{"title":"Exploitation","description":"","products":[{"product_id":"fanny-hill-the-phantom-gunslinger","title":"Fanny Hill \/ The Phantom Gunslinger","description":"\u003cp\u003eAcclaimed producer Albert Zugsmith (TOUCH OF EVIL, THE INCREDIBLE SHRINKING MAN) crafted some of the strangest and most unlikely exploitation films of the 60s. Vinegar Syndrome presents the blu-ray debut of two of his rarest works!\u003c\/p\u003e\n\u003cp\u003eCult filmmaker Russ Meyer takes on directorial duties in Zugsmith's adaptation of the notorious erotic classic Fanny Hill. Set in pre-Victorian London, young Fanny finds herself taken in by a madame at one of the city's most elite brothels. A strange mix of Zugsmith's surreal slapstick and Meyer's trademark buxom beauties and thoughtful satire, FANNY HILL is an over-the-top saga of low-rent thrills in high-brow settings.\u003c\/p\u003e\n\u003cp\u003eZugsmith's mind-numbing blend of surrealism and slapstick comedy done as a self-aware parody of westerns stars Troy Donohue as Phil P. Phillips, fresh out of divinity school and living in the frontier town of Yucca Flats. When a gang of seven criminals take the town hostage, it's up to Phil to save the village, or die trying, again and again...\u003c\/p\u003e\n\u003cp\u003eBoth films have been restored from their original negatives and are being offered on DVD and Blu-ray fully uncut for the first time!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFANNY HILL\u003c\/strong\u003e\u003cbr\u003e1964 | B\u0026amp;W | 105min | AR 1.85:1\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE PHANTOM GUNSLINGER\u003c\/strong\u003e\u003cbr\u003e1967 | Color | 100min | AR 1.85:1\u003c\/p\u003e\n\u003cp\u003edirectors: Albert Zugsmith, Russ Meyer\u003cbr\u003estarring (combined): Troy Donahue, Ulli Lommel, Leticia Roman, Miriam Hopkins, Sabrina\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 Disc Combo (1 Blu-ray (BD-50) \u0026amp; 2 DVDs) | Region Free | 1.85:1 AR | DTS-HD Master Audio\u003c\/li\u003e\n\u003cli\u003eRestored in 2K from 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003e\"The Zugsmith Connection\" featurette with FANNY HILL star Ulli Lomell\u003c\/li\u003e\n\u003cli\u003eInterview with film historian Eric Schaefer + Reversible cover art for THE PHANTOM GUNSLINGER\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41856762085559,"sku":"VS-024","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/fannyhillfront.jpg?v=1749048798"},{"product_id":"limbo-agfa","title":"Limbo","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAfter starring in 100 movies over the past two decades, Tina Krause has established herself as an unstoppable warrior from the DIY fringes. LIMBO is the first -- and to this day, only -- movie written and directed by Krause. And it’s truly invigorating. LIMBO presents three days in the life of a woman named Elizabeth, as she deals with identity issues, sexist mouth-breathers, supernatural manifestations . . . and a possible trip to hell. Combining video collage experiments with dreamy horror mood, this is what might happen if David Lynch and Nine Inch Nails collaborated on a shot-on-video horror movie. Previously only available via VHS, AGFA and Bleeding Skull! are honored to present a brand new transfer of LIMBO from the original S-VHS master tape.\u003c\/p\u003e\n\u003cp\u003edirected by: Tina Krause\u003cbr\u003estarring: Tina Krause, Barron, Suze Daufler, Sean Farrell\u003cbr\u003e1999 \/ 55 min \/ 1.33:1 \/ English mono\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNew transfer from the original S-VHS master tape\u003c\/li\u003e\n\u003cli\u003eCommentary track with Tina Krause and the Bleeding Skull! team\u003c\/li\u003e\n\u003cli\u003eArchival behind-the-scenes documentary\u003c\/li\u003e\n\u003cli\u003eANSWERING MACHINE short film by Tina Krause\u003c\/li\u003e\n\u003cli\u003eFantastic Fest Q\u0026amp;A\u003c\/li\u003e\n\u003cli\u003eEATEN ALIVE, a W.A.V.E. Productions short starring Tina Krause\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/7rOT7KuI32w\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":37861949243575,"sku":"AGFA-020","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/limbofront.jpg?v=1694449509"},{"product_id":"pets","title":"Pets","description":"\u003cp\u003eTeenage Runaway Bonnie (Candice Rialson) has escaped the clutches of her controlling brother, only to become immediately embroiled in a twisted web of sexual manipulation. Initially convinced to aid in a carjacking, Bonnie is then taken in by a lecherous lesbian artist who hopes to groom her into a sapphic lover, only to have her plans thwarted by the perverse advances of a local gallery owner whose bizarre proclivities include the keeping of an unusual assortment of 'pets.'\u003c\/p\u003e\n\u003cp\u003eA truly unparalleled exploitation film viewing experience, Raphael Nussbaum's PETS veers between moments of overwrought melodrama and jarring bouts of unhinged sleaze. Co-starring \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ed+Bishop'\u0026amp;type=product\"\u003eEd Bishop\u003c\/a\u003e (TV's UFO), \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Joan+Blackman'\u0026amp;type=product\"\u003eJoan Blackman\u003c\/a\u003e (BLUE HAWAII), and \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Mike+Cartel'\u0026amp;type=product\"\u003eMike Cartel\u003c\/a\u003e (RUNAWAY NIGHTMARE), and adapted from Nussbaum's own stage play, Vinegar Syndrome presents this drive-in classic newly restored from rare 35mm elements and on Blu-ray for the very first time.\u003c\/p\u003e\n\u003cp\u003eDirected by: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Raphael+Nussbaum'\u0026amp;type=product\"\u003eRaphael Nussbaum\u003c\/a\u003e\u003cbr\u003eStarring: Candice Rialson, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Joan+Blackman'\u0026amp;type=product\"\u003eJoan Blackman\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ed+Bishop'\u0026amp;type=product\"\u003eEd Bishop\u003c\/a\u003e, Teri Guzman, Brett Parker, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Mike+Cartel'\u0026amp;type=product\"\u003eMike Cartel\u003c\/a\u003e, Matt Green\u003cbr\u003e1973 \/ 102 minutes \/ Color \/ 1.85:1 OAR\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\/DVD combo\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 2k from multiple 35mm vault elements\u003c\/li\u003e\n\u003cli\u003e\"Brotherly Love\" - an interview with \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Mike+Cartel'\u0026amp;type=product\"\u003eMike Cartel\u003c\/a\u003e, actor and production assistant\u003c\/li\u003e\n\u003cli\u003eAlternate \"One Night Stand\" title sequence\u003c\/li\u003e\n\u003cli\u003eArchival still gallery\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eReversible cover\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":37861953405111,"sku":"VS-228","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/petsfront.jpg?v=1649796154"},{"product_id":"sometimes-aunt-martha-does-dreadful-things-agfa","title":"Sometimes Aunt Martha Does Dreadful Things","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDropping somewhere between PINK FLAMINGOS, BLOOD FEAST, and an episode of THE BRADY BUNCH on acid, SOMETIMES AUNT MARTHA DOES DREADFUL THINGS is a histrionic psychodrama that could only have originated in the alternate dimension known as Florida. After robbing a bank in Baltimore, cross-dressing Paul (aka Aunt Martha) and his partner Stanley hide out in a Florida town. But it’s only a matter of time before Paul’s paranoia forces him to embark on a demented killing spree. AGFA is thrilled to present one of the most unforgettable exploitation movies of all time -- and an overlooked chapter of early queer cinema -- preserved from the only 35mm theatrical print in existence.\u003c\/p\u003e\n\u003cp\u003edirected by: Thomas Casey\u003cbr\u003estarring: Abe Swick, Wayne Crawford\u003cbr\u003e1971 \/ 95 min \/ 1.85:1 \/ English mono\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K preservation from the only 35mm theatrical print in existence\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary with queer film historian Elizabeth Purchell + AGFA’s Bret Berg \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBonus Movie: THE DRAG QUEEN’S BALL\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eShorts: GAY-IN III, CAUGHT IN THE CAN\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailers: GAY LIBERATION, LUSTING HOURS, MY THIRD WIFE GEORGE THE QUEEN, SINS OF RACHEL\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LdQTlGjOR7c\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":37861959270583,"sku":"AGFA-021","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/auntmarthablufront.jpg?v=1694096281"},{"product_id":"the-curious-dr-humpp-agfa-something-weird","title":"The Curious Dr. Humpp","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/zs1qq9yxfsj5jqz\/AGFA_Jan2021_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FAGFA_Jan2021_sales_materials%2FAGFA-025\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTHE CURIOUS DR. HUMPP isn’t a movie -- it’s a rite of passage. Easily one of the most brainbreaking sensory overloads in exploitation history, the story follows Dr. Humpp and his army of grotesque monsters as they kidnap couples and drain their “blood forces of sex” to keep the doctor eternally young. Directed by the prolific Emilio Vieyra in Argentina, this movie combines artful gothic horror with unhinged sex, comic book pulp, and a talking brain in a jar. Plus a monster who plays the guitar. Basically, this is what might have happened if Mario Bava collaborated with Doris Wishman after an acid binge. AGFA + Something Weird are thrilled to present a brand new restoration of this iconic sex-horror classic, complete with a new commentary track from filmmaker Frank Henenlotter (BASKET CASE). Plus LA VENGANZA DEL SEXO, Vieyra’s original “horror” cut of THE CURIOUS DR. HUMPP in its original Spanish language -- available for the first time ever on home video with English subtitles!\u003c\/p\u003e\n\u003cp\u003edirected by: Emilio Vieyra\u003cbr\u003e1969 \/ 87 min \/ 1.37:1 \/ English\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 2k from its 35mm internegative\u003c\/li\u003e\n\u003cli\u003eCommentary track with filmmaker Frank Henenlotter (BASKET CASE)\u003c\/li\u003e\n\u003cli\u003eBonus Movie: LA VENGANZA DEL SEXO - 2K restoration of the original cut of THE CURIOUS DR. HUMPP from a 35mm fine grain lab print\u003c\/li\u003e\n\u003cli\u003eBrain damaged shorts and trailers from Dr. Humpp’s laboratory\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/wsNgf_GQrRs\" frameborder=\"0\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\"\u003e\u003c\/iframe\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":41079164797111,"sku":"AGFA-025","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/dr.humppfront.jpg?v=1696360421"},{"product_id":"the-candy-snatchers","title":"The Candy Snatchers","description":"\u003cp\u003eCandy, a teenage heiress to a large fortune, is kidnapped by a trio of small time criminals on her way home from Catholic school. After burying her alive in an unmarked grave, the trio attempts to extort Candy's father, a wealthy jeweler, for a hefty ransom. But, what seemed like a simple, straightforward kidnapping soon spirals out of control with violent consequences and Candy's only hope for survival is a young mute boy who knows where she is buried.\u003c\/p\u003e\n\u003cp\u003eUnflinchingly dark, violent, and merciless all the way through its notorious final shot, THE CANDY SNATCHERS remains one of the seminal pieces of early ‘70s cult filmmaking. The only theatrical feature directed by acclaimed screenwriter Guerdon Trueblood (Welcome Home Soldier Boys; Jaws 3-D), THE CANDY SNATCHERS stars Tiffany Bolling (Wicked Wicked), Ben Piazza (The Blues Brothers), Vince Martorano (Kojak), and Susan Sennett as Candy. Exquisitely shot by Robert Maxwell (Blood Mania), Vinegar Syndrome presents this key piece of drive-in cinema on Blu-ray for the very first time, newly restored in 4K from it’s camera negative.\u003c\/p\u003e\n\u003cp\u003edirected by: Guerdon Trueblood\u003cbr\u003estarring: Susan Sennett, Tiffany Bolling, Ben Piazza, Vince Martorano, Brad David, Dolores Dorn\u003cbr\u003e1973 \/ 95 min \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\/DVD Combo\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003e“A Dark Film” - an interview with director Guerdon Trueblood\u003c\/li\u003e\n\u003cli\u003e“Snatching the Role” - an interview with actor Vince Martorano\u003c\/li\u003e\n\u003cli\u003e“Digging up the Past” - an interview with producer Gary Adelman\u003c\/li\u003e\n\u003cli\u003eAudio commentary with film historian Nathaniel Thompson\u003c\/li\u003e\n\u003cli\u003ePromotional still and archival article gallery\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/ca1dCdbntZc\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":37861963006135,"sku":"VS-302","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/thecandysnatchersfront.jpg?v=1649797143"},{"product_id":"the-doll-squad-mission-killfast","title":"The Doll Squad \/ Mission: Killfast","description":"\u003cp\u003eTwo classics from cult movie legend, Ted V. Mikels explode on the screen for the first time on Blu-ray! In THE DOLL SQUAD (1973), a foursome of female agents are out to stop a vicious evil mastermind from unleashing the bubonic plague in this action packed thriller which is rumored to have inspired Charlie's Angels! Then, in MISSION: KILLFAST, martial arts master, Tiger Yang, faces off against a group of savvy weapons dealers, resulting in a non-stop orgy of shoot-outs, explosions, and bikini clad beauties.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Ted V. Mikels\u003cbr\u003estarring (combined): Michael Ansara, Sonny King, Tiger Yang, Francine York, Judith McConnell, Sharon Hughes, Tura Santana\u003cbr\u003e1973 \u0026amp; 1980s \/ USA \/ 187 minutes + extras \/ 1.85:1 \/ Color\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlu-ray only (BD-50) | Region Free | 1.85:1 AR | MONO\u003c\/li\u003e\n\u003cli\u003eRestored in 2K from 35mm original camera negatives\u003c\/li\u003e\n\u003cli\u003eTwo video interviews with Ted V. Mikels\u003c\/li\u003e\n\u003cli\u003eVideo interview with Francine York\u003c\/li\u003e\n\u003cli\u003eCommentary track for THE DOLL SQUAD by Ted V. Mikels\u003c\/li\u003e\n\u003cli\u003eReversible cover art featuring MISSION: KILLFAST\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer for THE DOLL SQUAD\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles•\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41598033690807,"sku":"VS-014","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/thedollsquadfront.jpg?v=1699628259"},{"product_id":"the-telephone-book","title":"The Telephone Book","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eA major, though forgotten, work from New York's underground film scene of the late 60s and early 70s. Nelson Lyon's, \u003cem\u003eThe Telephone Book\u003c\/em\u003e, tells the story of Alice, a sex-obsessed hippie who falls in love with the world's greatest obscene phone caller and embarks on a quest to find him. Her journey introduces her to an avant-garde stag filmmaker, a manipulative psychiatrist, a lesbian housewife, and more. Photographed in high-contrast black-and-white, and punctuated with a remarkable, surreal color animated sequence, \u003cem\u003eThe Telephone Book\u003c\/em\u003e is one of the greatest cult films you've probably never heard of.\u003c\/p\u003e\n\u003cp\u003edirected by: Nelson Lyon\u003cbr\u003estarring: Barry Morse, Norman Rose, Ondine, Roger C. Carmel, William Hickey, Geri Miller, Jill Clayburgh, Sarah Kennedy, Ultra Violet\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlu-Ray\/DVD Combo Pack | Region Free | 1.85:1 AR | MONO\u003c\/li\u003e\n\u003cli\u003eRestored in 2K from a 35mm archival print\u003c\/li\u003e\n\u003cli\u003eCommentary track by Producer Merv Bloch\u003c\/li\u003e\n\u003cli\u003eTwo theatrical trailers\u003c\/li\u003e\n\u003cli\u003eRadio spots\u003c\/li\u003e\n\u003cli\u003eStill gallery\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":37861967003831,"sku":"VS-007","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/thetelephonefront.jpg?v=1648650893"},{"product_id":"drug-stories-agfa","title":"The Scare Film Archives Volume 1: Drug Stories!","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhat’s the best way to prevent young people from destroying their lives in a downward spiral of drug-fueled jubilation? Obviously, the answer is sentient LSD tabs, spiders on speed, and an ex-junkie named Florrie Fisher (the real-life inspiration for Amy Sedaris’s Jerri Blank character on STRANGERS WITH CANDY) berating them into submission. THE SCARE FILM ARCHIVES VOLUME 1: DRUG STORIES! collects the best-of-the-best educational drug-scare films from the twentieth century. Lovingly curated from Something Weird’s vaults, AGFA and Something Weird are thrilled to present 2K preservations of these bad trips, bummers, and flip-outs, all from original 16mm prints that were inflicted upon children in classrooms across the country.\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eIncludes new 2K preservations of these uncut scare film classics:\u003cbr\u003eBEYOND LSD; THE BOTTLE AND THE THROTTLE; CURIOUS ALICE; THE DISTANT DRUMMER; DRUGS, DRINKING, AND DRIVING; LSD: INSIGHT OR INSANITY; LSD 25; NARCOTICS THE DECISION: GOOFBALLS AND TEA; NONE FOR THE ROAD; THE TRIP BACK with Florrie Fisher; USERS ARE LOSERS.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003ePlus: DRUG STORIES! NARCOTIC NIGHTMARES AND HALLUCINOGENIC HELLRIDES, a full-length mixtape from the AGFA team!\u003c\/p\u003e\n\u003cp\u003edirected by: Various\u003cbr\u003e288 min \/ 1.33:1 OAR\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDH English subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/z8vRXz0tW04\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":37861967167671,"sku":"AGFA-019","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/drugstoriesfront.jpg?v=1649711392"},{"product_id":"orgy-of-the-dead","title":"Orgy of the Dead","description":"\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eThis special limited edition spot gloss variant slipcover (designed by Haunt Love) is limited to \u003cstrong\u003e3,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003c\/span\u003e\u003c\/strong\u003eFrom the mind of \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ed+Wood'\u0026amp;type=product\"\u003eEd Wood\u003c\/a\u003e comes ORGY OF THE DEAD! Horror novelist John and his girlfriend Shirley are taking a night drive, in search of an eerie graveyard that will hopefully inspire John to come up with his next story, but instead stumble into the wild rituals conducted by The Dark Master and his faithful servants. Taken prisoner, they're forced to watch the shocking rites unfold as they await their fate!\u003c\/p\u003e\n\u003cp\u003eWritten by the venerable \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ed+Wood'\u0026amp;type=product\"\u003eEd Wood\u003c\/a\u003e (GLEN OR GLENDA), directed by cult movie maverick, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='A.C.+Stephen'\u0026amp;type=product\"\u003eA.C. Stephen\u003c\/a\u003e (FUGITIVE GIRLS), lighting and camera assistance from \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ted+V.+Mikels'\u0026amp;type=product\"\u003eTed V. Mikels\u003c\/a\u003e (THE DOLL SQUAD) and starring Criswell (PLAN 9 FROM OUTER SPACE), ORGY is a campy, sexy, and thoroughly outrageous gem from the height of the 'nudie cutie' period and is proudly presented by Vinegar Syndrome on Blu-ray for the first time in a brand new 2k restoration from the original 35mm camera negative!\u003c\/p\u003e\n\u003cp\u003edirected by: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='A.C.+Stephen'\u0026amp;type=product\"\u003eA.C. Stephen\u003c\/a\u003e\u003cbr\u003estarring: Criswell, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Fawn+Silver'\u0026amp;type=product\"\u003eFawn Silver\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Pat+Barrington'\u0026amp;type=product\"\u003ePat Barrington\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Nadejda+Dobrev'\u0026amp;type=product\"\u003eNadejda Dobrev\u003c\/a\u003e\u003cbr\u003e1965 \/ 90 minutes \/ Color \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\/DVD combo pack\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 2k from the 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eCommentary track with: Rudolph Grey (\u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ed+Wood'\u0026amp;type=product\"\u003eEd Wood\u003c\/a\u003e Biographer) and Frank Henenlotter (Exploitation Filmmaker)\u003c\/li\u003e\n\u003cli\u003e\"Impressions of Nadejda\" - Interview with actress \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Nadejda+Dobrev'\u0026amp;type=product\"\u003eNadejda Dobrev\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\"Orgy of the Ted\" - Interview with \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ted+V.+Mikels'\u0026amp;type=product\"\u003eTed V. Mikels\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eStill gallery\u003c\/li\u003e\n\u003cli\u003eCover designed by Earl Kessler\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH Subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Variant Slipcover","offer_id":45476314972343,"sku":"VS-186 VARIANT-SLIP","price":37.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":45476314939575,"sku":"VS-186","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/Orgy_of_the_Dead_VARI_SLIP_Front.png?v=1764109378"},{"product_id":"she-mob-the-girl-from-pussycat-agfa","title":"She Mob \u0026 The Girl From Pussycat","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eShot on the sweaty backroads of Dallas and Waco, SHE MOB is an underground miracle that feels like an alt-Earth FASTER PUSSYCAT! KILL! KILL! as realized by a young John Waters. Big Shim is the cone-bra-wearing butch leader of a wild girl gang that’s running from the law. After kidnapping a gigolo named Tony, Shim and the girls demand a ransom from Tony’s wealthy lady keeper . . . OR ELSE!! Produced and directed by NBC News veteran Maurice Levy, written by Diana Paschal, and featuring actresses culled from Jack Ruby’s infamous Dallas nightclub, SHE MOB is an essential jewel in the other-dimensional vortex known as Texploitation.\u003c\/p\u003e\n\u003cp\u003eShot in New York with the crude experimentation of an early Andy Warhol film, THE GIRL FROM PUSSYCAT is a fascinating outlier in the world of underground exploitation. The movie follows a girl gang of social and sexual anarchists as they have orgies, get stoned, rob banks, and torture men by jamming their fingers in toasters. Absurd and surreal, this feels like the dreamy collaboration between Jean-Luc Godard and Doris Wishman that never happened.\u003c\/p\u003e\n\u003cp\u003edirected by: Maurice Levy \/ Smythe David\u003cbr\u003estarring: Ilene Zelechowski, Al Darago\u003cbr\u003e1968\/69 \/ 143 min (combined) \/ 1.37:1 \/ English\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K preservations from the only known 35mm theatrical prints in existence\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSHE MOB Fantastic Fest Q\u0026amp;A with Something Weird’s Lisa Petrucci and AGFA’s Alicia Coombs\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCrime-spree shorts and trailers from Big Shim’s stash\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish captions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BA2W3A13vXI\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":37861979717815,"sku":"AGFA-024","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/shemobfront.jpg?v=1649694318"},{"product_id":"sweet-sugar","title":"Sweet Sugar","description":"\u003cp\u003eThe beautiful Phyllis Davis (TV's VEGAS) stars as Sugar, a fun loving nympho traveler, who's entrapped by a corrupt cop and sent to a female prison camp hidden deep in the tropical jungles of South America. Assigned a position on the notorious sugar cane gang, Sugar soon discovers that the plantation's owner, Dr. John, uses the prisoners in violent and diabolical experiments. Sugar may soon become another of his victims, that is, unless she can bust out first...\u003c\/p\u003e\n\u003cp\u003eDirector Michel Levesque's (WEREWOLVES ON WHEELS) much sought after and over the top women-in-prison thriller, SWEET SUGAR, is an action and violence packed exploitation classic, filled with blood, nudity, and a barrage of absurd twists. Long available in poor quality video transfers, Vinegar Syndrome is proud to bring SWEET SUGAR to Blu-ray, newly restored from its 35mm interpositive.\u003c\/p\u003e\n\u003cp\u003edirected by: Michel Levesque\u003cbr\u003estarring: Phyllis Davis, Ellaraino, Pamela Collins, Timothy Brown, Cliff Osmond, Jacqueline Giroux\u003cbr\u003e1972 \/ 86 minutes \/ Color \/ 1.85:1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\/DVD combo pack\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 2k from 35mm interpositive\u003c\/li\u003e\n\u003cli\u003eVideo interview with Screenwriter Donald Spencer\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003cli\u003eOriginal cover artwork by Derek Gabryszak\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH Subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":43128006115511,"sku":"VS-171","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/sweetsugarfront.jpg?v=1720717020"},{"product_id":"wonder-women","title":"Wonder Women","description":"\u003cp\u003eWhile traveling to Australia, American detective Mike Harber (\u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ross+Hagen'\u0026amp;type=product\"\u003eRoss Hagen\u003c\/a\u003e) finds himself stranded in The Philippines and obliged to assist in solving the mysterious disappearance of a famous Jai alai athlete. After hearing from a witness that the man might have been kidnapped by a group of beautiful, hearse driving women, Mike quickly finds himself a new target of the Wonder Women, a group of martial arts fighting assassins who work for the mysterious Dr. Tsu (\u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Nancy+Kwan'\u0026amp;type=product\"\u003eNancy Kwan\u003c\/a\u003e); an evil genius scientist who's been collecting able-bodied men for use in her bizarre body part transplant experiments!\u003c\/p\u003e\n\u003cp\u003eMartial arts madness, dangerous chase scenes, insult-heavy dialogue, vague sci-fi twists, and a whole lot more nudity and violence than its very misleading PG rating would imply. Robert Vincent O'Neill's WONDER WOMEN is a quintessential slice of early 70s drive-in craziness, featuring supporting performances from \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Roberta+Collins'\u0026amp;type=product\"\u003eRoberta Collins\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Sid+Haig'\u0026amp;type=product\"\u003eSid Haig\u003c\/a\u003e and Filipino exploitation stalwart \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Vic+Diaz'\u0026amp;type=product\"\u003eVic Diaz\u003c\/a\u003e. Vinegar Syndrome is pleased to bring this eye-poppingly colorful B movie classic to Blu-ray, newly restored from its original 35mm camera negative and featuring both its original domestic theatrical version as well as the complete, never-on-disc extended European cut!\u003c\/p\u003e\n\u003cp\u003eDirected by: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Robert+Vincent+O'Neill'\u0026amp;type=product\"\u003eRobert Vincent O'Neill\u003c\/a\u003e\u003cbr\u003eStarring: \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Nancy+Kwan'\u0026amp;type=product\"\u003eNancy Kwan\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ross+Hagen'\u0026amp;type=product\"\u003eRoss Hagen\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Sid+Haig'\u0026amp;type=product\"\u003eSid Haig\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Maria+De+Aragon'\u0026amp;type=product\"\u003eMaria De Aragon\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Vic+Diaz'\u0026amp;type=product\"\u003eVic Diaz\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Roberta+Collins'\u0026amp;type=product\"\u003eRoberta Collins\u003c\/a\u003e\u003cbr\u003e1973 \/ 82min \/ Color \/ 1.85:1\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion free Blu-ray\/DVD combo\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 2k from 35mm camera negative\u003c\/li\u003e\n\u003cli\u003eCommentary track with director \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Robert+Vincent+O'Neill'\u0026amp;type=product\"\u003eRobert Vincent O'Neill\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eExtended European version (90min)\u003c\/li\u003e\n\u003cli\u003eQ\u0026amp;A from a 2007 screening at The New Beverly Cinema in Los Angeles with \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Robert+Vincent+O'Neill'\u0026amp;type=product\"\u003eRobert Vincent O'Neill\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Nancy+Kwan'\u0026amp;type=product\"\u003eNancy Kwan\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Ross+Hagen'\u0026amp;type=product\"\u003eRoss Hagen\u003c\/a\u003e, \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Roberta+Collins'\u0026amp;type=product\"\u003eRoberta Collins\u003c\/a\u003e and \u003ca href=\"https:\/\/vinegarsyndrome.com\/search?q='Sid+Haig'\u0026amp;type=product\"\u003eSid Haig\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003c\/li\u003e\n\u003cli\u003eMultiple TV spots\u003c\/li\u003e\n\u003cli\u003ePromotional still gallery\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":37861985058999,"sku":"VS-241","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/wonderwomenfront.jpg?v=1649797336"},{"product_id":"she-freak-agfa","title":"She Freak","description":"\u003cp\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFed up with waitressing, Jade Cochran (Claire Brennen) embarks on a new life with a traveling carnival. But she discovers that what lurks behind the curtain doesn’t take too kindly to her backstabbing plans. A gutter-noir reworking Tod Browning’s FREAKS and a valentine to the carnival lifestyle that defined the career of producer David F. Friedman (BLOOD FEAST), SHE FREAK is a snapshot of life, love, and revenge on the grounds of a seedy carnival in Smalltown, USA -- complete with crackpot monster make-up effects from Harry Thomas (PLAN 9 FROM OUTER SPACE). Like Devo’s music and Ed Wood’s novels, SHE FREAK creates a synthetic reality that is often preferable to our own. AGFA + Something Weird are beyond excited to present a dazzling 4K restoration of this essential weirdo classic.\u003c\/p\u003e\n\u003cp\u003edirected by: Byron Mabe\u003cbr data-mce-fragment=\"1\"\u003estarring: Claire Brennen, Felix Silla\u003cbr data-mce-fragment=\"1\"\u003e1967 \/ 83 min \/ 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e4K restoration from the original 35mm camera negative\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival commentary with producer David F. Friedman and Something Weird founder Mike Vraney\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eASYLUM OF THE INSANE: SHE FREAK inserts preserved in 2K\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eTHE LAUGHING, LEERING, LAMPOONING LURES OF DAVID F. FRIEDMAN: a feature-length compilation of trailers from the Something Weird vaults, newly preserved in 2K\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eVintage shorts from the carnival midway\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003ePromotional photo gallery\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eBooklet with essay by Something Weird’s Lisa Petrucci\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rKBP_li0UMU\" width=\"560\" height=\"315\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":40556584992951,"sku":"AGFA-031","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/shefreakfront.jpg?v=1716994618"},{"product_id":"the-leather-boys-agfa","title":"The Leather Boys","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePart of Britain’s new wave of hyper-realistic “Kitchen Sink” films, THE LEATHER BOYS is a riveting mix of teen angst, biker thrills, and raging emotion. The movie follows young newlyweds Reggie (Colin Campbell) and Dot (Rita Tushingham, A TASTE OF HONEY) as they embark on a new life together. But there’s trouble in paradise when Reggie develops feelings for Pete (Dudley Sutton), a member of a rival biker gang. Directed by Sidney J. Furie (THE ENTITY) and written by Gillian Freeman from her novel, THE LEATHER BOYS explodes with expressionistic photography, gripping themes, and a bold exploration of identity. Long unavailable on home video, AGFA + Shout! Factory are elated to present a sparkling new restoration of this important chapter of early queer cinema.\u003c\/p\u003e\n\u003cp\u003edirected by: Sidney J. Furie\u003cbr data-mce-fragment=\"1\"\u003estarring: Rita Tushingham, Colin Campbell, Dudley Sutton\u003cbr data-mce-fragment=\"1\"\u003e1964 \/ 108 min \/ 2.35:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eNew restoration from the 35mm negative\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary with director Sidney J. 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Shot in 1990, the movie was unedited, unscored, and unseen by human eyes for over two decades . . . until the the Bleeding Skull! team meticulously edited the movie under Bryan’s guidance and recorded a soundtrack utilizing vintage synthesizers.\u003cbr\u003e\u003cbr\u003eRUN COYOTE RUN is the ambitious, nightmarish lost project from Renee Harmon and James Bryan. 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After watching this movie, you’ll never look at Edgar Allan Poe’s “The Premature Burial” the same way again.\u003c\/p\u003e\n\u003cp\u003eShot in New York by LOVE AFTER DEATH producer Charles Abrams and starring adult film princess Jennifer Welles, THE GOOD, THE BAD, AND THE BEAUTIFUL is an unknown jewel from the bizarro underground. The movie centers around the estate of a politician, where blackmail and scissor-murders go hand in hand with smoking weed and fetish whippings. 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With no guards, no cells, and no laws, Terminal Island has morphed into a defacto society, whose self-appointed leader, the tyrannical Bobby, rules with an iron first, using other inmates - particularly women - for his own brutal pleasures. As tension and violence mounts, Carmen finds her place as the unlikely leader of the island’s underground resistance, which is planning to overthrow Bobby’s reign of terror.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA cult movie masterpiece from acclaimed filmmaker Stephanie Rothman (The Working Girls, The Velvet Vampire), TERMINAL ISLAND wryly blends a violent action and survival film plot structure with commentary on the American justice system. 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And the Films of the Gay Girls Riding Club","description":"\u003cp\u003e\u003cspan\u003eThis special limited edition embossed slipcover is limited to \u003cstrong\u003e2,500 units.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSpearheaded by filmmaker Ray Harrison, the Gay Girls Riding Club (GGRC) took California’s 1960s underground gay scene by storm with drag spoofs of classic Hollywood films. WHAT REALLY HAPPENED TO BABY JANE? AND THE FILMS OF THE GAY GIRLS RIDING CLUB collects the joyous, ambitious, and wig-filled GGRC films on home video for the first time ever. From WHAT REALLY HAPPENED TO BABY JANE?, shot only a few months after the release of WHAT EVER HAPPENED TO BABY JANE?, to ALL ABOUT ALICE, the GGRC’s feature-length roast of ALL ABOUT EVE, these pioneering DIY movies are essential snapshots of mid-century drag culture that would feel right at home with the dreamy work of Mike and George Kuchar. AGFA, in partnership with the Outfest UCLA Legacy Project, is thrilled to present these overlooked chapters of queer cinema -- preserved from the only known 16mm film elements in existence.\u003c\/p\u003e\n\u003cp\u003eFilms included: ALWAYS ON SUNDAY (1962, 8 mins), WHAT REALLY HAPPENED TO BABY JANE? (1963, 31 mins), THE ROMAN SPRINGS ON MRS. STONE (1963, 19 mins), SPY ON THE FLY (1967, 43 mins), ALL ABOUT ALICE (1972, 75 mins)\u003c\/p\u003e\n\u003cp\u003edirected by: Ray Harrison\u003cbr data-mce-fragment=\"1\"\u003estarring: Claire Brennen, Felix Silla\u003cbr data-mce-fragment=\"1\"\u003e1962-72 \/ 176 min \/ 1.33:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K preservations from the only known 16mm prints in existence\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K restoration of ALL ABOUT ALICE from the 16mm camera reversal\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eWHAT REALLY HAPPENED TO BABY JANE?: Commentary withqueer film historian Evan Purchell and AGFA’s Bret Berg\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eALL ABOUT ALICE outtakes\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover with archival GGRC promotional material\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/OoCZcB8zp6E\" title=\"YouTube video player\" width=\"560\" height=\"315\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":41037873676471,"sku":"AGFA-032 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41037873709239,"sku":"AGFA-032","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/babyjaneslipfront.jpg?v=1649365742"},{"product_id":"flesh-for-frankenstein","title":"Flesh For Frankenstein","description":"\u003cp\u003eIn the annals of 70s horror, there are many iconic films. There is only one FLESH FOR FRANKENSTEIN and this edition will allow you to experience it as you never have before and probably never dreamed you could.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis package contains the Flesh For Frankenstein three-disc set, including a 4K UHD (in HDR) edition of the film, and 2-BDs, one containing the NEVER BEFORE ON VIDEO original 3-D version of the film, as well as the Flat version, plus close to 2 hours of newly shot video interviews all housed in a deluxe hardshell case adorned with the classic artwork associated with this iconic film.\u003c\/p\u003e\n\u003cp\u003eDeranged scientist, Baron von Frankenstein, with the help of his bizarre assistant, Otto, is determined to create a new master race, of which he will be the leader. To achieve his objective, he constructs two perfect ‘zombies’ from an assemblage of body parts, intending them to mate. Meanwhile, complications ensue as Nicholas, a farm hand, begins an affair with the Baron’s sexually frustrated wife all while searching for his missing friend Sacha, whose head and brain have been used for Frankenstein’s male \"zombie\"! \u003c\/p\u003e\n\u003cp\u003eA delectably gory and cynical social satire from acclaimed filmmaker Paul Morrissey (Mixed Blood), FLESH FOR FRANKENSTEIN is among the most original and transgressive interpretations of Mary Shelley’s classic novel. With an exceptional cast, led by Udo Kier (Suspiria, Mark of the Devil), in what might be his most iconic performance, Joe Dallesandro (Cry Baby), Monique van Vooren (Sugar Cookies), and Italian child star Nicoletta Elmi (Deep Red), and featuring a lush soundtrack by Claudio Gizzi (Blood for Dracula), FLESH FOR FRANKENSTEIN became an immediate midnight and cult movie sensation. Vinegar Syndrome proudly presents this true genre classic on 4K UHD for the first time, along with its never on home video original 3-D version, newly restored from its original negative!\u003c\/p\u003e\n\u003cp\u003edirected by: Paul Morrissey\u003cbr data-mce-fragment=\"1\"\u003estarring: Udo Kier, Joe Dallesandro, Monique van Vooren, Dalila Di Lazzaro, Srdjan Zelenovic, Nicoletta Elmi, Liù Bosisio, Arno Jürging\u003cbr data-mce-fragment=\"1\"\u003e1973 \/ 95 min \/ 2.35:1 \/ English Mono\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free 4k Ultra HD \/ Blu-rays (3-disc Set)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e4k UHD presented in High-Dynamic-Range\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThree viewing options: Digital 3-D (Blu-ray only, requires a 3-D capable TV and player), Anaglyph 3-D (Blu-ray only, works on all TVs with included 3-D glasses) and regular Flat 2-D\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4k from its 35mm original camera negative\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio commentary with film historians and authors Samm Deighan, Heather Drain and Kat Ellinger\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Trans - Human Flesh \u0026amp; Blood” - an archival interview with writer\/director Paul Morrissey \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“The Ecstasy of Frankenstein” - an interview with actor Udo Kier \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“In the Flesh” - an interview with actor Joe Dallesandro \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Dimension in Fear” - an interview with producer Andrew Braunsberg \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Andy’s Shadow” - an interview with film historian \u0026amp; author Stephen Thrower \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Building the world of Frankenstein” - an interview with art director Gianni Giovagnoni \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Don’t Say a Word” - an interview with actress Liù Bosisio \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“Feed My Frankenstein” - an interview with assistant director Paolo Pietrangeli\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRadio spots\u003c\/li\u003e\n\u003cli\u003ePromotional still gallery \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Recollections with Paul Morrissey \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eScreen Test footage with Paul Morrissey \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRaw Q\u0026amp;A footage from 2012 with Paul Morrissey\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41126762414263,"sku":"VS-376A","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/fffstdfront.jpg?v=1649794661"},{"product_id":"the-monster-of-camp-sunshine-honeymoon-of-terror-agfa-something-weird","title":"The Monster of Camp Sunshine \u0026 Honeymoon of Terror","description":"\u003cp\u003eThis special limited edition embossed slipcover is limited to \u003cstrong\u003e3,000 units.\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTHE MONSTER OF CAMP SUNSHINE: Shot by anonymous maniacs in New York, this is a trash-art berserker that feels like what would happen if a 1980s slasher was teleported inside of a 1960s nudist film. A nurse and fashion model head to Camp Sunshine for a weekend of fun, sun, and cigarettes. But little do they know that Hugo, the camp’s gardener, has been transformed into an axe-wielding psychopath after drinking radioactive water! Combining experimental visuals with camp flair, this is a crackpot time capsule featuring Monty Python-esque animation, someone named Ron Cheney, Jr., and, at the end, \"a brief summary of the movie for those who wish to relive its magic moments.\"\u003c\/p\u003e\n\u003cp\u003eHONEYMOON OF TERROR: An early dreamscape from director Peter Perry (MY TALE IS HOT), HONEYMOON OF TERROR (aka ECSTACY ON LOVERS’ ISLAND) is a moody mash-up of horror chills and nudie thrills that feels like a Looney Tunes cartoon made for adults. Frank and Marion are newlyweds who embark on their honeymoon to Thunder Island, only to run afoul of a psychotic, club-footed lumberjack with a lust for violence!\u003c\/p\u003e\n\u003cp\u003edirected by: Ferenc Leroget\u003cbr data-mce-fragment=\"1\"\u003estarring: \u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eVarious\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e1964 \/ 200 min (combined) \/ 1.37:1 \u0026amp; 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K restorations from the original 35mm camera negatives\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eNudie-horror trailers from Hugo’s shack\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eBonus movie: ALL MEN ARE APES! (1965, 63 mins), transferred from the original Something Weird S-VHS master\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eInside cover artwork\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/82bwhTPE9Jc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":41037882163383,"sku":"AGFA-036 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41037882196151,"sku":"AGFA-036","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/monsterfront.jpg?v=1648502710"},{"product_id":"reform-school-girls","title":"Reform School Girls","description":"\u003cp\u003e\u003ca rel=\"noopener noreferrer\" href=\"https:\/\/www.dropbox.com\/s\/piw6b8vjbesep7w\/April2022_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FApril2022_sales_materials%2FVS-389\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe Pridemore Juvenile Detention Facility isn’t just a place for troubled teenage girls to serve their time. Instead, it’s a living hell filled with sexual depravity and violence. Jenny, a fresh inmate, becomes the de facto protector of Lisa, an innocent young girl forced to be a plaything to anyone after her body. Then there’s Charlie, a hardened teenaged lesbian who torments her fellow prisoners through brutal acts of sexual sadism. But no one instills more fear in even the toughest girls than the sadistic Edna who, with a blind eye turned by money-hungry Warden Sutter, delights in terrorizing her beautiful prisoners. However, the girls have had enough and things are about to change at Pridemore…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom acclaimed cult filmmaker Tom DeSimone (The Concrete Jungle), REFORM SCHOOL GIRLS is a sublimely trashy and over-the-top women in prison\/juvenile delinquent classic, reframed for the grimy punk sensibilities of the 1980s. Starring punk rock superstar Wendy O. Williams (Candy Goes to Hollywood), cult film legend Sybil Danning (The Red Queen Kills Seven Times), and featuring a career performance from former Warhol Superstar Pat Ast (Paul Morrissey’s Heat), Vinegar Syndrome is proud to bring REFORM SCHOOL GIRLS to Blu-ray, featuring a brand new 2K scan along with hours of exclusive extras detailing the fascinating story of how this B-movie masterpiece came to be, that’s every bit as wild as the film itself!\u003c\/p\u003e\n\u003cp\u003edirected by: Tom DeSimone\u003cbr data-mce-fragment=\"1\"\u003estarring: Wendy O. Williams, Sybil Danning, Pat Ast\u003cbr data-mce-fragment=\"1\"\u003e1986 \/ 94 min \/ 1.85:1 \/ English Stereo\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 2K from its 35mm interpositive\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"So Young, So Bad, So What\" - an extended making-of documentary featuring brand new interviews with it's cast and crew\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Pat Ast Superstar\" - an interview with theatrical producer Alan Eichler\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Ode to Wendy\" - an interview with author and critic Breanna Whipple on the life and career of actress Wendy O. Williams\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival commentary track with writer\/director Tom DeSimone\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with Queer Film Historian Elizabeth Purchell\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVideo footage from the play \"Women Behind Bars\"\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal trailers\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible cover artwork\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41114438434999,"sku":"VS-389","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/reformschoolgirlsstdfront.jpg?v=1716997612"},{"product_id":"backwoods-marcy-saturns-core","title":"Backwoods Marcy","description":"\u003cp\u003eThis special limited edition embossed slipcover is limited to \u003cstrong\u003e1,500 units.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eSaturn's Core Audio \u0026amp; Video is a New Jersey based home video label devoted to releasing underground oddities and shot on video cinema on VHS, and now, blu-ray discs! In partnership with OCN Distribution, Saturn's Core will exhume forgotten or under-seen genre cinema from the 80s and 90s, with an emphasis on SOV horror features. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA wrong turn during a business trip leads an unsuspecting yuppie down a perilous road of terror after he foolishly runs afoul of Marcy; a psychotic, redneck, homeless woman who dwells deep in the ominous swamplands of the New Jersey Pine Barrens. After capturing him and caging him like an animal, the depraved Marcy methodically tortures and rapes her helpless male captive. Upon his escape, a savage fight to the death ensues where only the most cunning of the two will survive!\u003c\/p\u003e\n\u003cp\u003eOne of the few shot on video movies in history to be helmed by a woman, Backwoods Marcy was written, produced, scored, and directed by actress turned filmmaker Dawn Murphy, who also turns in a tour de force acting performance in a dual role that earned her a Best Actress nomination at the 1999 B-Movie Awards. Co-starring Dave Castiglione (Love is a Stranger), Pamela Sutch (Psycho Sisters), and W.A.V.E. founder Gary Whitson (Dead North), Saturn's Core is proud to present this long sought after, strangely feminist, '90s era SOV horror epic, newly uncovered and restored from the vaults of the infamous South Jersey based studio Sharkey Video. As an added bonus, Backwoods Marcy now comes paired with another Sharkey Video curio; writer \/ director Dave Castiglione's 1995 brain-melting, holiday themed, SOV comedy An Ex-Hooker's Christmas Carol, which arrives newly restored and accompanied by a wealth of extras of its own!\u003c\/p\u003e\n\u003cp\u003edirected by: Dawn Murphy\u003cbr\u003efeaturing: Dawn Murphy, Dave Castiglione, Pamela Sutch, Gary Whitson\u003cbr\u003e1998 \/ 70 min \/ 1.33:1 \/ English Stereo\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional information:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio commentary with actor \/ co-producer Dave Castiglione moderated by Ross Snyder from Saturn's Core\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\"A Sharkey Tale\" -an interview with actor \/ filmmaker Dave Castiglione\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\"Behind the Backwoods\" -making-of \u0026amp; blooper reel featurette with commentary by producers Dawn Murphy and Dave Castiglione\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival original 1999 VHS cut (SD)\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eSharkey Video trailer vault\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eBonus Movie: AN EX-HOOKER'S CHRISTMAS CAROL (1995) -writer \/ director Dave Castiglione's brain-melting\u003cbr data-mce-fragment=\"1\"\u003eSOV Christmas comedy starring Laura Giglio and Deana Demko (73 minutes)\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eOptional audio commentary featuring writer \/ director Dave Castiglione moderated by Ross Snyder from Saturn's Core\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e\"Milly's Wonderful Life\" -actress Laura Giglio on An Ex-Hooker's Christmas Carol\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eBlooper reel\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eAlternate ending\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eVintage behind the scenes featurette\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eStill gallery with isolated score\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover art\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_TYToXJ77qE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Saturn's Core","offers":[{"title":"Limited Edition Slipcover","offer_id":41114442596535,"sku":"SC-009 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41114442629303,"sku":"SC-009","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/backwoodsfrontslip.jpg?v=1646944692"},{"product_id":"the-films-of-doris-wishman-the-twilight-years-agfa","title":"The Films of Doris Wishman: The Twilight Years","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE TWILIGHT YEARS surveys the last major era of Wishman’s career. From DEADLY WEAPONS and DOUBLE AGENT 73 (crime epics starring the iconic Chesty Morgan) to LET ME DIE A WOMAN (a semi-documentary about transgender people), AGFA + Something Weird are honored to present these triumphant DIY treasures in dazzling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE TWILIGHT YEARS surveys the last major era of Wishman’s career. From DEADLY WEAPONS and DOUBLE AGENT 73 (crime epics starring the iconic Chesty Morgan) to LET ME DIE A WOMAN (a semi-documentary about transgender people), AGFA + Something Weird are honored to present these triumphant DIY treasures in dazzling new restorations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE TWILIGHT YEARS surveys the last major era of Wishman’s career. From DEADLY WEAPONS and DOUBLE AGENT 73 (crime epics starring the iconic Chesty Morgan) to LET ME DIE A WOMAN (a semi-documentary about transgender people), AGFA + Something Weird are honored to present these triumphant DIY treasures in dazzling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eDoris Wishman\u003cbr\u003estarring: Various\u003cbr\u003e1970-1977 \/ 523 min (combined) \/ 1.37:1, 1.85:1 \/ English Mono\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974)\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2K restorations from the original 35mm camera negatives \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eDEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eDEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eDOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTheatrical trailers \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview by artist Peggy Ahwhesh\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003cem\u003eDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e2K restorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003eLET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Twilight Years” photo gallery\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003cem\u003eDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2K restorations from the original 35mm camera negatives \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTHE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: DEADLY WEAPONS (1974) and DOUBLE AGENT 73 (1974) • 2K restorations from the original 35mm camera negatives • DEADLY WEAPONS: Commentary with Doris Wishman biographer Michael Bowen • DEADLY WEAPONS: Commentary with Bleeding Skull’s Annie Choi and Joseph A. Ziemba • DOUBLE AGENT 73: Commentary with filmmaker Frank Henenlotter • Theatrical trailers • Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by artist Peggy Ahwhesh\\\"     \\n\\nDisc 2: THE AMAZING TRANSPLANT (1970) and LET ME DIE A WOMAN (1977) • 2K restorations from the original 35mm camera negatives • LET ME DIE A WOMAN: Commentary with artist and porn performer Carta Monir • Theatrical trailers • “Twilight Years” photo gallery\\\" \\n\\nDisc 3: THE IMMORAL THREE (1975), KEYHOLES ARE FOR PEEPING (1972), and LOVE TOY (1971) • 2K restorations from the original 35mm camera negatives • THE IMMORAL THREE: Commentary with film programmer Lars Nilsen and AGFA’s Bret Berg • Theatrical trailers\\\".\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTheatrical trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/e1AwVFRN99w\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":41201279205559,"sku":"AGFA-038","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/doriswishmanfront.jpg?v=1749485806"},{"product_id":"final-flesh-agfa","title":"Final Flesh","description":"\u003cp\u003e\u003ca href=\"https:\/\/ocn-distribution.filemail.com\/t\/Tv5fRaS2\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eFINAL FLESH is unlike anything you’ve ever seen—on Earth or other places. In the early 2000s, Vernon Chatman (co-founder of the PFFR art collective, co-creator of WONDER SHOWZEN and XAVIER: RENEGADE ANGEL, and producer of SOUTH PARK) wrote a four-part screenplay about a family who lives adjacent to the Ground Zero of a thermonuclear disaster. Instead of sharing the finished script with Hollywood, Chatman sent each part to four different companies that specialize in custom adult fetish videos. And FINAL FLESH was born. Like the custom song poem craze of the 1970s, this metaphysical brain-stabber is an outsider miracle of Biblical proportions. Filled with nudity, brilliant sight gags, rubber monster masks, inventive toilet humor, and no sex, this is a surrealist spectacle of the highest order.\u003c\/p\u003e\n\u003cp\u003edirected by: Vernon Chatman \u003cbr\u003estarring: Melvin, Yvonne, Kesha \u003cbr\u003e2009 \/ 71 min \/ 1.33:1 \/ English DTS HD-MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003ePreserved from the original digital video master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eVideo introduction by On Cinema’s Gregg Turkington\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\"Lay and Love\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003ePFFR commercial\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOriginal trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"• Preserved from the original digital video master\\n• Video introduction by On Cinema’s Gregg Turkington\\n• \\\"Lay and Love\\\" music video by Bonnie “Prince” Billy, directed by Vernon Chatman and John Lee\\n• New alternate score by Ben Chasny of Six Organs of Admittance and Comets on Fire\\n• PFFR commercial\\n• Outtakes\\n• Original trailer  \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":41215654297783,"sku":"AGFA-041","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/finalfleshfront_03ff9fdc-4ed4-4a8c-9c6b-79320bda34a9.jpg?v=1685655840"},{"product_id":"two-undercover-angels-kiss-me-monster","title":"Two Undercover Angels \/ Kiss Me Monster","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/c50nezkay49y7mz\/August2022_sales_materials.zip?dl=0\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eClick here for August 2022 sales materials\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis special limited edition embossed and spot gloss slipcover (designed by Robert Sammelin) is limited to \u003cstrong\u003e6,000\u003c\/strong\u003e \u003cstrong\u003eunits.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eStill in the early stages of his career, filmmaker Jess Franco directed this duo of outrageously stylish, pop-art infused, horror-styled capers, in collaboration with producer and actor Adrian Hoven and starring the beautiful Janine Reynaud and Rosanna Yanni!\u003cbr\u003e\u003cbr\u003eTWO UNDERCOVER ANGELS (aka SADIST EROTICA and RED LIPS): Diana and Regina are The Red Lips, a duo of sexy sleuths who take on only the most intriguing cases. After stumbling upon the strange disappearances of several pretty young women and realizing a connection exists between several of the missing and an enigmatic artist, whose identity is shrouded in mystery, they begin an intense undercover investigation which takes them on an unexpected trail of monsters, murder, and striptease!\u003cbr\u003e\u003cbr\u003eKISS ME MONSTER: In their second adventure, Diana and Regina have been tasked with locating a mysterious red box but quickly discover that they’re not the only ones after its contents and find themselves at odds with a secret sect, which controls a small zombie army, and who are hoping to harness the power of human cloning — the formula to which is contained within the box. As bodies (some nude, some dead) pile up, Diana and Regina race against time to stop the diabolical organization!\u003cbr\u003e\u003cbr\u003eGorgeously photographed and tightly paced, Vinegar Syndrome is proud to bring this duo of under-seen treats from one of the kings of Euro-sleaze to Blu-ray, newly restored in 4K from their 35mm negatives!\u003c\/p\u003e\n\u003cp\u003edirected by: Jess Franco\u003cbr data-mce-fragment=\"1\"\u003estarring: Rosanna Yanni, Janine Reynaud, Adrian Hoven, Chris Howland, Michel Lemoine\u003cbr data-mce-fragment=\"1\"\u003e1969 \/ 158 min (combined) \/ 1.85:1 \/ English \u0026amp; German Mono\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAdditional info:\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2-disc Region A Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned and restored in 4K from their 35mm original camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIncludes two language tracks for both films: English and German\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIncludes the alternate feature-length extended Spanish versions for both films (sourced from tape with newly translated English subtitles)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e“The Red Lips Diaries” (46min) - brand new interview with film author Stephen Thrower on both films \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e“The Case of the Red Lips” (14min) - an archival interview with director Jess Franco \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e“Jess’ Tangents” (22min) - an archival interview with director Jess Franco \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal trailers for both films \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill galleries for both films\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":41263095546039,"sku":"VS-401 SLIP","price":47.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41263095578807,"sku":"VS-401","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/twoundercoverangelsslipfront.jpg?v=1658337832"},{"product_id":"satans-children-agfa-something-weird","title":"Satan's Children","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Made by one-and-done filmmakers in the shadows of Tampa, SATAN’S CHILDREN feels like an Afterschool Special from depths of hell . . . literally. Bobby is a troubled teen with problems. After deflecting his father’s insults and his stepsister’s come-ons, Bobby unknowingly ends up at a gay bar. Before long, he’s assaulted by four guys in the back seat of a car. With nowhere else to turn, Bobby joins a cult of Satanists to enact his murderous revenge. A truly deranged gut-punch, this is a gritty and baffling horror experience that could have only happened in Florida. AGFA + Something Weird are thrilled to present a 2K preservation of SATAN’S CHILDREN from the only known 35mm theatrical print in existence.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eMade by one-and-done filmmakers in the shadows of Tampa, SATAN’S CHILDREN feels like an Afterschool Special from depths of hell . . . literally. Bobby is a troubled teen with problems. After deflecting his father’s insults and his stepsister’s come-ons, Bobby unknowingly ends up at a gay bar. Before long, he’s assaulted by four guys in the back seat of a car. With nowhere else to turn, Bobby joins a cult of Satanists to enact his murderous revenge. A truly deranged gut-punch, this is a gritty and baffling horror experience that could have only happened in Florida. AGFA + Something Weird are thrilled to present a 2K preservation of SATAN’S CHILDREN from the only known 35mm theatrical print in existence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Made by one-and-done filmmakers in the shadows of Tampa, SATAN’S CHILDREN feels like an Afterschool Special from depths of hell . . . literally. Bobby is a troubled teen with problems. After deflecting his father’s insults and his stepsister’s come-ons, Bobby unknowingly ends up at a gay bar. Before long, he’s assaulted by four guys in the back seat of a car. With nowhere else to turn, Bobby joins a cult of Satanists to enact his murderous revenge. A truly deranged gut-punch, this is a gritty and baffling horror experience that could have only happened in Florida. AGFA + Something Weird are thrilled to present a 2K preservation of SATAN’S CHILDREN from the only known 35mm theatrical print in existence.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eJoe Wiezycki \u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Made by one-and-done filmmakers in the shadows of Tampa, SATAN’S CHILDREN feels like an Afterschool Special from depths of hell . . . literally. Bobby is a troubled teen with problems. After deflecting his father’s insults and his stepsister’s come-ons, Bobby unknowingly ends up at a gay bar. Before long, he’s assaulted by four guys in the back seat of a car. With nowhere else to turn, Bobby joins a cult of Satanists to enact his murderous revenge. A truly deranged gut-punch, this is a gritty and baffling horror experience that could have only happened in Florida. AGFA + Something Weird are thrilled to present a 2K preservation of SATAN’S CHILDREN from the only known 35mm theatrical print in existence.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: Unknown\u003c\/span\u003e\u003cbr\u003e1975 \/ 84 min \/ 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"• 2K preservation from the only known 35mm theatrical print in existence\\n• Commentary with queer film historian Elizabeth Purchell and AGFA’s Bret Berg\\n• Cast and crew reunion Q\u0026amp;A\\n• Bonus TV special: THE WEIRD WORLD OF WEIRD, transferred from the original Something Weird S-VHS master\\n• Bonus short: SATAN IN CHURCH\\n• Bonus short: BOYS BEWARE\\n• Torrid trailer reel from Lucifer’s archive \"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"• 2K preservation from the only known 35mm theatrical print in existence\\n• Commentary with queer film historian Elizabeth Purchell and AGFA’s Bret Berg\\n• Cast and crew reunion Q\u0026amp;A\\n• Bonus TV special: THE WEIRD WORLD OF WEIRD, transferred from the original Something Weird S-VHS master\\n• Bonus short: SATAN IN CHURCH\\n• Bonus short: BOYS BEWARE\\n• Torrid trailer reel from Lucifer’s archive \"}'\u003e2K preservation from the only known 35mm theatrical print in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"• 2K preservation from the only known 35mm theatrical print in existence\\n• Commentary with queer film historian Elizabeth Purchell and AGFA’s Bret Berg\\n• Cast and crew reunion Q\u0026amp;A\\n• Bonus TV special: THE WEIRD WORLD OF WEIRD, transferred from the original Something Weird S-VHS master\\n• Bonus short: SATAN IN CHURCH\\n• Bonus short: BOYS BEWARE\\n• Torrid trailer reel from Lucifer’s archive \"}'\u003eCommentary with queer film historian Elizabeth Purchell and AGFA’s Bret Berg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"• 2K preservation from the only known 35mm theatrical print in existence\\n• Commentary with queer film historian Elizabeth Purchell and AGFA’s Bret Berg\\n• Cast and crew reunion Q\u0026amp;A\\n• Bonus TV special: THE WEIRD WORLD OF WEIRD, transferred from the original Something Weird S-VHS master\\n• Bonus short: SATAN IN CHURCH\\n• Bonus short: BOYS BEWARE\\n• Torrid trailer reel from Lucifer’s archive \"}'\u003eCast and crew reunion Q\u0026amp;A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"• 2K preservation from the only known 35mm theatrical print in existence\\n• Commentary with queer film historian Elizabeth Purchell and AGFA’s Bret 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data-sheets-value='{\"1\":2,\"2\":\"• 2K preservation from the only known 35mm theatrical print in existence\\n• Commentary with queer film historian Elizabeth Purchell and AGFA’s Bret Berg\\n• Cast and crew reunion Q\u0026amp;A\\n• Bonus TV special: THE WEIRD WORLD OF WEIRD, transferred from the original Something Weird S-VHS master\\n• Bonus short: SATAN IN CHURCH\\n• Bonus short: BOYS BEWARE\\n• Torrid trailer reel from Lucifer’s archive \"}'\u003eBonus short: BOYS BEWARE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"• 2K preservation from the only known 35mm theatrical print in existence\\n• Commentary with queer film historian Elizabeth Purchell and AGFA’s Bret Berg\\n• Cast and crew reunion Q\u0026amp;A\\n• Bonus TV special: THE WEIRD WORLD OF WEIRD, transferred from the original Something Weird S-VHS master\\n• Bonus short: SATAN IN CHURCH\\n• Bonus short: BOYS BEWARE\\n• Torrid trailer reel from Lucifer’s archive \"}'\u003eTorrid trailer reel from Lucifer’s archive\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pGYRGUhAtt4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":41263097970871,"sku":"AGFA-042","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/satanschildrenfront.jpg?v=1680721925"},{"product_id":"the-films-of-doris-wishman-the-moonlight-years-agfa-something-weird","title":"The Films of Doris Wishman: The Moonlight Years","description":"\u003cp\u003eThis special limited edition spot gloss \u003cem\u003emagnetized\u003c\/em\u003e slipcase \u0026amp; slipcover set is limited to \u003cstrong\u003e5,000 units.\u003c\/strong\u003e This is Vol#2 of a three part set.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eDoris Wishman\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE MOONLIGHT YEARS surveys the mid-period, gutter-noir era of Wishman’s career. From BAD GIRLS GO TO HELL (Wishman’s iconic crime epic) to INDECENT DESIRES (a horror-tinged sexploitation mindwarp), AGFA + Something Weird are honored to present these triumphant DIY treasures in sparkling new restorations.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e1965-1969 \/ 623 min (combined) \/ \u003c\/span\u003e1.37:1, 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray set\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cem\u003eDisc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2K restorations from the original 35mm camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eA TASTE OF FLESH: Preserved from the Something Weird S-VHS master*\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eINDECENT DESIRES: Commentary with queer film historian Liz Purchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTheatrical trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview by author Mike Watt\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969) \u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2K restorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003ePASSION FEVER: Preserved from the Something Weird S-VHS master*\u003c\/li\u003e\n\u003cli\u003eMY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Moonlight Years” photo gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2K restorations from the original 35mm camera negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master* \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTHE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Disc 1: BAD GIRLS GO TO HELL (1965),INDECENT DESIRES (1968), and A TASTE OF FLESH (1967)• 2K restorations from the original 35mm camera negatives\\n• A TASTE OF FLESH: Preserved from the Something Weird S-VHS master*• BAD GIRLS GO TO HELL: Commentary with filmmaker Frank Henenlotter\\n• INDECENT DESIRES: Commentary with queer film historian Liz Purchell\\n• Theatrical trailers• Booklet with writing from Something Weird’s Lisa Petrucciand a vintage Doris Wishman interview by author Mike Watt\\\"\\nDisc 2: ANOTHER DAY, ANOTHER MAN (1966),MY BROTHER’S WIFE (1966), and PASSION FEVER (1969)    • 2K restorations from the original 35mm camera negatives\\n• PASSION FEVER: Preserved from the Something Weird S-VHS master*• MY BROTHER’S WIFE: Commentary with Wishman biographer Michael Bowen• Theatrical trailers • “Moonlight Years” photo gallery\\\"\\nDisc 3: THE SEX PERILS OF PAULETTE (1965), THE HOT MONTH OF AUGUST (1966), and TOO MUCH TOO OFTEN! (1968)• 2K restorations from the original 35mm camera negatives\\n• TOO MUCH TOO OFTEN!: Preserved from the Something Weird S-VHS master*  • THE SEX PERILS OF PAULETTE: Commentary with Something Weird’s Lisa Petrucci• Theatrical trailers    \\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eTheatrical trailers\u003c\/span\u003e \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gYIlh79sb4c\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcase","offer_id":41301683208375,"sku":"AGFA-039 CASE","price":69.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41301683241143,"sku":"AGFA-039","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/wishmanvol.2front.jpg?v=1659124584"},{"product_id":"fair-game-dark-star","title":"Fair Game","description":"\u003cp\u003e\u003ca href=\"https:\/\/ocn-distribution.filemail.com\/t\/KtX2imVM\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDark Star Pictures is a new-age North American distribution company, focused on bringing unique and targeted content to audiences across the country and is committed to releasing auteur-driven, original cinema in the theatrical, digital and home video space. In partnership with OCN Distribution, new Dark Star titles - along with celebrated features in their back catalog - will receive features packed blu-ray editions that will maintain the OCN standard of quality and Dark Star's deft curation.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill the animals in the sanctuary, and when they see how attractive the owner is, they decide to have a little \\\"fun\\\" with her, too. Turns out that they may get a bit more \\\"fun\\\" than they bargained for.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eA young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill the animals in the sanctuary, and when they see how attractive the owner is, they decide to have a little \"fun\" with her, too. Turns out that they may get a bit more \"fun\" than they bargained for.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill the animals in the sanctuary, and when they see how attractive the owner is, they decide to have a little \\\"fun\\\" with her, too. Turns out that they may get a bit more \\\"fun\\\" than they bargained for.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eMario Andreacchio\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill the animals in the sanctuary, and when they see how attractive the owner is, they decide to have a little \\\"fun\\\" with her, too. Turns out that they may get a bit more \\\"fun\\\" than they bargained for.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: \u003c\/span\u003eCassandra Delaney, Peter Ford, David Sanford, Garry Who, Don Barker\u003cbr\u003e1986 \/ 86 min \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image 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data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eExtended Interview with Actress Cassandra Delaney\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBehind the Scenes Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eStoryboard Image Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBehind the Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eClassic Advertisement and Theatrical Program Image Gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eShort Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eDark Star Trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Director Mario Andreacchio and Writer Rob George, Extended Interview with Actress Cassandra Delaney, Behind the Scenes Featurette, Storyboard Image Gallery, Behind the Scenes, Classic Advertisement and Theatrical Program Image Gallery, Short Films of Mario Andreacchio: Vandalism (1981), Break-In (1983), Taken By Storm (1984), Abduction...Who's Next (1984), Under Pressure (1986), Dark Star Trailers\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Y_aXgsnD5oQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Dark Star","offers":[{"title":"Default Title","offer_id":41379315646647,"sku":"DS-006","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/fairgamefront.jpg?v=1699306788"},{"product_id":"shock-o-rama-video-party","title":"Shock-O-Rama Video Party","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/ocn-distribution.filemail.com\/t\/Qd4thbBC\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eIn the 1990s, Something Weird Video hypnotized a generation of movie maniacs by unearthing the most radically surreal genre films of all time—all via the magic of VHS. SHOCK-O-RAMA VIDEO PARTY is a hallucinogenic tribute to those cathode-tube-fueled days. Featuring four regional horror-blasts—preserved from the original Something Weird S-VHS masters, as the film elements have been lost—this collection serves as a time machine to a beloved era in home video history.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTHE NAKED WITCH (1961, 59 mins)\u003c\/em\u003e\u003cbr\u003eOne-part documentary and all-parts unreal, this Texas-made exploration of witchcraft from Larry Buchanan (ZONTAR, THE THING FROM VENUS) is a dreamy travelogue to parts unknown.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVIOLATED (1953, 67 mins)\u003c\/em\u003e\u003cbr\u003eA pre-cursor to PSYCHO, this DIY horror-noir was filmed in the gutters of NYC and written by exploitation producer William Mishkin.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGHOSTS OF HANLEY HOUSE (1968, 85 mins)\u003c\/em\u003e\u003cbr\u003eWritten, produced, and directed by one-time filmmaker Louise Sherrill, this phantasmagorical DIY version of THE HAUNTING appears uncut for the first time on widely released home video.\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePASSION IN THE SUN (1964, 69 mins)\u003c\/em\u003e\u003cbr\u003eAlso known as THE GIRL AND THE GEEK, this carnival-set rampager from Texas wildman Dale Berry (HOT BLOODED WOMAN) is outsider trash-art of the highest order.\u003c\/p\u003e\n\u003cp\u003edirected by: Various \u003cbr\u003estarring: Various \u003cbr\u003e1953-1968 \/ 295 min (combined) \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the original Something Weird S-VHS tape masters\\n• THE NAKED WITCH: Archival commentary with director Larry Buchanan and Nathaniel Thompson\\n• Shocked-out trailers and drive-in snipes\\n• Watch the full, uninterrupted program in “all nite slumber party” mode \"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":41457500225719,"sku":"AGFA-045","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/shockoramavideopartyfront.jpg?v=1699306198"},{"product_id":"the-films-of-doris-wishman-the-daylight-years","title":"The Films of Doris Wishman: The Daylight Years","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/ocn-distribution.filemail.com\/t\/4WXC05fw\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003eThis special limited edition spot gloss \u003cem\u003emagnetized\u003c\/em\u003e slipcase \u0026amp; slipcover set is limited to \u003cstrong\u003e5,000 units.\u003c\/strong\u003e This is Vol#3 of a three part set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003eNo one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003edirected by: Doris Wishman\u003c\/span\u003e \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003estarring: Various\u003c\/span\u003e \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;No one will ever make movies like Doris Wishman made movies. One of the most prolific women filmmakers in the history of American cinema, writer-director-editor Wishman created collisions between surrealism and exploitation that feel like they materialized from an alternate universe. THE FILMS OF DORIS WISHMAN: THE DAYLIGHT YEARS surveys the early, sun-soaked nudist era of Wishman's career. From NUDE ON THE MOON (Wishman's dreamlike sci-fi triumph) to HIDEOUT IN THE SUN (a crackpot nudie-noir) AGFA + Something Weird are honored to present these effervescent DIY treasures in gorgeous new restorations.\u0026quot;}\"\u003e1960-1965 \/ 428 min (combined) \/ 1.37:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray set\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRestorations from the original 35mm camera negatives\u003c\/li\u003e\n\u003cli\u003eNUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\u003c\/li\u003e\n\u003cli\u003eBLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003cli\u003e“Daylight Years” photo gallery\u003c\/li\u003e\n\u003cli\u003eBooklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\u003c\/li\u003e\n\u003cli\u003eHIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\u003c\/li\u003e\n\u003cli\u003eGENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\u003c\/li\u003e\n\u003cli\u003eUnseen Doris Wishman interview from 1974\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003cem\u003eDisc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eDIARY OF A NUDIST: Restoration from the original 35mm camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eDIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003eTHE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements - in German with English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Disc 1: NUDE ON THE MOON (1961) and BLAZE STARR GOES NUDIST (1962)\\n• Restorations from the original 35mm camera negatives\\n• NUDE ON THE MOON: Commentary with director Frank Henenlotter and filmmaker Anthony Snead\\n• BLAZE STARR GOES NUDIST: Commentary with Wishman biographer Michael Bowen\\n• Theatrical trailers\\n• “Daylight Years” photo gallery\\n• Booklet with writing from Something Weird’s Lisa Petrucci and a vintage Doris Wishman interview\\\"\\n\\\"Disc 2: HIDEOUT IN THE SUN (1960) and GENTLEMEN PREFER NATURE GIRLS (1963)\\n• HIDEOUT IN THE SUN: Preservation from Doris Wishman’s personal 16mm print\\n• HIDEOUT IN THE SUN: Commentary with Wishman biographer Michael Bowen\\n• GENTLEMEN PREFER NATURE GIRLS: Restoration from the original 35mm camera negative\\n• Unseen Doris Wishman interview from 1974\\n• Theatrical trailers\\\"\\n\\\"Disc 3: DIARY OF A NUDIST (1961) and THE PRINCE AND THE NATURE GIRL (1965)\\n• DIARY OF A NUDIST: Restoration from the original 35mmcamera negative\\n• DIARY OF A NUDIST: Commentary with queer film historian Elizabeth Purchell\\n• THE PRINCE AND THE NATURE GIRL: Preservation from the only existing 35mm film elements in Germanwith English subtitles   \\\"\"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S9RJAMnyjqQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcase","offer_id":41536084672695,"sku":"AGFA-040 CASE","price":69.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41536084705463,"sku":"AGFA-040","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/doriswishmandaylightyearsboxfront.jpg?v=1666902225"},{"product_id":"bat-pussy","title":"Bat Pussy","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The citizens of Gothum City are under attack by smut filmmakers and only one hero can help! Bat Pussy (Dora Dildo) hangs out in her secret headquarters (aka an outhouse). When her “twat begins to twitch,” warning her of imminent crime, Bat Pussy hops on her Holy Hippity-Hop to foil the grotesque sex schemes of un-happily married couple Buddy and Sam. Considered to be the first adult film parody, BAT PUSSY is a sublime-yet-nightmarish extraterrestrial experience made by outlaw filmmakers who remain unidentified to this day. AGFA + Something Weird are thrilled to present a brand new preservation of BAT PUSSY—complete with newly discovered footage and the original long-lost ending—along with a utility belt full of extras. Sheee-it!\"}'\u003eThe citizens of Gothum City are under attack by smut filmmakers and only one hero can help! Bat Pussy (Dora Dildo) hangs out in her secret headquarters (aka an outhouse). When her “twat begins to twitch,” warning her of imminent crime, Bat Pussy hops on her Holy Hippity-Hop to foil the grotesque sex schemes of un-happily married couple Buddy and Sam. Considered to be the first adult film parody, BAT PUSSY is a sublime-yet-nightmarish extraterrestrial experience made by outlaw filmmakers who remain unidentified to this day. AGFA + Something Weird are thrilled to present a brand new preservation of BAT PUSSY—complete with newly discovered footage and the original long-lost ending—along with a utility belt full of extras. Sheee-it!\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The citizens of Gothum City are under attack by smut filmmakers and only one hero can help! Bat Pussy (Dora Dildo) hangs out in her secret headquarters (aka an outhouse). When her “twat begins to twitch,” warning her of imminent crime, Bat Pussy hops on her Holy Hippity-Hop to foil the grotesque sex schemes of un-happily married couple Buddy and Sam. Considered to be the first adult film parody, BAT PUSSY is a sublime-yet-nightmarish extraterrestrial experience made by outlaw filmmakers who remain unidentified to this day. AGFA + Something Weird are thrilled to present a brand new preservation of BAT PUSSY—complete with newly discovered footage and the original long-lost ending—along with a utility belt full of extras. Sheee-it!\"}'\u003edirected by: Unknown\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The citizens of Gothum City are under attack by smut filmmakers and only one hero can help! Bat Pussy (Dora Dildo) hangs out in her secret headquarters (aka an outhouse). When her “twat begins to twitch,” warning her of imminent crime, Bat Pussy hops on her Holy Hippity-Hop to foil the grotesque sex schemes of un-happily married couple Buddy and Sam. Considered to be the first adult film parody, BAT PUSSY is a sublime-yet-nightmarish extraterrestrial experience made by outlaw filmmakers who remain unidentified to this day. AGFA + Something Weird are thrilled to present a brand new preservation of BAT PUSSY—complete with newly discovered footage and the original long-lost ending—along with a utility belt full of extras. Sheee-it!\"}'\u003estarring: Unknown\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The citizens of Gothum City are under attack by smut filmmakers and only one hero can help! Bat Pussy (Dora Dildo) hangs out in her secret headquarters (aka an outhouse). When her “twat begins to twitch,” warning her of imminent crime, Bat Pussy hops on her Holy Hippity-Hop to foil the grotesque sex schemes of un-happily married couple Buddy and Sam. Considered to be the first adult film parody, BAT PUSSY is a sublime-yet-nightmarish extraterrestrial experience made by outlaw filmmakers who remain unidentified to this day. AGFA + Something Weird are thrilled to present a brand new preservation of BAT PUSSY—complete with newly discovered footage and the original long-lost ending—along with a utility belt full of extras. Sheee-it!\"}'\u003e1970s \/ 52 min \/ 1.33:1 \/ English \u003c\/span\u003eDTS HD-MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;• 2022 preservation from a newly discovered 16mm print\\n• Commentary on 2022 preservation by Texploitation film historians Melinda Belles \u0026amp; 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Grizzled Detective Rizotti and his younger, more romantic minded partner, Detective O’Mara, are on the case, but keep hitting dead ends and diversions, all while having to fend off the seductive charms of the very massage hostesses they’re trying to protect. Will they unmask this demented and bloodthirsty pervert before all the city’s prostitutes wind up in body bags?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA fever dream of New York lensed 70s exploitation cinema, Chester Fox and Alex Stevens’ MASSAGE PARLOR MURDERS explodes on the screen with a non-stop orgy of murder, mayhem, gratuitous T\u0026amp;A, grimy Manhattan locales, bizarre plot twists, and even an out of left field and highly ambitious car chase! Featuring Sandra Peabody (THE LAST HOUSE ON THE LEFT), Chris Jordan (A TOUCH OF GENIE), Anne Gaybis (WHAM BAM THANK YOU SPACEMAN), Arlana Blue (BLOODSUCKING FREAKS), Brother Theodore (DEVIL’S EXPRESS), and award winning character actor George Dzundza (THE DEER HUNTER) in one of his earliest on screen appearances, MASSAGE PARLOR MURDERS was never released on video and long believed lost until Vinegar Syndrome uncovered the original negative. At last this essential grindhouse epic makes the leap to 4K UHD, newly restored and looking so crisp you can almost smell the garbage!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Chester Fox, Alex Stevens\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Sandra Peabody, Chris Jordan, George Dzundza, George Spencer, Anne Gaybis, Arlana Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e1973 \/ 81 min \/ 1.85:1 \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e4K Ultra HD \/ Region Free Blu-ray Set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrand new commentary track with film historian and author Samm Deighan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Sin City\" the locations of Massage Parlor Murders\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eMassage Parlor Murders original theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eMassage Parlor Hookers original theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eTV spot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eOuttake reel\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/E-nJ1IHndHo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41684230635703,"sku":"VS-004UHD","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/MPM4kstdfrontocn.jpg?v=1733947116"},{"product_id":"lady-streetfighter","title":"Lady Streetfighter","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition spot gloss and embossed slipcover \u003c\/span\u003e\u003cspan\u003eis limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;She makes the bad guys bleed! Written and produced by exploitation demigod Renee Harmon (FROZEN SCREAM) and directed by the legendary James Bryan (DON’T GO IN THE WOODS), LADY STREET FIGHTER is the story of Linda (Harmon), a tough-as-nails karate cop on the trail of the ruthless scumbags who murdered her twin sister. From the outrageous fight scenes to Harmon’s incredible outfits, this is a joyous blast of no-holds-barred chaos from one of the most unheralded women filmmakers in the history of American cinema. AGFA is thrilled to bring LADY STREET FIGHTER to Blu-ray, complete with drop-kicking extras and REVENGE OF LADY STREET FIGHTER—Harmon and Bryan's unreleased sequel.\u0026quot;}\"\u003eShe makes the bad guys bleed! Written and produced by exploitation demigod Renee Harmon (FROZEN SCREAM) and directed by the legendary James Bryan (DON’T GO IN THE WOODS), LADY STREET FIGHTER is the story of Linda (Harmon), a tough-as-nails karate cop on the trail of the ruthless scumbags who murdered her twin sister. From the outrageous fight scenes to Harmon’s incredible outfits, this is a joyous blast of no-holds-barred chaos from one of the most unheralded women filmmakers in the history of American cinema. AGFA is thrilled to bring LADY STREET FIGHTER to Blu-ray, complete with drop-kicking extras and REVENGE OF LADY STREET FIGHTER—Harmon and Bryan's unreleased sequel.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;She makes the bad guys bleed! Written and produced by exploitation demigod Renee Harmon (FROZEN SCREAM) and directed by the legendary James Bryan (DON’T GO IN THE WOODS), LADY STREET FIGHTER is the story of Linda (Harmon), a tough-as-nails karate cop on the trail of the ruthless scumbags who murdered her twin sister. From the outrageous fight scenes to Harmon’s incredible outfits, this is a joyous blast of no-holds-barred chaos from one of the most unheralded women filmmakers in the history of American cinema. AGFA is thrilled to bring LADY STREET FIGHTER to Blu-ray, complete with drop-kicking extras and REVENGE OF LADY STREET FIGHTER—Harmon and Bryan's unreleased sequel.\u0026quot;}\"\u003edirected by: \u003c\/span\u003eJames Bryan\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;She makes the bad guys bleed! Written and produced by exploitation demigod Renee Harmon (FROZEN SCREAM) and directed by the legendary James Bryan (DON’T GO IN THE WOODS), LADY STREET FIGHTER is the story of Linda (Harmon), a tough-as-nails karate cop on the trail of the ruthless scumbags who murdered her twin sister. From the outrageous fight scenes to Harmon’s incredible outfits, this is a joyous blast of no-holds-barred chaos from one of the most unheralded women filmmakers in the history of American cinema. AGFA is thrilled to bring LADY STREET FIGHTER to Blu-ray, complete with drop-kicking extras and REVENGE OF LADY STREET FIGHTER—Harmon and Bryan's unreleased sequel.\u0026quot;}\"\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;She makes the bad guys bleed! Written and produced by exploitation demigod Renee Harmon (FROZEN SCREAM) and directed by the legendary James Bryan (DON’T GO IN THE WOODS), LADY STREET FIGHTER is the story of Linda (Harmon), a tough-as-nails karate cop on the trail of the ruthless scumbags who murdered her twin sister. From the outrageous fight scenes to Harmon’s incredible outfits, this is a joyous blast of no-holds-barred chaos from one of the most unheralded women filmmakers in the history of American cinema. 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Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. 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Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003edirected by: \u003c\/span\u003eDavid F. Friedman, R. Lee Frost, Byron Mabe \u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e1965, 1966 \/ 138 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eTHE DEFILERS: Restored from the 35mm dupe camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eArchival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eA SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eArchival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eShort: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eDavid F. Friedman trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003ePhoto galleries\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eBooklet with writing by Something Weird’s Lisa Petrucci\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/adTNpZ8dUWs?si=Wc9Mvup027Z7Bmqh\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":41909426192567,"sku":"AGFA-053","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/thedefilersfront.jpg?v=1765230272"},{"product_id":"take-it-out-in-trade","title":"Take It Out in Trade","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Ed Wood was the filmmaker behind PLAN 9 FROM OUTER SPACE and GLEN OR GLENDA, the author of hundreds of novels, and a pall-bearer at Bela Lugosi's funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Once thought lost, this surreal sexploitation detective comedy would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEd Wood was the filmmaker behind PLAN 9 FROM OUTER SPACE and GLEN OR GLENDA, the author of hundreds of novels, and a pall-bearer at Bela Lugosi's funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Once thought lost, this surreal sexploitation detective comedy would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Ed Wood was the filmmaker behind PLAN 9 FROM OUTER SPACE and GLEN OR GLENDA, the author of hundreds of novels, and a pall-bearer at Bela Lugosi's funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Once thought lost, this surreal sexploitation detective comedy would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eEdward D. Wood, Jr.\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Ed Wood was the filmmaker behind PLAN 9 FROM OUTER SPACE and GLEN OR GLENDA, the author of hundreds of novels, and a pall-bearer at Bela Lugosi's funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Once thought lost, this surreal sexploitation detective comedy would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Ed Wood was the filmmaker behind PLAN 9 FROM OUTER SPACE and GLEN OR GLENDA, the author of hundreds of novels, and a pall-bearer at Bela Lugosi's funeral. Wood fought in the Pacific Ocean theater during World War II while wearing a bra and panties under his uniform. Basically, there will never be another hero like Ed Wood. And there will never be another movie like TAKE IT OUT IN TRADE. Once thought lost, this surreal sexploitation detective comedy would feel right at home on a triple-bill with John Waters’s MULTIPLE MANIACS and Russ Meyer’s THE IMMORAL MR. TEAS. With delirious narration by Wood himself, positive depictions of LGBTQ relationships, and a miraculous role by Ed Wood in drag as “Alecia,” TAKE IT OUT IN TRADE is a joyous swan song from one of the most seminal exploitation filmmakers of all time.\u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e1970 \/ 70 min \/ 1.33:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003ePreserved from the only 16mm theatrical print in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCommentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with exclusive liner notes by Rudolph Grey\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. Ziemba\\n• TAKE IT OUT IN TRADE: THE OUTTAKES (70 mins)\\n• Bonus movie: THE LOVE FEAST (1969, 60 mins), starring Ed Wood and preserved from a 35mm theatrical print\\n• Booklet with exclusive liner notes by Rudolph Grey\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preserved from the only 16mm theatrical print in existence\\n• Commentary with filmmaker Frank Henenlotter, Ed Wood biographer Rudolph Grey, and AGFA’s Joseph A. 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data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. 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From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. 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Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRestoration from the original 35mm camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eCommentary track with filmmaker Frank Henenlotter and Ed Wood biographer Rudolph Grey\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eUnseen footage from Ed Wood’s HELLBORN\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eTHE VIOLENT YEARS original trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eGutter-noir trailers from the Something Weird vault\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBonus movie: ANATOMY OF A PSYCHO (1961, 74 mins), preserved from a 35mm theatrical print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBooklet with vintage ephemera\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. Remember: “This is a story of violence!”\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"“I shot a cop—SO WHAT!” So say the girl gang thrill-killers of THE VIOLENT YEARS! Written by legendary Hollywood outsider Edward D. Wood, Jr. (PLAN 9 FROM OUTER SPACE, GLEN OR GLENDA), this is the delirious story of Paula Parkins—a good-girl-gone-bad who leads her degenerate teenage hellcats down a path of gas station hijackings, pajama party orgies, and cold-blooded murder. From Wood’s patently deranged dialogue to the scene where the gang performs a “man attack,” THE VIOLENT YEARS is an essential exposé on crime, gender politics, and sweater-stealing. 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type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":42080073056439,"sku":"AGFA-004b","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/theviolentyearsfront.jpg?v=1701813564"},{"product_id":"blonde-death","title":"Blonde Death","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cem\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince 2004, \u003c\/span\u003e\u003cspan class=\"il\" data-mce-fragment=\"1\"\u003eBleeding\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"il\" data-mce-fragment=\"1\"\u003eSkull\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e has explored otherworldly cinema through reviews, books, and home video releases. We shine a light on independent genre films that have flown under the radar but deserve to be seen by all. Fangoria has called \u003c\/span\u003e\u003cspan class=\"il\" data-mce-fragment=\"1\"\u003eBleeding\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"il\" data-mce-fragment=\"1\"\u003eSkull\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e “The go-to encyclopedia for trash, bizarre, and shot-on-video cinema,” while Vice referred to it as “like a fever dream glimpse into parallel worlds\". Visit us at \u003c\/span\u003e\u003ca href=\"http:\/\/bleedingskull.com\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/bleedingskull.com\/\u0026amp;source=gmail\u0026amp;ust=1703176184111000\u0026amp;usg=AOvVaw3POd2S7GYPxhfYdj1x0hsL\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/bleedingskull.com\/\" target=\"_blank\"\u003eBLEEDINGSKULL.COM\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003eShot for $2000 on video by “James Dillinger” (aka author James Robert Baker) and produced by Los Angeles art collective EZTV, BLONDE DEATH is a savage blast of underground anarchy. The story follows the transformation of Tammy Lynn Beaverdorf (Sara Lee Wade) from bubbly teen to death-tripping speed freak—an in-your-face rampage of sex, drugs, and violence that climaxes with scenes that were secretly filmed inside Disneyland. Satiric, subversive, and gleefully enraged, BLONDE DEATH is an essential chapter of queer cinema history.\u003c\/p\u003e\n\u003cp\u003edirected by: James Dillinger aka James Robert Baker\u003cbr\u003estarring: Various\u003cbr\u003e1984 \/ 98 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-root=\"1\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-root=\"1\"\u003ePreservation from the original 3\/4” tape master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-root=\"1\"\u003eCommentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. 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It is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. The original limited edition deluxe box (designed by Tony Stella) was limited to \u003cstrong\u003e8,000 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSet during the height of the Vietnam War and deep in the swamps of Louisiana, a group of National Guardsmen have been ordered to partake in a simulated jungle exploration in an isolated part of Cajun country. After getting lost during the training mission, the soldiers commandeer canoes belonging to the locals in order to take a shortcut. When the rightful owners discover the soldiers with their property, the situation spirals out of control leaving one man dead and the soldiers caught in a deadly game of retribution. What follows is a bloody fight for survival as, with only their wits and blanks for ammunition, the soldiers will have to journey deeper and deeper into the bayou as they’re forced to face the brutal reality of Cajun justice...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eAn intensely violent war metaphor filmed on location in the Louisiana Bayou, director and co-writer Walter Hill’s (The Warriors, 48 Hrs.) acclaimed “backwoods” survival thriller, SOUTHERN COMFORT features an all-star cast headlined by Oscar winner Keith Carradine (Nashville), Emmy winner Powers Booth (Red Dawn), Fred Ward (Short Cuts), T.K. Carter (John Carpenter’s The Thing), and Emmy winner Peter Coyote (Bitter Moon). Vinegar Syndrome Ultra is proud to present SOUTHERN COMFORT in 4K UHD for the first time, newly restored and loaded with extras.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003edirected by: Walter Hill\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Keith Carradine, Powers Booth, Fred Ward, T.K. Carter, Peter Coyote, Lewis Smith\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1981 \/ 106 min \/ 1.85:1 \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2-disc Set: 4K Ultra HD \/ Region Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with Walter Chaw, author of A Walter Hill Film: Tragedy and Masculinity in the Films of Walter Hill\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Battle in the Bayou\" (17 min) - brand new interview with co-writer \/ director Walter Hill\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Behind Enemy Lines\" (26 min) - brand new featurette with editor Freeman A. 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Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eOn a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \"well\" enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. 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Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. 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Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003edirected by: Nikos Nikolaidis\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. 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Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003e1990 \/ 112 min \/ 1.37:1 \/ English, Greek \u0026amp; French Mono\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. 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Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003e\"Directing Hell\" (80 min) - a documentary from 2011 exploring the work of Director Nikos Nikolaidis\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eNew interview with Marie-Louise Bartholomew, wife of director Nikos Nikolaidis (12 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eNew interview with actress Michele Valley (12 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eNew interview with actor Panos Thanassoulis (9 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eNew interview with cinematographer Aris Stavrou (5 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003e20-page booklet with an essay by film scholar David Church\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;On a dark and stormy night, Mother and Daughter, a wealthy pair of psychopathic killers with a penchant for murdering their servants, happen upon a badly injured man, laying dying in the mud. Bringing him back to their opulent villa, they begin nursing him back to health; naming him Singapore Sling in the process. As soon as he is \\\u0026quot;well\\\u0026quot; enough, the twisted duo begin subjecting him to every manner of torture imaginable. But as each of them develop their own unique interest in their mysterious victim, a perverse love triangle begins to unfold, leading to shocking revelations...\\n\\nAs staggeringly beautiful as it is notorious, Nikos Nikolaidis' acclaimed SINGAPORE SLING is a grotesque, sensual, and altogether unforgettable genre cinema gem from one of Greece's key arthouse auteurs. Distinguished by Aris Stavrou's intricately lit and immaculately composed black and white cinematography, Vinegar Syndrome is thrilled to present the U.S. Blu-ray debut of this mesmerizingly unsettling noir-fantastique, newly and exclusively restored for this release in 4K from its 35mm original negative and boasting an expansive selection of new and archival extras.\u0026quot;}\" data-sheets-userformat='{\"2\":15233,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Helvetica Neue\",\"16\":11}'\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":42350714650807,"sku":"VS-462","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/singaporeslingfront.jpg?v=1741024185"},{"product_id":"hey-folks-its-the-intermission-time-video-party","title":"Hey Folks! It's the Intermission Time Video Party!","description":"\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv class=\"c-message__message_blocks c-message__message_blocks--rich_text\" data-qa=\"message-text\"\u003e\n\u003cdiv class=\"p-block_kit_renderer\" data-qa=\"block-kit-renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv class=\"p-rich_text_block\" dir=\"auto\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003ePresented in partnership with Something Weird Video...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003eIn the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u003c\/p\u003e\n\u003cp\u003edirected by: Various\u003cbr\u003estarring: Various\u003cbr\u003e718 min (combined) \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free 2-disc Blu-ray\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cem\u003eDisc 1\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\\n• Transferred from the original Something Weird S-VHS masters\\n• HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\\n• Commentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\\n• Insert with writing by Something Weird's Lisa Petrucci\\n\\nDisc 2\\n• Transferred from the original Something Weird S-VHS masters\\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTransferred from the original Something Weird S-VHS masters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\\n• Transferred from the original Something Weird S-VHS masters\\n• HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\\n• Commentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\\n• Insert with writing by Something Weird's Lisa Petrucci\\n\\nDisc 2\\n• Transferred from the original Something Weird S-VHS masters\\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eHEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\\n• Transferred from the original Something Weird S-VHS masters\\n• HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\\n• Commentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\\n• Insert with writing by Something Weird's Lisa Petrucci\\n\\nDisc 2\\n• Transferred from the original Something Weird S-VHS masters\\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCommentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\\n• Transferred from the original Something Weird S-VHS masters\\n• HEY FOLKS! 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IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\\n• Transferred from the original Something Weird S-VHS masters\\n• HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE!: A 70-minute mixtape from the AGFA team\\n• Commentary with AGFA's Bret Berg \u0026amp; Joseph A. Ziemba\\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 1-2: The original, uncut Something Weird VHS compilations from the 1990s\\n• Insert with writing by Something Weird's Lisa Petrucci\\n\\nDisc 2\\n• Transferred from the original Something Weird S-VHS masters\\n• HEY FOLKS! IT'S INTERMISSION TIME Volumes 3-6: The original, uncut Something Weird VHS compilations from the 1990s\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInsert with writing by Something Weird's Lisa Petrucci\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eDisc 2\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Disc 1\\n• Transferred from the original Something Weird S-VHS masters\\n• HEY FOLKS! 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":42487936712887,"sku":"AGFA-056","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/intermisiontimevideopartyfront.jpg?v=1712003059"},{"product_id":"criminally-insane-satans-black-wedding","title":"Criminally Insane \/ Satan's Black Wedding","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis special limited edition spot gloss slipcover (designed by Chris Barnes\u003c\/span\u003e) is limited to \u003cstrong\u003e6,000\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eunits\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003eIn the annals of 1970s regional filmmaking, Nick Millard carved out a niche with his extremely low-budget, yet highly artistic horror and action movies. Presented here are his two seminal works, offered as a double feature, just as they originally screened in drive-ins and grindhouses across America.\u003c\/p\u003e\n\u003cp\u003eEthel Jankowski has just been released from an asylum where her both violent and suicidal tendencies had kept her under medical supervision. Deemed “cured,” save for her severe weight problem, she moves in with her grandmother who, under doctor’s orders, locks up the household’s food supply to prevent Ethel from continuing to gorge herself. However, Ethel’s raging appetite cannot be contained and, as visitors to the house begin discovering her growing stash of snacks, she has no choice but to violently kill them and hide their remains… A charmingly depraved proto-slasher anchored by a captivating performance from its (literally and figuratively) larger-than-life star, Priscilla Alden (Sodom and Gomorrah: The Last Seven Days), director Nick Millard’s cult favorite, CRIMINALLY INSANE bursts with wild plot twists, regional charm, and plenty of gruesome kills.\u003c\/p\u003e\n\u003cp\u003eMark Gray is reeling from the horrible news that his sister, Nina, has committed suicide. Searching for answers, he travels to the secluded, forest-surrounded town in which she lived. Unsettled by the frosty, almost ghost-like demeanor of the locals, Mark begins to suspect that there might be something more sinister behind his sister's death, only to discover that the town itself is a coven of vampires. With more than its fair share of bright-red-bloody kills, Nick Millard’s sophomore horror feature, SATAN’S BLACK WEDDING is a tightly constructed and incredibly atmospheric regional vampire thriller skillfully crafted in the Italian gothic tradition, despite its Northern California locales.\u003c\/p\u003e\n\u003cp\u003eBoth CRIMINALLY INSANE and SATAN’S BLACK WEDDING have been meticulously restored in 4K from their long-lost 16mm camera reversal elements and are making their worldwide Blu-ray debut from Vinegar Syndrome!\u003c\/p\u003e\n\u003cp\u003edirected by: Nick Millard\u003cbr\u003estarring: Priscilla Alden, Michael Flood, Jane Lambert, George 'Buck' Flower, Greg Braddock, Ray Myles, Lisa Milano\u003cbr\u003e1974 \/ 124 min (combined) \/ 1.37:1 \u0026amp; 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4K from its 16mm camera reversal\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCRIMINALLY INSANE is presented in its original 1.37:1 aspect ratio with the following sound options: original English mono soundtrack, a brand new commentary track by film historians Millie De Chirico and Liz Purchell, and an archival commentary track with director Nick Millard and Irmi Millard moderated by 42nd Street Pete\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSATAN’S BLACK WEDDING is presented in its original 1.85:1 aspect ratio with the following sound options: original English mono soundtrack, a brand new commentary track by Brian Albright, author of Regional Horror Films, 1958–1990, and an archival commentary track with director Nick Millard and Irmi Millard moderated by 42nd Street Pete\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRemains to Be Seen (18 min) - a featurette produced by the Vinegar Syndrome Film Archive on preserving the films of director Nick Millard\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRight Out of Left Field (48 min) - author Stephen Thrower on Criminally Insane, Satan's Black Wedding and the early filmography of Nick Millard\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival video interview with writer\/director Nick Millard on CRIMINALLY INSANE (7 min)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival featurette with writer\/director Nick Millard and actress Priscilla Alden on CRIMINALLY INSANE (10 min)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival video interview with writer\/director Nick Millard on SATAN’S BLACK WEDDING (5 min)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal trailers for both films\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInside sleeve artwork\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/X2HSGgoA06k?si=siFfgd_e5XTGRHCM\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":42869428650167,"sku":"VS-471 SLIP","price":44.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":42869428682935,"sku":"VS-471","price":36.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/criminallyinsaneslipfront_768da1d0-b2ce-4c23-98e8-1c240654a2c7.jpg?v=1716554771"},{"product_id":"the-instructor","title":"The Instructor","description":"\u003cp data-mce-fragment=\"1\"\u003eTHE INSTRUCTOR is part of our Vinegar Syndrome Archive collection, celebrating forgotten cinematic oddities from the video store era. \u003cmeta charset=\"utf-8\"\u003eThis collection was inspired by our own brick \u0026amp; mortar video stores, with locations in Bridgeport, CT; Aurora, CO and Toronto, ON!\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnique to this line, each hand numbered limited edition release will come fitted in a specially designed, bottom loading VHS inspired slipcase, while also including a double-sided poster.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese releases will ONLY be available on our website and at participating indie retailers. Absolutely no major retailers will be stocking them. This slipcase edition (designed by \u003c\/span\u003e\u003cspan\u003eJJ Harrison\u003c\/span\u003e) is strictly limited to \u003cstrong\u003e5,000 units\u003c\/strong\u003e and may (\u003cem\u003ebut probably not\u003c\/em\u003e) be followed by a standard edition in the future.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e---\u003c\/strong\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eThe Instructor (played by real-life martial artist Bob Chaney) runs a local karate school where he spends his days training his students in the art of defense, including his best friend Thumper. Since discovering his wife dead under mysterious circumstances, The Instructor has vowed to only use his martial arts training for good in an attempt to overcome his desire for revenge. However, when a rival martial arts school run by the slimy Bud Hart begins engaging in crime and corruption, The Instructor finds himself struggling to contain his anger and is pushed to a breaking point when Hart sets his sights on The Instructor's students. After Thumper is mercilessly beaten in a locker room during a martial arts tournament, The Instructor can no longer suppress his anger and sets out to take revenge on his evil rival.\u003c\/p\u003e\n\u003cp\u003eA regionally-shot action extravaganza, THE INSTRUCTOR was the only film made by director Don Bendell and lead actor Bob Chaney. In the vein of films such as Champagne and Bullets and Death Promise, THE INSTRUCTOR is a low-budget tour de force that will leave you absolutely stunned. One of the most requested Vinegar Syndrome Archive titles of all time, we are proud to present THE INSTRUCTOR for the first time on Blu-ray, newly restored from the director’s own personal print, and featuring some of the most jaw-dropping fight scenes ever filmed. This one is truly unlike anything you've ever seen before!\u003c\/p\u003e\n\u003cp\u003edirected by: Don Bendell\u003cbr\u003estarring: Bob Chaney, Don Bendell, Steve Boergadine, Bob Saal\u003cbr\u003e1981 \/ 94 min \/ 1.37:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 4K from a 35mm archival print\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary track with writer\/director Don Bendell\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eA Journey to Akron: The Making of The Instructor (25 min) - an interview with writer\/director Don Bendell\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBooklet with an essay by film historian Richard Heldenfels\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDouble-sided poster\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible sleeve artwork\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ibvT3K71n6k?si=4AJqAO7k4MH52J2B\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome Archive","offers":[{"title":"Default Title","offer_id":42869430124727,"sku":"VSA-044","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/theinstructorslipfront.jpg?v=1716571522"},{"product_id":"intrepidos-punks-vengeance-of-the-punks","title":"Intrépidos Punks \/ Vengeance of the Punks","description":"\u003cp class=\"p-rich_text_section\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis special limited edition spot gloss slipcover (designed by Tom Hodge) is limited to \u003cstrong\u003e6,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eFrom the weirdest depths of Mexico’s genre cinema scene come two of the most infamous punksploitation classics of the 80’s: INTRÉPIDOS PUNKS and \u003cmeta charset=\"utf-8\"\u003eVENGEANCE OF THE PUNKS. Serving up a non-stop feast of brutality topped off with an all-out assault of sex, drugs, and rock and roll, Vinegar Syndrome proudly presents the Blu-ray debut of these long-sought-after cult rarities, both newly restored in 4K and presented in their completely uncensored versions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eINTRÉPIDOS PUNKS - After Fiera and her punk cohorts break their leader Tarzan out of prison, no one is safe! The newly reunited gang are quick to resume their favorite pastimes: robbing banks, brokering drug deals, and securing weapons, all while leaving a trail of mutilated corpses in their wake. As the entire countryside becomes caught up in the punk’s lifestyle of debauchery and violence, it's up to federal agents Javier and Marco to track them down before bloodthirsty anarchy becomes the new way of life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eVENGEANCE OF THE PUNKS - The punks are on the prowl again! After another explosive jailbreak, Tarzan and his gang are back on the streets, this time looking to exact revenge on the men responsible for landing them in the slammer. After ambushing federal agent Marco’s party and murdering his entire family, they mistakenly believe that they’ve fully annihilated their enemies. But when it turns out that Marco didn’t die in the ambush, the punks begin to get a taste of their own ruthlessness as Marco tracks them down and kills them one by one…\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003edirected by: Francisco Guerrero, Damián Acosta Esparza\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Juan Valentín, Juan Gallardo, Princesa Lea, Ana Luisa Peluffo, Olga Rios, Bruno Rey, Luz María Jerez\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eINTRÉPIDOS PUNKS (1987)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e87 min \/ 1.85:1 \/ Spanish Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eVENGEANCE OF THE PUNKS (1987)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e88 min \/ 1.85:1 \/ Spanish Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p-rich_text_section\"\u003e\n\u003cspan\u003eRegion Free Blu-ray\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p-rich_text_section\"\u003e\n\u003cspan\u003eNewly scanned and restored in 4K from their 35mm original negatives\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p-rich_text_section\"\u003e\n\u003cspan\u003e\"Intrépidos Punks: A Surrealistic Mexican Scene\" (30 min) - a making-of documentary featuring interviews with director Francisco Guerrero, along with actors Tito Guillen, Socorro Albarran, Carlos Hauptvgel, Fidel Abrego, Olga Rios, Rosita Bouchot and Arturo Masson\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p-rich_text_section\"\u003e\n\u003cspan\u003e\"La Venganza de los Punks: Punk is Dead\" (21 min) - a making-of documentary featuring interviews with actors Tito Guillen, Socorro Albarran, Carlos Hauptvgel, Fidel Abrego, Olga Rios, Arturo Masson, Anais De Melo and Juan Moro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p-rich_text_section\"\u003e\n\u003cspan\u003eOriginal theatrical trailer for Intrépidos Punks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p-rich_text_section\"\u003e\n\u003cspan\u003eBooklet with an essay by Mexican art historian Claudia Pretelin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p-rich_text_section\"\u003e\n\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli class=\"p-rich_text_section\"\u003e\u003cspan\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Limited Edition Slipcover","offer_id":43075817832631,"sku":"VS-474 SLIP","price":49.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":43075817865399,"sku":"VS-474","price":42.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/intrepidos_punks_slip_front_eb172828-bf0a-452b-9b4e-2a938602941c.jpg?v=1719854089"},{"product_id":"supersoul-brother-1","title":"Supersoul Brother \u0026 The Films of Rene Martinez Jr.","description":"\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover is limited to \u003cstrong\u003e2\u003c\/strong\u003e\u003cb\u003e,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eLet's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\"Wildman\" Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\"I'm w-i-i-ild!\"), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \"GHOST WORLD\" Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: Rene Martinez, Jr.\u003cbr\u003estarring: “Wildman” Steve Gallon\u003cbr\u003e1973-1978 \/ 234 min (combined) \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTHE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003ePhoto gallery\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eW-i-i-ild 35mm trailer reel from the AGFA vaults\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• SUPER SOUL BROTHER (1978, 74 mins): Preserved from AGFA's 35mm theatrical print, the only known elements in existence\\n• THE GUY FROM HARLEM (1977, 90 mins): Preserved from AGFA's 35mm theatrical print\\n• ROAD OF DEATH (1973, 70 mins): Preserved from Something Weird's35mm theatrical print, the only known elements in existence\\n• Photo gallery\\n• W-i-i-ild 35mm trailer reel from the AGFA vaults\u0026quot;}\" 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Limited Edition Slipcover","offer_id":43206391824567,"sku":"AGFA-059 SLIP","price":41.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":43206391857335,"sku":"AGFA-059","price":36.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/supersoul_brother_slip_front_0688f127-c834-4ec2-8b6e-7970a0ef2e7d.jpg?v=1722525121"},{"product_id":"sweet-substitute","title":"Sweet Substitute","description":"\u003cp class=\"p1\"\u003eThis special limited edition spot gloss slipcover is limited to \u003cb\u003e2,000 units \u003c\/b\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/i\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e“Larry Kent was very important to me. Those early films were so ahead of their time.” – Atom Egoyan\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003edirected by: Larry Kent\u003cbr\u003estarring: Robert Howay, Angela Gann, Carol Pastinsky, Lanny Beckman, Robert Silverman\u003cbr\u003e1964 \/ 86 min \/ 1.37:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNewly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNew audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eArchival audio commentary featuring film professor David Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNew introduction to Sweet Substitute by Larry Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eSweet and Sour (2024, 10 min.) – New interview with Kent\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNot Quite Liberated (2024, 17 min.) – New interview with Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eNew audio interview with actor Lanny Beckman (2024, 6 min.)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eThe Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eFantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eArchival audio interview with Kent (1964, 11 min.)\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eBooklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eReversible cover artwork\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. 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An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eJulie, her boyfriend Rick and a number of other guests have assembled at the chalet of her wealthy father, nestled deep in the snowy surroundings of Lake Arrowhead. Their laid-back boozing and petty arguments are upended by the unexpected arrival of a group of five mysterious children who claim to have become stranded after their bus broke down. Taking pity on the youngsters, the group offers to let them stay at the house until help arrives. Unbeknownst to the adults, these tots are in fact on the run from an asylum, and they waste no time in getting down to manipulating and then viciously killing their unsuspecting hosts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-rich_text_section\"\u003e\u003cspan\u003eA classic of drive-in horror, notorious not only for its savage violence and mean-spirited sense of humor, but as one of the greatest killer-kids films ever produced, director Sean MacGregor’s DEVIL TIMES FIVE (aka THE HORRIBLE HOUSE ON THE HILL and PEOPLETOYS) was a producing project of attorney-to-the-stars Jordan M. Wank and features an early performance from future teen idol Leif Garrett (The Outsiders) along with character actor Sorrell Booke (TV’s The Dukes of Hazzard). Newly restored in 4K from its 35mm original negative and boasting a whole host of new and archival extras, Vinegar Syndrome gives the royal treatment to this consummate cult classic with its 4K UHD debut!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003edirected by: Sean MacGregor, David Sheldon (uncredited)\u003cbr\u003estarring: Leif Garrett, Sorrell Booke, Gene Evans, Taylor Lacher, Joan McCall, Shelley Morrison, Carolyn Stellar, John Durren, Gail Smale, Dawn Lyn, Tierre Turner, Tia Thompson, Henry Beckman\u003cbr\u003e1974 \/ 88 min \/ 1.85:1 \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e2-disc Set: 4K Ultra HD \/ Region Free Blu-ray\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e4K UHD presented in High-Dynamic-Range\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBrand new commentary track with The Hysteria Continues!\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival commentary track with actresses Joan McCall and Dawn Lyn, producer Michael Blowitz and uncredited co-director David Sheldon, moderated by Darren Gross\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Puppeteering\" (20 min) - an interview with second assistant director Walter Dominguez\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Daddy's Home\" (9 min) - an interview with Bruce Wank, son of executive producer Jordan M. 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Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cp class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\u003cspan data-sheets-root=\"1\"\u003e“A genuine cinematic gem… groundbreaking.” – Piers Handling, TIFF\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\u003cspan data-sheets-root=\"1\"\u003eFrustrated housewife Gwen James (Rabid’s Patricia Gage) feels like little more than a servant to her accountant husband (Strange Brew’s Douglas Campbell) and two daughters. Devoting all her time to their needs – and the demands of her cantankerous father – she feels her sense of self-worth slipping. As Gwen wrestles with increasingly despairing thoughts, she escapes into a world of glamorous fantasy and eventually finds a new sense of purpose by enrolling in a university course, where she strikes up a special bond with her young professor (American Nightmare’s Neil Dainard). But as Gwen reverts to a more youthful, carefree state, her family descends into chaos.\u003cbr\u003e\u003cbr\u003eArriving on the heels of The Bitter Ash and Sweet Substitute, When Tomorrow Dies concluded Larry’s Kent Vancouver Trilogy with a vivid new sense of style and daring. Working with a larger budget and a more seasoned crew, the director fused elements of film noir and the Hollywood melodrama to deliver a lurid – yet compassionate – investigation of the housewife psyche. Applying Kent’s preoccupation with youthful disaffection to an older generation, When Tomorrow Dies brought new depth to his approach and cemented his reputation as a maverick of Canadian independent filmmaking. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003edirected by: Larry Kent\u003cbr\u003estarring: \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\"\u003ePatricia Gage, Douglas Campbell, Neil Dainard, Nikki Cole, Desmond Smiley, Francie Long, Patricia Wilson, Caroline Kennedy, Lanny Beckman\u003c\/span\u003e\u003cbr\u003e1965 \/ 89 min \/ 1.37:1 \/ English DTS-HD MA 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cdiv class=\"c-message_kit__blocks c-message_kit__blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"message-text\" class=\"c-message__message_blocks c-message__message_blocks--rich_text\"\u003e\n\u003cdiv data-qa=\"block-kit-renderer\" class=\"p-block_kit_renderer\"\u003e\n\u003cdiv class=\"p-block_kit_renderer__block_wrapper p-block_kit_renderer__block_wrapper--first\"\u003e\n\u003cdiv dir=\"auto\" class=\"p-rich_text_block\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A rock n' road movie about a girl who learns to drive\\n\\nAt loose ends with life in Toronto, Ramona (Highway 61’s Valerie Buhagiar) is abruptly dispatched to the wilds of Northern Ontario by her mercenary record promotor boss (eXistenZ's Gerry Quigley) to retrieve The Children of Paradise, a wayward rock band that has disappeared mid-tour. There’s only one problem: she doesn’t know how to drive. Armed with only a Walkman and the clothes on her back, she embarks on a journey that quickly introduces her to a cavalcade of oddball characters, including a cab driver with ties to Elvis, a film director in search of a muse, a singer who’s lost his voice, and an aspiring serial killer (Last Night’s Don McKellar) determined to make it big. With the help of this motley crew, Ramona hopes to push beyond her limits and mount a rock n' roll show for the ages.\\n\\nOne of the defining films of the Toronto New Wave, Roadkill immediately turned heads in 1989 with its freewheeling punk rock style – and a memorable appearance by the one and only Joey Ramone – launching the careers of director Bruce McDonald (Pontypool), star Buhagiar, and co-star\/screenwriter McKellar in the process. Boasting a now-legendary soundtrack full of local talent (and the Ramones), this first installment in McDonald’s iconic road movie trilogy (which also includes Highway 61 and Hard Core Logo) is a wickedly funny and enduringly hip DIY joyride. Buckle up!\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"Larry Kent was a heroic figure for me... I loved him on the spot.\\\" – David Cronenberg    \\n\\nWith a dead-end job and a potentially pregnant girlfriend jeopardizing his freedom, Des (Cathy’s Curse’s Alan Scarfe) spirals into bitterness, misanthropy, and fantasies of violent crime. While visiting a sick friend one afternoon, he crosses paths with the similarly jaded, even suicidal Laurie (Lynn Stewart), a young parent working as a waitress to provide for her child and struggling playwright husband (Philip Brown). Desperate to recapture a sense of vitality – and raise money for rent – this troubled couple invites Des and a group of local beatniks over for a hedonistic party that culminates in a series of shocking acts of violence and betrayal.    \\n\\nMade for just $5,000, The Bitter Ash is the first feature from celebrated independent filmmaker Larry Kent, a cinematic trailblazer cited as a key influence by countrymates David Cronenberg and Atom Egoyan. Playing like a Canadian answer to John Cassavetes’ Shadows, this first entry in Kent’s seminal Vancouver Trilogy (followed by Sweet Substitute and When Tomorrow Dies) also flirts with the frank sexuality and other provocations of ’60s exploitation cinema, which led to a series of censorship battles, dooming the film to decades of obscurity. CIP is thrilled to resurrect this groundbreaking classic with a new 4K restoration.   \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"“Larry Kent was very important to me. Those early\\nfilms were so ahead of their time.” – Atom Egoyan\\n\\nBusy navigating his final year of high school, brainy aspiring teacher Tom (Waiting for Caroline’s Robert Howay) is determined to land an elusive scholarship, but his hard work is constantly interrupted by his real obsession: pursuing the opposite sex. Before long, he develops a romance with former classmate Elaine (The Boy Who Could Fly’s Angela Gann), who persistently declines his sexual advances. This inspires Tom to consider other options, including his good-natured study buddy Kathy (Carol Pastinsky). But when they take their friendship to the next level, shocking complications threaten to derail Tom’s future, inspiring his friends to take drastic action.\\n\\nIn the wake of The Bitter Ash and the censorship battles it inspired, director Larry Kent returned with this more playful – but no less provocative – sophomore effort. An intoxicating blend of carefree sex comedy and unsparing coming-of-age drama, Sweet Substitute plays like a hedonistic reimagining of the same year’s Nobody Waved Good-bye aimed at the exploitation film market. A surprise success in the U.S. (under the title Caressed), it set the stage for Kent’s next leap forward with When Tomorrow Dies, the third and final entry in his celebrated Vancouver Trilogy.  \"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Newly scanned and restored in 4K from the original 16mm A\/B camera negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix \\n• New audio commentary featuring Paul Corupe of Canuxploitation.com and film historian Jason Pichonsky\\n• Archival audio commentary featuring film professor David Douglas\\n• New introduction to Sweet Substitute by Larry Kent\\n• Sweet and Sour (2024, 10 min.) – New interview with Kent\\n• Not Quite Liberated (2024, 17 min.) – New interview with Douglas\\n• New audio interview with actor Lanny Beckman (2024, 6 min.)\\n• The Caressed Cut (2024, 6 min.) – All the material added to the American release of Sweet Substitute, including the notorious striptease sequence \\n• Fantasia artist talk (2023, 81 min.) – Conversation with Kent moderated by Douglas\\n• Archival audio interview with Kent (1964, 11 min.)\\n• Booklet featuring a new Motion Picture Purgatory comic strip by Rick Trembles and an interview with graphic artist Sonja Arntzen\\n• Reversible cover artwork\\n• English SDH subtitles\"}' data-sheets-root=\"1\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eNewly scanned and restored in 4K from the original 16mm A\/B negatives by Canadian International Pictures with sound transferred from the original 16mm magnetic final mix\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew audio commentary featuring film historian and author Samm Deighan\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eArchival audio commentary featuring film professor Peter Rist\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew introduction to When Tomorrow Dies by Larry Kent\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTomorrow Lives (2024, 9 min.) – New interview with Kent\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eIndependent Evolution (2024, 18 min.) – New interview with Douglas\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew audio interview with Heather Whitehead, daughter of star Patricia Gage (2024, 9 min.)\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eTalking to Larry Kent (2005, 19 min.) – Archival conversation featuring Kent and Rist\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eKent on Kent (1965-1967, 20 min.) – Archival audio interviews with Kent\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eMothers and Daughters (1993, 85 min.) – Little-seen Kent feature exploring some of the same themes as When Tomorrow Dies\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eNew introduction to Mothers and Daughters by Douglas\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cspan class=\"s1\"\u003e\u003c\/span\u003eBooklet featuring a new essay by film critic and professor Tom McSorley\u003c\/li\u003e\n\u003cli 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