{"title":"Documentary","description":"","products":[{"product_id":"bloody-nose-empty-pockets-utopia","title":"Bloody Nose, Empty Pockets","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOn the eve of the 2016 U.S. presidential election, and on its final night before closing, a Las Vegas dive bar becomes a stage where its employees and barflies commiserate one last time. Filmmaking brothers Bill and Turner Ross train their keenly observed quasi-fiction on the lived-in atmosphere of a haunt, whose massed warmth and love conceal its patron’s worries—at least for a little while. Bloody Nose, Empty Pockets is a carefully constructed yet oddly affecting record of an American sensibility at once straining to survive and ready for the end.\u003c\/p\u003e\n\u003cp\u003edirected by: Bill Ross IV, Turner Ross\u003cbr\u003estarring: Michael Martin, Cheryl Fink, Marc Paradis, John Nerichow, Lowell Landes, Ira J. Clark, Bruce Hadnot, Pete Elwell, Felix Cardona, Al Page, Rikki Redd, Pam Harper, Shay Walker, Tra Walker, Trevor Moore, Kevin Lara, David S. Lewis, Kamari Stevens, Sophie Woodruff, Miriam Arkin\u003cbr\u003e2020 \/ 98 min \/ 1.85:1 \/ English 5.1 Surround\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e“After Hours” bonus featurette\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOfficial trailer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRoss Brothers teaser trailer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLas Vegas\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSecurity camera\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/i0npVmJOL0w\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Utopia","offers":[{"title":"Default Title","offer_id":37861933711543,"sku":"UTO-001","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/bloodynoseemptypocketsfront.jpg?v=1649790862"},{"product_id":"crestone-utopia","title":"Crestone","description":"\u003cp\u003e\u003cspan\u003eThis special limited edition embossed slipcover is limited to \u003cstrong\u003e1,100 units.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn a world that undulates between the digital and physical, a group of SoundCloud rappers live a solitary, post-societal existence in the desert town of Crestone, Colorado. Once a religious and spiritual mecca for many, Crestone’s endless sand dunes, waterfalls, and dark caves act as a backdrop for images of tattooed bodies, cosplay wardrobes, and clouds of weed smoke. When an old friend from high school visits the rappers to shoot music videos and document their day-to-day, reality and fiction begin to blur. A rapidly spreading wildfire sends everyone into varying states of emergency. Technology begins to fail. A man on an electric bicycle appears with a warning of the end times. Are the last people alive a group of SoundCloud rappers, smoking weed, and making music for nobody?\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCRESTONE explores the hidden aspects of collaboration and friendship, as well as the human desire to persist against all odds. What does music sound like if there is no one left to repost and share it? Marnie Ellen Hertzler's feature debut is a time capsule of how separation and connection intertwine in the digital age.\u003c\/p\u003e\n\u003cp\u003edirected by: Marnie Ellen Hertzler\u003cbr\u003estarring: @CHAMPLOOSLOPPY, @THE_MOURNING_SUN, @HIGHMYNAMESRYAN, @SADBOYTRAPPS999\u003cbr\u003e2020 \/ 73 min \/ 1.78:1 \/ English 5.1 Surround\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFilmmaker Commentary\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSloppy \u0026amp; Sadboy Commentary\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted Scene\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExtra Features\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOfficial Red Band Trailer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VCdPHcWJjEw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Utopia","offers":[{"title":"Limited Edition Slipcover","offer_id":40556584075447,"sku":"UTO-003 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":40556584108215,"sku":"UTO-003","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/crestoneslipfront.jpg?v=1649791568"},{"product_id":"green-jello-suxx-live-enjoy-the-ride","title":"Green Jello Suxx Live","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/au2j7ryd0thezxf\/April2021_PartnerLabel_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FApril2021_PartnerLabel_sales_materials%2FETRM001\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eGreen Jellö sucks! Green Jellö sucks! GREEN JELLO SUXX LIVE is an entirely fan-made documentary that follows fearless band leader and founder Bill Manspeaker and his gang of misfits as they tour North America. Filled with live performances, interviews with current and previous band members, special appearances by Lloyd Kaufman and Maynard James Keenan and plenty of backstage antics, GREEN JELLO SUXX LIVE is a feature length ode to the world's only Grammy nominated, Guiness Book of World Records holding punk rock puppet band to also be sued by Kraft Foods, Kellogg and Metallica. Features uncut performances of hit songs \"Three Little Pigs\", \"Bear Song\" as featured in DUMB \u0026amp; DUMBER and \"Carnage Rules\" from the video game SPIDER-MAN \u0026amp; VENOM: MAXIMUM CARNAGE.\u003c\/p\u003e\n\u003cp\u003edirected by: Rob Gabriele\u003cbr\u003e2016 \/ 113 min \/ 1.78:1 \/ English\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eOver 2 hours of special features and live performances!\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes\u003c\/li\u003e\n\u003cli\u003eBill Manspeaker’s 2014-2016 Jellovision Tour Diaries\u003c\/li\u003e\n\u003cli\u003eBuffalo, NY 2015\u003c\/li\u003e\n\u003cli\u003eCanadian tour 2015\u003c\/li\u003e\n\u003cli\u003eCanadian tour 2016\u003c\/li\u003e\n\u003cli\u003eCanadian tour 2016 with I.C.P.\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":40556586827959,"sku":"ETRM001","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/greenjellofront.jpg?v=1698419237"},{"product_id":"martha-a-picture-story-utopia","title":"Martha: A Picture Story","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Directed with infectious zeal, it's a photographer bio-doc that always feels to be in motion, especially given its excellent editing, fascinating subject, and narrative ambition.\" − RogerEbert.com\u003c\/p\u003e\n\u003cp\u003e“1977, the Bronx was burning down. No one really wanted to write that graffiti was an interesting thing. But I don’t want to shoot something that’s done with permission. It’s an outlaw art. That’s what makes it thrilling.” — Martha Cooper\u003c\/p\u003e\n\u003cp\u003eIn 1970s New York, trailblazing street photographer Martha Cooper captured some of the first images of graffiti at a time when the city had declared war on it. Decades later, Cooper has become an influential figure to the global movement of street artists.\u003c\/p\u003e\n\u003cp\u003edirected by: Selina Miles\u003cbr data-mce-fragment=\"1\"\u003estarring: Martha Cooper, Colin Cassidy\u003cbr data-mce-fragment=\"1\"\u003e2020 \/ 80 min \/ 1.78:1 \/ English 5.1 Surround\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eMartha Cooper Studio Tour \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOs Gemeos Extended Interview \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOfficial Trailer\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Zy8nKGMsNlA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Utopia","offers":[{"title":"Default Title","offer_id":40556588302519,"sku":"UTO-004","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/marthaapicturestoryfront.jpg?v=1754505613"},{"product_id":"awaken-gunpowder-sky","title":"Awaken","description":"\u003cp\u003e\u003cem\u003eSince launching in 2016, Gunpowder \u0026amp; Sky has released 30+ feature films in partnership with leading services including HBO, Netflix, Hulu, Showtime and Starz. As an independent studio, they're known for groundbreaking music and pop-culture documentaries alongside narrative and genre cinema all of which manage to transgress conventions. In partnership with OCN, Gunpowder \u0026amp; Sky will release new titles on UHD and blu-ray alongside upgrades of current home video editions - with an attention to the best quality possible for home video and elaborate packaging. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA unique and timely film experience featuring immersive imagery, beautiful cultures, and an inspiring message, AWAKEN explores humanity's relationship with technology and the natural world. Shot entirely in 4K over a 5-year period in more than 30 countries, the film pioneers state-of-the-art timelapse, time-dilation, underwater, and aerial cinematography techniques to give audiences new eyes with which to see our world.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Tom Löwe\u003cbr data-mce-fragment=\"1\"\u003estarring: Liv Tyler (voice)\u003cbr data-mce-fragment=\"1\"\u003e2021 \/ 83 min \/ 1.78:1 \/ English 7.1 Surround\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free 4K Ultra HD \/ Blu-ray Set\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e4k UHD presented in Dolby Vision HDR\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary track with the director\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eTheatrical trailer\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles, German, Arabic\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/P1teZQpCQYI\" width=\"560\" height=\"315\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Gunpowder \u0026 Sky","offers":[{"title":"Default Title","offer_id":40556589121719,"sku":"GS-002","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/awakenstdfront.jpg?v=1720469356"},{"product_id":"mail-order-murder-saturns-core","title":"Mail Order Murder: The Story Of W.A.V.E. Productions","description":"\u003cp class=\"p1\"\u003eThis special limited edition spot gloss and embossed variant slipcover (designed by Johnny Ryan) is limited to \u003cstrong\u003e2,000 units\u003c\/strong\u003e and is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them. The original limited edition embossed slipcover was limited to \u003cstrong\u003e1,200 units\u003c\/strong\u003e and is \u003cstrong\u003esold out\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003e\u003c\/b\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eSaturn's Core Audio \u0026amp; Video is a New Jersey based home video label devoted to releasing underground oddities and shot on video cinema on VHS, and now, blu-ray discs! In partnership with OCN Distribution, Saturn's Core will exhume forgotten or under-seen genre cinema from the 80s and 90s, with an emphasis on SOV horror features. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMail Order Murder: The Story of W.A.V.E. Productions is the first true and uncensored account of the New Jersey based horror and custom video movie studio W.A.V.E. Productions. Since its start in 1987, W.A.V.E. founder\/director Gary Whitson has produced a staggering filmography of over 400 shot on video features by allowing his fans to script and finance their custom movies specifically tailored to satiate their own idiosyncratic video obsessions.\u003c\/p\u003e\n\u003cp\u003eIn this all new documentary, directors Ross Snyder and William Hellfire chart the history and subsequent 30 year phenomenon of W.A.V.E. Productions with in-depth and candid interviews from a multitude of Gary's stars and collaborators, including Tina Krause, Pamela Sutch, Debbie D, Dave Castiglione, Laura Giglio, Deanna Demko, Aven Warren, Clancy McCauley and many more.\u003c\/p\u003e\n\u003cp\u003eWith the W.A.V.E. Productions filmography remaining an important and relatively uncharted expanse for the majority of cult film aficionados worldwide, Mail Order Murder: The Story of W.A.V.E. Productions is required viewing for devotees of obscure, bizarre and brain melting cinema; providing a rare snapshot into the career of one of the most enigmatic and prolific underground filmmakers in history.\u003c\/p\u003e\n\u003cp\u003edirected by: William Hellfire, Ross Snyder\u003cbr\u003efeaturing: Ron Bonk, Tina Krause, Zack Carlson, Debbie D, Art Ettinger, Michael Gingold\u003cbr\u003e2020 \/ 97 min \/ 1.78:1 \/ English\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eCommentary\u003c\/li\u003e\n\u003cli\u003eInterviews\u003c\/li\u003e\n\u003cli\u003eTrailer\u003c\/li\u003e\n\u003cli\u003eMusic video\u003c\/li\u003e\n\u003cli\u003eBonus movie\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/VKjzHmYcu1w\" title=\"YouTube video player\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Saturn's Core","offers":[{"title":"Limited Edition Variant Slipcover","offer_id":45293462552759,"sku":"SC-001 VARIANT-SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":45293462519991,"sku":"SC-001","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/mail_order_murder_variant_slip_front.jpg?v=1758730186"},{"product_id":"for-madmen-only-utopia","title":"For Madmen Only","description":"\u003cp\u003e\u003cspan\u003eThis special limited edition embossed slipcover (designed by Charles Forsman) is limited to \u003cstrong\u003e1,200 units.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eStarting his career with Nichols and May, training most of the original cast of SNL and forming Second City, and being the inspiration for the ever popular Upright Citizens Brigade theater (UCB), there isn't a comic working today who wasn't fostered or mentored in some way by Del Close.\u003c\/p\u003e\n\u003cp\u003edirected by: Heather Ross\u003cbr\u003estarring: James Urbaniak, Matt Walsh, Bob Odenkirk, Patton Oswalt, Lauren Lapkus, Tim Meadows, Jason Mantzoukas, Lennon Parham, Jason Sudekis, Diona Reasonover, Paul Scheer, Michaela Watkins\u003cbr\u003e2020 \/ 90 min \/ 1.78:1 \/ English 5.1 Surround\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio commentary\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted scenes\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9P7AGbWPJ_I\" width=\"560\" height=\"315\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Utopia","offers":[{"title":"Limited Edition Slipcover","offer_id":41037871644855,"sku":"UTO-007 SLIP","price":34.98,"currency_code":"USD","in_stock":false},{"title":"Standard Edition","offer_id":41037871677623,"sku":"UTO-007","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/formadmenonlyslipfront.jpg?v=1649792158"},{"product_id":"kid-candidate-gunpowder-sky","title":"Kid Candidate","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/ui4dz4kbnf9u252\/October2021_PartnerLabel_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FOctober2021_PartnerLabel_sales_materials%2FGS-003\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eSince launching in 2016, Gunpowder \u0026amp; Sky has released 30+ feature films in partnership with leading services including HBO, Netflix, Hulu, Showtime and Starz. As an independent studio, they're known for groundbreaking music and pop-culture documentaries alongside narrative and genre cinema all of which manage to transgress conventions. In partnership with OCN, Gunpowder \u0026amp; Sky will release new titles on UHD and blu-ray alongside upgrades of current home video editions - with an attention to the best quality possible for home video and elaborate packaging. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn a time when young Americans increasingly feel cut off from politics and traditional institutions, Hayden Pedigo, a 24 year-old artist and musician in Amarillo, TX makes an unorthodox run for city council.\u003c\/p\u003e\n\u003cp\u003edirected by: Jasmine Stodel\u003cbr data-mce-fragment=\"1\"\u003estarring: Hayden Pedigo\u003cbr data-mce-fragment=\"1\"\u003e2019 \/ 67 min \/ 1.78:1 \/ English 5.1 Surround\u003cbr\u003e\u003cbr\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eAudio commentary\u003c\/li\u003e\n\u003cli\u003eQ\u0026amp;A\u003c\/li\u003e\n\u003cli\u003eBonus Footage (Deleted Scenes, Gag Reel)\u003c\/li\u003e\n\u003cli\u003eReversible cover\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TTm4Hm9DWEA\" width=\"560\" height=\"315\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Gunpowder \u0026 Sky","offers":[{"title":"Default Title","offer_id":41037871874231,"sku":"GS-003","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/kidcandidatefront.jpg?v=1694451136"},{"product_id":"moments-like-this-never-last-utopia","title":"Moments Like This Never Last","description":"\u003cp\u003e\u003cspan\u003eThis special limited edition slipcover (designed by Earl Kessler Jr.) is limited to \u003cstrong\u003e1,100 units.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMoments Like This Never Last explores the life and legacy of the late artist Dash Snow (1981-2009) who died of a heroin overdose in a Noho hotel room at the age of 27. Growing up in the beautifully fucked up Manhattan, before Giuliani and the broken window war, before Disney sanitized 42nd street of prostitutes and pornographers, before lower manhattan turned into a shopping mall, chaos came naturally. He reveled in the fraying social fabric of 80s New York and fought capricious authority at home, at the “juvi” institution he was locked up in, and on the streets. In a jeremiad of graffiti, trash assemblages, un-photoshopable polaroids, cum stained headlines, collage and feral rituals archived on super 8, Dash celebrated creation, destruction and the marginalized, striking out at the social pasteurization and criminalization of nonconformity happening all around him.\u003cbr\u003e\u003cbr\u003eHe was a bull born into the China shop, rejecting the trappings of privilege for freedom, a force of nature refusing to play nice. He took what he found, and like a hurricane rearranging the landscape. Born into one of the most important American art families whom he rejected and was rejected by, he found a new family in the artists of post 911 lower Manhattan. He Started the take-over by writing his name all-city as a young graffiti artist and subsequently becoming an accidental international art star. High stakes, drugs and the pressure to keep producing took its toll becoming a cautionary tale.\u003c\/p\u003e\n\u003cp\u003edirected by: Cheryll Dunn\u003cbr\u003estarring: Dash Snow\u003cbr\u003e2020 \/ 96 min \/ 1.78:1 \/ English 5.1 Surround\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eQ\u0026amp;A with Director Cheryl Dunn at SVA\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eBonus Scenes\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eInside sleeve artwork\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ch-hsmw3x88\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Utopia","offers":[{"title":"Limited Edition Slipcover","offer_id":41037881213111,"sku":"UTO-009 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41037881245879,"sku":"UTO-009","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/momentslikethisneverlastslipfront.jpg?v=1649795139"},{"product_id":"scream-queen-etr-media","title":"Scream, Queen!","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eScream Queen! My Nightmare on Elm Street sets the records straight about the controversial sequel to A Nightmare on Elm Street, which ended Mark Patton’s acting career, just as it was about to begin. Scream Queen follows Patton as he travels to horror conventions across the U.S.\u003c\/p\u003e\n\u003cp\u003eEach new city unwraps a chapter from his life that is met with equal parts joyful and bittersweet detail, as he attempts to make peace with his past and embrace his legacy as cinema’s first male “scream queen.” Scream Queen also finds Patton confronting Freddy’s Revenge cast and crew for the first time, including co-stars Robert Rusler, Kim Myers and Clu Gulager, as well as Freddy Krueger himself, Robert Englund.\u003c\/p\u003e\n\u003cp\u003edirected by: Roman Chimienti, Tyler Jensen\u003cbr\u003estarring: Mark Patton, Robert Englund, Jack Sholder, David Chaskin, Kim Myers, Robert Rusler, Marshall Bell, Clu Gulager, Joann Willett\u003cbr\u003e2019 \/ 99 min \/ 1.78:1 \/ English 5.1 Surround\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailers\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSkeleton Head 'Split Second' Music Video\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMark Patton, Roman Chimienti and Tyler Jensen Audio Commentary\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Psychic (Alt Opening)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Monster is Queer: A Look at Horror Genre Studies with Dr. Andrew Scahill\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBedtime Story with Mark Patton (a tribute to Wes Craven)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExtended Fireside Chat with Cast of Freddy's Revenge\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBackstage with Scream, Queen!\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFemininity in the Horror Film, A Discussion\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBooklet with essay by BJ Colangelo\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ia5togt44l8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41114445742263,"sku":"ETRM003","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/screamstdfront.jpg?v=1716995480"},{"product_id":"beauty-day-circle-collective","title":"Beauty Day","description":"\u003cp\u003e\u003cem\u003eCircle Collective formed in June 2019 in order to provide a new avenue for and community around creative distribution as an artist-forward, feature film marketing and distribution consulting agency. In partnership with OCN, Circle Collective will begin to release contemporary indie cinema across a variety of genres and origins onto physical media, maintaining the same artist-forward perspective as in their theatrical campaigns. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBefore there was Tom Green...before there was Jackass...there was Ralph Zavadil. His Canadian cable access show, The Cap'n Video Show, ran from 1990 to 1995, spawning a small but loyal cult following. Each week, Ralph performed a series of idiotic and occasionally dangerous stunts, challenging the sensibilities of his small audience for five seasons. With the advent of the internet and reality television still years away, his unique brand of gross-out stunt comedy was truly ahead of its time. All it took was a broken neck for him to get noticed.\u003c\/p\u003e\n\u003cp\u003eNow, thirteen years after his show disappeared from the airwaves, Ralph decides to give the Cap'n one last chance in a brand new anniversary special shot for the same cable station that cancelled him years earlier. Together with his best friend Robert, Ralph attempts to recapture the magic that made him a local hero so many year ago, while confronting some of the unexpected - and sometimes dark - turns his life has taken since his days on Cable 10.\u003c\/p\u003e\n\u003cp\u003edirected by: Jay Cheel\u003cbr data-mce-fragment=\"1\"\u003estarring: Ralph Zavadil\u003cbr\u003e2011 \/ 92 min \/ 2.35:1 \/ English 5.1 Surround\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion A Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eCap'n Video's 20th Anniversary Special\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary with Director Jay Cheel\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal Clips from Cap'n Video Shows\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/honNjOY9QRY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Circle Collective","offers":[{"title":"Default Title","offer_id":41160673231031,"sku":"CC-005","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/beautydayfront.jpg?v=1654026898"},{"product_id":"other-music-factory-25","title":"Other Music","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOther Music was an influential and uncompromising New York City record store that was vital to the city’s early 2000s indie music scene. But when the store is forced to close its doors due to rent increases, the homogenization of urban culture, and the shift from CDs to downloadable and streaming music, a cultural landmark is lost. Through vibrant storytelling, the documentary captures the record store’s vital role in the musical and cultural life of the city, and highlights the artists whose careers it helped launch including Vampire Weekend, Animal Collective, Interpol, Yeah Yeah Yeahs, William Basinski, Neutral Milk Hotel, Sharon Van Etten, Yo La Tengo and TV On The Radio.\u003c\/p\u003e\n\u003cp\u003edirected by: Puloma Basu, Rob Hatch-Miller\u003cbr\u003estarring: Tunde Adebimpe (TV On the Radio), William Basinski (composer), Panda Bear, Avey Tare \u0026amp; Geologist (Animal Collective), Matt Berninger (The National), Stuart Braithwaite (Mogwai), James Chance (The Contortions), Brian Chase (Yeah Yeah Yeahs), Benicio Del Toro (actor), Janeane Garofalo (comedian), Martin Gore (Depeche Mode), Daniel Kessler (Interpol), Ezra Koenig (Vampire Weekend), Mac McCaughan (Superchunk), Stephin Merritt (Magnetic Fields), Keigo Oyamada (Cornelius), JD Samson (Le Tigre), Jason Schwartzman (actor), Regina Spektor (singer\/sonwriter), Dean Wareham (Galaxie 500\/Luna) and more...\u003cbr\u003e2020 \/ 83 min \/ 1.78:1 \/ English Stereo\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eExtras reel with deleted scenes featuring Jason Schwartzman, Daniel Kessler from Interpol, William Basinski and performances by Gary Wilson, Revl9n, Bill Callahan and Handsome Boy Modeling School \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary by Puloma Basu, Rob Hatch-Miller, Duane Harriott, Josh Madell and Chris Vanderloo\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailer\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003e38 page booklet featuring an Oral History of Other Music, an essay by Tom Scharpling and the 100 albums to check out after you watch the documentary \u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YsAL994yPhk\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Factory 25","offers":[{"title":"Default Title","offer_id":41160675557559,"sku":"FTF-086","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/othermusicfront.jpg?v=1670351815"},{"product_id":"buster-keaton-rides-again-helicopter-canada-canadian-international-pictures","title":"Buster Keaton Rides Again \/ Helicopter Canada","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}'\u003eTwo unforgettably cinematic journeys through ’60s Canada!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}'\u003eBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}'\u003eHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: John Spotton, Eugene Boyko\u003cbr\u003estarring: Buster Keaton, Eleanor Keaton, Gerald Potterton, Stanley Jackson, The Beatles\u003cbr\u003e1965,1966 \/ 106 min (combined) \/ 1.33:1, 2.35:1 \/ English Mono\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eNew 2K transfers from the 35mm interpositives\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eAlternate 2.76:1 and Smilebox presentations of Helicopter Canada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eHors-d'oeuvre (1960, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eMy Financial Career (1962, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eChristmas Tree Decoration (1963, 5 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eThe Ride (1963, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eThe Railrodder (1965, 25 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eThe Quiet Racket (1966, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eThe Awful Fate of Melpomenus Jones (1983, 8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eBonus short: Canada the Land (1970, 8 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eBooklet featuring a new interview with Gerald Potterton\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;• New 2K transfers from the 35mm interpositives\\n• Alternate 2.76:1 and Smilebox presentations of Helicopter Canada\\n• Hors-d'oeuvre (1960, 7 min.)\\n• My Financial Career (1962, 7 min.)\\n• Christmas Tree Decoration (1963, 5 min.)\\n• The Ride (1963, 7 min.)\\n• The Railrodder (1965, 25 min.)\\n• The Quiet Racket (1966, 7 min.)\\n• The Awful Fate of Melpomenus Jones (1983, 8 min.)\\n• Bonus short: Canada the Land (1970, 8 min.)\\n• Booklet featuring a new interview with Gerald Potterton\\n• Reversible cover artwork\\n• English SDH subtitles for all 10 films\u0026quot;}\"\u003eEnglish SDH subtitles for all 10 films\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":41201270554807,"sku":"CIP-004","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/busterkeatonfront.jpg?v=1654017603"},{"product_id":"forbidden-love-canadian-international-pictures","title":"Forbidden Love","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003cstrong\u003e30th anniversary special edition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eIn the 1950s, a wave of lesbian pulp literature emerged, exploring a then taboo subject in vivid, sensationalistic detail. While these writers often took a critical, moralistic view of gay life, they provided a jumping-off point for women still discovering their suppressed sexual desires. But with society unwilling to grant them a place in public life, they channeled their passion for these novels into a vibrant underground culture full of distinctive codes, roles, and rituals. Mirroring the shadowy traditions of noir fiction, they also faced violent opposition from police and other protectors of the status quo, resulting in a dangerous, but ultimately liberating path to sexual awakening.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eMixing lively testimonials from unforgettable women at the forefront of mid-century lesbian bar culture with scripted segments that take the Hollywood melodrama in provocative (and sexually explicit) new directions, Forbidden Love: The Unashamed Stories of Lesbian Lives is an eye-opening cultural history – and one of the most memorable Canadian films of the ’90s. With a soundtrack of late ‘50s and early ‘60s hits by The Fleetwoods, Connie Francis, Jimmie Rodgers, and The Shirelles, this is a stirring, funny, and ultimately moving portrait of rebellion flourishing in the face of repression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eLynne Fernie, Aerlyn Weissman\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eStephanie Morgenstern, Lynne Adams, Ann Bannon, Ruth Christine, Jeanne Healy, Reva Hutkin, Carol Ritchie-MacKintosh Keely Moll, Nairobi Nelson, Stephanie Ozard, Lois M. Stuart, Amanda White\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Two unforgettably cinematic journeys through ’60s Canada!\\n\\nBUSTER KEATON RIDES AGAIN - In the fall of 1964, just over a year before his death, Buster Keaton traveled to Canada to make The Railrodder, a silent short that would turn out to be one of his final films. Documenting this mobile production in fascinating and unexpected detail, Buster Keaton Rides Again offers a rare glimpse of the comedy legend’s temperament, philosophies, hobbies, marriage (his third), and occasionally combative creative process. Canadian International Pictures fondly presents this intimate look at one of cinema’s most enduring legends. In addition, this disc includes The Railrodder and six other shorts by director – and Buster Keaton Rides Again co-star – Gerald Potterton (The Rainbow Boys, Heavy Metal).\\n\\nHELICOPTER CANADA - Made in celebration of the Canadian centennial, this Oscar-nominated documentary offers a stunning aerial exploration of the country’s vast and varied landscape. Featuring impressive widescreen cinematography by director Eugene Boyko, amusingly irreverent commentary, and even a cameo by The Beatles, this enchantingly oddball time capsule brings Canadiana to new heights. In honor of the film’s debt to the sprawling Cinerama travelogues of the ’50s, this disc also includes a presentation of Helicopter Canada in the Smilebox format, simulating the effect of a curved screen. \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e1992 \/ 85 min \/ \u003c\/span\u003e1.33:1 \/ English DTS HD-MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eScanned and restored in 2K from the 16mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eAudio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eAudio commentary featuring six members of the crew\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eThe Ann Bannon Chronicles (2022, 18 min.) – A new interview with \"\"The Queen of Lesbian Pulp\"\" Ann Bannon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eCinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eEPK interview with the directors (1992, 7 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eAfterword (2022, 19 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eBooklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15295,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":11184810}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"\\\"• Scanned and restored in 2K from the 16mm interpositive\\n• Audio commentary featuring directors Lynne Fernie and Aerlyn Weissman moderated by professor Jean Bruce \\n• Audio commentary featuring six members of the crew\\n• The Ann Bannon Chronicles (2022, 18 min.) – A new interview with \\\"\\\"The Queen of Lesbian Pulp\\\"\\\" Ann Bannon\\n• Cinema Politica Q\u0026amp;A with the cast and crew (2015, 23 min.)\\n• EPK interview with the directors (1992, 7 min.)\\n• Afterword (2022, 19 min.)\\n• Booklet featuring reflections from subject Amanda White, along with essays by Jean Bruce, Matthew Hays, B. Ruby Rich, and Rebecca Sullivan\\n• Reversible cover artwork\\n• English SDH subtitles \\n\\\"\"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EFejEyo_R2k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":41215654690999,"sku":"CIP-005","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/forbiddenlovefront.jpg?v=1657814438"},{"product_id":"poly-styrene-i-am-a-cliche-utopia","title":"Poly Styrene: I Am a Cliche","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e \u003c\/p\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Poly Styrene was the first woman of colour in the UK to front a successful rock band, and a key influence on the riot grrrl and Afropunk movements. But Poly didn’t just leave behind a cultural footprint. She was survived by a daughter, Celeste, who became the steward of her mother’s legacy and demons, which plagued Poly’s life and scarred the pair’s relationship. With narration by Ruth Negga, this film follows Celeste’s journey to better understand Poly as an icon and mother.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-mce-fragment=\"1\"\u003ePoly Styrene was the first woman of colour in the UK to front a successful rock band, and a key influence on the riot grrrl and Afropunk movements. But Poly didn’t just leave behind a cultural footprint. She was survived by a daughter, Celeste, who became the steward of her mother’s legacy and demons, which plagued Poly’s life and scarred the pair’s relationship. With narration by Ruth Negga, this film follows Celeste’s journey to better understand Poly as an icon and mother.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Paul Sng, Celeste Bell\u003cbr\u003estarring: Ruth Negga, Kathleen Hanna, Vivienne Westwood, Thurston Moore, Jonathan Ross, Pauline Black, Neneh Cherry\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Ruth Negga, Kathleen Hanna, Vivienne Westwood, Thurston Moore, Jonathan Ross, Pauline Black, Neneh Cherry\"}'\u003e2021 \/ 96 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS HD-MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A from SXSW 2021, Selected Scene Commentary with Directors Paul Sng and Celeste Bell, Booklet featuring an essay by Dana Reinoos and intros by directors Paul Sng and Celeste Bell\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A from SXSW 2021, Selected Scene Commentary with Directors Paul Sng and Celeste Bell, Booklet featuring an essay by Dana Reinoos and intros by directors Paul Sng and Celeste Bell\"}'\u003eQ\u0026amp;A from SXSW 2021\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A from SXSW 2021, Selected Scene Commentary with Directors Paul Sng and Celeste Bell, Booklet featuring an essay by Dana Reinoos and intros by directors Paul Sng and Celeste Bell\"}'\u003eSelected Scene Commentary with Directors Paul Sng and Celeste Bell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A from SXSW 2021, Selected Scene Commentary with Directors Paul Sng and Celeste Bell, Booklet featuring an essay by Dana Reinoos and intros by directors Paul Sng and Celeste Bell\"}'\u003eBooklet featuring an essay by Dana Reinoos and intros by directors Paul Sng and Celeste Bell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Q\u0026amp;A from SXSW 2021, Selected Scene Commentary with Directors Paul Sng and Celeste Bell, Booklet featuring an essay by Dana Reinoos and intros by directors Paul Sng and Celeste Bell\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Utopia","offers":[{"title":"Default Title","offer_id":41215655805111,"sku":"UTO-011","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/polystyrenestdfront.jpg?v=1654691654"},{"product_id":"you-cant-kill-meme-utopia","title":"You Can't Kill Meme","description":"\u003cp\u003eThis special limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eSteak Mtn) is limited to \u003cstrong\u003e1,000 units.\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A hybrid documentary feature film about the genesis of \\\"memetic magick\\\" and its application by the alt-right in the United States\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eA hybrid documentary feature film about the genesis of \"memetic magick\" and its application by the alt-right in the United States.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A hybrid documentary feature film about the genesis of \\\"memetic magick\\\" and its application by the alt-right in the United States\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eHayley Garrigus\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A hybrid documentary feature film about the genesis of \\\"memetic magick\\\" and its application by the alt-right in the United States\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eSean Bell, Billy Brujo, Carole Michaella, Kirk R. Packwood, Nick Peterson\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A hybrid documentary feature film about the genesis of \\\"memetic magick\\\" and its application by the alt-right in the United States\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2020 \/ 78 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"60 minute Q\u0026amp;A from Fantasia Festival\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"60 minute Q\u0026amp;A from Fantasia Festival\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e60 minute Q\u0026amp;A from Fantasia Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"60 minute Q\u0026amp;A from Fantasia Festival\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"60 minute Q\u0026amp;A from Fantasia Festival\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GkwuDXBinxI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Utopia","offers":[{"title":"Limited Edition Slipcover","offer_id":41301676130487,"sku":"UTO-013 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41301676163255,"sku":"UTO-013","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/youcantkillmemeslipfront.jpg?v=1660667398"},{"product_id":"lo-sound-desert-etr-media","title":"Lo Sound Desert","description":"\u003cp\u003eThis special limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHaunt Love)\u003c\/span\u003e is limited to \u003cstrong\u003e1,000 units.\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6659,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;LO SOUND DESERT is a documentary by Joerg Steineck about the rock music scene in the 'Low Desert' of California. What was started by revolting punk rock kids, hidden from narrow-minded authorities of sub-urban desert communities in the early 80s, gave birth to bands like Kyuss and Queens Of The Stone Age. With its unique artistic approach the film provides a deep, intimate insight and captures the attitude of the 'Coachella Valley's' music scene - from jamming all night in the middle of a surreal desert landscape to headlining European stages, - “Desert Rock” continued its underground spread and became international treasure. Lo Sound Desert is narrated by Josh Homme, Mario Lalli, Brant Bjork, Alfredo Hernandez, Scott Reeder, Sean Wheeler and many more from bands such as Kyuss, Queens Of The Stone Age, Yawning Man, Fatso Jetson, Mondo Generator among others... .\u0026quot;}\" data-mce-fragment=\"1\"\u003eLO SOUND DESERT is a documentary by Joerg Steineck about the rock music scene in the 'Low Desert' of California. What was started by revolting punk rock kids, hidden from narrow-minded authorities of sub-urban desert communities in the early 80s, gave birth to bands like Kyuss and Queens Of The Stone Age. With its unique artistic approach the film provides a deep, intimate insight and captures the attitude of the 'Coachella Valley's' music scene - from jamming all night in the middle of a surreal desert landscape to headlining European stages, - “Desert Rock” continued its underground spread and became international treasure. Lo Sound Desert is narrated by Josh Homme, Mario Lalli, Brant Bjork, Alfredo Hernandez, Scott Reeder, Sean Wheeler and many more from bands such as Kyuss, Queens Of The Stone Age, Yawning Man, Fatso Jetson, Mondo Generator among others... \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6659,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;LO SOUND DESERT is a documentary by Joerg Steineck about the rock music scene in the 'Low Desert' of California. What was started by revolting punk rock kids, hidden from narrow-minded authorities of sub-urban desert communities in the early 80s, gave birth to bands like Kyuss and Queens Of The Stone Age. With its unique artistic approach the film provides a deep, intimate insight and captures the attitude of the 'Coachella Valley's' music scene - from jamming all night in the middle of a surreal desert landscape to headlining European stages, - “Desert Rock” continued its underground spread and became international treasure. Lo Sound Desert is narrated by Josh Homme, Mario Lalli, Brant Bjork, Alfredo Hernandez, Scott Reeder, Sean Wheeler and many more from bands such as Kyuss, Queens Of The Stone Age, Yawning Man, Fatso Jetson, Mondo Generator among others... .\u0026quot;}\" data-mce-fragment=\"1\"\u003edirected by: \u003c\/span\u003eJoerg Steineck \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6659,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;LO SOUND DESERT is a documentary by Joerg Steineck about the rock music scene in the 'Low Desert' of California. What was started by revolting punk rock kids, hidden from narrow-minded authorities of sub-urban desert communities in the early 80s, gave birth to bands like Kyuss and Queens Of The Stone Age. With its unique artistic approach the film provides a deep, intimate insight and captures the attitude of the 'Coachella Valley's' music scene - from jamming all night in the middle of a surreal desert landscape to headlining European stages, - “Desert Rock” continued its underground spread and became international treasure. Lo Sound Desert is narrated by Josh Homme, Mario Lalli, Brant Bjork, Alfredo Hernandez, Scott Reeder, Sean Wheeler and many more from bands such as Kyuss, Queens Of The Stone Age, Yawning Man, Fatso Jetson, Mondo Generator among others... .\u0026quot;}\" data-mce-fragment=\"1\"\u003estarring: \u003c\/span\u003eJosh Homme (Queens of the Stone Age), Nick Oliveri, Mike Desert, Brant Bjork, Mario Lalli \u003cbr\u003e2015 \/ 94 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"One hour of various additional footage\"}' data-sheets-userformat='{\"2\":15297,\"3\":{\"1\":0},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"One hour of various additional footage\"}' data-sheets-userformat='{\"2\":15297,\"3\":{\"1\":0},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eOne hour of various additional footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"One hour of various additional footage\"}' data-sheets-userformat='{\"2\":15297,\"3\":{\"1\":0},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"One hour of various additional footage\"}' data-sheets-userformat='{\"2\":15297,\"3\":{\"1\":0},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Sq-3bmO8_I4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"ETR Media","offers":[{"title":"Limited Edition Slipcover","offer_id":41301680095415,"sku":"ETRM004 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41301680128183,"sku":"ETRM004","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/losounddesertslipfront.jpg?v=1660664391"},{"product_id":"deadguy-killing-music-etr-media","title":"Deadguy: Killing Music","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis authorized documentary chronicles the short-lived career of the band Deadguy and their seminal hardcore album \"Fixation on a Coworker\". Featuring never before seen pictures and videos, unearthed live audio recordings and more. Featuring interviews with every member of the band and industry peers.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003edirected by: \u003c\/span\u003eBill Saunders \u003cbr\u003e\u003cspan\u003estarring: Various\u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e2021 \/ 88 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at St. Vitus - November 17th, 2021\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at Crossroads - Garwood, New Jersey - March 5th, 2022\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at The Chance, Poughkeepsie, New York - 1995 \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live in Syracuse, New York - 1996\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at the Continental Ballroom Erie, Pennsylvania - 1996\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at the Showplace Theater, Buffalo, New York - April, 1996\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at the American Legion, Buffalo, New York - November 16th, 1996\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live at Middlesex County College - February, 9th, 1997\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Live 1996\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePodcast : Beyond The Playlist - with Director William Saunders\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePodcast : Everything Went Black - with Director William Saunders\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSimon Tripcony movie poster gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNathaniel Shannon photography gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTom Bejgrowicz photography gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy archive photos\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOUTTAKES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFashion in the 90's and more\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Killing Music Official Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Killing Music Promo Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDeadguy : Killing Music Zoom Patrol Teaser\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/E75I5jgGrOc\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41379315941559,"sku":"ETRM005","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/deadguykillingmusicfront.jpg?v=1665766107"},{"product_id":"jane-by-charlotte","title":"Jane By Charlotte","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/ocn-distribution.filemail.com\/t\/4WXC05fw\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003eThis special limited edition slipcover (designed by \u003cmeta charset=\"utf-8\"\u003eDerek Gabryszak) is limited to \u003cstrong\u003e1,000 units.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eCharlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eCharlotte Gainsbourg\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eJane Birkin, Charlotte Gainsbourg\u003cbr\u003e2021 \/ 88 min \/ 2.01:1 \/ French DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAdditional info:\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eQ\u0026amp;A with Jim Jarmusch and Charlotte Gainsbourg from Quad Cinema\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eQ\u0026amp;A with Charlotte Gainsbourg from New York Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBooklet with essay by writer Heather Drain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/B6d4-3SMR6c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Utopia","offers":[{"title":"Limited Edition Slipcover","offer_id":41536083820727,"sku":"UTO-016 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41536083853495,"sku":"UTO-016","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/janebycharlotteslipfront.jpg?v=1666901553"},{"product_id":"i-think-were-alone-now","title":"I Think We're Alone Now","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThis feature documentary is an intimate portrait of two people who are deeply in love with the 80’s pop singer Tiffany.\u003c\/p\u003e\n\u003cp\u003eJeff Turner is a 50-year-old man from Santa Cruz, California with Asperger’s Syndrome. He has a very friendly and childlike spirit and can talk to anybody for hours on end but finds it difficult to maintain relationships and has never had a girlfriend. He has been attending Tiffany concerts since 1988 and describes her as his “best friend, mentor and protector.”\u003c\/p\u003e\n\u003cp\u003eKelly McCormick is a 35-year-old intersex person from Denver, Colorado who identifies as a lesbian. She loves running, watching action movies and doing impressions. She has also never been in a romantic relationship but says that she loves Tiffany “down to her bone marrow.”\u003c\/p\u003e\n\u003cp\u003eBoth Jeff and Kelly have been called “stalkers” by the media and other Tiffany fans but this film allows them to share their side of the story. Filmed over the course of six years, I Think We're Alone Now takes you deep into their lives, and shows the power of having something to believe in.\u003cem\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;This feature documentary is an intimate portrait of two people who are deeply in love with the 80’s pop singer Tiffany. \\n\u2028\\nJeff Turner is a 50-year-old man from Santa Cruz, California with Asperger’s Syndrome. He has a very friendly and childlike spirit and can talk to anybody for hours on end but finds it difficult to maintain relationships and has never had a girlfriend. He has been attending Tiffany concerts since 1988 and describes her as his “best friend, mentor and protector.”\\n\u2028\\nKelly McCormick is a 35-year-old intersex person from Denver, Colorado who identifies as a lesbian. She loves running, watching action movies and doing impressions. She has also never been in a romantic relationship but says that she loves Tiffany “down to her bone marrow.” \\n\u2028\\nBoth Jeff and Kelly have been called “stalkers” by the media and other Tiffany fans but this film allows them to share their side of the story. Filmed over the course of six years, I Think We're Alone Now takes you deep into their lives, and shows the power of having something to believe in. \\n\\\u0026quot;\u0026quot;}\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Sean Donnelley \u003cbr\u003estarring: Jeff Turner, Kelly McCormick \u003cbr\u003e2008 \/ 61 min \/ 1.33:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eJeff Turner Commentary track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eKelly McCormick Commentary track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eDirector's Commentary track \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eKelly update short doc\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eJeff update short doc \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eJeff on Natalie Wood\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eJeff's Alyssa Milano update\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eHow the movie came to be (short animation)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eThe Mysterious Tiffany Letters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eJeffisms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eArlon's Angelic Visit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eMarshall Weeks and Rhythmic Gymnastics\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eKelly's poetry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eKelly's impressions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003ePreston B. Nichols short doc\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eDan Wholey \"Snakes\" music video featuring Preston B. Nichols\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;\\\u0026quot;Jeff Turner Commentary track\\nKelly McCormick Commentary track\\nDirector's Commentary track \\n\\nKelly update short doc\\nJeff update short doc \\nJeff on Natalie Wood\\nJeff's Alyssa Milano update\\nHow the movie came to be (short animation)\\nThe Mysterious Tiffany Letters\\nJeffisms\\nArlon's Angelic Visit\\nMarshall Weeks and Rhythmic Gymnastics\\nKelly's poetry\\nKelly's impressions\\nPreston B. Nichols short doc\\nDan Wholey \\\u0026quot;\\\u0026quot;Snakes\\\u0026quot;\\\u0026quot; music video featuring Preston B. Nichols\\\u0026quot;\u0026quot;}\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41536084279479,"sku":"ETRM006","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/ithinkwerealonenowfront.jpg?v=1764977035"},{"product_id":"freakscene","title":"Freakscene","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003eFREAKSCENE is a homage of one of the most influential bands of Alternative Music, which inspired rock scenes in the 1990s - including Nirvana. A tragically funny and noisy roller coaster ride by a dysfunctional family: Dinosaur Jr.\u003c\/p\u003e\n\u003cp\u003edirected by: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhilipp Reichenheim\u003c\/span\u003e\u003cbr\u003estarring: J MASCIS, LOU BARLOW, MURPH, KIM GORDON, HENRY ROLLINS, BOB MOULD, THURSTON MOORE, KEVIN SHIELDS, MATT DILLON, KURT VILE, FRANK BLACK, GEORGE BERZ, MIKE JOHNSON, MAURA JASPER, LEE RANALDO, BYRON COLEY, MEGAN JASPER, JON FETLER \u0026amp; MIKE MASCIS\u003cbr\u003e2020 \/ 82 min \/ 1.78:1 \/ English DTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Director commentary, Bonus interviews (11 min), New York Premiere Q \u0026amp; A with J Mascis and director Philipp Reichenheim, Green band trailer, Red band trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Director commentary, Bonus interviews (11 min), New York Premiere Q \u0026amp; A with J Mascis and director Philipp Reichenheim, Green band trailer, Red band trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eDirector commentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Director commentary, Bonus interviews (11 min), New York Premiere Q \u0026amp; A with J Mascis and director Philipp Reichenheim, Green band trailer, Red band trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBonus interviews (11 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Director commentary, Bonus interviews (11 min), New York Premiere Q \u0026amp; A with J Mascis and director Philipp Reichenheim, Green band trailer, Red band trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNew York Premiere Q \u0026amp; A with J Mascis and director Philipp Reichenheim\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Director commentary, Bonus interviews (11 min), New York Premiere Q \u0026amp; A with J Mascis and director Philipp Reichenheim, Green band trailer, Red band trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eGreen band trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Director commentary, Bonus interviews (11 min), New York Premiere Q \u0026amp; A with J Mascis and director Philipp Reichenheim, Green band trailer, Red band trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRed band trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Director commentary, Bonus interviews (11 min), New York Premiere Q \u0026amp; A with J Mascis and director Philipp Reichenheim, Green band trailer, Red band trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Director commentary, Bonus interviews (11 min), New York Premiere Q \u0026amp; A with J Mascis and director Philipp Reichenheim, Green band trailer, Red band trailer\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/H6rZMrZhKKo\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Utopia","offers":[{"title":"Default Title","offer_id":41598010097847,"sku":"UTO-015","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/freakscenestdfront.jpg?v=1708612148"},{"product_id":"the-monopoly-of-violence","title":"The Monopoly of Violence","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/2dj95rkutrnu1rs\/January2022_PartnerLabel_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FJanuary2022_PartnerLabel_sales_materials%2FBWP-01\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2013, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States. Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAs anger and resentment grow in the face of social inequalities, many citizen-led protests are being repressed with an ever-increasing violence. In THE MONOPOLY OF VIOLENCE, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDirector: David Dufresne\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCountry: France\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYear: 2020\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRunning time: 86 min\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn French with English subtitles\u003c\/span\u003e\u003c\/p\u003e","brand":"Big World Pictures","offers":[{"title":"Default Title","offer_id":41625651183799,"sku":"BWP 025","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/themonopolyofviolencedvdfront.jpg?v=1671727351"},{"product_id":"uppercase-print","title":"Uppercase Print","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/2dj95rkutrnu1rs\/January2022_PartnerLabel_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FJanuary2022_PartnerLabel_sales_materials%2FBWP-01\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2013, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States. Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1981, chalk slogans written in uppercase letters started appearing in public spaces in the Romanian city of Botoşani. They demanded freedom, alluded to the democratic developments taking place in Romania’s socialist sister countries or simply called for improvements in the food supply. The culprit was Mugur Călinescu, a teenager who was still at school at the time and whose case is documented in the files of the Romanian secret police. Theatre director Gianina Cărbunariu created a documentary play based on this material.\u003c\/p\u003e\n\u003cp\u003eBesides presenting the play, Radu Jude also uses archival footage from Romanian TV of the era. Cooking shows alternate with interrogations, transcripts of wiretapped phone calls with recommendations to exercise instead of taking sedatives. This dialectical montage creates an image of a dictatorial surveillance state, drawing on the authorized popular entertainment of the Ceaușescu regime in order to unmask it.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDirector: Radu Jude\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCountry: Romania\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYear: 2020\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRunning time: 128 min\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn Romanian with English subtitles\u003c\/span\u003e\u003c\/p\u003e","brand":"Big World Pictures","offers":[{"title":"Default Title","offer_id":41625654165687,"sku":"BWP 026","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/uppercaseprintdvdfront.jpg?v=1671727540"},{"product_id":"a-german-youth","title":"A German Youth","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/2dj95rkutrnu1rs\/January2022_PartnerLabel_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FJanuary2022_PartnerLabel_sales_materials%2FBWP-01\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2013, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States. Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn the 1960s, the young democracy of West Germany was embarrassed by its Nazi past, and ingrown in its role as imperialist and capitalist outpost faced by its communist double. The postwar generation, in direct conflict with their fathers, was trying to find its place. The student movement exploded in 1966. The pas de deux between students and the government deteriorated, and radicalized those involved in a gradual escalation of violence and reprisals. From this seething youth emerged the journalist Ulrike Meinhof, filmmaker Holger Meins, students Andreas Baader and Gudrun Ensslin, as well as the lawyer Horst Mahler. When the student movement collapsed at the end of ’68, they remained isolated in their radicalism, and desperately sought ways to continue the revolutionary struggle.\u003c\/p\u003e\n\u003cp\u003eA GERMAN YOUTH (\u003cem\u003eUne Jeunesse Allemande\u003c\/em\u003e) chronicles the political radicalization of some German youth in the late 1960s that gave birth to the Red Army Faction (RAF), a German revolutionary terrorist group founded notably by Andreas Baader and Ulrike Meinhof, as well as the images generated by this story. The film is entirely produced by editing preexisting visual and sound archives and aims to question viewers on the significance of this revolutionary movement during its time, as well as its resonance for today’s society.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDirector: Jean-Gabriel Périot\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCountry: France\/Switzerland\/Germany\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYear: 2015\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRunning time: 93 min\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn German and French with English subtitles\u003c\/span\u003e\u003c\/p\u003e","brand":"Big World Pictures","offers":[{"title":"Default Title","offer_id":41625819250871,"sku":"BWP 018","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/agermanyouthdvdfront.jpg?v=1671737512"},{"product_id":"usedom-a-clear-view-of-the-sea","title":"Usedom: A Clear View of the Sea","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/2dj95rkutrnu1rs\/January2022_PartnerLabel_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FJanuary2022_PartnerLabel_sales_materials%2FBWP-01\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2013, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States. Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor Berliners, the Baltic island of Usedom was once the most luxurious destination for excursions within striking distance of the city. This is where imperial Germany’s grand health resorts of Bansin, Heringsdorf and Ahlbeck were built. Heinz Brinkmann, who was born in Heringsdorf, traces the eventful history of his island. He talks about the magnificent villas on Europe’s longest beach promenade, about the expulsion of Jewish citizens by the Nazis and about Usedom being split into a German and a Polish half after the Second World War. During the GDR era, most of the spa architecture remained intact because of the lack of means to build something new. Since the fall of the Wall, however, investors have been trying to replace it with indistinguishable luxury residences.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBrinkmann also asks people about conservation and change. We hear from the mayor infuriated by the architectural eyesores of recent years, a farmer who bought an island in the Achterwasser lagoon for his organic cattle, a Polish hotel manageress and other bridge-builders between the two countries. Brinkmann also quotes from his own 1992 Usedom film and compares the plans of his former protagonists with today’s reality. A discursive tour through a fractured paradise.\u003c\/p\u003e\n\u003cp\u003eDirector: Heinz Brinkmann\u003cbr\u003eCountry: Germany\u003cbr\u003eYear: 2017\u003cbr\u003eRunning time: 95 min\u003cbr\u003eIn German with English subtitles\u003c\/p\u003e","brand":"Big World Pictures","offers":[{"title":"Default Title","offer_id":41625821249719,"sku":"BWP 027","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/usedomdvdfront.jpg?v=1671737768"},{"product_id":"city-of-the-sun","title":"City of the Sun","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.dropbox.com\/s\/2dj95rkutrnu1rs\/January2022_PartnerLabel_sales_materials.zip?dl=0\u0026amp;file_subpath=%2FJanuary2022_PartnerLabel_sales_materials%2FBWP-01\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eFounded in 2013, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States. Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eChiatura is a city in Western Georgia. There was a time when it supplied 50% of the world's manganese, and at its peak the mine employed up to 10,000 workers. Today, with drastically reduced manganese production, dangerous working conditions and little prospect for any improvement, it is well on its way to becoming a ghost town.\u003c\/p\u003e\n\u003cp\u003eThe city was founded by Georgian poets and aristocrats in the 19th century, but was turned into a center of industry by the Soviet regime. For the Soviets, it was the embodiment of a bright, utopian future: Theaters, universities, concert halls, stadiums and parks were built, along with the first and largest public aerial cable car transportation system in the world. Chiatura was a human and technological experiment on a grand scale that ultimately failed.\u003c\/p\u003e\n\u003cp\u003eA prizewinner in Madrid, Minsk, Sarajevo, San Francisco and Tbilisi,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCITY OF THE SUN\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efeatures stunning vistas—still beautiful in their state of melancholy neglect—and puts a human face on a city devastated by an industrial and economic system that sated its needs and moved on.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDirector: Rati Oneli\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCountry: Georgia\/USA\/Qatar\/Netherlands\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYear: 2017\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRunning time: 100 min\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn Georgian with English subtitles\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFormat: DCP\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Big World Pictures","offers":[{"title":"Default Title","offer_id":41625844023479,"sku":"BWP 021","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/cityofthesundvdfront.jpg?v=1671738774"},{"product_id":"kanehsatake-270-years-of-resistance","title":"Kanehsatake: 270 Years of Resistance","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"30th anniversary special edition    \\n\\nIn July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Pathbreaking filmmaker Alanis Obomsawin – at times with a small crew, at times alone – spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protesters, the Quebec police, and the Canadian army. The result is a uniquely harrowing, unsettling, and impactful cinematic experience.    \\n\\nOne of the most aimportant Canadian films of all time, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. In addition to Kanehsatake: 270 Years of Resistance, this disc includes the three subsequent films in Obomsawin’s acclaimed Oka Crisis quartet – My Name Is Kahentiiosta, Spudwrench: Kahnawake Man, and the feature-length Rocks at Whiskey Trench – expanding on key incidents, characters, and themes from the original film.  \"}'\u003e30th anniversary special edition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"30th anniversary special edition    \\n\\nIn July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Pathbreaking filmmaker Alanis Obomsawin – at times with a small crew, at times alone – spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protesters, the Quebec police, and the Canadian army. The result is a uniquely harrowing, unsettling, and impactful cinematic experience.    \\n\\nOne of the most aimportant Canadian films of all time, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. In addition to Kanehsatake: 270 Years of Resistance, this disc includes the three subsequent films in Obomsawin’s acclaimed Oka Crisis quartet – My Name Is Kahentiiosta, Spudwrench: Kahnawake Man, and the feature-length Rocks at Whiskey Trench – expanding on key incidents, characters, and themes from the original film.  \"}'\u003eIn July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Pathbreaking filmmaker Alanis Obomsawin – at times with a small crew, at times alone – spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protesters, the Quebec police, and the Canadian army. The result is a uniquely harrowing, unsettling, and impactful cinematic experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"30th anniversary special edition    \\n\\nIn July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Pathbreaking filmmaker Alanis Obomsawin – at times with a small crew, at times alone – spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protesters, the Quebec police, and the Canadian army. The result is a uniquely harrowing, unsettling, and impactful cinematic experience.    \\n\\nOne of the most aimportant Canadian films of all time, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. In addition to Kanehsatake: 270 Years of Resistance, this disc includes the three subsequent films in Obomsawin’s acclaimed Oka Crisis quartet – My Name Is Kahentiiosta, Spudwrench: Kahnawake Man, and the feature-length Rocks at Whiskey Trench – expanding on key incidents, characters, and themes from the original film.  \"}'\u003eOne of the most important Canadian films of all time, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. In addition to Kanehsatake: 270 Years of Resistance, this disc includes the three subsequent films in Obomsawin’s acclaimed Oka Crisis quartet – My Name Is Kahentiiosta, Spudwrench: Kahnawake Man, and the feature-length Rocks at Whiskey Trench – expanding on key incidents, characters, and themes from the original film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"30th anniversary special edition    \\n\\nIn July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Pathbreaking filmmaker Alanis Obomsawin – at times with a small crew, at times alone – spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protesters, the Quebec police, and the Canadian army. The result is a uniquely harrowing, unsettling, and impactful cinematic experience.    \\n\\nOne of the most aimportant Canadian films of all time, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. In addition to Kanehsatake: 270 Years of Resistance, this disc includes the three subsequent films in Obomsawin’s acclaimed Oka Crisis quartet – My Name Is Kahentiiosta, Spudwrench: Kahnawake Man, and the feature-length Rocks at Whiskey Trench – expanding on key incidents, characters, and themes from the original film.  \"}'\u003edirected by: \u003c\/span\u003eAlanis Obomsawin\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"30th anniversary special edition    \\n\\nIn July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Pathbreaking filmmaker Alanis Obomsawin – at times with a small crew, at times alone – spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protesters, the Quebec police, and the Canadian army. The result is a uniquely harrowing, unsettling, and impactful cinematic experience.    \\n\\nOne of the most aimportant Canadian films of all time, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. In addition to Kanehsatake: 270 Years of Resistance, this disc includes the three subsequent films in Obomsawin’s acclaimed Oka Crisis quartet – My Name Is Kahentiiosta, Spudwrench: Kahnawake Man, and the feature-length Rocks at Whiskey Trench – expanding on key incidents, characters, and themes from the original film.  \"}'\u003estarring: \u003c\/span\u003eAlanis Obomsawin, Ethel Blondin, Robert Bourassa, John Ciaccia, Ellen Gabriel, Elijah Harper, Ovide Mercredi, Frank Natawe, Bill Traverse\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"30th anniversary special edition    \\n\\nIn July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Pathbreaking filmmaker Alanis Obomsawin – at times with a small crew, at times alone – spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protesters, the Quebec police, and the Canadian army. The result is a uniquely harrowing, unsettling, and impactful cinematic experience.    \\n\\nOne of the most aimportant Canadian films of all time, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. In addition to Kanehsatake: 270 Years of Resistance, this disc includes the three subsequent films in Obomsawin’s acclaimed Oka Crisis quartet – My Name Is Kahentiiosta, Spudwrench: Kahnawake Man, and the feature-length Rocks at Whiskey Trench – expanding on key incidents, characters, and themes from the original film.  \"}'\u003e1993 \/ 118 min (combined) \/ 1.33:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 16mm interpositive  \\n• Commentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon  \\n• My Name Is Kahentiiosta (1995, 30 min.)  \\n• Spudwrench: Kahnawake Man (1997, 58 min.)  \\n• Rocks at Whiskey Trench (2000, 106 min.)  \\n• Booklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall  \\n• Reversible cover artwork  \\n• English SDH subtitles for all four films  \\n\\n\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 16mm interpositive  \\n• Commentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon  \\n• My Name Is Kahentiiosta (1995, 30 min.)  \\n• Spudwrench: Kahnawake Man (1997, 58 min.)  \\n• Rocks at Whiskey Trench (2000, 106 min.)  \\n• Booklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall  \\n• Reversible cover artwork  \\n• English SDH subtitles for all four films  \\n\\n\"}'\u003eScanned and restored in 2K from the 16mm interpositive \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 16mm interpositive  \\n• Commentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon  \\n• My Name Is Kahentiiosta (1995, 30 min.)  \\n• Spudwrench: Kahnawake Man (1997, 58 min.)  \\n• Rocks at Whiskey Trench (2000, 106 min.)  \\n• Booklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall  \\n• Reversible cover artwork  \\n• English SDH subtitles for all four films  \\n\\n\"}'\u003eCommentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 16mm interpositive  \\n• Commentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon  \\n• My Name Is Kahentiiosta (1995, 30 min.)  \\n• Spudwrench: Kahnawake Man (1997, 58 min.)  \\n• Rocks at Whiskey Trench (2000, 106 min.)  \\n• Booklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall  \\n• Reversible cover artwork  \\n• English SDH subtitles for all four films  \\n\\n\"}'\u003eMy Name Is Kahentiiosta (1995, 30 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 16mm interpositive  \\n• Commentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon  \\n• My Name Is Kahentiiosta (1995, 30 min.)  \\n• Spudwrench: Kahnawake Man (1997, 58 min.)  \\n• Rocks at Whiskey Trench (2000, 106 min.)  \\n• Booklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall  \\n• Reversible cover artwork  \\n• English SDH subtitles for all four films  \\n\\n\"}'\u003eSpudwrench: Kahnawake Man (1997, 58 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 16mm interpositive  \\n• Commentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon  \\n• My Name Is Kahentiiosta (1995, 30 min.)  \\n• Spudwrench: Kahnawake Man (1997, 58 min.)  \\n• Rocks at Whiskey Trench (2000, 106 min.)  \\n• Booklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall  \\n• Reversible cover artwork  \\n• English SDH subtitles for all four films  \\n\\n\"}'\u003eRocks at Whiskey Trench (2000, 106 min.) \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 16mm interpositive  \\n• Commentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon  \\n• My Name Is Kahentiiosta (1995, 30 min.)  \\n• Spudwrench: Kahnawake Man (1997, 58 min.)  \\n• Rocks at Whiskey Trench (2000, 106 min.)  \\n• Booklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall  \\n• Reversible cover artwork  \\n• English SDH subtitles for all four films  \\n\\n\"}'\u003eBooklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 16mm interpositive  \\n• Commentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon  \\n• My Name Is Kahentiiosta (1995, 30 min.)  \\n• Spudwrench: Kahnawake Man (1997, 58 min.)  \\n• Rocks at Whiskey Trench (2000, 106 min.)  \\n• Booklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall  \\n• Reversible cover artwork  \\n• English SDH subtitles for all four films  \\n\\n\"}'\u003eReversible cover artwork \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 16mm interpositive  \\n• Commentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon  \\n• My Name Is Kahentiiosta (1995, 30 min.)  \\n• Spudwrench: Kahnawake Man (1997, 58 min.)  \\n• Rocks at Whiskey Trench (2000, 106 min.)  \\n• Booklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall  \\n• Reversible cover artwork  \\n• English SDH subtitles for all four films  \\n\\n\"}'\u003eEnglish SDH subtitles for all four films\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Scanned and restored in 2K from the 16mm interpositive  \\n• Commentary featuring director Alanis Obomsawin and professor Monika Kin Gagnon  \\n• My Name Is Kahentiiosta (1995, 30 min.)  \\n• Spudwrench: Kahnawake Man (1997, 58 min.)  \\n• Rocks at Whiskey Trench (2000, 106 min.)  \\n• Booklet featuring writing on Obomsawin’s Oka Crisis series by Faye Ginsburg, Audra Simpson, and Robert Verrall  \\n• Reversible cover artwork  \\n• English SDH subtitles for all four films  \\n\\n\"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LDbEq5g99pU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":41632551796919,"sku":"CIP-012","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/kanehsatakefront.jpg?v=1705957577"},{"product_id":"the-first-vcr-cassettes-go-hi-fi","title":"The First VCR + Cassettes Go Hi-Fi","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The First VCR: This is a documentary about the 1956 invention of the first VCR (video cassette recorder), which launched the home video revolution.   Cassettes Go Hi Fi: CASSETTES GO HI FI - The story about the past, present and remarkable future of the compact audio-cassette tape.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eThe First VCR: This is a documentary about the 1956 invention of the first VCR (video cassette recorder), which launched the home video revolution. Cassettes Go Hi Fi: CASSETTES GO HI FI - The story about the past, present and remarkable future of the compact audio-cassette tape.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The First VCR: This is a documentary about the 1956 invention of the first VCR (video cassette recorder), which launched the home video revolution.   Cassettes Go Hi Fi: CASSETTES GO HI FI - The story about the past, present and remarkable future of the compact audio-cassette tape.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eDwayne Buckle\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The First VCR: This is a documentary about the 1956 invention of the first VCR (video cassette recorder), which launched the home video revolution.   Cassettes Go Hi Fi: CASSETTES GO HI FI - The story about the past, present and remarkable future of the compact audio-cassette tape.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eAlexander M Poniatoff, Myles Wright\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The First VCR: This is a documentary about the 1956 invention of the first VCR (video cassette recorder), which launched the home video revolution.   Cassettes Go Hi Fi: CASSETTES GO HI FI - The story about the past, present and remarkable future of the compact audio-cassette tape.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2019 \/ 101 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"25-30 minutes of associated trailers, commercials \u0026amp; promotional videos\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"25-30 minutes of associated trailers, commercials \u0026amp; promotional videos\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e25-30 minutes of associated trailers, commercials \u0026amp; promotional videos\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"25-30 minutes of associated trailers, commercials \u0026amp; promotional videos\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41632551895223,"sku":"ETRM008","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/thefirstvcrfront.jpg?v=1687973717"},{"product_id":"glow-the-gorgeous-ladies-of-wrestling","title":"Glow: The Story of the Gorgeous Ladies of Wrestling","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe American Genre Film Archive (AGFA) represents the world's largest theatrical catalog of exploitation cinema. Their home video line presents a diverse selection of movies, ranging from new preservations of classics from the vast library of Something Weird to the wildest in shot-on-video (SOV) titles. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING is the true story of what happened behind the scenes of one of the most outrageous television shows in history. From 1986-92, the airwaves were ruled by GLOW—a neon and glitter-soaked reimagining of the World Wrestling Federation with an all-female cast . . . only with more skits, chainsaws, and personalized rap songs. This documentary, which inspired the hit Netflix series GLOW, chronicles the rise and fall of the iconic show through the stories of those who lived it. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (THE ROCK-AFIRE EXPLOSION), GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING pays tribute to the incredible women who made it all possible. AGFA is thrilled to bring GLOW to Blu-ray for the first time, complete with enough extras to fuel three-thousand suplexes.\"}'\u003eGLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING is the true story of what happened behind the scenes of one of the most outrageous television shows in history. From 1986-92, the airwaves were ruled by GLOW—a neon and glitter-soaked reimagining of the World Wrestling Federation with an all-female cast . . . only with more skits, chainsaws, and personalized rap songs. This documentary, which inspired the hit Netflix series GLOW, chronicles the rise and fall of the iconic show through the stories of those who lived it. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (THE ROCK-AFIRE EXPLOSION), GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING pays tribute to the incredible women who made it all possible. AGFA is thrilled to bring GLOW to Blu-ray for the first time, complete with enough extras to fuel three-thousand suplexes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING is the true story of what happened behind the scenes of one of the most outrageous television shows in history. From 1986-92, the airwaves were ruled by GLOW—a neon and glitter-soaked reimagining of the World Wrestling Federation with an all-female cast . . . only with more skits, chainsaws, and personalized rap songs. This documentary, which inspired the hit Netflix series GLOW, chronicles the rise and fall of the iconic show through the stories of those who lived it. Produced DIY-style by filmmakers Brett Whitcomb and Bradford Thomason (THE ROCK-AFIRE EXPLOSION), GLOW: THE STORY OF THE GORGEOUS LADIES OF WRESTLING pays tribute to the incredible women who made it all possible. AGFA is thrilled to bring GLOW to Blu-ray for the first time, complete with enough extras to fuel three-thousand suplexes.\"}'\u003edirected by: \u003c\/span\u003eBrett Whitcomb\u003cbr\u003estarring: Various\u003cbr\u003e2012 \/ 77 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}'\u003ePreservation from the original digital master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}'\u003eArchival commentary track with Billy Corgan of The Smashing Pumpkins \u003c\/span\u003eand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}'\u003eUnited Film Festival Q\u0026amp;A\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}'\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}'\u003eOriginal Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}'\u003e70 minutes of vintage GLOW matches, skits, and music videos\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original digital master\\n• Archival commentary track with Billy Corgan of The Smashing Pumpkins\\nand GLOW wrestlers Little Egypt, Matilda the Hun, and Hollywood\\n• United Film Festival Q\u0026amp;A\\n• Outtakes\\n• Original Trailer\\n• 70 minutes of vintage GLOW matches, skits, and music videos \"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CnI_L-liswg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"American Genre Film Archive","offers":[{"title":"Default Title","offer_id":41667192258743,"sku":"AGFA-049","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/glowstdfront.jpg?v=1701269819"},{"product_id":"hitman-hart-wrestling-with-shadows","title":"Hitman Hart: Wrestling with Shadows","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom arthouse to Canuxploitation, Canadian International Pictures (CIP) is devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian cinema. This label is focused on the country’s original cinematic boom years – spanning the ’60s, ’70s, and ’80s – occasionally venturing past that period (and the country’s borders) to highlight the films of Canada’s most inspired actors and filmmakers.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing CIP's brand new line of home video releases!\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"25th anniversary special edition    \\n\\nIt’s 1997, and the World Wrestling Federation is facing fierce competition from Ted Turner’s World Championship Wrestling. When the legendary Bret “The Hitman” Hart is offered a lucrative opportunity to jump ship to the WCW, WWF mastermind Vince McMahon appeals to his sense of loyalty and lures him back with a 20-year contract. But when McMahon abruptly reneges on the deal, Hart reconnects with the competition, paving the way for one of the most notorious events in the history of professional wrestling: the Montreal Screwjob. \\n\\nWidely hailed as the greatest wrestling documentary of all time, Hitman Hart: Wrestling with Shadows is an engrossing look at the life and career of Bret Hart and the Hart dynasty. Granted unprecedented access to the secret world of wrestling, director Paul Jay presents a real-world narrative far more dramatic than any story created for the ring. Expanding on the film’s eye-opening perspective, this disc also includes the potent companion doc, The Life and Death of Owen Hart – co-directed by Jay and Sally Blake – which explores the tragic death of Bret’s brother Owen.\"}'\u003e25th anniversary special edition!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"25th anniversary special edition    \\n\\nIt’s 1997, and the World Wrestling Federation is facing fierce competition from Ted Turner’s World Championship Wrestling. When the legendary Bret “The Hitman” Hart is offered a lucrative opportunity to jump ship to the WCW, WWF mastermind Vince McMahon appeals to his sense of loyalty and lures him back with a 20-year contract. But when McMahon abruptly reneges on the deal, Hart reconnects with the competition, paving the way for one of the most notorious events in the history of professional wrestling: the Montreal Screwjob. \\n\\nWidely hailed as the greatest wrestling documentary of all time, Hitman Hart: Wrestling with Shadows is an engrossing look at the life and career of Bret Hart and the Hart dynasty. Granted unprecedented access to the secret world of wrestling, director Paul Jay presents a real-world narrative far more dramatic than any story created for the ring. Expanding on the film’s eye-opening perspective, this disc also includes the potent companion doc, The Life and Death of Owen Hart – co-directed by Jay and Sally Blake – which explores the tragic death of Bret’s brother Owen.\"}'\u003eIt’s 1997, and the World Wrestling Federation is facing fierce competition from Ted Turner’s World Championship Wrestling. When the legendary Bret “The Hitman” Hart is offered a lucrative opportunity to jump ship to the WCW, WWF mastermind Vince McMahon appeals to his sense of loyalty and lures him back with a 20-year contract. But when McMahon abruptly reneges on the deal, Hart reconnects with the competition, paving the way for one of the most notorious events in the history of professional wrestling: the Montreal Screwjob. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"25th anniversary special edition    \\n\\nIt’s 1997, and the World Wrestling Federation is facing fierce competition from Ted Turner’s World Championship Wrestling. When the legendary Bret “The Hitman” Hart is offered a lucrative opportunity to jump ship to the WCW, WWF mastermind Vince McMahon appeals to his sense of loyalty and lures him back with a 20-year contract. But when McMahon abruptly reneges on the deal, Hart reconnects with the competition, paving the way for one of the most notorious events in the history of professional wrestling: the Montreal Screwjob. \\n\\nWidely hailed as the greatest wrestling documentary of all time, Hitman Hart: Wrestling with Shadows is an engrossing look at the life and career of Bret Hart and the Hart dynasty. Granted unprecedented access to the secret world of wrestling, director Paul Jay presents a real-world narrative far more dramatic than any story created for the ring. Expanding on the film’s eye-opening perspective, this disc also includes the potent companion doc, The Life and Death of Owen Hart – co-directed by Jay and Sally Blake – which explores the tragic death of Bret’s brother Owen.\"}'\u003eWidely hailed as the greatest wrestling documentary of all time, Hitman Hart: Wrestling with Shadows is an engrossing look at the life and career of Bret Hart and the Hart dynasty. Granted unprecedented access to the secret world of wrestling, director Paul Jay presents a real-world narrative far more dramatic than any story created for the ring. Expanding on the film’s eye-opening perspective, this disc also includes the potent companion doc, The Life and Death of Owen Hart – co-directed by Jay and Sally Blake – which explores the tragic death of Bret’s brother Owen.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"25th anniversary special edition    \\n\\nIt’s 1997, and the World Wrestling Federation is facing fierce competition from Ted Turner’s World Championship Wrestling. When the legendary Bret “The Hitman” Hart is offered a lucrative opportunity to jump ship to the WCW, WWF mastermind Vince McMahon appeals to his sense of loyalty and lures him back with a 20-year contract. But when McMahon abruptly reneges on the deal, Hart reconnects with the competition, paving the way for one of the most notorious events in the history of professional wrestling: the Montreal Screwjob. \\n\\nWidely hailed as the greatest wrestling documentary of all time, Hitman Hart: Wrestling with Shadows is an engrossing look at the life and career of Bret Hart and the Hart dynasty. Granted unprecedented access to the secret world of wrestling, director Paul Jay presents a real-world narrative far more dramatic than any story created for the ring. Expanding on the film’s eye-opening perspective, this disc also includes the potent companion doc, The Life and Death of Owen Hart – co-directed by Jay and Sally Blake – which explores the tragic death of Bret’s brother Owen.\"}'\u003edirected by: \u003c\/span\u003ePaul Jay\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"25th anniversary special edition    \\n\\nIt’s 1997, and the World Wrestling Federation is facing fierce competition from Ted Turner’s World Championship Wrestling. When the legendary Bret “The Hitman” Hart is offered a lucrative opportunity to jump ship to the WCW, WWF mastermind Vince McMahon appeals to his sense of loyalty and lures him back with a 20-year contract. But when McMahon abruptly reneges on the deal, Hart reconnects with the competition, paving the way for one of the most notorious events in the history of professional wrestling: the Montreal Screwjob. \\n\\nWidely hailed as the greatest wrestling documentary of all time, Hitman Hart: Wrestling with Shadows is an engrossing look at the life and career of Bret Hart and the Hart dynasty. Granted unprecedented access to the secret world of wrestling, director Paul Jay presents a real-world narrative far more dramatic than any story created for the ring. Expanding on the film’s eye-opening perspective, this disc also includes the potent companion doc, The Life and Death of Owen Hart – co-directed by Jay and Sally Blake – which explores the tragic death of Bret’s brother Owen.\"}'\u003estarring: \u003c\/span\u003eBret Hart, Vince McMahon, Steve Austin, Blade Hart, Helen Hart, Julie Hart, Owen Hart, Stu Hart, The Honky Tonk Man, Mankind, Dave Meltzer, Shawn Michaels, Jim Neidhart, Tammy Sytch, The Undertaker\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"25th anniversary special edition    \\n\\nIt’s 1997, and the World Wrestling Federation is facing fierce competition from Ted Turner’s World Championship Wrestling. When the legendary Bret “The Hitman” Hart is offered a lucrative opportunity to jump ship to the WCW, WWF mastermind Vince McMahon appeals to his sense of loyalty and lures him back with a 20-year contract. But when McMahon abruptly reneges on the deal, Hart reconnects with the competition, paving the way for one of the most notorious events in the history of professional wrestling: the Montreal Screwjob. \\n\\nWidely hailed as the greatest wrestling documentary of all time, Hitman Hart: Wrestling with Shadows is an engrossing look at the life and career of Bret Hart and the Hart dynasty. Granted unprecedented access to the secret world of wrestling, director Paul Jay presents a real-world narrative far more dramatic than any story created for the ring. Expanding on the film’s eye-opening perspective, this disc also includes the potent companion doc, The Life and Death of Owen Hart – co-directed by Jay and Sally Blake – which explores the tragic death of Bret’s brother Owen.\"}'\u003e1998 \/ 94 min \/ 1.33:1 \/ English \u003c\/span\u003eDTS-HD MA 1.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eTransferred and restored from the Betacam master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eAudio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eAnatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eDirecting with Shadows (2022, 23 min.) – New interview with director Paul Jay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eScrewjob-specific commentary (2022, 13 min.) featuring Bret Hart\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eArchival interview with Bret Hart (2008, 22 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eArchival interview with Paul Jay (2008, 22 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eThe Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eBooklet featuring an interview with producer Sally Blake\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003eEnglish SDH subtitles for both films\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"• Transferred and restored from the Betacam master\\n• Audio commentary featuring Bret Hart and Wrestling Observer Newsletter editor Dave Meltzer\\n• Anatomy of a Screwjob (2022, 23 min.) – New interview with Bret Hart\\n• Directing with Shadows (2022, 23 min.) – New interview with director Paul Jay\\n• Screwjob-specific commentary (2022, 13 min.) featuring Bret Hart\\n• Archival interview with Bret Hart (2008, 22 min.)\\n• Archival interview with Paul Jay (2008, 22 min.)\\n• The Life and Death of Owen Hart (1999, 47 min.) with an intro by co-director Paul Jay\\n• Booklet featuring an interview with producer Sally Blake\\n• Reversible cover artwork\\n• English SDH subtitles for both films\"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jUTfI6MSV6k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Canadian International Pictures","offers":[{"title":"Default Title","offer_id":41667192422583,"sku":"CIP-013","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/hitmanhartstdfront.jpg?v=1675802181"},{"product_id":"who-done-it-the-clue-documentary","title":"Who Done It? The Clue Documentary","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Solve the mystery of how \\\"Clue\\\", a film based on a board game, was murdered at the box office but, in a shocking twist, found a fanbase with a passionate appreciation for the movie’s hilarious dialogue and incredible cast.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eSolve the mystery of how \"Clue\", a film based on a board game, was murdered at the box office but, in a shocking twist, found a fanbase with a passionate appreciation for the movie’s hilarious dialogue and incredible cast.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Solve the mystery of how \\\"Clue\\\", a film based on a board game, was murdered at the box office but, in a shocking twist, found a fanbase with a passionate appreciation for the movie’s hilarious dialogue and incredible cast.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003edirected by: \u003c\/span\u003eJeff C. Smith\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Solve the mystery of how \\\"Clue\\\", a film based on a board game, was murdered at the box office but, in a shocking twist, found a fanbase with a passionate appreciation for the movie’s hilarious dialogue and incredible cast.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003estarring: \u003c\/span\u003eColleen Camp, Jeffrey Kramer, Jonathan Lynn, Michael McKean, Lee Ving, Lesley Ann Warren\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Solve the mystery of how \\\"Clue\\\", a film based on a board game, was murdered at the box office but, in a shocking twist, found a fanbase with a passionate appreciation for the movie’s hilarious dialogue and incredible cast.\"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e2022 \/ 108 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eAdditional interview footage not included in the film\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41667192783031,"sku":"ETRM009","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/whodoneitstdfront.jpg?v=1675375703"},{"product_id":"american-rapstar","title":"American Rapstar","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eThis special limited edition slipcover (designed by Haunt Love) is limited to \u003cstrong data-mce-fragment=\"1\"\u003e1,000 units\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":2881,\"3\":{\"1\":0},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A new scene of troubled, lo-fi young rappers has emerged from Trump's America, utilizing the SoundCloud streaming platform to quickly become the most culturally disruptive force in hip hop, shocking the world with their rambunctious antics, prescription drug use, facial tattoos, and rebellious punk energy. We examine the SoundCloud rap scene's biggest stars from within the culture as well placing them in the broader musical context in an attempt to understand how we arrived here and where we are headed.\u0026quot;}\"\u003eA new scene of troubled, lo-fi young rappers has emerged from Trump's America, utilizing the SoundCloud streaming platform to quickly become the most culturally disruptive force in hip hop, shocking the world with their rambunctious antics, prescription drug use, facial tattoos, and rebellious punk energy. We examine the SoundCloud rap scene's biggest stars from within the culture as well placing them in the broader musical context in an attempt to understand how we arrived here and where we are headed.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":2881,\"3\":{\"1\":0},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A new scene of troubled, lo-fi young rappers has emerged from Trump's America, utilizing the SoundCloud streaming platform to quickly become the most culturally disruptive force in hip hop, shocking the world with their rambunctious antics, prescription drug use, facial tattoos, and rebellious punk energy. We examine the SoundCloud rap scene's biggest stars from within the culture as well placing them in the broader musical context in an attempt to understand how we arrived here and where we are headed.\u0026quot;}\"\u003edirected by: \u003c\/span\u003eJustin Staple\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":2881,\"3\":{\"1\":0},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A new scene of troubled, lo-fi young rappers has emerged from Trump's America, utilizing the SoundCloud streaming platform to quickly become the most culturally disruptive force in hip hop, shocking the world with their rambunctious antics, prescription drug use, facial tattoos, and rebellious punk energy. We examine the SoundCloud rap scene's biggest stars from within the culture as well placing them in the broader musical context in an attempt to understand how we arrived here and where we are headed.\u0026quot;}\"\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":2881,\"3\":{\"1\":0},\"9\":0,\"11\":4,\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;A new scene of troubled, lo-fi young rappers has emerged from Trump's America, utilizing the SoundCloud streaming platform to quickly become the most culturally disruptive force in hip hop, shocking the world with their rambunctious antics, prescription drug use, facial tattoos, and rebellious punk energy. We examine the SoundCloud rap scene's biggest stars from within the culture as well placing them in the broader musical context in an attempt to understand how we arrived here and where we are headed.\u0026quot;}\"\u003e2021 \/ 81 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Justin Staple, Theatrical Trailer, Postcard with Alternate Poster Artwork\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Justin Staple, Theatrical Trailer, Postcard with Alternate Poster Artwork\"}'\u003eAudio Commentary with Director Justin Staple\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Justin Staple, Theatrical Trailer, Postcard with Alternate Poster Artwork\"}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Justin Staple, Theatrical Trailer, Postcard with Alternate Poster Artwork\"}'\u003ePostcard with Alternate Poster Artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Justin Staple, Theatrical Trailer, Postcard with Alternate Poster Artwork\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Audio Commentary with Director Justin Staple, Theatrical Trailer, Postcard with Alternate Poster Artwork\"}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UPBr-jYAsT4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Utopia","offers":[{"title":"Limited Edition Slipcover","offer_id":41667193077943,"sku":"UTO-018 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41667193110711,"sku":"UTO-018","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/americanrapstarslipfront.jpg?v=1675284407"},{"product_id":"how-to-build-a-time-machine","title":"How to Build a Time Machine","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition slipcover (designed by \u003cspan data-sheets-value='{\"1\":2,\"2\":\"Stephanie Monohan\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eStephanie Monohan)\u003c\/span\u003e is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCircle Collective formed in June 2019 in order to provide a new avenue for and community around creative distribution as an artist-forward, feature film marketing and distribution consulting agency. In partnership with OCN, Circle Collective will begin to release contemporary indie cinema across a variety of genres and origins onto physical media, maintaining the same artist-forward perspective as in their theatrical campaigns. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;How to Build a Time Machine follows two men as they set out on a journey to build their own time machines. Rob Niosi is a stop motion animator who has spent the last 13 years obsessively constructing a full-scale replica of the time machine prop from the 1960 adaptation of H.G. Wells' \\\u0026quot;The Time Machine.\\\u0026quot; It's his attempt to recapture the memory of seeing the film in theaters with his father. Dr.Ron Mallett is a theoretical physicist whose story begins with a tragedy. He was only 10 years old when his father died suddenly of a heart attack. Distraught, he sought solace in science-fiction. After reading \\\u0026quot;The Time Machine,\\\u0026quot; Ron dedicated his life to studying physics. He has since become a professor at the University of Connecticut and is now working on building a real time machine in the hopes that he might go back in time to save his father's life.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eHow to Build a Time Machine follows two men as they set out on a journey to build their own time machines. Rob Niosi is a stop motion animator who has spent the last 13 years obsessively constructing a full-scale replica of the time machine prop from the 1960 adaptation of H.G. Wells' \"The Time Machine.\" It's his attempt to recapture the memory of seeing the film in theaters with his father. Dr.Ron Mallett is a theoretical physicist whose story begins with a tragedy. He was only 10 years old when his father died suddenly of a heart attack. Distraught, he sought solace in science-fiction. After reading \"The Time Machine,\" Ron dedicated his life to studying physics. He has since become a professor at the University of Connecticut and is now working on building a real time machine in the hopes that he might go back in time to save his father's life.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;How to Build a Time Machine follows two men as they set out on a journey to build their own time machines. Rob Niosi is a stop motion animator who has spent the last 13 years obsessively constructing a full-scale replica of the time machine prop from the 1960 adaptation of H.G. Wells' \\\u0026quot;The Time Machine.\\\u0026quot; It's his attempt to recapture the memory of seeing the film in theaters with his father. Dr.Ron Mallett is a theoretical physicist whose story begins with a tragedy. He was only 10 years old when his father died suddenly of a heart attack. Distraught, he sought solace in science-fiction. After reading \\\u0026quot;The Time Machine,\\\u0026quot; Ron dedicated his life to studying physics. He has since become a professor at the University of Connecticut and is now working on building a real time machine in the hopes that he might go back in time to save his father's life.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eJay Cheel \u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;How to Build a Time Machine follows two men as they set out on a journey to build their own time machines. Rob Niosi is a stop motion animator who has spent the last 13 years obsessively constructing a full-scale replica of the time machine prop from the 1960 adaptation of H.G. Wells' \\\u0026quot;The Time Machine.\\\u0026quot; It's his attempt to recapture the memory of seeing the film in theaters with his father. Dr.Ron Mallett is a theoretical physicist whose story begins with a tragedy. He was only 10 years old when his father died suddenly of a heart attack. Distraught, he sought solace in science-fiction. After reading \\\u0026quot;The Time Machine,\\\u0026quot; Ron dedicated his life to studying physics. He has since become a professor at the University of Connecticut and is now working on building a real time machine in the hopes that he might go back in time to save his father's life.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: \u003c\/span\u003eBob Burns, Donald D. Coleman, Ronald Mallett, Robert Niosi \u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;How to Build a Time Machine follows two men as they set out on a journey to build their own time machines. Rob Niosi is a stop motion animator who has spent the last 13 years obsessively constructing a full-scale replica of the time machine prop from the 1960 adaptation of H.G. Wells' \\\u0026quot;The Time Machine.\\\u0026quot; It's his attempt to recapture the memory of seeing the film in theaters with his father. Dr.Ron Mallett is a theoretical physicist whose story begins with a tragedy. He was only 10 years old when his father died suddenly of a heart attack. Distraught, he sought solace in science-fiction. After reading \\\u0026quot;The Time Machine,\\\u0026quot; Ron dedicated his life to studying physics. He has since become a professor at the University of Connecticut and is now working on building a real time machine in the hopes that he might go back in time to save his father's life.\u0026quot;}\" data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e2015 \/ 82 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eJay Cheel Director Commentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eDeleted Scene - Bob Burns\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eDeleted Scene - Morlock\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eDeleted Scene - Rob and Ron\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eDeleted Scene - Ron and Bob\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eFeaturette - How to Fake a Time Machine\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eFeaturette - Machine Tour\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eFeaturette - Rob's Inventions\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Trailer\\nJay Cheel Director Commentary\\nDeleted Scene - Bob Burns\\nDeleted Scene - Morlock\\nDeleted Scene - Rob and Ron\\nDeleted Scene - Ron and Bob\\nOuttake from student film Obsessed \u0026amp; Scientific - Robs Chair\\nFeaturette - How to Fake a Time Machine\\nFeaturette - Machine Tour\\nFeaturette - Rob's Inventions\\n\u0026quot;}\" data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Circle Collective","offers":[{"title":"Limited Edition Slipcover","offer_id":41704640938167,"sku":"CC-007 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41704640970935,"sku":"CC-007","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/howtobuildatimemachineslipfront.jpg?v=1677697465"},{"product_id":"goldenera-a-movie-about-the-game-defined-a-generation","title":"GoldenEra: A Movie About The Game That Defined A Generation","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"GoldenEra is a documentary that tells the story of the creation and legacy of the video game GoldenEye 007 (1997) for the Nintendo 64.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003eGoldenEra is a documentary that tells the story of the creation and legacy of the video game GoldenEye 007 (1997) for the Nintendo 64.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"GoldenEra is a documentary that tells the story of the creation and legacy of the video game GoldenEye 007 (1997) for the Nintendo 64.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003edirected by: \u003c\/span\u003eDrew Roller\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"GoldenEra is a documentary that tells the story of the creation and legacy of the video game GoldenEye 007 (1997) for the Nintendo 64.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003estarring: \u003c\/span\u003eDavid Doak, Karl Hilton, Steve Ellis, Simon Parkin, Brett Jones, Stuart Ahsen, Dan Ryckert, Darren Gargette\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"GoldenEra is a documentary that tells the story of the creation and legacy of the video game GoldenEye 007 (1997) for the Nintendo 64.\"}' data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}'\u003e2022 \/ 100 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eObsession\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eMusic Of GoldenEra \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eThe Artwork of GoldenEra\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eGame engine Reenactments \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eMeme culture and GoldenEye \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eGoldenEye in VR? \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eMick Gordon on Rare\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eThe N64 Hardware\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eOriginal Trailer \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eUK Launch Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eUS Launch trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"-Obsession\\n-Music Of GoldenEra \\n-The Artwork of GoldenEra\\n-Game engine Reenactments \\n-Meme culture and GoldenEye \\n-GoldenEye in VR? \\n-Mick Gordon on Rare\\n-The N64 Hardware\\n-Original Trailer \\n-UK Launch Trailer\\n-US Launch trailer\"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41704641200311,"sku":"ETRM013","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/goldenerafront.jpg?v=1677774986"},{"product_id":"the-upsetter-the-life-and-music-of-lee-scratch-perry","title":"The Upsetter: The Life and Music of Lee \"Scratch\" Perry","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eThis special limited edition slipcover is limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"The Upsetter tells the wild, weed-fueled story of Lee Scratch Perry — a visionary Jamaican musician, artist and all around madman — who burst upon the Kingston scene in the ‘50s with a brand new sound, inventing a genre of music that would come to be called Reggae. He went on to discover a young Bob Marley and gained international recognition as a solo artist and record producer, working with pioneering artists like the Heptones and the Congos. Soon he was being called upon by artists as diverse as The Clash and Paul McCartney to provide his unique sound. Narrated by Benicio Del Toro, the film captures the essence of a complex, enigmatic figure who was at once a mad genius and a mystic.\"}'\u003eThe Upsetter tells the wild, weed-fueled story of Lee Scratch Perry — a visionary Jamaican musician, artist and all around madman — who burst upon the Kingston scene in the ‘50s with a brand new sound, inventing a genre of music that would come to be called Reggae. He went on to discover a young Bob Marley and gained international recognition as a solo artist and record producer, working with pioneering artists like the Heptones and the Congos. Soon he was being called upon by artists as diverse as The Clash and Paul McCartney to provide his unique sound. Narrated by Benicio Del Toro, the film captures the essence of a complex, enigmatic figure who was at once a mad genius and a mystic.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"The Upsetter tells the wild, weed-fueled story of Lee Scratch Perry — a visionary Jamaican musician, artist and all around madman — who burst upon the Kingston scene in the ‘50s with a brand new sound, inventing a genre of music that would come to be called Reggae. He went on to discover a young Bob Marley and gained international recognition as a solo artist and record producer, working with pioneering artists like the Heptones and the Congos. Soon he was being called upon by artists as diverse as The Clash and Paul McCartney to provide his unique sound. Narrated by Benicio Del Toro, the film captures the essence of a complex, enigmatic figure who was at once a mad genius and a mystic.\"}'\u003edirected by: \u003c\/span\u003eEthan Higbee \u0026amp; Adam Bhala Lough\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"The Upsetter tells the wild, weed-fueled story of Lee Scratch Perry — a visionary Jamaican musician, artist and all around madman — who burst upon the Kingston scene in the ‘50s with a brand new sound, inventing a genre of music that would come to be called Reggae. He went on to discover a young Bob Marley and gained international recognition as a solo artist and record producer, working with pioneering artists like the Heptones and the Congos. Soon he was being called upon by artists as diverse as The Clash and Paul McCartney to provide his unique sound. Narrated by Benicio Del Toro, the film captures the essence of a complex, enigmatic figure who was at once a mad genius and a mystic.\"}'\u003estarring: \u003c\/span\u003eLee 'Scratch' Perry, Carl Bradshaw, The Clash, Eve, Marcus Garvey, Bob Marley, Paul McCartney, Haile Selassie, Peter Tosh, Bunny Wailer\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"The Upsetter tells the wild, weed-fueled story of Lee Scratch Perry — a visionary Jamaican musician, artist and all around madman — who burst upon the Kingston scene in the ‘50s with a brand new sound, inventing a genre of music that would come to be called Reggae. He went on to discover a young Bob Marley and gained international recognition as a solo artist and record producer, working with pioneering artists like the Heptones and the Congos. Soon he was being called upon by artists as diverse as The Clash and Paul McCartney to provide his unique sound. Narrated by Benicio Del Toro, the film captures the essence of a complex, enigmatic figure who was at once a mad genius and a mystic.\"}'\u003e2008 \/ 95 min \/ 1.33:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"-2022 Directors’ commentary by Ethan Higbee and Adam Bhala Lough\\n-Deleted Scenes\\n-Booklet includes an essay by Brandon Harris, Jay Burger, Matt Diehl, Adam Bhala Lough and a the original documentary pitch letter to Perry \"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"-2022 Directors’ commentary by Ethan Higbee and Adam Bhala Lough\\n-Deleted Scenes\\n-Booklet includes an essay by Brandon Harris, Jay Burger, Matt Diehl, Adam Bhala Lough and a the original documentary pitch letter to Perry \"}'\u003e2022 Directors’ commentary by Ethan Higbee and Adam Bhala Lough\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"-2022 Directors’ commentary by Ethan Higbee and Adam Bhala Lough\\n-Deleted Scenes\\n-Booklet includes an essay by Brandon Harris, Jay Burger, Matt Diehl, Adam Bhala Lough and a the original documentary pitch letter to Perry \"}'\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"-2022 Directors’ commentary by Ethan Higbee and Adam Bhala Lough\\n-Deleted Scenes\\n-Booklet includes an essay by Brandon Harris, Jay Burger, Matt Diehl, Adam Bhala Lough and a the original documentary pitch letter to Perry \"}'\u003eBooklet includes an essay by Brandon Harris, Jay Burger, Matt Diehl, Adam Bhala Lough and a the original documentary pitch letter to Perry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"-2022 Directors’ commentary by Ethan Higbee and Adam Bhala Lough\\n-Deleted Scenes\\n-Booklet includes an essay by Brandon Harris, Jay Burger, Matt Diehl, Adam Bhala Lough and a the original documentary pitch letter to Perry \"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"-2022 Directors’ commentary by Ethan Higbee and Adam Bhala Lough\\n-Deleted Scenes\\n-Booklet includes an essay by Brandon Harris, Jay Burger, Matt Diehl, Adam Bhala Lough and a the original documentary pitch letter to Perry \"}'\u003e\u003ciframe src=\"https:\/\/player.vimeo.com\/video\/801061815?h=f441591121\u0026amp;title=0\u0026amp;byline=0\u0026amp;portrait=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/801061815\"\u003eThe Upsetter: The Life \u0026amp; Music of Lee “Scratch” Perry - Trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/factory25\"\u003eFactory 25\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Factory 25","offers":[{"title":"Limited Edition Slipcover","offer_id":41704641233079,"sku":"FTF-141 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41704641265847,"sku":"FTF-141","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/theupsetterslipfront.jpg?v=1677698020"},{"product_id":"meet-me-in-the-bathroom","title":"Meet Me in the Bathroom","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"An immersive archival journey through the explosive New York music scene of the early 2000s. Meet Me in the Bathroom, tells the story of the last great romantic age of Rock’n’Roll through the prism of a handful of era defining bands; THE STROKES, LCD SOUNDSYSTEM, YEAH YEAH YEAHs, INTERPOL\"}' data-sheets-userformat='{\"2\":14783,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":1,\"11\":4,\"14\":{\"1\":2,\"2\":2236962},\"15\":\"Arial\",\"16\":11}'\u003eAn immersive archival journey through the explosive New York music scene of the early 2000s. Meet Me in the Bathroom, tells the story of the last great romantic age of Rock’n’Roll through the prism of a handful of era defining bands; THE STROKES, LCD SOUNDSYSTEM, YEAH YEAH YEAHs, INTERPOL.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"An immersive archival journey through the explosive New York music scene of the early 2000s. Meet Me in the Bathroom, tells the story of the last great romantic age of Rock’n’Roll through the prism of a handful of era defining bands; THE STROKES, LCD SOUNDSYSTEM, YEAH YEAH YEAHs, INTERPOL\"}' data-sheets-userformat='{\"2\":14783,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":1,\"11\":4,\"14\":{\"1\":2,\"2\":2236962},\"15\":\"Arial\",\"16\":11}'\u003edirected by: \u003c\/span\u003eWill Lovelace \u0026amp; Dylan Southern\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"An immersive archival journey through the explosive New York music scene of the early 2000s. Meet Me in the Bathroom, tells the story of the last great romantic age of Rock’n’Roll through the prism of a handful of era defining bands; THE STROKES, LCD SOUNDSYSTEM, YEAH YEAH YEAHs, INTERPOL\"}' data-sheets-userformat='{\"2\":14783,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":1,\"11\":4,\"14\":{\"1\":2,\"2\":2236962},\"15\":\"Arial\",\"16\":11}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"An immersive archival journey through the explosive New York music scene of the early 2000s. Meet Me in the Bathroom, tells the story of the last great romantic age of Rock’n’Roll through the prism of a handful of era defining bands; THE STROKES, LCD SOUNDSYSTEM, YEAH YEAH YEAHs, INTERPOL\"}' data-sheets-userformat='{\"2\":14783,\"3\":{\"1\":1},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":1,\"11\":4,\"14\":{\"1\":2,\"2\":2236962},\"15\":\"Arial\",\"16\":11}'\u003e2021 \/ 107 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Feature commentary with directors Dylan Southern and Will Lovelace, author Lizzy Goodman \u0026amp; co-director Vivienne Perry\\nNYC Premiere at Webster Hall - Q\u0026amp;A with moderator Jim Jarmusch\\nLA Premiere at The Fonda Theatre - Q\u0026amp;A with moderator Tim Heidecker\\nAdam Green at Webster Hall - Unplugged\\nBooklet featuring an essay by Alex Ross Perry and a Rolling Stone interview with Lizzy Goodman by Rob Sheffield \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Feature commentary with directors Dylan Southern and Will Lovelace, author Lizzy Goodman \u0026amp; co-director Vivienne Perry\\nNYC Premiere at Webster Hall - Q\u0026amp;A with moderator Jim Jarmusch\\nLA Premiere at The Fonda Theatre - Q\u0026amp;A with moderator Tim Heidecker\\nAdam Green at Webster Hall - Unplugged\\nBooklet featuring an essay by Alex Ross Perry and a Rolling Stone interview with Lizzy Goodman by Rob Sheffield \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eFeature commentary with directors Dylan Southern and Will Lovelace, author Lizzy Goodman \u0026amp; co-director Vivienne Perry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Feature commentary with directors Dylan Southern and Will Lovelace, author Lizzy Goodman \u0026amp; co-director Vivienne Perry\\nNYC Premiere at Webster Hall - Q\u0026amp;A with moderator Jim Jarmusch\\nLA Premiere at The Fonda Theatre - Q\u0026amp;A with moderator Tim Heidecker\\nAdam Green at Webster Hall - Unplugged\\nBooklet featuring an essay by Alex Ross Perry and a Rolling Stone interview with Lizzy Goodman by Rob Sheffield \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eNYC Premiere at Webster Hall - Q\u0026amp;A with moderator Jim Jarmusch\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Feature commentary with directors Dylan Southern and Will Lovelace, author Lizzy Goodman \u0026amp; co-director Vivienne Perry\\nNYC Premiere at Webster Hall - Q\u0026amp;A with moderator Jim Jarmusch\\nLA Premiere at The Fonda Theatre - Q\u0026amp;A with moderator Tim Heidecker\\nAdam Green at Webster Hall - Unplugged\\nBooklet featuring an essay by Alex Ross Perry and a Rolling Stone interview with Lizzy Goodman by Rob Sheffield \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eLA Premiere at The Fonda Theatre - Q\u0026amp;A with moderator Tim Heidecker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Feature commentary with directors Dylan Southern and Will Lovelace, author Lizzy Goodman \u0026amp; co-director Vivienne Perry\\nNYC Premiere at Webster Hall - Q\u0026amp;A with moderator Jim Jarmusch\\nLA Premiere at The Fonda Theatre - Q\u0026amp;A with moderator Tim Heidecker\\nAdam Green at Webster Hall - Unplugged\\nBooklet featuring an essay by Alex Ross Perry and a Rolling Stone interview with Lizzy Goodman by Rob Sheffield \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eAdam Green at Webster Hall - Unplugged\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Feature commentary with directors Dylan Southern and Will Lovelace, author Lizzy Goodman \u0026amp; co-director Vivienne Perry\\nNYC Premiere at Webster Hall - Q\u0026amp;A with moderator Jim Jarmusch\\nLA Premiere at The Fonda Theatre - Q\u0026amp;A with moderator Tim Heidecker\\nAdam Green at Webster Hall - Unplugged\\nBooklet featuring an essay by Alex Ross Perry and a Rolling Stone interview with Lizzy Goodman by Rob Sheffield \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eBooklet featuring an essay by Alex Ross Perry and a Rolling Stone interview with Lizzy Goodman by Rob Sheffield\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Feature commentary with directors Dylan Southern and Will Lovelace, author Lizzy Goodman \u0026amp; co-director Vivienne Perry\\nNYC Premiere at Webster Hall - Q\u0026amp;A with moderator Jim Jarmusch\\nLA Premiere at The Fonda Theatre - Q\u0026amp;A with moderator Tim Heidecker\\nAdam Green at Webster Hall - Unplugged\\nBooklet featuring an essay by Alex Ross Perry and a Rolling Stone interview with Lizzy Goodman by Rob Sheffield \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Feature commentary with directors Dylan Southern and Will Lovelace, author Lizzy Goodman \u0026amp; co-director Vivienne Perry\\nNYC Premiere at Webster Hall - Q\u0026amp;A with moderator Jim Jarmusch\\nLA Premiere at The Fonda Theatre - Q\u0026amp;A with moderator Tim Heidecker\\nAdam Green at Webster Hall - Unplugged\\nBooklet featuring an essay by Alex Ross Perry and a Rolling Stone interview with Lizzy Goodman by Rob Sheffield \"}' data-sheets-userformat='{\"2\":573,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/UgHN-YE7IPI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Utopia","offers":[{"title":"Default Title","offer_id":41704641986743,"sku":"UTO-019","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/meetmeinthebathroomfront.jpg?v=1716991995"},{"product_id":"taming-the-garden","title":"Taming the Garden","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003eThis special limited edition slipcover (designed by \u003c\/span\u003eNicole Rifkin) is limited to \u003cstrong\u003e1,000 units\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFounded in 2013, Big World Pictures is a non-profit distribution outfit dedicated to bringing the best in world cinema to film enthusiasts across the United States. Previous releases include films by Radu Jude, Tamer El Said, Maya Vitkova, Jean-Gabriel Périot, Julia Murat, Tsai Ming-liang and Eric Rohmer. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}'\u003eAn ode to the rivalry between men and nature, Taming the Garden is the story of how a powerful man indulges in an unusual hobby by having century-old trees uprooted in communities along the Georgian coast and transplanted to his private garden. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}'\u003edirected by: \u003c\/span\u003eSalomé Jashi\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":6719,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Mahmut is a relatively successful commercial photographer who has been struggling to come to terms with the growing gap between his artistic ideals and his professional obligations. His tedious workload, coupled with the lingering loss he still feels for his ex-wife (newly married and on the verge of leaving Istanbul for Canada), leaves Mahmut clinging to the melancholic and obsessive routines of his solitary life. \\n\\nWithout warning, Mahmut’s distant relative Yusuf arrives in Istanbul determined to find a job aboard a ship so that he may fulfill his dream of traveling around the world. In need of a place to stay as he searches for work, Yusuf imposes himself on Mahmut, who resents the sudden intrusion, but nonetheless feels obliged to help his family. It doesn’t take long for Yusuf to discover that the work he is looking for isn’t available, but he manages to prolong his stay with Mahmut by formulating stories that would suggest otherwise. His hope waning, Yusuf resorts to spending his days drifting through the streets of Istanbul, slowly coming to the realization that without work he may soon need to return home. Mahmut tries to help by offering him a job as his assistant during a photography shoot, but the fix is temporary. As the two men struggle to make a connection, communication is slowly reduced to the bare minimum; and their time together must come to an end. \"}'\u003e2021 \/ 92 min \/ 1.78:1 \/ Georgian \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Deleted Scene, Trailer, Booklet with essay by film critic Jerry White\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Deleted Scene, Trailer, Booklet with essay by film critic Jerry White\"}'\u003eDeleted Scene\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Deleted Scene, Trailer, Booklet with essay by film critic Jerry White\"}'\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Deleted Scene, Trailer, Booklet with essay by film critic Jerry White\"}'\u003eBooklet with essay by film critic Jerry White\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Deleted Scene, Trailer, Booklet with essay by film critic Jerry White\"}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Big World Pictures","offers":[{"title":"Limited Edition Slipcover","offer_id":41739066278071,"sku":"BWP-06 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition (Blu-ray)","offer_id":41739066310839,"sku":"BWP-06","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/tamingthegardenslipfront.jpg?v=1680098098"},{"product_id":"the-great-basin","title":"The Great Basin","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition slipcover (designed by \u003cspan data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16773836},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}' data-sheets-value='{\"1\":2,\"2\":\"Beth Morris\"}'\u003eBeth Morris\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Stephanie Monohan\"}' data-sheets-userformat='{\"2\":575,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":13228792},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"12\":0}'\u003e)\u003c\/span\u003e is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCircle Collective formed in June 2019 in order to provide a new avenue for and community around creative distribution as an artist-forward, feature film marketing and distribution consulting agency. In partnership with OCN, Circle Collective will begin to release contemporary indie cinema across a variety of genres and origins onto physical media, maintaining the same artist-forward perspective as in their theatrical campaigns. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value='{\"1\":2,\"2\":\"From below the earth to the stars, The Great Basin is a documentary feature that builds a complex panorama of rural Nevada, in the Western United States, through a tapestry of characters who work, live, and play there. The Great Basin is the location of the \\\"Loneliest Road in America\\\" and can be seen as a microcosm of the economic, social, and ecological marginalization of 21st-century rural communities.\"}'\u003eFrom below the earth to the stars, The Great Basin is a documentary feature that builds a complex panorama of rural Nevada, in the Western United States, through a tapestry of characters who work, live, and play there. The Great Basin is the location of the \"Loneliest Road in America\" and can be seen as a microcosm of the economic, social, and ecological marginalization of 21st-century rural communities.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value='{\"1\":2,\"2\":\"From below the earth to the stars, The Great Basin is a documentary feature that builds a complex panorama of rural Nevada, in the Western United States, through a tapestry of characters who work, live, and play there. The Great Basin is the location of the \\\"Loneliest Road in America\\\" and can be seen as a microcosm of the economic, social, and ecological marginalization of 21st-century rural communities.\"}'\u003edirected by: \u003c\/span\u003eChivas DeVinck\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value='{\"1\":2,\"2\":\"From below the earth to the stars, The Great Basin is a documentary feature that builds a complex panorama of rural Nevada, in the Western United States, through a tapestry of characters who work, live, and play there. The Great Basin is the location of the \\\"Loneliest Road in America\\\" and can be seen as a microcosm of the economic, social, and ecological marginalization of 21st-century rural communities.\"}'\u003estarring: Various\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":2561,\"3\":{\"1\":0},\"12\":0,\"14\":{\"1\":2,\"2\":0}}' data-sheets-value='{\"1\":2,\"2\":\"From below the earth to the stars, The Great Basin is a documentary feature that builds a complex panorama of rural Nevada, in the Western United States, through a tapestry of characters who work, live, and play there. The Great Basin is the location of the \\\"Loneliest Road in America\\\" and can be seen as a microcosm of the economic, social, and ecological marginalization of 21st-century rural communities.\"}'\u003e2021 \/ 92 min \/ 1.85:1 \/ English \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Producer \/ Director Chivas Devinck, Sound Recordist Xan Márquez Caneda and Director of Photography Yoshio Kitagawa\\n\\nQ\u0026amp;A with Director Chivas Devinck and Artist Oscar Tuazon (Laemmle Monica Film Center)\\n\\nCedar Spring Water School - featurette examining Oscar Tuazon's art project and the importance of Cedar Spring to the indigenous people of Nevada\u0026quot;}\"\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Producer \/ Director Chivas Devinck, Sound Recordist Xan Márquez Caneda and Director of Photography Yoshio Kitagawa\\n\\nQ\u0026amp;A with Director Chivas Devinck and Artist Oscar Tuazon (Laemmle Monica Film Center)\\n\\nCedar Spring Water School - featurette examining Oscar Tuazon's art project and the importance of Cedar Spring to the indigenous people of Nevada\u0026quot;}\"\u003eAudio Commentary with Producer \/ Director Chivas Devinck, Sound Recordist Xan Márquez Caneda and Director of Photography Yoshio Kitagawa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Producer \/ Director Chivas Devinck, Sound Recordist Xan Márquez Caneda and Director of Photography Yoshio Kitagawa\\n\\nQ\u0026amp;A with Director Chivas Devinck and Artist Oscar Tuazon (Laemmle Monica Film Center)\\n\\nCedar Spring Water School - featurette examining Oscar Tuazon's art project and the importance of Cedar Spring to the indigenous people of Nevada\u0026quot;}\"\u003eQ\u0026amp;A with Director Chivas Devinck and Artist Oscar Tuazon (Laemmle Monica Film Center)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Producer \/ Director Chivas Devinck, Sound Recordist Xan Márquez Caneda and Director of Photography Yoshio Kitagawa\\n\\nQ\u0026amp;A with Director Chivas Devinck and Artist Oscar Tuazon (Laemmle Monica Film Center)\\n\\nCedar Spring Water School - featurette examining Oscar Tuazon's art project and the importance of Cedar Spring to the indigenous people of Nevada\u0026quot;}\"\u003eCedar Spring Water School - featurette examining Oscar Tuazon's art project and the importance of Cedar Spring to the indigenous people of Nevada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Audio Commentary with Producer \/ Director Chivas Devinck, Sound Recordist Xan Márquez Caneda and Director of Photography Yoshio Kitagawa\\n\\nQ\u0026amp;A with Director Chivas Devinck and Artist Oscar Tuazon (Laemmle Monica Film Center)\\n\\nCedar Spring Water School - featurette examining Oscar Tuazon's art project and the importance of Cedar Spring to the indigenous people of Nevada\u0026quot;}\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Circle Collective","offers":[{"title":"Limited Edition Slipcover","offer_id":41739066474679,"sku":"CC-008 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41739066507447,"sku":"CC-008","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/thegreatbasinslipfront.jpg?v=1680098236"},{"product_id":"vinyl-nation","title":"Vinyl Nation","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats.\\n\\nVINYL NATION digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other?\"}'\u003eThe vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats.\\n\\nVINYL NATION digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other?\"}'\u003eVINYL NATION digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other?\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003edirected by: Kevin Smokler \u0026amp; Christopher Boone\u003cbr\u003estarring: Various\u003cbr\u003e2020 \/ 92 min \/ 1.78:1 \/ English DTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Exclusive booklet featuring interviews with industry professionals \"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Exclusive booklet featuring interviews with industry professionals \"}'\u003eExclusive booklet featuring interviews with industry professionals\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Exclusive booklet featuring interviews with industry professionals \"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41739066736823,"sku":"ETRM010","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/vinylnationfront.jpg?v=1771279093"},{"product_id":"at-the-video-store","title":"At the Video Store","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"An offbeat and bittersweet documentary featuring Bill Hader, John Waters, Lance Bangs, Nicole Holofcener, Charles Mudede, Gus Van Sant, Thelma Schoonmaker, and an entire community of lovable weirdos. Structured around original video store-inspired songs, it is a loving ode to the dying art of connection and curation.\"}'\u003eAn offbeat and bittersweet documentary featuring Bill Hader, John Waters, Lance Bangs, Nicole Holofcener, Charles Mudede, Gus Van Sant, Thelma Schoonmaker, and an entire community of lovable weirdos. Structured around original video store-inspired songs, it is a loving ode to the dying art of connection and curation.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"An offbeat and bittersweet documentary featuring Bill Hader, John Waters, Lance Bangs, Nicole Holofcener, Charles Mudede, Gus Van Sant, Thelma Schoonmaker, and an entire community of lovable weirdos. Structured around original video store-inspired songs, it is a loving ode to the dying art of connection and curation.\"}'\u003edirected by: \u003c\/span\u003eJames Westby\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"An offbeat and bittersweet documentary featuring Bill Hader, John Waters, Lance Bangs, Nicole Holofcener, Charles Mudede, Gus Van Sant, Thelma Schoonmaker, and an entire community of lovable weirdos. Structured around original video store-inspired songs, it is a loving ode to the dying art of connection and curation.\"}'\u003estarring: \u003c\/span\u003eJohn Waters, \u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"An offbeat and bittersweet documentary featuring Bill Hader, John Waters, Lance Bangs, Nicole Holofcener, Charles Mudede, Gus Van Sant, Thelma Schoonmaker, and an entire community of lovable weirdos. Structured around original video store-inspired songs, it is a loving ode to the dying art of connection and curation.\"}'\u003eBarry Solan, Anne Solan, Bill Hader, Nicole Holofcener, Gus Van Sant, Todd Haynes\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"An offbeat and bittersweet documentary featuring Bill Hader, John Waters, Lance Bangs, Nicole Holofcener, Charles Mudede, Gus Van Sant, Thelma Schoonmaker, and an entire community of lovable weirdos. Structured around original video store-inspired songs, it is a loving ode to the dying art of connection and curation.\"}'\u003e2019 \/ 72 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Director Introduction, Deleted Scenes, Theatrical Trailer\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Director Introduction, Deleted Scenes, Theatrical Trailer\"}'\u003eDirector Introduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Director Introduction, Deleted Scenes, Theatrical Trailer\"}'\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Director Introduction, Deleted Scenes, Theatrical Trailer\"}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Director Introduction, Deleted Scenes, Theatrical Trailer\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41784192958647,"sku":"ETRM011","price":24.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/products\/atthevideostorefront.jpg?v=1683552394"},{"product_id":"therapy-dogs","title":"Therapy Dogs","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eThis special limited edition slipcover (designed by Alessa Kreger) is limited to \u003cstrong data-mce-fragment=\"1\"\u003e1,000 units\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"A chronicle of the last year of high school as two friends set out to make the ultimate senior video.\"}'\u003eA chronicle of the last year of high school as two friends set out to make the ultimate senior video.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"A chronicle of the last year of high school as two friends set out to make the ultimate senior video.\"}'\u003edirected by: \u003c\/span\u003eEthan Eng\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"A chronicle of the last year of high school as two friends set out to make the ultimate senior video.\"}'\u003estarring: \u003c\/span\u003eJustin Morrice, Ethan Eng, Kevin Tseng, Kyle Peacock\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"A chronicle of the last year of high school as two friends set out to make the ultimate senior video.\"}'\u003e2019 \/ 83 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 5.1\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reunion: A Life After High School\\n\\nMatt Johnson \u0026amp; Matt Miller interview\\n\\nSlamdance World Premiere Q+A\\n\\nChinese TV Spot\\n\\nCommentary with director\/co-writer Ethan Eng, co-writer Justin Morrice and the Therapy Dogs Kids\\n\\nOpen Doom Crescendo trailer\\n\\nSlamdance trailer\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Reunion: A Life After High School\\n\\nMatt Johnson \u0026amp; Matt Miller interview\\n\\nSlamdance World Premiere Q+A\\n\\nChinese TV Spot\\n\\nCommentary with director\/co-writer Ethan Eng, co-writer Justin Morrice and the Therapy Dogs Kids\\n\\nOpen Doom Crescendo trailer\\n\\nSlamdance trailer\"}'\u003eReunion: A Life After High School\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eMatt Johnson \u0026amp; Matt Miller interview\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSlamdance World Premiere Q+A\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eChinese TV Spot\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary with director\/co-writer Ethan Eng, co-writer Justin Morrice and the Therapy Dogs Kids\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOpen Doom Crescendo trailer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSlamdance trailer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Utopia","offers":[{"title":"Limited Edition Slipcover","offer_id":41834168385719,"sku":"UTO-021 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41834168418487,"sku":"UTO-021","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/therapydogsslipfront.jpg?v=1685561922"},{"product_id":"fake-it-so-real","title":"Fake It So Real","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eThis special limited edition slipcover is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Fake it So Real follows a ragtag group of wrestlers in North Carolina over the course of a week leading up to a big show. The film explores what happens when the over-the-top theatrics of the wrestling ring collide with the realities of the working-class South. The wrestlers aren’t paid for their passion, but they treat wrestling like any artist treats their work. Fake It So Real shares the triumphs and heartaches of an often under-appreciated American art form.\"}'\u003eFake it So Real follows a ragtag group of wrestlers in North Carolina over the course of a week leading up to a big show. The film explores what happens when the over-the-top theatrics of the wrestling ring collide with the realities of the working-class South. The wrestlers aren’t paid for their passion, but they treat wrestling like any artist treats their work. Fake It So Real shares the triumphs and heartaches of an often under-appreciated American art form.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Fake it So Real follows a ragtag group of wrestlers in North Carolina over the course of a week leading up to a big show. The film explores what happens when the over-the-top theatrics of the wrestling ring collide with the realities of the working-class South. The wrestlers aren’t paid for their passion, but they treat wrestling like any artist treats their work. Fake It So Real shares the triumphs and heartaches of an often under-appreciated American art form.\"}'\u003edirected by: \u003c\/span\u003eRobert Greene\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Fake it So Real follows a ragtag group of wrestlers in North Carolina over the course of a week leading up to a big show. The film explores what happens when the over-the-top theatrics of the wrestling ring collide with the realities of the working-class South. The wrestlers aren’t paid for their passion, but they treat wrestling like any artist treats their work. Fake It So Real shares the triumphs and heartaches of an often under-appreciated American art form.\"}'\u003estarring: \u003c\/span\u003eChris Solar, Gabriel Croft, J-Prep, Keith Matthews, Pitt, Zane Riley, Brandon Powers, David Hayes, Hojo Devlin, Mikado, and AG Smooth\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":4783,\"3\":{\"1\":0},\"4\":{\"1\":2,\"2\":16777215},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Fake it So Real follows a ragtag group of wrestlers in North Carolina over the course of a week leading up to a big show. The film explores what happens when the over-the-top theatrics of the wrestling ring collide with the realities of the working-class South. The wrestlers aren’t paid for their passion, but they treat wrestling like any artist treats their work. Fake It So Real shares the triumphs and heartaches of an often under-appreciated American art form.\"}'\u003e2011 \/ 91 min \/ 1.78:1 \/ English \u003c\/span\u003eDolby Digital 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003eBlu-ray includes extra footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003eA look at the NYC Rooftop Films NYC premiere\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003eMWF Mixtape\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003eWrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003eTalking Documentary Podcast Interview with Robert Greene by Scott Lacy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003eCommentary track with Robert Greene and wrestling journalist David Shoemaker \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003eLooking back conversation with Chris Solar and Robert Green\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003eBooklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Blu-ray includes extra footage, \\n\\n-A look at the NYC Rooftop Films NYC premiere\\n-MWF Mixtape\\n-Wrestling promos by indie film luminaries including: Alex Ross Perry (The Color Wheel and Listen Up Philip), Michael Tully (Ping Pong Summer and Septien), Lawrence Michael Levine (Wild Canaries), The Ross Brothers (Western and Tchoupitoulas), Michael Bilandic (Hellaware), Jarred Alterman (Convento), Mark Elijah Rosenberg, Tom Hall, Daniel Metz, Aaron Hillis, Adam Shartoff and Craig Butta.\\n-Talking Documentary Podcast Interview with Robert Greene by Scott Lacy\\n-Commentary track with Robert Greene and wrestling journalist David Shoemaker \\n-Looking back conversation with Chris Solar and Robert Green\\n-Booklet with an Interview with Robert Greene by Nadine Smith and essay by Sean Price Williams.\"}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sMmES2yw5kw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Factory 25","offers":[{"title":"Limited Edition Slipcover","offer_id":41855196922039,"sku":"FTF-024 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41855196954807,"sku":"FTF-024","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/fakeitsorealslipfront.jpg?v=1688154649"},{"product_id":"adjust-your-tracking-the-untold-story-of-the-vhs-collector","title":"Adjust Your Tracking: The Untold Story of the VHS Collector","description":"\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition spot gloss slipcover (designed by Earl Kess) is limited to\u003cspan\u003e \u003cstrong\u003e2\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eVHSHITFEST has been uncovering and releasing movies on video for over a decade, across DVD and \u003cspan class=\"il\"\u003eVHS\u003c\/span\u003e, and is now moving into blu-ray, with the same goal to showcase the most unique, crazy, and obscure movies that they've discovered through years of collecting \u003cspan class=\"il\"\u003eVHS\u003c\/span\u003e, allowing even more people to actually be able to experience these nearly lost gems in the best versions possible.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Some see VHS as worthless plastic, but Adjust Your Tracking shows a vibrant world of collectors and movie fans who are keeping the format, and the movies, alive. Over 100 collectors, filmmakers, producers and video store owners express how VHS changed their lives. Travel back to the days of video rental stores with those who still buy, sell, rent and trade the format that will not die — VHS. Now more relevant than ever, VHSHITFEST is proud to present the 10th anniversary blu-ray debut of Adjust Your Tracking with countless hours of new and archival special features.\"}' data-sheets-userformat='{\"2\":15041,\"3\":{\"1\":0},\"9\":1,\"10\":2,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri, sans-serif\",\"16\":11}'\u003eSome see VHS as worthless plastic, but Adjust Your Tracking shows a vibrant world of collectors and movie fans who are keeping the format, and the movies, alive. Over 100 collectors, filmmakers, producers and video store owners express how VHS changed their lives. Travel back to the days of video rental stores with those who still buy, sell, rent and trade the format that will not die — VHS. Now more relevant than ever, VHSHITFEST is proud to present the 10th anniversary blu-ray debut of Adjust Your Tracking with countless hours of new and archival special features.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A documentary capturing the world of modern day VHS collectors.\"}' data-sheets-userformat='{\"2\":15041,\"3\":{\"1\":0},\"9\":1,\"10\":2,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri, sans-serif\",\"16\":11}'\u003edirected by: \u003c\/span\u003eDan Kinem, Levi Peretic\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A documentary capturing the world of modern day VHS collectors.\"}' data-sheets-userformat='{\"2\":15041,\"3\":{\"1\":0},\"9\":1,\"10\":2,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri, sans-serif\",\"16\":11}'\u003estarring: \u003c\/span\u003eLloyd Kaufman, Tony Timpone, Zack Carlson\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"A documentary capturing the world of modern day VHS collectors.\"}' data-sheets-userformat='{\"2\":15041,\"3\":{\"1\":0},\"9\":1,\"10\":2,\"12\":0,\"14\":{\"1\":2,\"2\":0},\"15\":\"Calibri, sans-serif\",\"16\":11}'\u003e2013 \/ 84 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free 2-Disc Blu-ray\u003c\/li\u003e\n\u003cli\u003eNew audio commentary with the filmmakers\u003c\/li\u003e\n\u003cli\u003eTwo archival commentaries\u003c\/li\u003e\n\u003cli\u003eHours of extended interviews\u003c\/li\u003e\n\u003cli\u003eNew retrospective interview with the directors\u003c\/li\u003e\n\u003cli\u003eNew updates with the collectors\u003c\/li\u003e\n\u003cli\u003eNew interview with James Rolfe (Cinemassacre)\u003c\/li\u003e\n\u003cli\u003eBehind the scenes\u003c\/li\u003e\n\u003cli\u003eShort films\u003c\/li\u003e\n\u003cli\u003eDeleted scenes\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"VHSHitfest","offers":[{"title":"Limited Edition Slipcover","offer_id":41855197348023,"sku":"VHSHitfest-005 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41855197380791,"sku":"VHSHitfest-005","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/adjustyourtrackingslipfront_5a31ac32-52aa-4e85-aaa3-8d29417968f5.jpg?v=1688149874"},{"product_id":"dont-fall-in-love-with-yourself","title":"Don't Fall In Love With Yourself","description":"\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Don't Fall in Love with Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson. From childhood tragedy to his rise in the San Diego punk scene, Don't Fall in Love with Yourself takes an in-depth look at a career made out of blood, sweat and spit.\\n\\nMuch of the footage has been sourced from dozens of VHS \u0026amp; Mini-DV tapes recorded over the past three decades. With never-before-seen footage of one of the most interesting and unique musical movements is recent memory.\\n\\nInterviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Jason Pettigrew, Travis Ryan, Jeremy Bolm, Jon Syverson, Molly Neuman and more.\\n\u0026quot;}\"\u003eDon't Fall in Love with Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson. From childhood tragedy to his rise in the San Diego punk scene, Don't Fall in Love with Yourself takes an in-depth look at a career made out of blood, sweat and spit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Don't Fall in Love with Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson. From childhood tragedy to his rise in the San Diego punk scene, Don't Fall in Love with Yourself takes an in-depth look at a career made out of blood, sweat and spit.\\n\\nMuch of the footage has been sourced from dozens of VHS \u0026amp; Mini-DV tapes recorded over the past three decades. With never-before-seen footage of one of the most interesting and unique musical movements is recent memory.\\n\\nInterviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Jason Pettigrew, Travis Ryan, Jeremy Bolm, Jon Syverson, Molly Neuman and more.\\n\u0026quot;}\"\u003eMuch of the footage has been sourced from dozens of VHS \u0026amp; Mini-DV tapes recorded over the past three decades. With never-before-seen footage of one of the most interesting and unique musical movements is recent memory.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Don't Fall in Love with Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson. From childhood tragedy to his rise in the San Diego punk scene, Don't Fall in Love with Yourself takes an in-depth look at a career made out of blood, sweat and spit.\\n\\nMuch of the footage has been sourced from dozens of VHS \u0026amp; Mini-DV tapes recorded over the past three decades. With never-before-seen footage of one of the most interesting and unique musical movements is recent memory.\\n\\nInterviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Jason Pettigrew, Travis Ryan, Jeremy Bolm, Jon Syverson, Molly Neuman and more.\\n\u0026quot;}\"\u003eInterviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Jason Pettigrew, Travis Ryan, Jeremy Bolm, Jon Syverson, Molly Neuman and more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Don't Fall in Love with Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson. From childhood tragedy to his rise in the San Diego punk scene, Don't Fall in Love with Yourself takes an in-depth look at a career made out of blood, sweat and spit.\\n\\nMuch of the footage has been sourced from dozens of VHS \u0026amp; Mini-DV tapes recorded over the past three decades. With never-before-seen footage of one of the most interesting and unique musical movements is recent memory.\\n\\nInterviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Jason Pettigrew, Travis Ryan, Jeremy Bolm, Jon Syverson, Molly Neuman and more.\\n\u0026quot;}\"\u003edirected by: \u003c\/span\u003eJon Nix\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Don't Fall in Love with Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson. From childhood tragedy to his rise in the San Diego punk scene, Don't Fall in Love with Yourself takes an in-depth look at a career made out of blood, sweat and spit.\\n\\nMuch of the footage has been sourced from dozens of VHS \u0026amp; Mini-DV tapes recorded over the past three decades. With never-before-seen footage of one of the most interesting and unique musical movements is recent memory.\\n\\nInterviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Jason Pettigrew, Travis Ryan, Jeremy Bolm, Jon Syverson, Molly Neuman and more.\\n\u0026quot;}\"\u003estarring: \u003c\/span\u003eJustin Pearson, Dave Lombardo, Jeremy Bolm, Travis Ryan, Eric Paul, Gabe Serbian, Jason Pettigrew\u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Don't Fall in Love with Yourself is a documentary that explores the life of enigmatic musician and artist, Justin Pearson. From childhood tragedy to his rise in the San Diego punk scene, Don't Fall in Love with Yourself takes an in-depth look at a career made out of blood, sweat and spit.\\n\\nMuch of the footage has been sourced from dozens of VHS \u0026amp; Mini-DV tapes recorded over the past three decades. With never-before-seen footage of one of the most interesting and unique musical movements is recent memory.\\n\\nInterviews include Justin Pearson, Dave Lombardo, Eric Paul, Gabe Serbian, Jason Pettigrew, Travis Ryan, Jeremy Bolm, Jon Syverson, Molly Neuman and more.\\n\u0026quot;}\"\u003e2023 \/ 93 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Special Features include 20+ minutes of additional interview footage, director commentary, live footage of The Locust \u0026amp; trailers.\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Special Features include 20+ minutes of additional interview footage, director commentary, live footage of The Locust \u0026amp; trailers.\"}'\u003e20+ minutes of additional interview footage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Special Features include 20+ minutes of additional interview footage, director commentary, live footage of The Locust \u0026amp; trailers.\"}'\u003eDirector commentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"Special Features include 20+ minutes of additional interview footage, director commentary, live footage of The Locust \u0026amp; trailers.\"}'\u003eLive footage of The Locust\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eTrailers\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Hyepmbjti00\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41883688403127,"sku":"ETRM015","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/dontfallinlovewithyourselffront.jpg?v=1715280918"},{"product_id":"slopes-game-room-sega-the-complete-history-vol-1","title":"Slopes Game Room: Sega the Complete History Vol. 1","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;SEGA: The Complete History Vol 1 compiles together ten of the best documentaries based on SEGA's most iconic franchises to date.\\n\\nOriginally created on the YouTube channel Slope's Game Room, these ten short films showcase the creation of arcade classics such as Daytona USA, OutRun, Super Hang-on, House of The Dead, After Burner and Space Harrier. Alongside these are nostalgic home console franchises such as Streets of Rage and Altered Beast. Then of course you have the obscure titles such as Congo Bongo and SEAMAN... And why not?\\n\\nWith over 30 million views on YouTube, Slope's Game Room documentaries have been studied and referenced for the creation of future games in their respective IP's, and for the first time ever are now released on Blu-ray with updated gameplay and editing.\\n\\nWith guest voice commentaries from fellow YouTubers such as Ashens, Kim Justice, and many more, this Blu-ray has a whole heap of bonus features and hidden Easter eggs. Main Feature Runtime: 5 hours 40 minutes· After Burner: The Complete History \/Altered Beast: The Complete History\/Congo Bongo: The Complete History\/Daytona USA: The Complete History\/OutRun: The Complete History\/SeaMan: The Complete History\/Space Harrier: The Complete History\/Streets of Rage: The Complete History\/Super Hang-On: The Complete History\/The House of the Dead: The Complete History\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eSEGA: The Complete History Vol. 1 compiles together ten of the best documentaries based on SEGA's most iconic franchises to date.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;SEGA: The Complete History Vol 1 compiles together ten of the best documentaries based on SEGA's most iconic franchises to date.\\n\\nOriginally created on the YouTube channel Slope's Game Room, these ten short films showcase the creation of arcade classics such as Daytona USA, OutRun, Super Hang-on, House of The Dead, After Burner and Space Harrier. Alongside these are nostalgic home console franchises such as Streets of Rage and Altered Beast. Then of course you have the obscure titles such as Congo Bongo and SEAMAN... And why not?\\n\\nWith over 30 million views on YouTube, Slope's Game Room documentaries have been studied and referenced for the creation of future games in their respective IP's, and for the first time ever are now released on Blu-ray with updated gameplay and editing.\\n\\nWith guest voice commentaries from fellow YouTubers such as Ashens, Kim Justice, and many more, this Blu-ray has a whole heap of bonus features and hidden Easter eggs. Main Feature Runtime: 5 hours 40 minutes· After Burner: The Complete History \/Altered Beast: The Complete History\/Congo Bongo: The Complete History\/Daytona USA: The Complete History\/OutRun: The Complete History\/SeaMan: The Complete History\/Space Harrier: The Complete History\/Streets of Rage: The Complete History\/Super Hang-On: The Complete History\/The House of the Dead: The Complete History\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eOriginally created on the YouTube channel Slope's Game Room, these ten short films showcase the creation of arcade classics such as Daytona USA, OutRun, Super Hang-on, House of The Dead, After Burner and Space Harrier. Alongside these are nostalgic home console franchises such as Streets of Rage and Altered Beast. Then of course you have the obscure titles such as Congo Bongo and SEAMAN... And why not?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;SEGA: The Complete History Vol 1 compiles together ten of the best documentaries based on SEGA's most iconic franchises to date.\\n\\nOriginally created on the YouTube channel Slope's Game Room, these ten short films showcase the creation of arcade classics such as Daytona USA, OutRun, Super Hang-on, House of The Dead, After Burner and Space Harrier. Alongside these are nostalgic home console franchises such as Streets of Rage and Altered Beast. Then of course you have the obscure titles such as Congo Bongo and SEAMAN... And why not?\\n\\nWith over 30 million views on YouTube, Slope's Game Room documentaries have been studied and referenced for the creation of future games in their respective IP's, and for the first time ever are now released on Blu-ray with updated gameplay and editing.\\n\\nWith guest voice commentaries from fellow YouTubers such as Ashens, Kim Justice, and many more, this Blu-ray has a whole heap of bonus features and hidden Easter eggs. Main Feature Runtime: 5 hours 40 minutes· After Burner: The Complete History \/Altered Beast: The Complete History\/Congo Bongo: The Complete History\/Daytona USA: The Complete History\/OutRun: The Complete History\/SeaMan: The Complete History\/Space Harrier: The Complete History\/Streets of Rage: The Complete History\/Super Hang-On: The Complete History\/The House of the Dead: The Complete History\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eWith over 30 million views on YouTube, Slope's Game Room documentaries have been studied and referenced for the creation of future games in their respective IP's, and for the first time ever are now released on Blu-ray with updated gameplay and editing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;SEGA: The Complete History Vol 1 compiles together ten of the best documentaries based on SEGA's most iconic franchises to date.\\n\\nOriginally created on the YouTube channel Slope's Game Room, these ten short films showcase the creation of arcade classics such as Daytona USA, OutRun, Super Hang-on, House of The Dead, After Burner and Space Harrier. Alongside these are nostalgic home console franchises such as Streets of Rage and Altered Beast. Then of course you have the obscure titles such as Congo Bongo and SEAMAN... And why not?\\n\\nWith over 30 million views on YouTube, Slope's Game Room documentaries have been studied and referenced for the creation of future games in their respective IP's, and for the first time ever are now released on Blu-ray with updated gameplay and editing.\\n\\nWith guest voice commentaries from fellow YouTubers such as Ashens, Kim Justice, and many more, this Blu-ray has a whole heap of bonus features and hidden Easter eggs. Main Feature Runtime: 5 hours 40 minutes· After Burner: The Complete History \/Altered Beast: The Complete History\/Congo Bongo: The Complete History\/Daytona USA: The Complete History\/OutRun: The Complete History\/SeaMan: The Complete History\/Space Harrier: The Complete History\/Streets of Rage: The Complete History\/Super Hang-On: The Complete History\/The House of the Dead: The Complete History\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eWith guest voice commentaries from fellow YouTubers such as Ashens, Kim Justice, and many more, this Blu-ray has a whole heap of bonus features and hidden Easter eggs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded Documentaries:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eAfter Burner: The Complete History\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eAltered Beast: The Complete History\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eCongo Bongo: The Complete History\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eDaytona USA: The Complete History\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eOutRun: The Complete History\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eSeaMan: The Complete History\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eSpace Harrier: The Complete History\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eStreets of Rage: The Complete History\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eSuper Hang-On: The Complete History\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eThe House of the Dead: The Complete History\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003edirected by: \u003c\/span\u003e\u003c\/span\u003eDaniel Ibbertson AKA DJ Slope\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003estarring: \u003c\/span\u003e\u003c\/span\u003eDaniel Ibbertson aka DJ Slope , Mr ThunderWing, Blast Processing, Quang from Asobi Tech, Nostalgia Nerd, Jimmy Happa: Import Gaming FTW,Ashens, Kim Justice,Oliver Harper\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003e2023 \/ 340 min (combined) \/ 1.78:1 \/ English \u003c\/span\u003e\u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Special Features Runtime: 1 hour 22 minutes· 4 Terrible and Forgotten SEGA Comics ,Bandai\/SEGA: The Merger that almost happened ,  Sonic Team’s Forgotten Love Simulator ,SEGA’s Forgotten Rollercoaster ,The SEGA game they didn’t want you to buy ,Street’s Of Rage: The (not so) Complete History (2014 edition)\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Special Features Runtime: 1 hour 22 minutes· 4 Terrible and Forgotten SEGA Comics ,Bandai\/SEGA: The Merger that almost happened ,  Sonic Team’s Forgotten Love Simulator ,SEGA’s Forgotten Rollercoaster ,The SEGA game they didn’t want you to buy ,Street’s Of Rage: The (not so) Complete History (2014 edition)\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSpecial Features Runtime: 1 hour 22 minutes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Special Features Runtime: 1 hour 22 minutes· 4 Terrible and Forgotten SEGA Comics ,Bandai\/SEGA: The Merger that almost happened ,  Sonic Team’s Forgotten Love Simulator ,SEGA’s Forgotten Rollercoaster ,The SEGA game they didn’t want you to buy ,Street’s Of Rage: The (not so) Complete History (2014 edition)\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e4 Terrible and Forgotten SEGA Comics\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Special Features Runtime: 1 hour 22 minutes· 4 Terrible and Forgotten SEGA Comics ,Bandai\/SEGA: The Merger that almost happened ,  Sonic Team’s Forgotten Love Simulator ,SEGA’s Forgotten Rollercoaster ,The SEGA game they didn’t want you to buy ,Street’s Of Rage: The (not so) Complete History (2014 edition)\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBandai\/SEGA: The Merger that almost happened\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Special Features Runtime: 1 hour 22 minutes· 4 Terrible and Forgotten SEGA Comics ,Bandai\/SEGA: The Merger that almost happened ,  Sonic Team’s Forgotten Love Simulator ,SEGA’s Forgotten Rollercoaster ,The SEGA game they didn’t want you to buy ,Street’s Of Rage: The (not so) Complete History (2014 edition)\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e Sonic Team’s Forgotten Love Simulator\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Special Features Runtime: 1 hour 22 minutes· 4 Terrible and Forgotten SEGA Comics ,Bandai\/SEGA: The Merger that almost happened ,  Sonic Team’s Forgotten Love Simulator ,SEGA’s Forgotten Rollercoaster ,The SEGA game they didn’t want you to buy ,Street’s Of Rage: The (not so) Complete History (2014 edition)\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSEGA’s Forgotten Rollercoaster\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Special Features Runtime: 1 hour 22 minutes· 4 Terrible and Forgotten SEGA Comics ,Bandai\/SEGA: The Merger that almost happened ,  Sonic Team’s Forgotten Love Simulator ,SEGA’s Forgotten Rollercoaster ,The SEGA game they didn’t want you to buy ,Street’s Of Rage: The (not so) Complete History (2014 edition)\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eThe SEGA game they didn’t want you to buy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Special Features Runtime: 1 hour 22 minutes· 4 Terrible and Forgotten SEGA Comics ,Bandai\/SEGA: The Merger that almost happened ,  Sonic Team’s Forgotten Love Simulator ,SEGA’s Forgotten Rollercoaster ,The SEGA game they didn’t want you to buy ,Street’s Of Rage: The (not so) Complete History (2014 edition)\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eStreet’s Of Rage: The (not so) Complete History (2014 edition)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41909432647863,"sku":"ETRM016","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/slopesgameroomvol.1front.jpg?v=1699306377"},{"product_id":"out-of-time-the-material-issue-story","title":"Out of Time: The Material Issue Story","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis special limited edition slipcover is limited to\u003cspan\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e,000 units\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"il\"\u003eFactory\u003c\/span\u003e \u003cspan class=\"il\"\u003e25\u003c\/span\u003e, a Brooklyn-based independent film distribution company was founded in 2009 by Matt Grady. F25 is a home for conceptually provocative narratives and documentaries. Its mission is to deliver specialized film and music titles in an aesthetically captivating way while exposing the indie world to under-the-radar films, music, and other curiosities in various ways and formats — theatrically, digitally, on TV, VOD, via subscription, limited edition DVDs,  Blu-ray's, books and vinyl. \u003cmeta charset=\"utf-8\"\u003eVinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Out of Time: The Material Issue Story examines the tragic story of a rock band on the cusp of superstardom cut short by front man Jim Ellison’s suicide. The film tells the story of Material Issue, a power pop trio from Chicago that was literally out of time, sandwiched between the post-punk era of the 80's and the alternative rock movement of the 90's searching for its identity in the gritty world of rock and roll.\\n\\nThe film features original band members Mike Zelenko and Ted Ansani with the first interviews of the family of Jim Ellison since his passing along with others that helped shape the world of the band including Jeff Murphy, Joe Shanahan, Jay O'Rourke, Jeff Kwatinetz, Matt Pinfield, Steve Albini and more.\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eOut of Time: The Material Issue Story examines the tragic story of a rock band on the cusp of superstardom cut short by front man Jim Ellison’s suicide. The film tells the story of Material Issue, a power pop trio from Chicago that was literally out of time, sandwiched between the post-punk era of the 80's and the alternative rock movement of the 90's searching for its identity in the gritty world of rock and roll.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Out of Time: The Material Issue Story examines the tragic story of a rock band on the cusp of superstardom cut short by front man Jim Ellison’s suicide. The film tells the story of Material Issue, a power pop trio from Chicago that was literally out of time, sandwiched between the post-punk era of the 80's and the alternative rock movement of the 90's searching for its identity in the gritty world of rock and roll.\\n\\nThe film features original band members Mike Zelenko and Ted Ansani with the first interviews of the family of Jim Ellison since his passing along with others that helped shape the world of the band including Jeff Murphy, Joe Shanahan, Jay O'Rourke, Jeff Kwatinetz, Matt Pinfield, Steve Albini and more.\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eThe film features original band members Mike Zelenko and Ted Ansani with the first interviews of the family of Jim Ellison since his passing along with others that helped shape the world of the band including Jeff Murphy, Joe Shanahan, Jay O'Rourke, Jeff Kwatinetz, Matt Pinfield, Steve Albini and more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Out of Time: The Material Issue Story examines the tragic story of a rock band on the cusp of superstardom cut short by front man Jim Ellison’s suicide. The film tells the story of Material Issue, a power pop trio from Chicago that was literally out of time, sandwiched between the post-punk era of the 80's and the alternative rock movement of the 90's searching for its identity in the gritty world of rock and roll.\\n\\nThe film features original band members Mike Zelenko and Ted Ansani with the first interviews of the family of Jim Ellison since his passing along with others that helped shape the world of the band including Jeff Murphy, Joe Shanahan, Jay O'Rourke, Jeff Kwatinetz, Matt Pinfield, Steve Albini and more.\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003edirected by: \u003c\/span\u003eBalin Schneider\u003cbr\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Out of Time: The Material Issue Story examines the tragic story of a rock band on the cusp of superstardom cut short by front man Jim Ellison’s suicide. The film tells the story of Material Issue, a power pop trio from Chicago that was literally out of time, sandwiched between the post-punk era of the 80's and the alternative rock movement of the 90's searching for its identity in the gritty world of rock and roll.\\n\\nThe film features original band members Mike Zelenko and Ted Ansani with the first interviews of the family of Jim Ellison since his passing along with others that helped shape the world of the band including Jeff Murphy, Joe Shanahan, Jay O'Rourke, Jeff Kwatinetz, Matt Pinfield, Steve Albini and more.\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003estarring: \u003c\/span\u003eMike Zelenko, Ted Ansani, Patricia Wegner, Mike Chapman, Steve Albini, Matt Pinfield Jim DeRogatis and Greg Kot\u003cbr\u003e2023 \/ 68 min \/ 1.78:1 \/ English Dolby Digital 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Matt Pinfield Extended Interview\\n- Material Issue Live Performance\\n- Trailer\\n- 24 page booklet with essays by Jim Ryan and director Balin Schneider\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Matt Pinfield Extended Interview\\n- Material Issue Live Performance\\n- Trailer\\n- 24 page booklet with essays by Jim Ryan and director Balin Schneider\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eMatt Pinfield Extended Interview\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Matt Pinfield Extended Interview\\n- Material Issue Live Performance\\n- Trailer\\n- 24 page booklet with essays by Jim Ryan and director Balin Schneider\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eMaterial Issue Live Performance\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Matt Pinfield Extended Interview\\n- Material Issue Live Performance\\n- Trailer\\n- 24 page booklet with essays by Jim Ryan and director Balin Schneider\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Matt Pinfield Extended Interview\\n- Material Issue Live Performance\\n- Trailer\\n- 24 page booklet with essays by Jim Ryan and director Balin Schneider\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e24 page booklet with essays by Jim Ryan and director Balin Schneider\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Matt Pinfield Extended Interview\\n- Material Issue Live Performance\\n- Trailer\\n- 24 page booklet with essays by Jim Ryan and director Balin Schneider\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Matt Pinfield Extended Interview\\n- Material Issue Live Performance\\n- Trailer\\n- 24 page booklet with essays by Jim Ryan and director Balin Schneider\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/708421470?h=8df02491b7\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/708421470\"\u003eOut of Time: The Material Issue Story - Trailer\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/factory25\"\u003eFactory 25\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Factory 25","offers":[{"title":"Limited Edition Slipcover","offer_id":41909432746167,"sku":"FTF-133 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41909432778935,"sku":"FTF-133","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/outoftimeslipfront.jpg?v=1693422872"},{"product_id":"we-kill-for-love","title":"We Kill for Love","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYellow Veil Pictures is a New York City and Los Angeles-based film sales and distribution company focusing exclusively on boundary pushing genre cinema, seeking to highlight filmmakers who exist on the cusp of commercial and arthouse cinema.\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"We Kill for Love goes in search of the forgotten world of the direct-to-video erotic thriller, an American film genre that once dominated late night cable television and the shelves of neighborhood video stores. Balancing film art with scholarship, it pulls back the curtain to reveal the heart and soul of a forgotten and often maligned film movement.\"}'\u003eWe Kill for Love goes in search of the forgotten world of the direct-to-video erotic thriller, an American film genre that once dominated late night cable television and the shelves of neighborhood video stores. Balancing film art with scholarship, it pulls back the curtain to reveal the heart and soul of a forgotten and often maligned film movement. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"We Kill for Love goes in search of the forgotten world of the direct-to-video erotic thriller, an American film genre that once dominated late night cable television and the shelves of neighborhood video stores. Balancing film art with scholarship, it pulls back the curtain to reveal the heart and soul of a forgotten and often maligned film movement.\"}'\u003edirected by: \u003c\/span\u003eAnthony Penta \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"We Kill for Love goes in search of the forgotten world of the direct-to-video erotic thriller, an American film genre that once dominated late night cable television and the shelves of neighborhood video stores. Balancing film art with scholarship, it pulls back the curtain to reveal the heart and soul of a forgotten and often maligned film movement.\"}'\u003estarring: \u003c\/span\u003eAndrew Stevens, Monique Parent, Amy Lindsay, Linda Ruth Williams, Kira Reed Lorsch, Jim Wynorski, Fred Olen Ray \u003cbr\u003e\u003cspan data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"We Kill for Love goes in search of the forgotten world of the direct-to-video erotic thriller, an American film genre that once dominated late night cable television and the shelves of neighborhood video stores. Balancing film art with scholarship, it pulls back the curtain to reveal the heart and soul of a forgotten and often maligned film movement.\"}'\u003e2023 \/ 163 min \/ 1.78:1 \/ English \u003c\/span\u003eDTS-HD MA 2.0\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003eCommentary Track Intro and Outro by Director Anthony Penta\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003e3 Parts Commentary Track:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003eDanger by Travis Woods\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003eWomen, Gothic, Romance By Sam Deigen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003eErotic, Soft Core by Douglas Keesey\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003e6 Deleted Scenes and Interviews\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003eThe History of the Phrase Erotic Thriller by Anthony Penta\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003eEssay by Justin LaLiberty\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003eSlip Cover by Sam Coyle\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/75lQ2Sc1s5g?si=JgQrxYJZ9uYAciBQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Yellow Veil Pictures","offers":[{"title":"Default Title","offer_id":41909433139383,"sku":"YVP-017","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/wekillforlovefront.jpg?v=1695760966"},{"product_id":"the-taking","title":"The Taking","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eThis special limited edition slipcover \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eis limited to\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003cstrong\u003e1\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e,000 units\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eDekanalog is a film and soundtrack distribution company dedicated to the release of the most unique filmmaking voices and musical scores from around the world. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this diverse and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eThis illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003edirected by: Alexandre O. Philippe\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003estarring: Jennifer Nez Denetdale, Liza Black, Sir Christopher Frayling, Robert M. Bednar, John Bucher\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e2021 \/ 76 min \/ 1.85:1 \/ English, Italian DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003e\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eInterview with filmmaker Alexandre O. Philippe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eSuper 8 Montage of Monument Valley footage used in the film\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eThe Spot - short film by Alexandre O. Philippe\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eTheatrical Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eBooklet Essay by Scout Tafoya\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This illuminating essay uses film scenes to tell of the forced cultural appropriation of a world-famous landscape. Monument Valley is one of the most recognizable landscapes in the world. Its iconographic use in American Westerns has had a lasting influence on stock photography, advertising, and tourism. The valley has been given mythical significance as an image of a “primitive West” firmly in the hands of white people and meant to be protected from intruders. The fact that Monument Valley is traditional Navajo territory has been obscured in the process. A radical examination of Monument Valley’s representation in cinema and advertising since John Ford’s Stagecoach (1939), The Taking scrutinizes how a site located on sovereign Navajo land came to embody the fantasy of the “Old West,” replete with self-perpetuating falsehoods, and why it continues to hold mythic significance in the global psyche.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Dekanalog","offers":[{"title":"Limited Edition Slipcover","offer_id":41932453445815,"sku":"DKA012 SLIP","price":39.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41932453478583,"sku":"DKA012","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/thetakingslipfront.jpg?v=1696024646"},{"product_id":"pretending-im-a-superman-the-tony-hawk-video-game-story","title":"Pretending I'm a Superman: The Tony Hawk Video Game Story","description":"\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eETR Media is the brand new film distribution arm of Enjoy the Ride Records, a Long Island based record label, specializing in cult following reissues through a variety of genres. ETR Media releases will adhere to the same quality standards as fans have come to associate with their lavish LP reissues. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing this new and unique home video line!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The skateboarding industry was going through a major crisis in the early 90s, with popularity nosediving and the certainty of the skaters’ livelihoods unknown. But that was all about to change with the introduction of the X-Games, and the debut of one of the world’s most influential video game franchises. In 1999, the video game Tony Hawk’s Pro Skater shook the world when it sold 9 million copies upon release and changed the skateboarding scene forever. Complimenting the reboot of the beloved Tony Hawk Pro Skater 1 \u0026amp; 2 games in 2020, PRETENDING I’M A SUPERMAN tells the story behind the game that changed lives and shaped a generation.\\n\\nFrom award-winning Swedish director Ludvig Gür and acclaimed videogame producer Ralph D’Amato, Pretending I’m A Superman is the story of the skaters and developers who came together to create the best-selling gaming franchise, as well as a look into how skateboarding became a part of the mainstream, and continues to influence modern culture.\\n\\n Featuring never-before-seen footage and interviews with legendary skater Tony Hawk, as well as industry stars Steve Caballero, Rodney Mullen, Chad Muska, and Eric Koston, Gür takes audiences through an intimate yet extraordinary journey, chronicling the meteoric rise of skate boarding’s most famous name.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eThe skateboarding industry was going through a major crisis in the early 90s, with popularity nosediving and the certainty of the skaters’ livelihoods unknown. But that was all about to change with the introduction of the X-Games, and the debut of one of the world’s most influential video game franchises. In 1999, the video game Tony Hawk’s Pro Skater shook the world when it sold 9 million copies upon release and changed the skateboarding scene forever. Complimenting the reboot of the beloved Tony Hawk Pro Skater 1 \u0026amp; 2 games in 2020, PRETENDING I’M A SUPERMAN tells the story behind the game that changed lives and shaped a generation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The skateboarding industry was going through a major crisis in the early 90s, with popularity nosediving and the certainty of the skaters’ livelihoods unknown. But that was all about to change with the introduction of the X-Games, and the debut of one of the world’s most influential video game franchises. In 1999, the video game Tony Hawk’s Pro Skater shook the world when it sold 9 million copies upon release and changed the skateboarding scene forever. Complimenting the reboot of the beloved Tony Hawk Pro Skater 1 \u0026amp; 2 games in 2020, PRETENDING I’M A SUPERMAN tells the story behind the game that changed lives and shaped a generation.\\n\\nFrom award-winning Swedish director Ludvig Gür and acclaimed videogame producer Ralph D’Amato, Pretending I’m A Superman is the story of the skaters and developers who came together to create the best-selling gaming franchise, as well as a look into how skateboarding became a part of the mainstream, and continues to influence modern culture.\\n\\n Featuring never-before-seen footage and interviews with legendary skater Tony Hawk, as well as industry stars Steve Caballero, Rodney Mullen, Chad Muska, and Eric Koston, Gür takes audiences through an intimate yet extraordinary journey, chronicling the meteoric rise of skate boarding’s most famous name.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eFrom award-winning Swedish director Ludvig Gür and acclaimed videogame producer Ralph D’Amato, Pretending I’m A Superman is the story of the skaters and developers who came together to create the best-selling gaming franchise, as well as a look into how skateboarding became a part of the mainstream, and continues to influence modern culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The skateboarding industry was going through a major crisis in the early 90s, with popularity nosediving and the certainty of the skaters’ livelihoods unknown. But that was all about to change with the introduction of the X-Games, and the debut of one of the world’s most influential video game franchises. In 1999, the video game Tony Hawk’s Pro Skater shook the world when it sold 9 million copies upon release and changed the skateboarding scene forever. Complimenting the reboot of the beloved Tony Hawk Pro Skater 1 \u0026amp; 2 games in 2020, PRETENDING I’M A SUPERMAN tells the story behind the game that changed lives and shaped a generation.\\n\\nFrom award-winning Swedish director Ludvig Gür and acclaimed videogame producer Ralph D’Amato, Pretending I’m A Superman is the story of the skaters and developers who came together to create the best-selling gaming franchise, as well as a look into how skateboarding became a part of the mainstream, and continues to influence modern culture.\\n\\n Featuring never-before-seen footage and interviews with legendary skater Tony Hawk, as well as industry stars Steve Caballero, Rodney Mullen, Chad Muska, and Eric Koston, Gür takes audiences through an intimate yet extraordinary journey, chronicling the meteoric rise of skate boarding’s most famous name.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eFeaturing never-before-seen footage and interviews with legendary skater Tony Hawk, as well as industry stars Steve Caballero, Rodney Mullen, Chad Muska, and Eric Koston, Gür takes audiences through an intimate yet extraordinary journey, chronicling the meteoric rise of skate boarding’s most famous name.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The skateboarding industry was going through a major crisis in the early 90s, with popularity nosediving and the certainty of the skaters’ livelihoods unknown. But that was all about to change with the introduction of the X-Games, and the debut of one of the world’s most influential video game franchises. In 1999, the video game Tony Hawk’s Pro Skater shook the world when it sold 9 million copies upon release and changed the skateboarding scene forever. Complimenting the reboot of the beloved Tony Hawk Pro Skater 1 \u0026amp; 2 games in 2020, PRETENDING I’M A SUPERMAN tells the story behind the game that changed lives and shaped a generation.\\n\\nFrom award-winning Swedish director Ludvig Gür and acclaimed videogame producer Ralph D’Amato, Pretending I’m A Superman is the story of the skaters and developers who came together to create the best-selling gaming franchise, as well as a look into how skateboarding became a part of the mainstream, and continues to influence modern culture.\\n\\n Featuring never-before-seen footage and interviews with legendary skater Tony Hawk, as well as industry stars Steve Caballero, Rodney Mullen, Chad Muska, and Eric Koston, Gür takes audiences through an intimate yet extraordinary journey, chronicling the meteoric rise of skate boarding’s most famous name.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003edirected by: Ludvig Gür\u003c\/span\u003e \u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"The skateboarding industry was going through a major crisis in the early 90s, with popularity nosediving and the certainty of the skaters’ livelihoods unknown. But that was all about to change with the introduction of the X-Games, and the debut of one of the world’s most influential video game franchises. In 1999, the video game Tony Hawk’s Pro Skater shook the world when it sold 9 million copies upon release and changed the skateboarding scene forever. Complimenting the reboot of the beloved Tony Hawk Pro Skater 1 \u0026amp; 2 games in 2020, PRETENDING I’M A SUPERMAN tells the story behind the game that changed lives and shaped a generation.\\n\\nFrom award-winning Swedish director Ludvig Gür and acclaimed videogame producer Ralph D’Amato, Pretending I’m A Superman is the story of the skaters and developers who came together to create the best-selling gaming franchise, as well as a look into how skateboarding became a part of the mainstream, and continues to influence modern culture.\\n\\n Featuring never-before-seen footage and interviews with legendary skater Tony Hawk, as well as industry stars Steve Caballero, Rodney Mullen, Chad Muska, and Eric Koston, Gür takes audiences through an intimate yet extraordinary journey, chronicling the meteoric rise of skate boarding’s most famous name.\"}' data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003estarring: Tony Hawk, Rodney Mullen, Steve Caballero, Chad Muska, Jamie Thomas\u003c\/span\u003e \u003cbr\u003e2020 \/ 71 min \/ 1.78:1 \/ English Stereo\u003c\/p\u003e\n\u003cp\u003eAdditional info:\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;30+ minutes of additional interview footage of Producer Ralph D'Amato  not in the film along with Tony Hawks MoCap session for THPS,  Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices and concept art scans. Also, QA session from the premiere of the film at the Mammoth Film Festival\u0026quot;}\"\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;30+ minutes of additional interview footage of Producer Ralph D'Amato  not in the film along with Tony Hawks MoCap session for THPS,  Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices and concept art scans. Also, QA session from the premiere of the film at the Mammoth Film Festival\u0026quot;}\"\u003e30+ minutes of additional interview footage of Producer Ralph D'Amato (not in the film), along with Tony Hawks MoCap session for THPS, Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;30+ minutes of additional interview footage of Producer Ralph D'Amato  not in the film along with Tony Hawks MoCap session for THPS,  Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices and concept art scans. Also, QA session from the premiere of the film at the Mammoth Film Festival\u0026quot;}\"\u003eConcept art scans\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;30+ minutes of additional interview footage of Producer Ralph D'Amato  not in the film along with Tony Hawks MoCap session for THPS,  Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices and concept art scans. Also, QA session from the premiere of the film at the Mammoth Film Festival\u0026quot;}\"\u003eQA session from the premiere of the film at the Mammoth Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;30+ minutes of additional interview footage of Producer Ralph D'Amato  not in the film along with Tony Hawks MoCap session for THPS,  Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices and concept art scans. Also, QA session from the premiere of the film at the Mammoth Film Festival\u0026quot;}\"\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;30+ minutes of additional interview footage of Producer Ralph D'Amato  not in the film along with Tony Hawks MoCap session for THPS,  Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices and concept art scans. Also, QA session from the premiere of the film at the Mammoth Film Festival\u0026quot;}\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AFpOA1Dr6v8?si=GrK0jdR-NlhM5KtC\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"ETR Media","offers":[{"title":"Default Title","offer_id":41932453806263,"sku":"ETRM017","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/pretendingimasupermanfront.jpg?v=1716996715"},{"product_id":"squaring-the-circle-the-story-of-hipgnosis","title":"Squaring the Circle (The Story of Hipgnosis)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eThis special limited edition slipcover (designed by \u003c\/span\u003eBeth Morris) is limited to \u003cstrong data-mce-fragment=\"1\"\u003e1,000 units\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eand is only available on our website and at select indie retailers. Absolutely no major retailers will be stocking them.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eUtopia is a film acquisitions, sales, and technology company with a ‘filmmaker first’ approach. Utopia focuses on creating new revenue and monetization opportunities, improving the direct-to-consumer experience, and helping filmmakers maintain a global presence. Vinegar Syndrome’s sister company, OCN Distribution, is thrilled to be representing Utopia's brand new line of home video releases!\u003c\/em\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003eCelebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \"\"The Dark Side of the Moon\"\" and \"\"Band on the Run.\"\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003edirected by: Anton Corbijn\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003estarring: Storm Thorgerson, Aubrey Powell, Paul McCartney, Jimmy Page, Robert Plant, David Gilmour, Roger Waters, Nick Mason, Graham Gouldman, Noel Gallagher\u003c\/span\u003e\u003cbr\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003e2022 \/ 101 min \/ 1.78:1 \/ English DTS-HD MA 5.1, 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003e\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003eAdditional info:\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003eRegion A Blu-ray\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003eAudio commentary with Director Anton Corbijn and Graphic Designer Aubrey (Po) Powell\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003eHipgnosis archive photo gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003ePolaroid deleted scene\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003e Red Band and Green Band Trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"Celebrated photographer, creative director and filmmaker Anton Corbijn’s first feature documentary SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) tells the story of Storm Thorgerson and Aubrey “Po” Powell, the creative geniuses behind the iconic album art design studio, Hipgnosis, responsible for some of the most recognizable album covers of all time, including \\\"\\\"The Dark Side of the Moon\\\"\\\" and \\\"\\\"Band on the Run.\\\"\\\" They formed Hipgnosis in Cambridge during the ferment of the sixties and became rock royalty during the boom time of the seventies. They conjured into existence sights that no one had previously thought possible, produced visuals which popularized music that had previously been considered fringe, and were at the white-hot center of the maddest, funniest and most creative era in the history of popular music. During this period, record companies didn’t dictate to acts like Peter Gabriel, Pink Floyd, Led Zeppelin, and Paul McCartney what their LP covers should look like - Storm and Po did. They made money; they lost money. They did great things; they did silly things. They fell out bitterly; they made up. They never played a note, but they changed music. The film features brand new interviews with Roger Waters, David Gilmour \u0026amp; Nick Mason of Pink Floyd, Jimmy Page \u0026amp; Robert Plant of Led Zeppelin, Paul McCartney, Peter Gabriel, Graham Gouldman of 10cc, Noel Gallagher, and many more! \"}' data-sheets-userformat='{\"2\":8705,\"3\":{\"1\":0},\"12\":0,\"16\":8}'\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-OYQNAk_krQ?si=EyLbaSgUipy1EFc_\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle data-mce-fragment=\"1\" type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"Utopia","offers":[{"title":"Limited Edition Slipcover","offer_id":41932454887607,"sku":"UTO-023 SLIP","price":34.98,"currency_code":"USD","in_stock":true},{"title":"Standard Edition","offer_id":41932454920375,"sku":"UTO-023","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0528\/9531\/8199\/files\/squaringthecircleslipback.jpg?v=1696024502"}],"url":"https:\/\/ocndistribution.com\/collections\/documentary.oembed?page=8","provider":"OCN Distribution","version":"1.0","type":"link"}