organizational Service (S.O.S.) is about to complete its long-in-the-works plot to destabilize the world with illegal arms deals. Using an international fashion show as their front, they're getting together for one last meeting before enacting their master plan. Will Agent Dinamo be able to pry away from all the scantily clad models long enough to foil S.O.S.'s plans or will they succeed?!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this lighter action comedy, Cardona Jr. sets his sights on sending up the spy film genre. Filled with action set pieces and chase sequences, Cardona is in familiar territory while keeping the mood and pace free and fun. Starring Julio Alemán (El Tunco Malclovio), Sonia Infante (Beaks: The Movie), Sonia Furió (Aventura) and Noé Muayama (Infernal Rapist) and in a new restoration from its 35mm internegative, Vinegar Syndrome is proud to present S.O.S. Conspiración Bikini.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: René Cardona Jr.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Hugo Stiglitz, Stuart Whitman, Michelle Johnson, Christopher Atkins, Julio Alemán, Sonia Infante, Noé Muayama, Francisco Rabal, Antonella Interlenghi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1967-1987 \/ 386 min (combined) \/ 1.85:1 \/ Spanish Mono \u0026amp; 2.0 English Stereo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e3-disc Region Free Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from various 35mm original elements\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film historian Viviana García-Besné for S.O.S. CONSPIRACIÓN BIKINI\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"On The Run\" (19 min) - an interview with filmmaker René Cardona III on UNDER SIEGE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"We Were Wild\" (16 min) - an interview with UNDER SIEGE actor Hugo Stiglitz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Don’t Shoot\" (10 min) - an interview with UNDER SIEGE actor Orlando Urdaneta\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"All in the Family: The Cardona Legacy\" (15 min) - an interview with Andrea Cardona, granddaughter of René Cardona Jr.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Union City: Behind the Entertainment\" (14 min) - an interview with LA CASA QUE ARDE DE NOCHE production assistant Felipe Marino\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"From P.A. to Producer\" (17 min) - an interview with LA CASA QUE ARDE DE NOCHE actress Mineko Mori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePromotional still gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/aGsG6cYVe3k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41883697873079,"sku":"VS-357B","price":49.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/VS-357B_case_front_gray.jpg?v=1690834179"},{"product_id":"amazon-jail-amazon-jail-ii","title":"Amazon Jail \/ Amazon Jail II","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis special limited edition spot gloss slipcover (designed by \u003c\/span\u003eAlessa Kreger) is limited to \u003cstrong\u003e6,000\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eunits\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBrazil’s “Boca do Lixo,” or “Mouth of Garbage” film movement yielded some of the most outrageous and original genre films of the early to mid 80s, yet despite their copious amounts of sex, violence, and often madcap plotlessness, very few were ever distributed outside of their native country. Vinegar Syndrome proudly presents the world Blu-ray debuts of two Boca-styled women-in-prison classics:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMAZON JAIL (Curral de Mulheres) - 93 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeep in the Amazon, dozens of beautiful women are being held hostage in bamboo huts, waiting to be sold on the white slave market. The operation is run by Edgar, a perverted drunk, and Helena, a vicious lesbian. However, when Edgar’s young nephew attempts to help the women escape from their tropical prison, the group are quick to learn that the jungle is no less trecherous…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn exceedingly crass take on the women-in-prison genre, Oswaldo de Oliveira’s AMAZON JAIL features Brazilian matinee idol, Elizabeth Hartmann along with character actors Maurício do Valle, Sergio Hingst, and Vanessa Alves and is presented in a stunning new 4K restoration of its original 35mm negative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMAZON JAIL II (Prisioneiras da Selva Amazônica) - 74 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen a group of tribeswomen are kidnaped, to be sold to a Japanese white slave trader, they find unlikely aid in the men who have been hired to transport them to captivity. Fleeing with the girls, the unlikely traveling companions become lost in the jungle, having to contend with unexpected dangers - both human and animal. But their would-be slaver, and his dwarf assistant, are unwilling to give up on such a prize catch so easily…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePart jungle adventure and part crime-thriller, Conrado Sanchez’ AMAZON JAIL II blends action and T\u0026amp;A, with an all but surreal sense of self-parody and stars Vanessa Alves alongside Brazilian cult actor, Chumbinho and is presented newly restored in 4K for the first time!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Oswaldo de Oliveira, Conrado Sanchez\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Chumbinho, Elizabeth Hartmann, Maurício do Valle, Sandra Graffi, Lígia de Paula, Elys Cardoso, Shirley Benny, Vanessa Alves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1982-1987 \/ 167 min (combined) \/ 1.66:1 \/ Portuguese \u0026amp; English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2-disc Region A Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative (Amazon Jail) and a 35mm answer print (Amazon Jail II)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresented in their original Portuguese language soundtracks with newly translated English subtitles and English dub tracks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with with film historian Fábio Vellozo for AMAZON JAIL\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA brand new interview with AMAZON JAIL lead actress Elizabeth Hartmann (13 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA conversation with AMAZON JAIL II director Conrado Sanchez (40 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eA conversation with supporting actress Vanessa Alves (24 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Latin American Exploitation Cinema\" (19 min) - an interview with film historian Dr. Victoria Ruétalo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"The Sadean Woman in Prison\" (60 min) - a video essay by film historian Annie Rose Malamet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3BtMedHURJM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":41883698856119,"sku":"VS-442 SLIP","price":42.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41883698888887,"sku":"VS-442","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/VS-442_front_gray.jpg?v=1690831687"},{"product_id":"evil-judgment","title":"Evil Judgment","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis special limited edition spot gloss slipcover (designed by Robert Sammelin) is limited to \u003cstrong\u003e6,000\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eunits\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAspiring young dancer Janet is desperate to leave her dead-end waitressing job - so, after a fight with her sleazy boyfriend Dino, and with the encouragement of her friend April, she decides to try her hand at prostitution. The two women set off to spend the night with one of April’s regular clients, a strange older man named Ron who lives in a vast, secluded old mansion. But before proceedings can get underway, the house is plunged into darkness and a razor-wielding assailant brutally slashes the throats of both Ron and April. Waking up the next day in a hospital bed, Janet attempts to relate the horrific events to grizzled Detective Armstrong, who dismisses her story as a drug-induced hallucination. However, as the mutilated corpses continue to pile up - and Armstrong continues to ignore the obvious - Janet and Dino attempt to uncover the truth, only to find themselves thrust into a nightmarish maze of murder, madness, and diabolical conspiracies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne of the lesser-known productions to benefit from Canada’s tax incentive heyday, Claudio Castravelli’s EVIL JUDGMENT is a twisty-turny thriller inspired in equal parts by the contemporary slasher movie boom and the stylistic giallo offerings of the likes of Dario Argento - complete with menacing blue hue lighting and a razor-wielding, black-gloved killer. Filled to the brim with gloriously gushy throat slashings courtesy of future Academy Award-winning make-up artist Michèle Burke (Bram Stoker’s Dracula), EVIL JUDGMENT arrives in its Blu-ray world premiere, restored in 4K from the original 35mm camera negative by the slash-happy folks at Vinegar Syndrome, and complete with a judicious array of revelatory new bonus features which shed light on this long-overlooked Canuxploitation classic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Claudio Castravelli\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Pamela Collyer, Jack Langedijk, Walter Massey, Nanette Workman, Roland Nincheri, Suzanne DeLaurentiis\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1984 \/ 93 min \/ 1.85:1 \/ English 1.0 Mono\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProgram Content © 1984 Taurus 7 Film Corporation, renewed 2022 Vinegar Syndrome LLC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommentary track with director\/producer\/co-writer Claudio Castravelli, production manager\/associate producer Pietro L. Serapiglia and co-writer Victor Montesano\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommentary track with The Hysteria Continues!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The Executioner\" (18 min) - an interview with director\/producer\/co-writer Claudio Castravelli\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Getting It Done\" (8 min) - an interview with production manager\/associate producer Pietro L. Serapiglia\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"It's About Vibes\" (17 min) - an interview with composer Corky Laing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Canadian Giallo\" (21 min) - writer and filmmaker Caelum Vatnsdal on Evil Judgment and the influence of the giallo genre on Canadian exploitation cinema\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":41909436973239,"sku":"VS-445 SLIP","price":42.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41909437006007,"sku":"VS-445","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/eviljudgementslipfront.jpg?v=1695745806"},{"product_id":"arnold","title":"Arnold","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis special limited edition spot gloss slipcover (designed by Robert Sammelin) is limited to \u003cstrong\u003e6,000\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eunits\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen wealthy, eccentric Lord Arnold Dwellyn dies, his funeral also doubles as a wedding: Arnold gets hitched to his mistress Karen, who will inherit his vast estate...if she agrees to meet several conditions. This includes remaining in his mansion with Arnold’s corpse by her side. Karen—along with Arnold’s ex-wife, his brother, and several members of his family—are unhappy with this arrangement, but desperate to get their hands on Arnold’s vast wealth, which allegedly includes a pile of money hidden somewhere on the grounds. But as each of the guests attempt to break or subvert the conditions of Arnold’s will, the consequences end up being lethal and Karen finds herself caught up in a series of grisly murders. Has Arnold returned from the dead to take revenge on his greedy loved ones, or is there a living, breathing killer lurking around the mansion?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith a stacked cast of Hollywood legends including Norman Stuart, Stella Stevens, Elsa Lanchester, Roddy McDowall, and Farley Granger, among others, ARNOLD, is a glorious nod to the old dark house chillers so popular during the Golden Age of Hollywood. Director Georg Fenady offers a tribute to everything from the lush early Hammer horrors to Roger Corman’s colorful cycle of gothic thrillers, with an extra helping of macabre humor, all filtered through a 70s drive-in movie sensibility. Vinegar Syndrome is delighted to present the Blu-ray debut of this delirious B movie treat, freshly restored in 4k from its 35mm interpositive!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Georg Fenady\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Stella Stevens, Roddy McDowall, Elsa Lanchester, Farley Granger, Shani Wallis, Bernard Fox, Victor Buono\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1973 \/ 95 min \/ 1.85:1 \/ English 1.0 Mono\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProgram Content © 1973 Bing Crosby Productions, Inc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4K from its 35mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrand new commentary track by Mike White, author and co-host of The Projection Booth Podcast\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e“The Gothic Horror Comedy in Hollywood” (21 min) - a brand new video essay by film historian Samm Deighan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":41909437137079,"sku":"VS-446 SLIP","price":42.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41909437169847,"sku":"VS-446","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/arnoldslipfront.jpg?v=1695745752"}],"url":"https:\/\/ocndistribution.com\/collections\/thriller.oembed?page=10","provider":"OCN Distribution","version":"1.0","type":"link"}