{"title":"Drama","description":"","products":[{"product_id":"best-friends","title":"Best Friends","description":"\u003cp\u003eJesse and Pat have been best friends as long as they can remember. They did everything together, including serving in the army, but now things are different. Both are engaged to be married and take their lives in different directions. Deciding to share one last road trip, with their respective fiancees in tow, tensions quickly rise. Pat, realizing that he’s about to lose Jesse forever, becomes increasingly manic and unhinged, and it’s not long before he begins exhibiting psychotic and violent tendencies...\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA tense character drama that slowly morphs into an unsettling thriller focused on repressed obsession and PTSD, Noel Nosseck's BEST FRIENDS is one of the great overlooked post-Vietnam angst films. Featuring riveting performances from leads Richard Hatch (Battlestar Galactica) and Doug Chapin (Ladybug, Ladybug) along with stark visuals from acclaimed cinematographer Stephen M. Katz (The Blues Brothers, Messiah of Evil), Vinegar Syndrome presents this underrated gem to Blu-ray, from a brand new 2K restoration of its 35mm original negative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Noel Nosseck\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Richard Hatch, Doug Chapin, Susanne Benton, Ann Noland, Renee Paul\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1974 \/ 83 min \/ 1.85:1 \/ English Mono\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion Free Blu-ray\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 2k from its 35mm original camera negative\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e“Making Friends” - an interview with director Noel Nosseck\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e“Movies and Travel” - a video conference with cinematographer Stephen M. 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Assigned to the intensely political Robert (Geoff Edholm), a lifelong activist whose friends and family have abandoned him following his diagnosis, the two men, each with notably different world views, soon discover common bonds, as David's inner activist awakens and Robert's need for emotional release is fulfilled.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe first narrative feature film made about AIDS, acclaimed independent filmmaker Arthur Bressan Jr's (PASSING STRANGERS, ABUSE) BUDDIES is an intensely personal study of love, death, and the need for activism during the earliest years of the AIDS crisis. Structured like a filmed play, BUDDIES would be Bressan's final film, as he too would fall victim to AIDS barely two years after its completion. Nearly impossible to see following its brief theatrical release and never officially released on home video, BUDDIES makes its home video debut, newly restored from its long lost 16mm negative, from Vinegar Syndrome.\u003c\/p\u003e\n\u003cp\u003edirected by: Arthur J. 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The Music Box Selects line will consist of blu-ray debuts of catalog titles and home video premieres, all of which will adhere to the quality and diversity that fans have come to expect from the Music Box name. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eScotland, 1994. John and Spanner are best mates with a shared love for electronic dance music, and polar opposites destined for wildly different futures. Straight-laced Johnno (Cristian Ortega) is leaving town for a middle-class life with his mother and cop step-dad Robert, while Spanner (Lorn Macdonald) is facing a dead-end with his unhinged criminal brother Fido. When they learn of an unsanctioned underground rave, they decide to break out for one last crazy night together. 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No diver has ever managed to find the bottom, though many have tried. When Dr. Amelia Brooks disappears during a deep-water dive, her three daughters travel home to settle her affairs. But when the half-sisters jokingly summon a local ghost, their relationship begins to unravel and they find themselves drawn deeper into the mysteries of the lake.\u003c\/p\u003e\n\u003cp\u003edirected by: Sarah Adina Smith\u003cbr data-mce-fragment=\"1\"\u003estarring: Lindsay Burdge, Jennifer Lafleur, Aleksa Palladino, Beth Grant, Ross Partridge\u003cbr data-mce-fragment=\"1\"\u003e2014 \/ 88 min \/ 1.78:1 \/ English 5.1 Surround\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eCommentary from cast \u0026amp; crew\u003c\/li\u003e\n\u003cli\u003eThe Three Sisters Featurette\u003c\/li\u003e\n\u003cli\u003eThe Sirens (Short)\u003c\/li\u003e\n\u003cli\u003eThe Phoenix and the Turtle (Short)\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer\u003c\/li\u003e\n\u003cli\u003eEssays by writers Justine Smith and Nicole Cliffe\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VBBClIX4Hp0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Yellow Veil Pictures","offers":[{"title":"Default Title","offer_id":41037881999543,"sku":"YVP-002","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/midnigthswimstdfront.jpg?v=1716996400"},{"product_id":"rebels-of-the-neon-god-big-world-pictures","title":"Rebels of the Neon God","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/2dj95rkutrnu1rs\/January2022_PartnerLabel_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FJanuary2022_PartnerLabel_sales_materials%2FBWP-01\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2013, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States. Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTsai Ming-liang emerged on the world cinema scene in 1992 with his groundbreaking first feature, Rebels of the Neon God. His debut already includes a handful of elements familiar to fans of subsequent work: a deceptively spare style often branded “minimalist”; actor Lee Kang-sheng as the silent and sullen Hsiao-kang; copious amounts of water, whether pouring from the sky or bubbling up from a clogged drain; and enough urban anomie to ensure that even the subtle humor in evidence is tinged with pathos. The loosely structured plot involves Hsiao-kang, a despondent cram school student, who becomes obsessed with young petty thief Ah-tze, after Ah-tze smashes the rearview mirror of a taxi driven by Hsiao-kang’s father. Hsiao-kang stalks Ah-tze and his buddy Ah-ping as they hang out in the film’s iconic arcade (featuring a telling poster of James Dean on the wall) and other locales around Taipei, and ultimately takes his revenge. Rebels of the Neon God is a remarkably impressive first film that hints at the promise of its director: a talent confirmed by Tsai’s equally stunning second feature, Vive L’Amour (Golden Lion, Venice), and continuing to his most recent film, Stray Dogs, which ranked high on many “best of” lists last year. Though showing such diverse influences as the French New Wave, Wong Kar-wai’s early films—and, yes, Rebel Without a Cause—Tsai’s film is most remarkable for introducing his startlingly unique vision to world cinema.\u003c\/p\u003e\n\u003cp\u003edirected by: Ming-liang Tsai\u003cbr data-mce-fragment=\"1\"\u003estarring: Chao-jung Chen, Chang-Bin Jen, Kang-sheng Lee\u003cbr data-mce-fragment=\"1\"\u003e1992 \/ 106 min \/ 1.85:1 \/ Mandarin Mono with English subtitles\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003c\/li\u003e\n\u003cli\u003eSelected Scene Commentary by Andy Gomes\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eBooklet featuring an essay by Ariel Esteban Cayer\u003c\/li\u003e\n\u003cli\u003eReversible sleeve artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OX77m1HhcGo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Big World Pictures","offers":[{"title":"Default Title","offer_id":41625810403511,"sku":"BWP-01","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/rebelsoftheneongodfront.jpg?v=1654027623"},{"product_id":"the-ernie-game-canadian-international-pictures","title":"The Ernie Game","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/oevfkhzy68l6kb4\/February2022_PartnerLabel_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FFebruary2022_PartnerLabel_sales_materials%2FCIP-001\" rel=\"noopener noreferrer\" target=\"_blank\"\u003e\u003c\/a\u003eThis special limited edition embossed slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eDerek Gabryszak) is limited to\u003cstrong\u003e 1,500 units.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFollowing a mysterious stay in a psychiatric hospital, Ernie Turner (The Prisoner’s Alexis Kanner) decides to pursue his destiny as a writer. Hungry for inspiration and human contact, he ventures into the vibrant streets of ’60s Montreal, establishes a conflicted romance with Donna (The Apprenticeship of Duddy Kravitz’s Judith Gault), and reunites with his frustrated ex, Gail (The Dead Zone’s Jackie Burroughs). Unable to reconcile the pieces of his fragmented existence or make any progress on the literary front, Ernie begins a new descent into madness – with shocking results.\u003c\/p\u003e\n\u003cp\u003eThe second feature from celebrated Canadian filmmaker Don Owen (Nobody Waved Goodbye), The Ernie Game is a penetrating, unsettling character study and an inexplicably overlooked triumph of the New Hollywood era. Predating like-minded studies of loner desperation from Midnight Cowboy to Taxi Driver in a ’60s milieu comparable to Inside Llewyn Davis – complete with a musical performance by budding folkie Leonard Cohen – The Ernie Game has a distinctly Canadian vitality and desolation. \u003c\/p\u003e\n\u003cp\u003eThis release also features four of Owen’s earlier films, including Notes for a Film About Donna \u0026amp; Gail – which introduces two of The Ernie Game’s central characters – and a remastered presentation of the landmark documentary (co-directed by Donald Brittain), Ladies and Gentlemen, Mr. Leonard Cohen.\u003c\/p\u003e\n\u003cp\u003edirected by: Don Owen\u003cbr data-mce-fragment=\"1\"\u003estarring: Alexis Kanner, Judith Gault, Jackie Burroughs, Derek May, Louis Negin, Leonard Cohen\u003cbr data-mce-fragment=\"1\"\u003e1967 \/ 88 min \/ 1.85:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eBooklet\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eShort films:\u003cbr data-mce-fragment=\"1\"\u003e- High Steel (1965, 14 min.) \u003cbr data-mce-fragment=\"1\"\u003e- Ladies and Gentlemen, Mr. Leonard Cohen (1965, 44 min.) \u003cbr data-mce-fragment=\"1\"\u003e- Notes for a Film About Donna \u0026amp; Gail (1966, 49 min.) \u003cbr data-mce-fragment=\"1\"\u003e- A Further Glimpse of Joey (1966, 28 min.) \u003cbr data-mce-fragment=\"1\"\u003e- Cosmic Zoom (1968, 8 min.)\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canadian International Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":41037883080887,"sku":"CIP-001 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41037883113655,"sku":"CIP-001","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/erniefront.jpg?v=1648153771"},{"product_id":"her-smell-gunpowder-sky","title":"Her Smell","description":"\u003cp\u003e\u003cem\u003eSince launching in 2016, Gunpowder \u0026amp; Sky has released 30+ feature films in partnership with leading services including HBO, Netflix, Hulu, Showtime and Starz. As an independent studio, they're known for groundbreaking music and pop-culture documentaries alongside narrative and genre cinema all of which manage to transgress conventions. In partnership with OCN, Gunpowder \u0026amp; Sky will release new titles on UHD and blu-ray alongside upgrades of current home video editions - with an attention to the best quality possible for home video and elaborate packaging. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBecky Something is a ’90s punk rock superstar who once filled arenas with her grungy all-female trio Something She. Now she plays smaller venues while grappling with motherhood, exhausted bandmates, nervous record company executives, and a new generation of rising talent eager to usurp her stardom. 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They spend twenty-four hours together drifting to and from diners, parks, art galleries, and parties. Inflected with melancholy and hopefulness, Aaron Katz's second feature is a fully realized work of truly independent American cinema.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDance Party, USA\u003c\/strong\u003e: In Dance Party, USA, Katz's impressionistic and audacious debut, apathetic teens Jessica (Anna Kavan) and Gus (Cole Pensinger) connect for a fleeting moment at a 4th of July party. Their relationship grows more complex when Gus reveals a disturbing secret. 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Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFirstborn Lorens (Phillip Salvador) toils the land by buffalo while Ellis (Christopher de Leon), the apple of his mother's eye, is given a university education in Manila. When the latter returns to the family’s hacienda with a metropolitan fiancée in tow (Carmi Martin), the domineering Señora Pina (Mona Lisa) immediately disapproves. Looking to reassert her influence, she asks her youngest to name his inheritance. Ellis claims the land – which sparks a family feud that invites tragedy and boils over into all-out filial war.\u003c\/p\u003e\n\u003cp\u003ePenned by the prolific screenwriter Ricardo “Ricky” Lee and directed by Lino Brocka on the heels of masterpieces such as WEIGHED BUT FOUND WANTING (1974), MANILA IN THE CLAWS OF LIGHT (1975) and INSIANG (1976) – the first Filipino film to play at the Cannes Festival – CAIN AND ABEL is a powerful examination of the landed class and its frontier justice. Part high-pitched melodrama; part allegory for the rampant bellicosity of the Philippines under Ferdinand Marcos; part timeless Biblical retelling, with nods to Sam Peckinpah’s 1971 STRAW DOGS, Brocka’s lush actioner is a powerful introduction to the pulpier side of the National Artist of the Philippines.\u003c\/p\u003e\n\u003cp\u003edirected by: Lino Brocka\u003cbr data-mce-fragment=\"1\"\u003estarring: Christopher de Leon, Phillip Salvador, Carmi Martin, Cecille Castillo, Baby Deldago, Mona Lisa\u003cbr data-mce-fragment=\"1\"\u003e1982 \/ 112 min \/ 1.85:1 \/ Tagalog with English subtitles\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eCAIN \u0026amp; ABEL: AN APPRECIATION (2022, 12MINS): NEW FEATURETTE BY JOSÉ B. 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This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThree trailblazing classics from the dawn of Quebec’s cinematic revolution.\u003c\/p\u003e\n\u003cp\u003eTHE CAT IN THE BAG - On the cusp of adulthood, Claude loses faith in society and commits to a state of revolt, which strains his relationship with Barbara and leads him on a path to isolation. Featuring an original score by jazz legend John Coltrane, Gilles Groulx’s experiment in “spontaneous cinema” is a timeless exploration of youthful disillusionment that brought new audacity to Quebec cinema.\u003c\/p\u003e\n\u003cp\u003eTHE MERRY WORLD OF LEOPOLD Z - On Christmas Eve, snowplow driver Leo (Once Upon a Hunt’s Guy L'Ecuyer) races to clear the streets of Montreal and complete his holiday shopping in time for midnight mass. The feature directorial debut of celebrated filmmaker Gilles Carle, The Merry World of Leopold Z is an offbeat holiday treat that builds to a disarmingly resonant conclusion.\u003c\/p\u003e\n\u003cp\u003eYUL 871 - During a weekend visit to Montreal, a Parisian engineer (The Bride Wore Black’s Charles Denner) has a romantic fling, befriends a young girl, and rethinks his war-fractured past while navigating an unfamiliar new world. 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Ronee Blakley, Carolyn Jones and the feature film debut of John Lafayette, GOOD LUCK, MISS WYCKOFF is being presented uncut for the first time on home video.\u003c\/p\u003e\n\u003cp\u003edirected by: Marvin Chomsky\u003cbr\u003estarring: Donald Pleasence, Earl Holliman, John Lafayette, Robert Vaughn, Anne Heywood, Carolyn Jones, Doris Roberts, Dorothy Malone\u003cbr\u003e1978 \/ USA \/ 106 minutes + extras \/ 1.85:1 \/ Color\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlu-Ray\/DVD\/CD Combo Pack | Region Free | 1.85:1 AR | MONO\u003c\/li\u003e\n\u003cli\u003eRestored in 2K from 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eSoundtrack CD (Composer, Ernest Gold)\u003c\/li\u003e\n\u003cli\u003eRe-issue cut \"THE SIN\" (DVD only)\u003c\/li\u003e\n\u003cli\u003eTheatrical trailers (DVD only)\u003c\/li\u003e\n\u003cli\u003eTelevision spots (DVD only)\u003c\/li\u003e\n\u003cli\u003eStill gallery (DVD only)\u003c\/li\u003e\n\u003cli\u003e\"Thoughts on William Inge\" video interview with Academy Award nominated actress Shirley Knight (DVD only)\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41209554862263,"sku":"VS-013","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/goodluckmisswyckoffclearcasestdfront.jpg?v=1651689642"},{"product_id":"air-doll-dekanalog","title":"Air Doll","description":"\u003cp\u003e\u003ca href=\"https:\/\/ocn-distribution.filemail.com\/t\/Tv5fRaS2\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cem\u003eDekanalog is a film and soundtrack distribution company dedicated to the release of the most unique filmmaking voices and musical scores from around the world. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"A present-day fable for the increasing disconnect we find in urban life, Hirokazu Kore-eda’s Air Doll transports the Galatea myth to present day Tokyo. A life-size air doll (Bae Doona, The Host) lives in a shabby apartment in Tokyo. She cannot speak, nor can she move. But she is the only companion her middle-aged master has. He talks to her, puts her in a bath, and makes love with her every day after he returns from work. This routine life is disrupted when fantasy turns into reality. The air doll suddenly comes to life, filled with a soul. Like a newborn baby, she doesn’t understand what is going on around her, but she sees a world waiting to be explored outside the apartment. Eventually venturing to the outside world, the air doll is fascinated by everything she sees, and though she meets many people in all walks of life, they can’t seem to provide her an answer to what “being alive” means. When the air doll wanders into a video store, her world is forever changed. She meets Junichi (Arata Iura, After Life), the clerk, and immediately falls in love with him. The air doll begins working in the store and everyday, she and Junichi become closer. They go to the movies and explore the city together…like a couple. Everything is going perfectly for the air doll, until one day when her hand is accidentally cut and she begins to deflate in front of Junichi… A romantic fantasy that explores the complexities of love and loss, joy and pain, fantasy and reality, this bittersweet love story examines the intricacies and frailties of human existence. Adapted from the manga by Yoshiie Goda and featuring breathtaking cinematography from Mark Lee Ping-Bing (In The Mood For Love).\"}'\u003eA present-day fable for the increasing disconnect we find in urban life, Hirokazu Kore-eda’s Air Doll transports the Galatea myth to present day Tokyo. A life-size air doll (Bae Doona, The Host) lives in a shabby apartment in Tokyo. She cannot speak, nor can she move. But she is the only companion her middle-aged master has. He talks to her, puts her in a bath, and makes love with her every day after he returns from work. This routine life is disrupted when fantasy turns into reality. The air doll suddenly comes to life, filled with a soul. Like a newborn baby, she doesn’t understand what is going on around her, but she sees a world waiting to be explored outside the apartment. Eventually venturing to the outside world, the air doll is fascinated by everything she sees, and though she meets many people in all walks of life, they can’t seem to provide her an answer to what “being alive” means. When the air doll wanders into a video store, her world is forever changed. She meets Junichi (Arata Iura, After Life), the clerk, and immediately falls in love with him. The air doll begins working in the store and everyday, she and Junichi become closer. They go to the movies and explore the city together…like a couple. Everything is going perfectly for the air doll, until one day when her hand is accidentally cut and she begins to deflate in front of Junichi… A romantic fantasy that explores the complexities of love and loss, joy and pain, fantasy and reality, this bittersweet love story examines the intricacies and frailties of human existence. Adapted from the manga by Yoshiie Goda and featuring breathtaking cinematography from Mark Lee Ping-Bing (In The Mood For Love).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' 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data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eBae Doona, Arata Iura, Itsuji Itao\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' 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data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eQ\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eFootage from the world premiere at the 62nd Annual Cannes Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A with filmmaker Hirokazu Kore-eda, and actors Bae Doona, Arata Iura, and Itsuji Itao at the Japanese Premiere \/\/ Footage from the world premiere at the 62nd Annual Cannes Film Festival \/\/ Behind The Scenes \/\/ Trailer\"}' 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America","description":"\u003cp\u003eThis special limited edition slipcover is limited to \u003cstrong\u003e1,000 units.\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDark Star Pictures is a new-age North American distribution company, focused on bringing unique and targeted content to audiences across the country and is committed to releasing auteur-driven, original cinema in the theatrical, digital and home video space. 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Rusalka, 'Capitol Hill' Web Series (Season 1), Trailers\u0026quot;}\"\u003eActor Interviews\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Director's Commentary, Behind the Scenes Featurettes, Introduction by the Actors, Actor Interviews, Deleted Scenes \u0026amp; Outtakes, Mini-Documentary: Little Potato, Short Films: Rachels Don't Run \u0026amp; Rusalka, 'Capitol Hill' Web Series (Season 1), Trailers\u0026quot;}\"\u003eDeleted Scenes \u0026amp; 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Rusalka, 'Capitol Hill' Web Series (Season 1), Trailers\u0026quot;}\"\u003e'Capitol Hill' Web Series (Season 1)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Director's Commentary, Behind the Scenes Featurettes, Introduction by the Actors, Actor Interviews, Deleted Scenes \u0026amp; Outtakes, Mini-Documentary: Little Potato, Short Films: Rachels Don't Run \u0026amp; Rusalka, 'Capitol Hill' Web Series (Season 1), Trailers\u0026quot;}\"\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Director's Commentary, Behind the Scenes Featurettes, Introduction by the Actors, Actor Interviews, Deleted Scenes \u0026amp; 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Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Maya Vitkova’s stunning debut feature Viktoria follows three generations of women in the final years of the People’s Republic of Bulgaria and the early years of the new government, focusing on reluctant mother Boryana and her daughter, Viktoria, who in one of the film’s surreal, magical touches is born without an umbilical cord. Though unwanted by her mother, Viktoria is named the country’s Baby of the Decade, and is showered with gifts and attention until the disintegration of the East Bloc. Despite throwing their worlds off balance, the resulting political changes also allow for the possibility of reconciliation. Viktoria is both personal and universal, demonstrating a precocious command of all elements of the filmmaking process—most notably, the film’s visual sensibility and its command of a range of shifting tones, from absurdist humor to political allegory to deeply moving familial drama.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eMaya Vitkova’s stunning debut feature Viktoria follows three generations of women in the final years of the People’s Republic of Bulgaria and the early years of the new government, focusing on reluctant mother Boryana and her daughter, Viktoria, who in one of the film’s surreal, magical touches is born without an umbilical cord. Though unwanted by her mother, Viktoria is named the country’s Baby of the Decade, and is showered with gifts and attention until the disintegration of the East Bloc. Despite throwing their worlds off balance, the resulting political changes also allow for the possibility of reconciliation. Viktoria is both personal and universal, demonstrating a precocious command of all elements of the filmmaking process—most notably, the film’s visual sensibility and its command of a range of shifting tones, from absurdist humor to political allegory to deeply moving familial drama.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Maya Vitkova\u003cbr\u003estarring: Irmena Chichikova; Daria Vitkova; Kalina Vitkova; Mariana Krumova; Dimo Dimov\u003cbr\u003e2014 \/ 155 min \/ 2.39:1 \/ Bulgarian 5.1 Dolby\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"Making of…\\\" documentary, Commentary with Alexandra Heller-Nicholas   \"}' data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"Making of…\\\" documentary, Commentary with Alexandra Heller-Nicholas   \"}' data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003e\"Making of…\" documentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"Making of…\\\" documentary, Commentary with Alexandra Heller-Nicholas   \"}' data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eCommentary with Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"Making of…\\\" documentary, Commentary with Alexandra Heller-Nicholas   \"}' data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"\\\"Making of…\\\" documentary, Commentary with Alexandra Heller-Nicholas   \"}' data-sheets-userformat='{\"2\":513,\"3\":{\"1\":0},\"12\":0}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7BcZe6neFQA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Big World Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":41263098167479,"sku":"BWP-03 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition (Blu-ray)","offer_id":41263098200247,"sku":"BWP-03","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/viktoriaslipfront.jpg?v=1657117194"},{"product_id":"dont-let-the-angels-fall-canadian-international-pictures","title":"Don't Let the Angels Fall","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Haunted by memories of a recent affair, securities advisor Robert Harrison (The Andromeda Strain’s Arthur Hill) feels a growing sense of alienation from his wife Myrna (Last Night’s Charmion King) and their sons Michael (John Kastner) and Guy (Jon Michaelson). As Michael embraces radical politics and Guy becomes dangerously isolated from his peers, Robert remains largely oblivious, distracted by visions of his recent mistress (Point Blank’s Sharon Acker) and other infidelities. As confidence in Robert fades, the family spirals out of control, which paves the way for a shocking, perception-shifting discovery.\\n\\nThe first Canadian film to compete for the Palme d’Or at the Cannes Film Festival, this remarkable feature directorial debut from George Kaczender (In Praise of Older Women, Agency) builds on the experiments of Michelangelo Antonioni and Alain Resnais to deliver an impressively modern, unsentimental look at family dysfunction and midlife malaise. The only original screenplay by celebrated novelist Timothy Findley (The Wars), Don’t Let the Angels Fall taps into the existential currents of ’60s literary icons John Updike (Rabbit, Run) and John Cheever (The Swimmer) to deliver a haunting, evocative, occasionally psychedelic experience.\\n\\nCIP is proud to present this overlooked Canadian classic in a special edition featuring over two hours of equally assured Kaczender shorts, including the Michael Sarrazin (They Shoot Horses, Don’t They?) delinquent gem, You’re No Good.\"}'\u003eHaunted by memories of a recent affair, securities advisor Robert Harrison (The Andromeda Strain’s Arthur Hill) feels a growing sense of alienation from his wife Myrna (Last Night’s Charmion King) and their sons Michael (John Kastner) and Guy (Jon Michaelson). As Michael embraces radical politics and Guy becomes dangerously isolated from his peers, Robert remains largely oblivious, distracted by visions of his recent mistress (Point Blank’s Sharon Acker) and other infidelities. As confidence in Robert fades, the family spirals out of control, which paves the way for a shocking, perception-shifting discovery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Haunted by memories of a recent affair, securities advisor Robert Harrison (The Andromeda Strain’s Arthur Hill) feels a growing sense of alienation from his wife Myrna (Last Night’s Charmion King) and their sons Michael (John Kastner) and Guy (Jon Michaelson). As Michael embraces radical politics and Guy becomes dangerously isolated from his peers, Robert remains largely oblivious, distracted by visions of his recent mistress (Point Blank’s Sharon Acker) and other infidelities. As confidence in Robert fades, the family spirals out of control, which paves the way for a shocking, perception-shifting discovery.\\n\\nThe first Canadian film to compete for the Palme d’Or at the Cannes Film Festival, this remarkable feature directorial debut from George Kaczender (In Praise of Older Women, Agency) builds on the experiments of Michelangelo Antonioni and Alain Resnais to deliver an impressively modern, unsentimental look at family dysfunction and midlife malaise. The only original screenplay by celebrated novelist Timothy Findley (The Wars), Don’t Let the Angels Fall taps into the existential currents of ’60s literary icons John Updike (Rabbit, Run) and John Cheever (The Swimmer) to deliver a haunting, evocative, occasionally psychedelic experience.\\n\\nCIP is proud to present this overlooked Canadian classic in a special edition featuring over two hours of equally assured Kaczender shorts, including the Michael Sarrazin (They Shoot Horses, Don’t They?) delinquent gem, You’re No Good.\"}'\u003eThe first Canadian film to compete for the Palme d’Or at the Cannes Film Festival, this remarkable feature directorial debut from George Kaczender (In Praise of Older Women, Agency) builds on the experiments of Michelangelo Antonioni and Alain Resnais to deliver an impressively modern, unsentimental look at family dysfunction and midlife malaise. The only original screenplay by celebrated novelist Timothy Findley (The Wars), Don’t Let the Angels Fall taps into the existential currents of ’60s literary icons John Updike (Rabbit, Run) and John Cheever (The Swimmer) to deliver a haunting, evocative, occasionally psychedelic experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Haunted by memories of a recent affair, securities advisor Robert Harrison (The Andromeda Strain’s Arthur Hill) feels a growing sense of alienation from his wife Myrna (Last Night’s Charmion King) and their sons Michael (John Kastner) and Guy (Jon Michaelson). As Michael embraces radical politics and Guy becomes dangerously isolated from his peers, Robert remains largely oblivious, distracted by visions of his recent mistress (Point Blank’s Sharon Acker) and other infidelities. As confidence in Robert fades, the family spirals out of control, which paves the way for a shocking, perception-shifting discovery.\\n\\nThe first Canadian film to compete for the Palme d’Or at the Cannes Film Festival, this remarkable feature directorial debut from George Kaczender (In Praise of Older Women, Agency) builds on the experiments of Michelangelo Antonioni and Alain Resnais to deliver an impressively modern, unsentimental look at family dysfunction and midlife malaise. The only original screenplay by celebrated novelist Timothy Findley (The Wars), Don’t Let the Angels Fall taps into the existential currents of ’60s literary icons John Updike (Rabbit, Run) and John Cheever (The Swimmer) to deliver a haunting, evocative, occasionally psychedelic experience.\\n\\nCIP is proud to present this overlooked Canadian classic in a special edition featuring over two hours of equally assured Kaczender shorts, including the Michael Sarrazin (They Shoot Horses, Don’t They?) delinquent gem, You’re No Good.\"}'\u003eCIP is proud to present this overlooked Canadian classic in a special edition featuring over two hours of equally assured Kaczender shorts, including the Michael Sarrazin (They Shoot Horses, Don’t They?) delinquent gem, You’re No Good.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eGeorge Kaczender\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eArthur Hill, Sharon Acker, Charmion King, Jon Michaelson, John Kastner, Michèle Magny, Monique Mercure\u003cbr\u003e1969 \/ 99 min \/ 1.33:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}'\u003eScanned and restored in 2K from the 35mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}'\u003eAudio commentary featuring actor Jon Michaelson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of Expo 67 (1967, 8 min.)\\n• Bonus short: Toys (1967, 8 min.)\\n• Booklet featuring a new essay by Sherrill Grace, author of Tiff: A Life of Timothy Findley\\n• Reversible cover artwork\\n• English SDH subtitles for all eight films\\n\\n\"}'\u003eBonus short: Toys (1967, 8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive\\n• Audio commentary featuring actor Jon Michaelson\\n• Five short films directed by George Kaczender: Ballerina (1964, 28 min.), Phoebe (1964, 28 min.),You’re No Good (1965, 28 min.), Little White Crimes (1966, 28 min.), and The Game (1968, 28 min.)\\n• Impressions of 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charset=\"utf-8\"\u003e\u003cem\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"24-year-old Yoshika (Mayu Matsuoka, SHOPLIFTERS) works in the accounting department of a large corporation. Socially awkward and somewhat of an outcast, she enjoys conversations with random strangers and civil servants, staying up late to look up extinct animals on Wikipedia, and daydreaming about “Ichi” (the “One”) – a high school classmate who remains to this day, her one and only love. That is, until “Ni” (“Two”), a clumsy colleague, bursts her fabulous bubble. \\n\\nAdapted from Risa Wataya’s beloved novel, and winner of the Audience Award at the 2017 Tokyo International Film Festival, Akiko Ohku’s TREMBLE ALL YOU WANT is a magnificent subversion of the romantic comedy. Ohku – one of Japan’s foremost directors working in the genre – crafts a remarkable character-driven film, unafraid to blend comedy and tragedy (and dash of the musical!) to best explore issues of mental health as pertaining to the heart; playing skillfully and poignantly with notions of loneliness, bias, perspective, mood, and the occasional, self-damaging delusion. \"}'\u003e24-year-old Yoshika (Mayu Matsuoka, SHOPLIFTERS) works in the accounting department of a large corporation. Socially awkward and somewhat of an outcast, she enjoys conversations with random strangers and civil servants, staying up late to look up extinct animals on Wikipedia, and daydreaming about “Ichi” (the “One”) – a high school classmate who remains to this day, her one and only love. 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Socially awkward and somewhat of an outcast, she enjoys conversations with random strangers and civil servants, staying up late to look up extinct animals on Wikipedia, and daydreaming about “Ichi” (the “One”) – a high school classmate who remains to this day, her one and only love. That is, until “Ni” (“Two”), a clumsy colleague, bursts her fabulous bubble. \\n\\nAdapted from Risa Wataya’s beloved novel, and winner of the Audience Award at the 2017 Tokyo International Film Festival, Akiko Ohku’s TREMBLE ALL YOU WANT is a magnificent subversion of the romantic comedy. 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Fashion in Tremble All You Want: an Interview With Director Akiko Ohku and Costume Designer Mari Miyamoto (13mins, 2022) \\n★ On the Music in Tremble All You Want: an Interview With Director Akiko Ohku and Music Supervisor Masaki Takano (13min, 2022)  \\n★ New Writing by  Ariel Esteban Cayer \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★ 2 Sticker Sheets \\n★ New Cover Art by Awai \"}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Kani","offers":[{"title":"Default Title","offer_id":41263100133559,"sku":"KANI-005","price":34.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/trembleallyouwantfront.jpg?v=1701268780"},{"product_id":"robinsons-garden-kani","title":"Robinson's Garden","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eOn a drunken walk home, bohemian drug-dealer Kumi (Kumiko Ota) discovers an abandoned building on the outskirts of Tokyo. Attracted by the vast and untapped space rampant with luxuriant vegetation, she promptly sells all of her belongings and retreats from the world. She carves an island out of the concrete squat and wiles her days away growing cabbage and expressing herself in any way she pleases.\u003c\/p\u003e\n\u003cp\u003eFollowing his gonzo \u003ci\u003ehachimiri\u003c\/i\u003e (8mm) debut SAINT TERRORISM (1980) and the memorable CARNIVAL IN THE NIGHT (1981), Masashi Yamamoto offers his defining punk statement. Winner of a Special Mention at the 1987 Locarno International Film Festival, ROBINSON'S GARDEN is a rare, radical vision of a marginal, multicultural Tokyo. Think Punk Rock rather than City Pop (the soundtrack features Jagatara, Hamza El Din, and Yoichiro Yoshikawa), this film offers a stark contrast to the sights of financial prosperity brought forth by the films of the Economic Bubble era. Lensed by Tom DiCillo (LIVING IN OBLIVION, JOHNNY SUEDE), it instead shares much in common with the No Wave films the cinematographer pioneered alongside Jim Jarmusch (STRANGER THAN PARADISE). An unsung, anticapitalist masterwork.\u003c\/p\u003e\n\u003cp\u003edirected by: Masashi Yamamoto\u003cbr\u003estarring: Kumiko Ohta,Kou Machida\u003cbr\u003e1987 \/ 119 min \/ 1.85:1 \/ Japanese DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eInterview with Masashi Yamamoto \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eInterview with Tom DiCillo \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew Art by Connor Willumsen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew Writing by K.F. Watanabe \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ Interview with Masashi Yamamoto \\n★ Interview with Tom DiCillo \\n★ New Art by Connor Willumsen\\n★ New Writing by K.F. 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Watanabe \\n★ English Subtitles \\n★ Chinese Subtitles \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eChinese Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Kani","offers":[{"title":"Default Title","offer_id":41301677605047,"sku":"KANI-006","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/robinsonsgardenstdfront.jpg?v=1696361097"},{"product_id":"hearts-beat-loud-gunpowder-sky","title":"Hearts Beat Loud","description":"\u003cp\u003e\u003cem\u003eSince launching in 2016, Gunpowder \u0026amp; Sky has released 30+ feature films in partnership with leading services including HBO, Netflix, Hulu, Showtime and Starz. As an independent studio, they're known for groundbreaking music and pop-culture documentaries alongside narrative and genre cinema all of which manage to transgress conventions. In partnership with OCN, Gunpowder \u0026amp; Sky will release new titles on UHD and blu-ray alongside upgrades of current home video editions - with an attention to the best quality possible for home video and elaborate packaging. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank (Nick Offerman) is preparing to send his hard-working daughter Sam (Kiersey Clemons) off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly \\\"jam sesh\\\" into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eIn the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank (Nick Offerman) is preparing to send his hard-working daughter Sam (Kiersey Clemons) off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly \"jam sesh\" into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank (Nick Offerman) is preparing to send his hard-working daughter Sam (Kiersey Clemons) off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly \\\"jam sesh\\\" into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eBrett Haley \u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank (Nick Offerman) is preparing to send his hard-working daughter Sam (Kiersey Clemons) off to college, while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly \\\"jam sesh\\\" into a father-daughter live act. After their first song becomes an Internet breakout, the two embark on a journey of love, growing up and musical discovery. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eNick Offerman, Kiersey Clemons, Blythe Danner, Toni Collette, Sasha Lane, Ted Danson \u003cbr\u003e2018 \/ 97 min \/ 2.00:1 \/ English DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew interview with director Brett Haley, recorded in 2022\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew interview with actor Nick Offerman, recorded in 2022\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eFeature length audio commentary with director Brett Haley\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eInterview with director Brett Haley\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eInterview with actors Nick Offerman and Kiersey Clemmons\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eInterview with actors Nick Offerman and Toni Collette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eInterview with actor Sasha Lane\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \"Hearts Beat Loud\" at Sundance\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOriginal theatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. Colangelo \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBooklet featuring a new essay by writer B.J. Colangelo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"New feature length audio commentary with director Brett Haley, co-writer Marc Basch and composer\/songwriter Keegan DeWitt, recorded in 2022\\nNew interview with director Brett Haley, recorded in 2022\\nNew interview with actor Nick Offerman, recorded in 2022\\nFeature length audio commentary with director Brett Haley\\nInterview with director Brett Haley\\nInterview with actors Nick Offerman and Kiersey Clemmons\\nInterview with actors Nick Offerman and Toni Collette\\nInterview with actor Sasha Lane\\nKeegan DeWitt, Jeremy Bullock, Nick Offerman \u0026amp; Kiersey Clemons performing \\\"Hearts Beat Loud\\\" at Sundance\\nBand rehearsal footage featuring Nick Offerman and Kiersey Clemmons\\nBehind the scenes of composing the music with Keegan DeWitt and Jeremy Bullock\\nOriginal theatrical trailer\\nBooklet featuring a new essay by writer B.J. 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This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTake a good look.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. 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Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. 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In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}'\u003estarring: \u003c\/span\u003eKenny Easterday, Caitlin Clarke, Liane Curtis, Zach Grenier, Jesse Easterday Jr., Tom Reddy, Alain Saint-Alix\u003cbr\u003e1987 \/ 95 min \/ 1.85:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon  \\n• Kenny’s World (2022, 9 min.) – Memories from the film’s international festival tour  \\n• Trailers for The Kid Brother and Gagnon’s three previous films (7 min.)  \\n• Booklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr.  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon  \\n• Kenny’s World (2022, 9 min.) – Memories from the film’s international festival tour  \\n• Trailers for The Kid Brother and Gagnon’s three previous films (7 min.)  \\n• Booklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr.  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eScanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon  \\n• Kenny’s World (2022, 9 min.) – Memories from the film’s international festival tour  \\n• Trailers for The Kid Brother and Gagnon’s three previous films (7 min.)  \\n• Booklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr.  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon  \\n• Kenny’s World (2022, 9 min.) – Memories from the film’s international festival tour  \\n• Trailers for The Kid Brother and Gagnon’s three previous films (7 min.)  \\n• Booklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr.  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eIn Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon  \\n• Kenny’s World (2022, 9 min.) – Memories from the film’s international festival tour  \\n• Trailers for The Kid Brother and Gagnon’s three previous films (7 min.)  \\n• Booklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr.  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eYuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon  \\n• Kenny’s World (2022, 9 min.) – Memories from the film’s international festival tour  \\n• Trailers for The Kid Brother and Gagnon’s three previous films (7 min.)  \\n• Booklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr.  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eKenny’s World (2022, 9 min.) – Memories from the film’s international festival tour \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon  \\n• Kenny’s World (2022, 9 min.) – Memories from the film’s international festival tour  \\n• Trailers for The Kid Brother and Gagnon’s three previous films (7 min.)  \\n• Booklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr.  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eTrailers for The Kid Brother and Gagnon’s three previous films (7 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon  \\n• Kenny’s World (2022, 9 min.) – Memories from the film’s international festival tour  \\n• Trailers for The Kid Brother and Gagnon’s three previous films (7 min.)  \\n• Booklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr.  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr. \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon  \\n• Kenny’s World (2022, 9 min.) – Memories from the film’s international festival tour  \\n• Trailers for The Kid Brother and Gagnon’s three previous films (7 min.)  \\n• Booklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr.  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eReversible cover artwork \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; Claude \u0026amp; Kenny (2022, 11 min.) – An interview with Gagnon’s longtime producing partner Yuri Yoshimura-Gagnon  \\n• Kenny’s World (2022, 9 min.) – Memories from the film’s international festival tour  \\n• Trailers for The Kid Brother and Gagnon’s three previous films (7 min.)  \\n• Booklet featuring Rick Trembles’ Motion Picture Purgatory comic strip on the film and a new interview with co-star Jesse Easterday Jr.  \\n• Reversible cover artwork  \\n• English SDH subtitles  \"}' data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• Scanned in 4K from the original 35mm camera negative and restored by Éléphant - mémoire du cinéma québécois, with sound transferred and restored from the original 35mm magnetic film 4-track final mix  \\n• Audio commentary featuring author\/film historian Kier-La Janisse and writer\/film critic Ralph Elawani  \\n• In Kenny’s Company (2022, 33 min.) – An interview with writer-director Claude Gagnon  \\n• Yuri \u0026amp; 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But on the brink of finishing high school, he feels emboldened by his impending freedom, and decides to pursue a rebellious new path. After his parents make their disapproval known, Peter decides to move out on his own, confident he’ll conquer the working world with his insight and sophistication. When the reality turns out to be far less glamorous, he settles for a shady new job – that continues his criminal evolution.\\n\\nOften ranked among the most important Canadian films of all time, Nobody Waved Good-bye is the feature directorial debut of Don Owen (The Ernie Game), who tapped into his documentary roots to deliver a gritty, low budget answer to Rebel Without a Cause. 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But on the brink of finishing high school, he feels emboldened by his impending freedom, and decides to pursue a rebellious new path. After his parents make their disapproval known, Peter decides to move out on his own, confident he’ll conquer the working world with his insight and sophistication. When the reality turns out to be far less glamorous, he settles for a shady new job – that continues his criminal evolution.\\n\\nOften ranked among the most important Canadian films of all time, Nobody Waved Good-bye is the feature directorial debut of Don Owen (The Ernie Game), who tapped into his documentary roots to deliver a gritty, low budget answer to Rebel Without a Cause. 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But on the brink of finishing high school, he feels emboldened by his impending freedom, and decides to pursue a rebellious new path. After his parents make their disapproval known, Peter decides to move out on his own, confident he’ll conquer the working world with his insight and sophistication. When the reality turns out to be far less glamorous, he settles for a shady new job – that continues his criminal evolution.\\n\\nOften ranked among the most important Canadian films of all time, Nobody Waved Good-bye is the feature directorial debut of Don Owen (The Ernie Game), who tapped into his documentary roots to deliver a gritty, low budget answer to Rebel Without a Cause. 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Owen biographer Steve Gravestock   \\n• Reversible cover artwork  \\n• English SDH subtitles for all six films  \\n\"}'\u003eBonus short: Lonely Boy (1962, 27 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Region Free Blu-ray \\n• Scanned and restored in 2K from the 16mm interpositive  \\n• Bonus film: Christopher’s Movie Matinee (1968, 88 min.)  \\n• Three short films directed by Don Owen: Runner (1962, 11 min.), Toronto Jazz (1963, 27 min.), and You Don’t Back Down (1965, 28 min.)  \\n• Bonus short: Lonely Boy (1962, 27 min.)  \\n• Booklet featuring a new interview with Don Owen biographer Steve Gravestock   \\n• Reversible cover artwork  \\n• English SDH subtitles for all six films  \\n\"}'\u003eBooklet featuring a new interview with Don Owen biographer Steve Gravestock \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Region Free Blu-ray \\n• Scanned and restored in 2K from the 16mm interpositive  \\n• Bonus film: Christopher’s Movie Matinee (1968, 88 min.)  \\n• Three short films directed by Don Owen: Runner (1962, 11 min.), Toronto Jazz (1963, 27 min.), and You Don’t Back Down (1965, 28 min.)  \\n• Bonus short: Lonely Boy (1962, 27 min.)  \\n• Booklet featuring a new interview with Don 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focused on bringing unique and targeted content to audiences across the country and is committed to releasing auteur-driven, original cinema in the theatrical, digital and home video space. In partnership with OCN Distribution, new Dark Star titles - along with celebrated features in their back catalog - will receive features packed blu-ray editions that will maintain the OCN standard of quality and Dark Star's deft curation.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Jack is an internet gambler living in NYC who becomes fixated on Scarlet - a cam girl from San Francisco. His obsession reaches a boiling point when fantasy materializes in reality and Jack sees Scarlet on a rainy Chinatown street.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eJack is an internet gambler living in NYC who becomes fixated on Scarlet - a cam girl from San Francisco. His obsession reaches a boiling point when fantasy materializes in reality and Jack sees Scarlet on a rainy Chinatown street.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Jack is an internet gambler living in NYC who becomes fixated on Scarlet - a cam girl from San Francisco. His obsession reaches a boiling point when fantasy materializes in reality and Jack sees Scarlet on a rainy Chinatown street.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eBen Hozie\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Jack is an internet gambler living in NYC who becomes fixated on Scarlet - a cam girl from San Francisco. His obsession reaches a boiling point when fantasy materializes in reality and Jack sees Scarlet on a rainy Chinatown street.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: \u003c\/span\u003ePeter Vack, Julia Fox, Buddy Duress, Keith Poulson\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Jack is an internet gambler living in NYC who becomes fixated on Scarlet - a cam girl from San Francisco. His obsession reaches a boiling point when fantasy materializes in reality and Jack sees Scarlet on a rainy Chinatown street.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e2020 \/ 86 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• COMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\\n• ANNUNCIATION - Ben Hozie's First Feature Film from 2014\\n• DELETED SCENES\\n• DELETED SCENES plus commentary with Ben Hozie\\n• KEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\\n• SHORT FILM: \\\u0026quot;LITTLE LABYRINTH\\\u0026quot; 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(2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eCOMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• COMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\\n• ANNUNCIATION - Ben Hozie's First Feature Film from 2014\\n• DELETED SCENES\\n• DELETED SCENES plus commentary with Ben Hozie\\n• KEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\\n• SHORT FILM: \\\u0026quot;LITTLE LABYRINTH\\\u0026quot; (2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eANNUNCIATION - Ben Hozie's First Feature Film from 2014\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• COMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\\n• ANNUNCIATION - Ben Hozie's First Feature Film from 2014\\n• DELETED SCENES\\n• DELETED SCENES plus commentary with Ben Hozie\\n• KEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\\n• SHORT FILM: \\\u0026quot;LITTLE LABYRINTH\\\u0026quot; (2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eDELETED SCENES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• COMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\\n• ANNUNCIATION - Ben Hozie's First Feature Film from 2014\\n• DELETED SCENES\\n• DELETED SCENES plus commentary with Ben Hozie\\n• KEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\\n• SHORT FILM: \\\u0026quot;LITTLE LABYRINTH\\\u0026quot; (2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eDELETED SCENES plus commentary with Ben Hozie\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• COMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\\n• ANNUNCIATION - Ben Hozie's First Feature Film from 2014\\n• DELETED SCENES\\n• DELETED SCENES plus commentary with Ben Hozie\\n• KEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\\n• SHORT FILM: \\\u0026quot;LITTLE LABYRINTH\\\u0026quot; (2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eKEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• COMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\\n• ANNUNCIATION - Ben Hozie's First Feature Film from 2014\\n• DELETED SCENES\\n• DELETED SCENES plus commentary with Ben Hozie\\n• KEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\\n• SHORT FILM: \\\u0026quot;LITTLE LABYRINTH\\\u0026quot; (2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eSHORT FILM: \"LITTLE LABYRINTH\" (2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• COMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\\n• ANNUNCIATION - Ben Hozie's First Feature Film from 2014\\n• DELETED SCENES\\n• DELETED SCENES plus commentary with Ben Hozie\\n• KEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\\n• SHORT FILM: \\\u0026quot;LITTLE LABYRINTH\\\u0026quot; (2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with essay by Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• COMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\\n• ANNUNCIATION - Ben Hozie's First Feature Film from 2014\\n• DELETED SCENES\\n• DELETED SCENES plus commentary with Ben Hozie\\n• KEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\\n• SHORT FILM: \\\u0026quot;LITTLE LABYRINTH\\\u0026quot; (2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• COMMENTARY with Writer\/Director Ben Hozie and Actor Peter Vack\\n• ANNUNCIATION - Ben Hozie's First Feature Film from 2014\\n• DELETED SCENES\\n• DELETED SCENES plus commentary with Ben Hozie\\n• KEEP YR DARLINGS - A Public Chat between Producer Oliver David and Director Ben Hozie\\n• SHORT FILM: \\\u0026quot;LITTLE LABYRINTH\\\u0026quot; (2016) - Directed by Ben Hozie, with Oliver David as Director of Photography\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IK0S3blaFI0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Dark Star","offers":[{"title":"Default Title","offer_id":41457501995191,"sku":"DS-007","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/pvtchatfront.jpg?v=1699306650"},{"product_id":"whats-up-connection","title":"What's Up Connection","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/ocn-distribution.filemail.com\/t\/Qd4thbBC\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eWhen Hong Kong teenager Chi Gau Shin (Tse Wai Kit, School on Fire) wins a trip to Japan, he unleashes a chain of events that will soon bring him from the secluded fishing village of Po Toi O to Tokyo, by way of Kamagasaki – the so-called slums of Osaka. On the way, he connects with a barely competent tour guide named Kumi and the shapeshifting, loud-mouthed and loveable thief Akane. Upon returning home with this merry band of schemers, Gau Shin finds his family of resourceful counterfeiters on the verge of expropriation. A multinational conglomerate led by a ruthless Japanese developer has found the village, and is determined to raze it to build the new center of world trade!\u003c\/p\u003e\n\u003cp\u003eMasashi Yamamoto one-ups Robinson's Garden (1987) with the go-for-broke ambition of What's Up Connection: a rare bilingual Japan-Hong Kong coproduction that unfolds as part unhinged globalization mini-epic, fringe documentary and portrait of a crazy family (the “Chi” of the Chi family a homonym for “crazy” in Cantonese). A breathless, kaleidoscopic evocation of a specific pan-Asian cultural experience as the 1990s drew near, What's Up has it all: Hongkongers looking to Japan for shopping and recreation; Japanese looking to Hong Kong for investment and opportunity – and the gangsters, hackers, thieves and Taoist priests stuck in-between it all. Scored by avant-garde trumpeter Toshinori Kondo, here is a lively film that bursts at the seams with possibility and brings Yamamoto’s project – of capturing beauty and resilience in the margins of capital – to its maximalist apex.\u003c\/p\u003e\n\u003cp\u003edirected by: Masashi Yamamoto\u003cbr\u003estarring: Tse Wai Kit,Reiko Arai\u003cbr\u003e1990 \/ 120 min \/ 1.85:1 \/ Japanese DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eAn Interview with Director Masashi Yamamoto, Part II (22MIN, 2022) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eInterview with Critic and Filmmaker Shu Kei (14MINS, 2022)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eInterview with Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eInterview with Assitant Director Michael Wong (9MINS, 2022) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with New Writing By Cheng Yu Shing \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eNova Alpha Credit Card* \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eJapanese Theatrical Trailer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eOptional English Subtitles \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eOptional Chinese Subtitles \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ An Interview With Director Masashi Yamamoto, Part II (22MIN, 2022) \\n★ Interview With critic and filmmaker Shu Kei (14MINS, 2022)\\n★ Interview With Actor Tse Wai Kit \u0026amp; Priduction Manager Bill Yip (17MINS, 2022)\\n★ Interview With Assitant Director Michael Wong (9MINS, 2022) \\n★Booklet With  New Writing By Cheng Yu Shing \\n★ Nova Alpha Credit Card* \\n★ Japanese Theatrical Trailer \\n★ Optional English Subtitles \\n★  Optional Chinese Subtitles \\n★ New Cover Art by Connor Willumsen\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eNew Cover Art by Connor Willumsen\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Kani","offers":[{"title":"Default Title","offer_id":41457505468599,"sku":"KANI-007","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/whatsupconnectionfront.jpg?v=1701268434"},{"product_id":"vortex","title":"Vortex","description":"\u003cp\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe last days of an elderly couple stricken by dementia.\u003c\/p\u003e\n\u003cp\u003edirected by: Gaspar Noe\u003cbr\u003estarring: Dario Argento, Alex Lutz, Françoise Lebrun\u003cbr\u003e2021 \/ 140 min \/ 2.39:1 \/ French DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q \u0026amp; A with Gaspar Noe at NYFF, Q \u0026amp; A with Gaspar Noe at IFC Center, Official Trailer, Booklet with essay by writer Heather Drain\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q \u0026amp; 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A with Gaspar Noe at IFC Center\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q \u0026amp; A with Gaspar Noe at NYFF, Q \u0026amp; A with Gaspar Noe at IFC Center, Official Trailer, Booklet with essay by writer Heather Drain\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOfficial Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q \u0026amp; A with Gaspar Noe at NYFF, Q \u0026amp; A with Gaspar Noe at IFC Center, Official Trailer, Booklet with essay by writer Heather Drain\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBooklet with essay by writer Heather Drain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Q \u0026amp; 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In partnership with OCN Distribution, new Dark Star titles - along with celebrated features in their back catalog - will receive features packed blu-ray editions that will maintain the OCN standard of quality and Dark Star's deft curation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eThe Icarus Line Must Die is a dramatic narrative feature set against the backdrop of the current LA underground music scene. The film tracks Joe Cardamone, front man of notorious punk bad boys The Icarus Line as he navigates his way through the ups and downs of the modern music landscape. With a new record completed and a major label deal within sight, Joe fights to keep his band, his relationship and his life from completely falling apart.\u003c\/p\u003e\n\u003cp\u003eAriel Pink, Keith Morris (Black Flag\/Circle Jerks), Pearl Charles, Melissa Brooks (The Aquadolls), Justin Pearson, Rafael Reyes (Prayers) and Jerry Stahl (Permanent Midnight) are featured along with performances by Pink Mountaintops, Together Pangea, The Icarus Line, Retox, Obliterations and Annie Hardy of Giant Drag.\u003c\/p\u003e\n\u003cp\u003edirected by: Michael Grodner\u003cbr\u003estarring: Joe Cardamone, Keith Morris, Jerry Stahl\u003cbr\u003e2017 \/ 82 min \/ 1.78:1 \/ English DTS-HD 5.1 and 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Audio Commentary from Michael Grodner \u0026amp; Joe Cardamone\\n• Audio Commentary from Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Scene with Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Concert footage of the Icarus Line from the Echoplex (Two Songs)\\n• Essay from critic A.S. 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Hamrah\\n• Tour Photographs of the early days of the Icarus Line\"}'\u003eAudio Commentary from Annie Hardy \u0026amp; Joe Cardamone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Audio Commentary from Michael Grodner \u0026amp; Joe Cardamone\\n• Audio Commentary from Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Scene with Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Concert footage of the Icarus Line from the Echoplex (Two Songs)\\n• Essay from critic A.S. Hamrah\\n• Tour Photographs of the early days of the Icarus Line\"}'\u003eUnreleased Scene with Annie Hardy \u0026amp; Joe Cardamone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Audio Commentary from Michael Grodner \u0026amp; Joe Cardamone\\n• Audio Commentary from Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Scene with Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Concert footage of the Icarus Line from the Echoplex (Two Songs)\\n• Essay from critic A.S. Hamrah\\n• Tour Photographs of the early days of the Icarus Line\"}'\u003eUnreleased Concert footage of the Icarus Line from the Echoplex (Two Songs)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Audio Commentary from Michael Grodner \u0026amp; Joe Cardamone\\n• Audio Commentary from Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Scene with Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Concert footage of the Icarus Line from the Echoplex (Two Songs)\\n• Essay from critic A.S. Hamrah\\n• Tour Photographs of the early days of the Icarus Line\"}'\u003eEssay from critic A.S. Hamrah\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Audio Commentary from Michael Grodner \u0026amp; Joe Cardamone\\n• Audio Commentary from Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Scene with Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Concert footage of the Icarus Line from the Echoplex (Two Songs)\\n• Essay from critic A.S. Hamrah\\n• Tour Photographs of the early days of the Icarus Line\"}'\u003eTour Photographs of the early days of the Icarus Line\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Audio Commentary from Michael Grodner \u0026amp; Joe Cardamone\\n• Audio Commentary from Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Scene with Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Concert footage of the Icarus Line from the Echoplex (Two Songs)\\n• Essay from critic A.S. Hamrah\\n• Tour Photographs of the early days of the Icarus Line\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Audio Commentary from Michael Grodner \u0026amp; Joe Cardamone\\n• Audio Commentary from Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Scene with Annie Hardy \u0026amp; Joe Cardamone\\n• Unreleased Concert footage of the Icarus Line from the Echoplex (Two Songs)\\n• Essay from critic A.S. Hamrah\\n• Tour Photographs of the early days of the Icarus Line\"}'\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/778614671?h=a54a50ecd6\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/778614671\"\u003eThe Icarus Line Must Die - Official Trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/user75312578\"\u003eMike Repsch\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Dark Star","offers":[{"title":"Limited Edition Slipcover","offer_id":41536084312247,"sku":"DS-008 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41536084345015,"sku":"DS-008","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/theicaruslinemustdieslipfront.jpg?v=1666902389"},{"product_id":"distant","title":"Distant","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFounded in 2013, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States. Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eMahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eNuri Bilge Ceylan\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. 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Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn an empty loft a woman and a man stick orange-colored tape to the floor to demarcate two identically sized areas: one space is to be her dance studio and the other his sculpture workshop. An open plan kitchen and a mattress turn the place into a home. We observe them fusing in sexual passion, playing soccer with friends or partying, after which they always retreat behind their dividing lines as a means to spur their creativity. Before long, he begins to use her space for his large sculptures, and she uses them for her choreography. This interplay between intimacy and rivalry means that the couple are constantly exploring themselves anew. 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data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16773836},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eSam Coyle\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Midnight Marauder\"}'\u003e)\u003c\/span\u003e is limited to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e1,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eOver 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eJack Fessenden\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eAndi Matichak; James Le Gros; Alex Breaux; Alex Hurt; Cody Kostro\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Over 36 hours in three different wars, a small group of soldiers grapples with mortality, futility and an increasingly volatile combat situation.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2021 \/ 95 min \/ 2.39:1 \/ English \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eIntroduction by director Jack Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBehind the Scenes featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAnimation Diary by Beck Underwood\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eMusic Video No Jockin’ (Darquell) shot by Larry Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eShort film All For One from Jack Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eQ\u0026amp;A from the screening at the MoMA\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAudio commentary by director Jack Fessenden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e(Theatrical Trailer)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew alternate art by Sam Coyle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Introduction by director Jack Fessenden\\n- Behind the Scenes 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Jack Fessenden\\n- Behind the Scenes featurette\\n- Animation Diary by Beck Underwood\\n- Music Video No Jockin’ (Darquell) shot by Larry Fessenden\\n- Short film All For One from Jack Fessenden\\n- Q\u0026amp;A from the screening at the MoMA\\n- Audio commentary by director Jack Fessenden\\n- (Theatrical Trailer)\\n- New alternate art by Sam Coyle\\n- Essay by Anton Bitel\\\"\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan 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data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eScanned and restored in 2K from the 35mm interpositive \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eNew audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eArchival audio commentary featuring Egoyan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eScoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eA Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eArchival interview with Egoyan (1989, 6 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eDeleted scenes with commentary (2002, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eAfterword featuring Egoyan and Khanjian (2022, 18 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eSarabande (1997, 56 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eSarabande introduction by Egoyan (1998, 2 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eNew Sarabande audio commentary featuring Egoyan and Khanjian\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 35mm interpositive  \\n• New audio commentary featuring Atom Egoyan and actress Arsinée Khanjian\\n• Archival audio commentary featuring Egoyan\\n• Scoring Parts (2022, 22 min.) – New interview with composer Mychael Danna\\n• A Different Breed (2022, 20 min.) – Former TIFF CEO Piers Handling reflects on Egoyan in the ’80s\\n• Archival interview with Egoyan (1989, 6 min.)\\n• Deleted scenes with commentary (2002, 7 min.)\\n• Afterword featuring Egoyan and Khanjian (2022, 18 min.)\\n• Sarabande (1997, 56 min.)\\n• Sarabande introduction by Egoyan (1998, 2 min.)\\n• New Sarabande audio commentary featuring Egoyan and Khanjian\\n• Egoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\\n• Booklet featuring an essay by professor\/author Ron Burnett\\n• Reversible cover artwork\\n• English SDH subtitles for all five films\"}'\u003eEgoyan student shorts Howard in Particular (1979, 13 min.), Peep Show (1981, 7 min.), and Open House (1982, 26 min.) with new introductions by the filmmaker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4269,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Qiu Fu, the most renowned clown of Sichuan opera, has reached the netherworld. 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Drawing from his background as a visual artist, Qiu arrives at a masterful, painterly style: flowing tableaux, carefully art-directed sets and ingenious hand-made miniatures bringing the act of remembrance into a delightful, phantasmagorical realm.\"}'\u003eQiu Fu, the most renowned clown of Sichuan opera, has reached the netherworld. Welcomed by Ox-Head and Horse-Face, shepherds of the dead, he recounts his life with the “New-New” opera troupe before his turn at the Bridge of Forgetfulness. Starting in the 1920s, Qiu’s tale melds with China’s tumultuous century into the Second Sino-Japanese War, the Great Leap Forward, and other socio-political revolutions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4269,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Qiu Fu, the most renowned clown of Sichuan opera, has reached the netherworld. Welcomed by Ox-Head and Horse-Face, shepherds of the dead, he recounts his life with the “New-New” opera troupe before his turn at the Bridge of Forgetfulness. Starting in the 1920s, Qiu’s tale melds with China’s tumultuous century into the Second Sino-Japanese War, the Great Leap Forward, and other socio-political revolutions. \\n\\nInspired by his own grandfather’s life, Qiu Jiongjiong’s A New Old Play is a sumptuous intermingling of personal and national history. It transforms China’s many pivots into a vaudevillian theater of its own, culminating in a spiritual rumination on the passage of time and the role of the artist forced to weather the storm of history. Drawing from his background as a visual artist, Qiu arrives at a masterful, painterly style: flowing tableaux, carefully art-directed sets and ingenious hand-made miniatures bringing the act of remembrance into a delightful, phantasmagorical realm.\"}'\u003eInspired by his own grandfather’s life, Qiu Jiongjiong’s A New Old Play is a sumptuous intermingling of personal and national history. It transforms China’s many pivots into a vaudevillian theater of its own, culminating in a spiritual rumination on the passage of time and the role of the artist forced to weather the storm of history. Drawing from his background as a visual artist, Qiu arrives at a masterful, painterly style: flowing tableaux, carefully art-directed sets and ingenious hand-made miniatures bringing the act of remembrance into a delightful, phantasmagorical realm.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Qiu Jiongjiong\u003cbr\u003estarring: Yi Sicheng, Guan Nan, Qiu Zhimin, Xue Xuchun, Gu Tao\u003cbr\u003e2021 \/ 180 min \/ 1.77:1 \/ Sichuanese DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4269,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"★ Short Film ”Ode to Joy” (2008, 31MINS) \\n★ Making of (2021, 19MINS) \\n★ Booklet Including Behind-the-Scene Photos, Storyboards, and Interview with Director \\n★ Optional English Subtitles \\n★ Optional Chinese  Subtitles\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4269,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"★ Short Film ”Ode to Joy” (2008, 31MINS) \\n★ Making of (2021, 19MINS) \\n★ Booklet Including Behind-the-Scene Photos, Storyboards, and Interview with Director \\n★ Optional English Subtitles \\n★ Optional Chinese  Subtitles\"}'\u003eShort Film ”Ode to Joy” (2008, 31MINS) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4269,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"★ Short Film ”Ode to Joy” (2008, 31MINS) \\n★ Making of (2021, 19MINS) \\n★ Booklet Including Behind-the-Scene Photos, Storyboards, and Interview with Director \\n★ Optional English Subtitles \\n★ Optional Chinese  Subtitles\"}'\u003eMaking of (2021, 19MINS) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4269,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"★ Short Film ”Ode to Joy” (2008, 31MINS) \\n★ Making of (2021, 19MINS) \\n★ Booklet Including Behind-the-Scene Photos, Storyboards, and Interview with Director \\n★ Optional English Subtitles \\n★ Optional Chinese  Subtitles\"}'\u003eBooklet Including Behind-the-Scene Photos, Storyboards, and Interview with Director \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4269,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"★ Short Film ”Ode to Joy” (2008, 31MINS) \\n★ Making of (2021, 19MINS) \\n★ Booklet Including Behind-the-Scene Photos, Storyboards, and Interview with Director \\n★ Optional English Subtitles \\n★ Optional Chinese  Subtitles\"}'\u003eOptional English Subtitles \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan 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dedicated to curating a diverse repertoire of films and television from around the world. The Music Box Selects line will consist of blu-ray debuts of catalog titles and home video premieres, all of which will adhere to the quality and diversity that fans have come to expect from the Music Box name. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Suze (Andrea Riseborough) and Arthur (Harry Melling) are an outwardly traditional bohemian couple living on the Lower East side. After encountering a gang of violent leather-clad greasers known as The Young Gents, the pair discover previously unexplored desires and begin to question the confines of gender, monogamy, and the sexual status quo. Colorful, musical and witty, filmmaker Amanda Kramer's visionary riff on 1950s masculinity plays like a high camp emission from your wildest dreams.\u0026quot;}\"\u003eSuze (Andrea Riseborough) and Arthur (Harry Melling) are an outwardly traditional bohemian couple living on the Lower East side. After encountering a gang of violent leather-clad greasers known as The Young Gents, the pair discover previously unexplored desires and begin to question the confines of gender, monogamy, and the sexual status quo. Colorful, musical and witty, filmmaker Amanda Kramer's visionary riff on 1950s masculinity plays like a high camp emission from your wildest dreams.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Amanda Kramer\u003cbr\u003estarring: Andrea Riseborough, Harry Melling, Karl Glusman, Demi Moore\u003cbr\u003e 2022 \/ 96 min \/ 2.35:1 \/ English DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New Feature Audio Commentary by director Amanda Kramer and actors Alisa Torres and Matt D'Elia\\n• Cast \u0026amp; 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Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the god-forsaken satellite city of Tuen Mun, 13-year-old Cookie suspects she's pregnant. Lately things have not been going her way. Her mother left; her father ignores her; her best friend is in reform school; and her boyfriend is off selling bootleg VCDs in bustling Mong Kok. Flanked by her ride-or-dies Banana, Sissy, and Bean-curd, she journeys into town to find an abortionist.\\n\\nDirector Lawrence Lau updates his 1988 debut Gangs – a shocking account of underage Triads – with an all-girlscast surviving on the lowest rungs of gang-life after the bosses have long gone legit. Swimming in turn-of-century malaise, this Category III youth drama offers a slice of urban grime as our quartet, who can only rely on themselves, navigate drug abuse, bad boyfriends and library books way past their due dates. Produced by Johnnie To (Election) and written by Lo Chi-leung (Viva Erotica), Spacked Out unfolds not unlike Hong Kong’s answer to Uli Edel’s Christiane F. or Larry Clark’s Kids: a slice of 90s urban grime (replete with all the shiny stylings from the era).\u0026quot;}\" data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003eIn the god-forsaken satellite city of Tuen Mun, 13-year-old Cookie suspects she's pregnant. Lately things have not been going her way. Her mother left; her father ignores her; her best friend is in reform school; and her boyfriend is off selling bootleg VCDs in bustling Mong Kok. Flanked by her ride-or-dies Banana, Sissy, and Bean-curd, she journeys into town to find an abortionist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the god-forsaken satellite city of Tuen Mun, 13-year-old Cookie suspects she's pregnant. Lately things have not been going her way. Her mother left; her father ignores her; her best friend is in reform school; and her boyfriend is off selling bootleg VCDs in bustling Mong Kok. Flanked by her ride-or-dies Banana, Sissy, and Bean-curd, she journeys into town to find an abortionist.\\n\\nDirector Lawrence Lau updates his 1988 debut Gangs – a shocking account of underage Triads – with an all-girlscast surviving on the lowest rungs of gang-life after the bosses have long gone legit. Swimming in turn-of-century malaise, this Category III youth drama offers a slice of urban grime as our quartet, who can only rely on themselves, navigate drug abuse, bad boyfriends and library books way past their due dates. Produced by Johnnie To (Election) and written by Lo Chi-leung (Viva Erotica), Spacked Out unfolds not unlike Hong Kong’s answer to Uli Edel’s Christiane F. or Larry Clark’s Kids: a slice of 90s urban grime (replete with all the shiny stylings from the era).\u0026quot;}\" data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003eDirector Lawrence Lau updates his 1988 debut Gangs – a shocking account of underage Triads – with an all-girlscast surviving on the lowest rungs of gang-life after the bosses have long gone legit. Swimming in turn-of-century malaise, this Category III youth drama offers a slice of urban grime as our quartet, who can only rely on themselves, navigate drug abuse, bad boyfriends and library books way past their due dates. Produced by Johnnie To (Election) and written by Lo Chi-leung (Viva Erotica), Spacked Out unfolds not unlike Hong Kong’s answer to Uli Edel’s Christiane F. or Larry Clark’s Kids: a slice of 90s urban grime (replete with all the shiny stylings from the era).\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Lawrence Lau\u003cbr\u003estarring: Debbie Tam Kit-Man, \u003cspan data-sheets-value='{\"1\":2,\"2\":\"Debbie Tam Kit-Man, \\nChristy Cheung Wing-Yin,\\nAngela Au Man-Sze,\\nMaggie Poon,\\nVanesia Chu,\\nLam Hoi-Man,\\nMichell Wong Yuk-Ting\"}' 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camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ Newly scanned and restored in from the 35mm original camera negative\\n★ Interview with director Lawrence Lau and assistant director Tse Loh Sze, moderated by Shu Kei\\n★ Interview with actor Angela Au \\n★ Booklet with new writing by Margaret Barton-Fumo and archival photographs \\n★ New art by Shuilam Wong \\n★ New optional English subtitles\\n★ Original Cantonese Audio\\n★ Dubbed Mandarin Audio\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with director Lawrence Lau and assistant director Tse Loh Sze, moderated by Shu Kei\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"★ Newly scanned and restored in from the 35mm original camera negative\\n★ Interview with director Lawrence Lau and assistant director Tse Loh Sze, moderated by Shu Kei\\n★ Interview with actor Angela Au \\n★ Booklet with new writing by Margaret Barton-Fumo and archival photographs \\n★ New art by Shuilam Wong \\n★ New optional English subtitles\\n★ Original Cantonese Audio\\n★ Dubbed Mandarin Audio\"}' 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{mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Kani","offers":[{"title":"Default Title","offer_id":41834167861431,"sku":"KANI-012","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/spackedoutfront.jpg?v=1686579398"},{"product_id":"showgirls","title":"Showgirls","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eA VSU we've been working on for over a year, and the biggest film yet to grace the line, Paul Verhoeven's cult sensation, feast for the senses, and all around madness, SHOWGIRLS is at last coming to UHD in an edition worthy of its splendor. Featuring hours of archival interviews, BTS material, commentaries, and more, among them plentiful never before seen material. Plus we’ve added a slew of fresh interviews with cast and crew, along with critical pieces examining the production and impact of this landmark film. Furthermore, we’ve performed extensive exclusive restoration using the source files from Paul Verhoeven’s supervised color grade to ensure a presentation which looks exactly as intended, but without any of the digital manipulation which has notoriously plagued other releases..\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eNomi Malone will be a star. She knows it. The problem is, no one else does…yet. Fresh to Las Vegas and with no connections, Nomi takes a job as an exotic dancer at a club named Cheetahs. Showing impressive abilities, her talents are quickly noticed by Stardust Casino headlining dancer, Cristal who senses an opportunity to bolster her own act. But Nomi won’t play second fiddle and soon begins her venomous path to the top, ruthlessly backstabbing anyone who gets in her way…however karma has a funny way of catching up as Nomi learns that being a Vegas showgirl has a harder and more brutal edge than she'd ever have imagined...\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eOne of the most controversial, acclaimed, and iconic films directed by the legendary Paul Verhoeven (Total Recall, RoboCop), SHOWGIRLS is a glittering, shocking, tragic, funny, weird, gross, sexy, and staggeringly beautiful epic of what it takes to triumph in show business. Written by Joe Eszterhas (Basic Instinct, Sliver) and starring Elizabeth Berkley (TV's Saved By the Bell), Kyle MacLachlan (Blue Velvet), Gina Gershon (Bound), Robert Davi (Die Hard), and Rena Riffel (Mulholland Drive), SHOWGIRLS is feast for the senses from beginning to end, enhanced further by Jost Vacano’s (Starship Troopers) stunning photography and Peter Morse's spellbinding dance choreography. Vinegar Syndrome Ultra couldn’t be happier to present Paul Verhoeven’s cult masterpiece on 4K UHD, newly restored from Verhoeven’s director approved color graded master, and featuring a consummate selection of interviews and archival materials which at last tell the crazy true story of this one-of-a-kind film!\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: Paul Verhoeven\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003estarring: Elizabeth Berkley, Kyle MacLachlan, Gina Gershon, Glenn Plummer, Robert Davi, Alan Rachins, Gina Ravera\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1995 \/ 131 min \/ 2.39:1 \/ English 5.1 Surround + 2.0 Stereo\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003eAdditional info:\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3-disc Set: 4K Ultra HD \/ Region A Blu-ray x2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eNewly restored by Vinegar Syndrome from an existing director approved 4K studio master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eIncludes original 5.1 surround and 2.0 stereo soundtrack options\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"The Greatest Movie Ever Made\" - commentary track with writer David Schmader\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; 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font-size: 0.875rem;\"\u003eA Showgirls Diary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLap Dance Tutorial Featuring the World-Famous Girls of Scores\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eOriginal trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e40-page perfect bound book with essays by Elizabeth Purchell, Abbey Bender and Adam Nayman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wGvXwCU7i10\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Vinegar Syndrome Ultra","offers":[{"title":"Default Title","offer_id":44943632433335,"sku":"VSU-006","price":44.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/showgirlsfront_c96454fb-c0f0-47ab-89bb-d4d0df4eaf80.jpg?v=1764965560"},{"product_id":"villages-of-the-damned","title":"Villages of the Damned: Three Horrors From Spain","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBeginning in the late 60s, and lasting through the end of Franco’s iron-fisted rule, genre filmmakers working in Spain began using the horror genre to astutely comment on issues of class, religion, governance and the horrors of day-to-day life. Collected here are a trio of unique and unsettling tales of distinctly Spanish horror, all of which are making their English-friendly Blu-ray debuts, sourced from new 4K restorations exclusively prepared by Vinegar Syndrome!\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEL BOSQUE DEL LOBO (The Forest of the Wolf)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e90 min \/ 1.66:1 \/ Spanish Mono \/ © 1970 Amboto, P.C.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe first in a series of dark folk horrors directed by multi Goya Award-winning auteur Pedro Olea, EL BOSQUE DEL LOBO (The Forest of the Wolf) tells the story of Benito Freire, an impoverished peddler and frequent petty thief who may - or may not - be a werewolf. Nevertheless, he is often overcome by animalistic instincts to kill, resulting in superstition and panic in the nearby villages.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA cold and unsettling study of a serial killer set against a backdrop of religious conservatism in 19th century rural Spain, Olea’s masterpiece of dread was barely seen outside its native Spain and has been newly and exclusively restored in 4K from its original negative!\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLAS FLORES DEL VICIO (The Sky is Falling)\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e94 min \/ 1.85:1 \/ English Mono \/ © 1975 Equiluz Films S.A. Madrid\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA group of spoiled, middle-aged Americans living on the outskirts of a poor coastal community are visited by a mysterious foursome of “beautiful” youths, who seem to have been sent to fulfill their darkest desires. But it quickly becomes apparent that these sensual and attractive youngsters have a far more sinister, and deadly purpose...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn incredibly colorful, oftentimes surreal, and darkly humorous morality fable decrying the perverse excesses indulged in by the rich, LAS FLORES DEL VICIO (The Sky is Falling, The Sky is Falling) was the sole Spanish production directed by Canadian-born British filmmaker Silvio Narizzano (Georgy Girl, Redneck). Starring Dennis Hopper (Easy Rider) and Carroll Baker (Paranoia, Bad), this would-be cult hit has remained shamefully unavailable on Blu-ray until now!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBEATRIZ\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e85 min \/ 1.66:1 \/ Spanish Mono \/ © 1976 Lotus Films Internacional, S.A.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhile walking through the woods, young Juan witnesses a group of bandits attempting to rob and kill a friar, only for the priest to end up slaying several of his attackers. Seeking refuge in Juan’s family home, where he lives with his mother and sister, Beatriz, the Friar becomes an object of both lust and fear for the members of the household after a mysterious illness befalls Beatriz, as suspicion mounts that he might be an agent of Satan...\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA cryptic tale of possession, Goya Award-winning arthouse filmmaker Gonzalo Suárez's BEATRIZ was the director’s only folk horror feature and remains among his most tense and unsettling works. Dripping with gothic atmosphere, though treated with a low-key, neorealist sensibility, BEATRIZ is a startlingly dark period drama long overdue for reappraisal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003edirected by: Pedro Olea, Silvio Narizzano, Gonzalo Suárez\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003estarring: Dennis Hopper, Carroll Baker, Carmen Sevilla, Nadiuska, Jorge Rivero, José Sacristán, José Luis López Vázquez, Amparo Soler Leal, Antonio Casas\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1970-1976 \/ 269 min (combined) \/ 1.66:1 \u0026amp; 1.85:1 \/ English \u0026amp; Spanish Mono with English subtitles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAdditional info:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e2-disc Region Free Set: Blu-ray x2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 4K from their original negatives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Lobishome\" - an interview with EL BOSQUE DEL LOBO director Pedro Olea, by Diego Lopez-Fernandez (38 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eIntroduction to EL BOSQUE DEL LOBO with film historians Angel Sala, Carlos Benitez and Xavi-Sanchez-Pons (11 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eInterview with Ivonne Sentis, actress in LAS FLORES DEL VICIO (17 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eInterview with José Lifante, actor in BEATRIZ (19 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e40-page perfect bound book with essays by Erica Schultz and Alexandra Heller-Nicholas\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly translated English subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dJpdoU8WKEU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Vinegar Syndrome","offers":[{"title":"Default Title","offer_id":41834196762807,"sku":"VS-434","price":42.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/villagesofthedamnedfront.jpg?v=1695764417"},{"product_id":"the-heart-is-deceitful-above-all-things","title":"The Heart Is Deceitful Above All Things","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition spot gloss and embossed slipcover\u003cspan data-mce-fragment=\"1\"\u003e (designed by \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003eSteak Mtn\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\" data-mce-fragment=\"1\"\u003e) \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eis limited to\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eand is only available on our website and at select indie retailers. 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Dekanolog is proud to present Asia Argento’s\\nadaptation of J.T. Leroy’s best selling novel The Heart is Deceitful Above All Things, a searing\\nexploration of trauma and survival in the underside of America’s heartland. Headlining one of\\nthe most intriguing casts of the 2000s, which includes Peter Fonda, Ornella Muti, Jeremy\\nRenner, Lydia Lunch, Ben Foster, and Winona Ryder, Argento stars as Sarah, a woman who\\nrips her son (played at various points by Jimmy Bennett, Dylan, and Cole Sprouse) out of foster\\ncare and throws him into her transient life as a sex worker at truck stops. Leroy was later\\nrevealed to be a fabrication of author Laura Albert and her sibling-in-law Savannah Knoop, a\\nstory that broke the year after The Heart is Deceitful Above All Things was released. Argento’s\\nblistering second feature finds real pain in a historic hoax, traveling to dark places most\\ndirectors fear to tread.\"}'\u003eSteeped in controversy, unflinching, unforgettable. 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Party featurette \/ US Theatrical trailer \/ Booklet essay by filmmaker Gillian Horvat\"}'\u003e\"JT Under Cover\" featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Asia Argento and Producer Chris Hanley \/ \\\"Lot Lizards \u0026amp; Meth Labs\\\" - Behind the scenes featurette \/ \\\"JT Under Cover\\\" featurette \/ New York Film Premiere \u0026amp; Party featurette \/ US Theatrical trailer \/ Booklet essay by filmmaker Gillian Horvat\"}'\u003eNew York Film Premiere \u0026amp; 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font-size: 0.875rem;\"\u003eNamed after Yasujiro Ozu’s custom-made, tatami-level, crab-like tripod, Kani is a new home video label dedicated to leveling the gaze and furthering the understanding of Asian cinema in North America. Focused on genre-defying films, Kani aims to expand the canon, bolster up-and-coming filmmakers and reintroduce repertory classics in context. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Nora Aunor stars, in what is often deemed her finest performance, as Corazon de la Cruz, a Filipina nurse. Living near the US Clark Air Base on Luzon Island, she dreams of a better life in the United States… until the unspeakable happens. \\n\\nDirected by Lupita Aquino-Kashiwahara, Once A Moth is a long-lost, rarely-seen landmark of Filipino cinema, here miraculously salvaged and restored despite weather-worn elements and a missing first reel. A timeless, galvanising, anti-imperialist classic conceived as a protest film against the unending occupation of the Philippines by foreign powers, it gives their wings back to those attracted and irrevocably burned by the flame of the American Dream.\"}' data-sheets-userformat='{\"2\":4779,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003eNora Aunor stars, in what is often deemed her finest performance, as Corazon de la Cruz, a Filipina nurse. Living near the US Clark Air Base on Luzon Island, she dreams of a better life in the United States… until the unspeakable happens.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Nora Aunor stars, in what is often deemed her finest performance, as Corazon de la Cruz, a Filipina nurse. Living near the US Clark Air Base on Luzon Island, she dreams of a better life in the United States… until the unspeakable happens. \\n\\nDirected by Lupita Aquino-Kashiwahara, Once A Moth is a long-lost, rarely-seen landmark of Filipino cinema, here miraculously salvaged and restored despite weather-worn elements and a missing first reel. A timeless, galvanising, anti-imperialist classic conceived as a protest film against the unending occupation of the Philippines by foreign powers, it gives their wings back to those attracted and irrevocably burned by the flame of the American Dream.\"}' data-sheets-userformat='{\"2\":4779,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003eDirected by Lupita Aquino-Kashiwahara, Once A Moth is a long-lost, rarely-seen landmark of Filipino cinema, here miraculously salvaged and restored despite weather-worn elements and a missing first reel. A timeless, galvanising, anti-imperialist classic conceived as a protest film against the unending occupation of the Philippines by foreign powers, it gives their wings back to those attracted and irrevocably burned by the flame of the American Dream.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Lupita Aquino-Kashiwabara (Credited as Lupita A. Concio)\u003cbr\u003estarring: Nora Aunor, Jay Illagan, Gloria Sevilla, Perla Bautista, Eddie Villamayor\u003cbr\u003e1976 \/ 110 min \/ 1.85:1 \/ Tagalog DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e2K restoration by ABS-CBN\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eFeaturette on the restoration (9mins, 2023) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e Before and After (1min, 2018) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e Restoration Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew writing by scholars Jose B. Capino and John Labella\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with Digna Santiago\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e Interview with Marina Feleo Gonzalez by critic Aaron Hunt\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e New art by Luigi Almuena \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"2K restoration by ABS-CBN\\nFeaturette on the restoration (9mins, 2023) \\n  Before and After (1min, 2018) \\n Restoration Trailer\\n\\nBooklet with \\nArchival Photographs courtesy of the Mowelfund Library and Audiovisual Archives, \\nnew writing by scholars Jose B. Capino and John Labella, \\nInterview with Digna Santiago,\\n Interview with Marina Feleo Gonzalez by critic Aaron Hunt\\n New art by Luigi Almuena \\n Optional English Subtitles\"}' data-sheets-userformat='{\"2\":12969,\"3\":{\"1\":0},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e Optional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Kani","offers":[{"title":"Default Title","offer_id":41855197020343,"sku":"KANI-013","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/onceamothfront.jpg?v=1765226444"},{"product_id":"falcon-lake","title":"Falcon Lake","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A love and ghost story: a shy teenager on vacation experiences the joy and pain of first love when he forges a bond with an older girl.\"}' data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003eA love and ghost story: a shy teenager on vacation experiences the joy and pain of first love when he forges a bond with an older girl.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A love and ghost story: a shy teenager on vacation experiences the joy and pain of first love when he forges a bond with an older girl.\"}' data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eCharlotte Le Bon\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A love and ghost story: a shy teenager on vacation experiences the joy and pain of first love when he forges a bond with an older girl.\"}' data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003estarring: \u003c\/span\u003eJoseph Enge-Bastien, Sara Montpetit-Chloé, Monia Chokri-Violette, Arthur Igual-Romain, Karine Gonthier-Hyndman-Louise\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A love and ghost story: a shy teenager on vacation experiences the joy and pain of first love when he forges a bond with an older girl.\"}' data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}'\u003e2022 \/ 100 min \/ 1.37:1 \/ English, French \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBehind the Scene documentary with interview from director Charlotte Le Bon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eStory Board to Scenes Featurette (4 scenes)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInternational Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eNew slip cover by Tony Stella\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEssay by film critic Jessica Kiang\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Behind the Scene documentary with interview from director Charlotte Le Bon\\n- Story Board to Scenes Featurette (4 scenes)\\n- Theatrical Trailer\\n- International Trailer\\n- New slip cover by Tony Stella\\n- Essay by film critic Jessica Kiang\"}' 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